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1000 tulosta hakusanalla Luisa Igloria

Juan Luna's Revolver

Juan Luna's Revolver

Luisa Igloria

University of Notre Dame Press
2009
nidottu
The poems in Juan Luna' s Revolver both address history and attempt to transcend it through their exploration of the complexity of diaspora. Attending to the legacy of colonial and postcolonial encounters, Luisa A. Igloria has crafted poems that create links of sympathetic human understanding, even as they revisit difficult histories and pose necessary questions about place, power, displacement, nostalgia, beauty, and human resilience in conditions of alienation and duress. Igloria traces journeys made by Filipinos in the global diaspora that began since the encounter with European and American colonial power. Her poems allude to historical figures such as the Filipino painter Juan Luna and the novelist and national hero Jose Rizal, as well as the eleven hundred indigenous Filipinos brought to serve as live exhibits in the 1904 Missouri World's Fair. The image of the revolver fired by Juan Luna reverberates throughout the collection, raising to high relief how separation and exile have shaped concepts of identity, nationality, and possibility. Suffused with gorgeous imagery and nuanced emotion, Igloria's poetry achieves an intimacy fostered by gem-like phrases set within a politically-charged context speaking both to the personal and the collective.
Juan Luna's Revolver

Juan Luna's Revolver

Luisa Igloria

UNIVERSITY OF NOTRE DAME PRESS
2022
sidottu
The poems in Juan Luna' s Revolver both address history and attempt to transcend it through their exploration of the complexity of diaspora. Attending to the legacy of colonial and postcolonial encounters, Luisa A. Igloria has crafted poems that create links of sympathetic human understanding, even as they revisit difficult histories and pose necessary questions about place, power, displacement, nostalgia, beauty, and human resilience in conditions of alienation and duress. Igloria traces journeys made by Filipinos in the global diaspora that began since the encounter with European and American colonial power. Her poems allude to historical figures such as the Filipino painter Juan Luna and the novelist and national hero Jose Rizal, as well as the eleven hundred indigenous Filipinos brought to serve as live exhibits in the 1904 Missouri World's Fair. The image of the revolver fired by Juan Luna reverberates throughout the collection, raising to high relief how separation and exile have shaped concepts of identity, nationality, and possibility. Suffused with gorgeous imagery and nuanced emotion, Igloria's poetry achieves an intimacy fostered by gem-like phrases set within a politically-charged context speaking both to the personal and the collective.
Artemis 2021

Artemis 2021

Nikki Giovanni; Luisa Igloria; Natasha Trethewey

Wilder Publications
2021
sidottu
Artemis Journal is one of the few journals in America that blends art, poetry, and prose throughout its pages. Likewise, it remains one of the few journals that publish fledgling writers and artists alongside prominent writers such as Nikki Giovanni, Virginia Poet Laureates, Luisa Igloria, Ron Smith, Carolyn Kreiter-Foronda, U.S. Poet Laureates, Rita Dove, Natasha Trethewey, as well as prominent artists such as Donna Polseno, Betty Branch, and Bill White.Artemis Journal is a charitable non-profit organization, now 44 years old, and has evolved to be an all-inclusive journal with essays, poetry, and art. 15% of our earnings are donated to a women's shelter for abused women in Southwest Virginia.
Of Color

Of Color

Luisa A Igloria

Operating System
2019
pokkari
How do poets of color come to know what they do about their art and practice? How do they learn from and teach others? For poets of color, what does the relationship of "what one knows" have, with conditions extending but not limited to publishing, mentorship and pedagogy, comradeship and collegiality, friendship, love, and possibility? Is one a real poet if one does not have an MFA? For minority poets not considered part of the mainstream because of the combined effects of their ethnic, class, racial, cultural, linguistic, and other identities, what should change in order to accord them the space and respect they deserve? How best can they discuss with and pass on what they have learned to others? These and other questions come up so consistently in our daily experience as poets of color. And we hear them from poets of color at various stages of their careers. Out of the desire not only to hear from each other but also to share what we've learned--each from our unique as well as bonded experiences of writing as poets of color in this milieu--this anthology project was born. In this collection, we make no claims of presenting any definitive theoretical or other stance. Neither do we offer these essays as prescriptive of certain ways of thinking of craft or of doing things, although in them is expressed a collective wish--that writers of color find ways to gain strength and visibility without replicating the systems that play the game of divide and conquer and turn us against each other for narrow or self-serving profit. Instead, let there be a steady effort to compile lore and take inventory of strategies, intersections, bridges; to map our histories, to sight possibilities for the future. We are honored and thankful to have the words of the following poets in this anthology: Mai Der Vang (Foreword), Ching-In Chen, Addie Tsai, Tony Robles, Wendy Gaudin, Ernesto L. Abeytia, Abigail Licad, Tim Seibles, Melissa Coss Aquino, Sasha Pimentel, Jose Angel Araguz, Khadijah Queen, Remica L. Bingham-Risher, Ocean Vuong, Craig Santos Perez, and Kenji Liu.
Maps for Migrants and Ghosts

