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1000 tulosta hakusanalla Lynn Kost

Michael E. Smith

Michael E. Smith

Lynn Kost

Mousse Publishing
2024
nidottu
Michael E. Smith occasionally creates drawings as organizational notes for his exhibitions: a to-do list may be intertwined with a sketch outlining an idea for a sculpture, and at times, drawings emerge as impromptu phone scribbles. Over the past fifteen years, Michael E. Smith has accumulated a substantial collection of drawings, largely unpublished until now. To complement the exhibition dedicated to the artist, the Kunst Museum Winterthur is releasing an artist book featuring a comprehensive selection of drawings from this period.
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Form Matters, Matter Forms: Cat. Kunst Museum Winterthur

Form Matters, Matter Forms: Cat. Kunst Museum Winterthur

Lynn Kost; Sebastian Egenhöfer

Snoeck Publishing Company
2025
nidottu
Ever since the invention of the readymade at the start of the last century, when everyday objects were selected to be shown as art objects, the differentiation between art and everyday life is no longer straightforward and now very much dependent on context. The public presentation of readymades and their appropriation in the context of Pop Art during the 1960s, a period of great economic prosperity, has considerably increased the influence of both product and advertising design on art. Aesthetics familiar from everyday life have brought about fundamental changes in art in terms of content. Art appreciation can no longer function without considering the interdependencies between the operating system of art and its development within consumer society. The appropriation of consumer goods has turned the microsystem of art into an actual zone of conflict between material and materialism, and works of art have thus become veritable fetish objects. These interdependencies form the point of departure for the exhibition and the accompanying book Form Matters, Matter Forms with works ranging from Marcel Duchamp to the present day.
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Sandals of the Basketmaker and Pueblo Peoples

Sandals of the Basketmaker and Pueblo Peoples

Lynn Shuler Teague; Dorothy Koster Washburn

University of New Mexico Press
2013
sidottu
The decorated sandals worn by prehistoric southwesterners with their complex fibre structures and designs have been dissected, described and interpreted for a century. Nevertheless, these artefacts remain mysterious in many respects. Teague and Washburn examine these sandals as sources of information on the history of the people known as the Basketmakers.The unique sandals of early southwestern farmers appear in Basketmaker II and reach their greatest elaboration with the complex fabric structures and colourbanded designs of Basketmaker III. The appearance of this footwear coincides with the transition to fully sedentary maize agriculture. The authors address the origins of these sandals and what they may reveal about population movements onto and around the Colorado Plateau and about the cosmology of early farmers.
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Lynn

Lynn

Anonymous

Hansebooks
2019
pokkari
Lynn: - Its representative business men and points of interest is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
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Lynn Hershman Leeson: Twisted

Lynn Hershman Leeson: Twisted

Lisa Phillips

New Museum of Contemporary Art,U.S.
2021
nidottu
A concise introduction to the pioneering media artist, from drawings to net-based art For over 50 years, Lynn Hershman Leeson (born 1941) has created an innovative and prescient body of work that mines intersections between technology and the self. Known for her pioneering contributions to media art, Hershman Leeson has consistently worked in tandem with the latest technological developments