Maps for Migrants and Ghosts

Luisa A. Igloria

Southern Illinois University Press
2020
nidottu
Language as key and map to places, people, and histories lostFor immigrants and migrants, the wounds of colonization, displacement, and exile remain unhealed. Crossing oceans and generations, from her childhood home in Baguio City, the Philippines, to her immigrant home in Virginia, poet Luisa A. Igloria demonstrates how even our most personal and intimate experiences are linked to the larger collective histories that came before. In this poetry collection, Igloria brings together personal and family histories, ruminates on the waxing and waning of family fortunes, and reminds us how immigration necessitates and compels transformations. Simultaneously at home and displaced in two different worlds, the speaker lives in the past and the present, and the return to her origins is fraught with disappointment, familiarity, and alienation. Language serves as a key and a map to the places and people that have been lost. This collection folds memories, encounters, portraits, and vignettes, familiar and alien, into both an individual history and a shared collective history—a grandfather’s ghost stubbornly refusing to come in out of the rain, an elderly mother casually dropping YOLO into conversation, and the speaker’s abandonment of her childhood home for a second time. The poems in this collection spring out of a deep longing for place, for the past, for the selves we used to be before we traveled to where we are now, before we became who we are now. A stunning addition to the work of immigrant and migrant women poets on their diasporas, Maps for Migrants and Ghosts reveals a dream landscape at the edge of this world that is always moving, not moving, changing, and not changing.
Ode to the Heart Smaller than a Pencil Eraser

Ode to the Heart Smaller than a Pencil Eraser

Luisa A. Igloria

Utah State University Press
2014
sidottu
When Luisa Igloria cites Epictetusas soon as a thing has been seen, it is carried away, and another comes in its place she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. I was raised / to believe not only the beautiful can live on / Parnassus, she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe." Mark Doty, judge for the 2014 Swenson Award The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown."
Ode to the Heart Smaller than a Pencil Eraser

Ode to the Heart Smaller than a Pencil Eraser

Luisa A. Igloria

Utah State University Press
2014
nidottu
When Luisa Igloria cites Epictetusas soon as a thing has been seen, it is carried away, and another comes in its place she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. I was raised / to believe not only the beautiful can live on / Parnassus, she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe."Mark Doty, judge for the 2014 Swenson Award The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown."
Caulbearer

Caulbearer

Luisa A. Igloria

Black Lawrence Press
2024
nidottu
In many cultures, a caul is considered talismanic; and a child born with it, possessing luck or protection. Luisa A. Igloria invokes this metaphor to weave poems exploring the veiled intervals of transition experienced by those in the diaspora-- or by anyone who has felt a severing from their origins. The poems in Caulbearer enter spaces not only of nostalgia, loss, and impossible return. They also offer opportunities for glimpsing pleasure in the re-imagining and telling of our own stories, for as long and as many times as we need, in a world still full of beauty and mystery.
The Buddha Wonders if She is Having a Mid-life Crisis

The Buddha Wonders if She is Having a Mid-life Crisis

Luisa A. Igloria

Phoenicia Publishing
2018
nidottu
Luisa A. Igloria's "Buddha poems," written in early 2016, first appeared online at Via Negativa, where she has posted a new poem every day since November 2010.The author says these poems began from the premise that "if the Buddha in me can greet the Buddha in you," then the aspiration to transcendence is a daily work in progress. She writes about the constant seesaw between our appetite for worldly things and the hunger for deeper permanence; about our human imperfections and foibles; and our longing to be touched by grace, if not love and absolution, in this lifetime.
Luisa

Luisa

Carole Maurel

Humanoids, Inc
2018
pokkari
At 32, Luisa encounters her 15-year-old self in this sentimental and bold story about self-acceptance and sexuality.A disillusioned photographer has a chance encounter with her lost teenage self who has miraculously traveled into the future. Together, both women ultimately discover who they really are, finding the courage to live life by being true to themselves. A time-traveling love story that turns coming-of-age conventions upside down, Luisa is a universal queer romance for the modern age.
Luisa

Luisa

Norma I García Pettit

Palmetto Publishing
2021
pokkari
Born in 1848, Luisa is a young woman raised in the mountains of Adjuntas, Puerto Rico. Luisa's coming of age life experiences take us through family births, marriages and deaths, a devastating natural disaster, and political unrest in Puerto Rico as a Spanish colony. As romance develops between Luisa and a young man in her community, unsettling circumstances occur that cause her to dread what might happen in the years to come. Luisa must overcome her fears and learn to trust the unknown future to God. Luisa, an intriguing and inspirational story based on true-life ancestors in the author's family tree will enlighten readers about the culture and traditions of rural Puerto Rico during the latter part of the 19th century. Readers vividly feel what it was like to live day-to-day in that era, along with the cultural elements that make this tropical Caribbean island so unique. Young adults, those of Puerto Rican heritage, students of history or cross cultural studies, or anyone interested in understanding the roots of Puerto Rican culture will certainly be drawn to this story.
Luisa

Luisa

Personliches Namensbuch

Independently Published
2019
nidottu
Sind Sie auf der Suche nach einem g nstigen Geschenk f r ihre Tochter, Freundin oder eine Sch lerin, die gerne Notizen schreibt? Dieses linierte Blanko Notebook ist perfekt Es ist ein perfektes Geschenk f r den Schuljahresbeginn, besondere Anl sse oder Geburtstage Das Schreibheft hat ein 120 linierte A5 Seiten, so dass Sie nicht nur schreiben, sondern auch malen und zeichnen k nnen. Abgerundet wird das ganze durch einen sch nen farbigen Umschlag mit matten und cremefarbenen Seiten. Lass deiner Kreativit t freien Lauf. Schauen Sie sich auch unsere anderen B cher an, Sie werden sicher ein weiteres finden, welches Ihnen auch gefallen wird
Luisa

Luisa

Personliches Namensbuch

Independently Published
2019
nidottu
Sind Sie auf der Suche nach einem g nstigen Geschenk f r ihre Tochter, Freundin oder eine Sch lerin, die gerne Notizen schreibt? Dieses personalisierte linierte Blanko Notebook ist perfekt Es ist ein perfektes Geschenk f r den Schuljahresbeginn, besondere Anl sse oder Geburtstage Das Schreibheft hat ein 120 linierte A5 Seiten, so dass Sie nicht nur schreiben, sondern auch malen und zeichnen k nnen. Abgerundet wird das ganze durch einen sch nen farbigen Umschlag mit matten und cremefarbenen Seiten. Lass deiner Kreativit t freien Lauf. Schauen Sie sich auch unsere anderen B cher an, Sie werden sicher ein weiteres finden, welches Ihnen auch gefallen wird
Luisa

Luisa

Lena Corina

Books on Demand
2023
pokkari
Verlangen entgegen der Sitte, Leidenschaft gegen jede Vernunft, Liebe im Kampf mit Intrigen und Hass. Luisa wei so gut wie nichts ber ihre Herkunft. Als M ndel eines wohlhabenden Gesch ftsmannes weigert sie sich, eine arrangierte Ehe einzugehen. Damit sie die H rte eines einfachen Lebens kennenlernt, schickt ihr Ziehvater sie auf die Farm seines Schwiegersohns - jenen Ort, an dem Luisa als Baby ausgesetzt wurde. ber den D chern des viktorianischen Londons begegnet Luisa ihrem Schicksal und verschenkt waghalsig ihr Herz. Ihre folgenschwere Wahl verspricht jedoch nicht blo Leidenschaft und tiefe Gef hle, sondern zieht Luisa ins Zentrum eines gef hrlichen Netzes aus Obsession und Intrigen. Als der Kampf um die Liebe in einer Katastrophe zu enden droht, tritt Luisas Vergangenheit auf den Plan. Doch die Enth llung ihrer wahren Identit t birgt eine noch gr ere Gefahr ... Der Auftakt zur Opfer-der-Tugend-Serie. Vergiss deinen Alltag und tritt ein in die facettenreichen Schatten des 19. Jahrhunderts ...
Luisa

Luisa

Beate-M Dapper

Books on Demand
2016
pokkari
Wie viele Wege gehst du, um deinen zu finden? Nach Jahrzehnten in der Stadt hat Fridolin nur eins im Sinn: Ruhe in einem kleinen Holzh uschen am Wald zu finden, weit weg von der Schnelllebigkeit und den hohlen Lebensinhalten, die ihm das Gef hl geben, dass sein Leben auf seltsame Weise wenig mit ihm selbst zu tun hat. Doch als eines sch nen Herbsttages ein M dchen einfach so in sein Haus stiefelt, staunt er nicht schlecht. "Wer bist du?" fragt er und will nur ihren Namen wissen. "Ich bin ich." - "Und wer ist ICH?" "Das musst du schon selbst herausfinden. Ich bin auf jeden Fall nicht nur das, was du siehst, sondern auch das, was in mir drin ist." Luisa bringt Fridolins Leben ganz sch n durcheinander, ... bis er schlie lich in seinem Leben wieder selbst vorkommt.
Luisa Miller

Luisa Miller

Giuseppe Verdi

University of Chicago Press
1991
sidottu
Luisa Miller, a milestone in the maturation of Verdi's style, is the fifth work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board—Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Günter, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The newly set score is printed on acid-free paper and beautifully bound in an oversized format. The introduction to the score discusses the work's genesis, sources, and performance history as well as performance practice, instrumentation, and problems of notation. The critical commentary discusses editorial decisions and identifies the sources of alternate readings of the music and libretto.
Luisa de Carvajal y Mendoza

Luisa de Carvajal y Mendoza

Freddy Cristóbal Domínguez

Pennsylvania State University Press
2025
sidottu
This book examines the active political life of Luisa Carvajal y Mendoza (1566–1614), a poet and mystic who renounced her noble birthright for an ascetic, spiritual life.Historian Freddy Cristóbal Domínguez draws on Luisa’s autobiographical writings, letters, and poetry to explore how piety and politics interacted in early modern Europe. He recounts Luisa’s remarkable decision to leave Catholic Spain to work as a missionary in Protestant England. She sought to help the afflicted Catholic community there and fulfill a vow of martyrdom. Domínguez argues that, though Luisa was a “holy” person—twice imprisoned for her beliefs—her spiritual goals were fundamentally intertwined with politics. Not incidentally but purposefully, she sought to influence Spain’s foreign policy, advised political figures, and engaged in polemical debates and performances against Protestants in England.As the first book to focus primarily on Carvajal y Mendoza’s politics, this multifaceted, innovative work expands our understanding of the role of laywomen in public life in early modern Europe. It also explores the roles of both Spain and England in shaping Luisa de Carvajal y Mendoza’s story and how she emerged as a political actor in multiple public spheres.
Luisa de Carvajal y Mendoza

Luisa de Carvajal y Mendoza

Freddy Cristóbal Domínguez

Pennsylvania State University Press
2025
pokkari
This book examines the active political life of Luisa Carvajal y Mendoza (1566–1614), a poet and mystic who renounced her noble birthright for an ascetic, spiritual life.Historian Freddy Cristóbal Domínguez draws on Luisa’s autobiographical writings, letters, and poetry to explore how piety and politics interacted in early modern Europe. He recounts Luisa’s remarkable decision to leave Catholic Spain to work as a missionary in Protestant England. She sought to help the afflicted Catholic community there and fulfill a vow of martyrdom. Domínguez argues that, though Luisa was a “holy” person—twice imprisoned for her beliefs—her spiritual goals were fundamentally intertwined with politics. Not incidentally but purposefully, she sought to influence Spain’s foreign policy, advised political figures, and engaged in polemical debates and performances against Protestants in England.As the first book to focus primarily on Carvajal y Mendoza’s politics, this multifaceted, innovative work expands our understanding of the role of laywomen in public life in early modern Europe. It also explores the roles of both Spain and England in shaping Luisa de Carvajal y Mendoza’s story and how she emerged as a political actor in multiple public spheres.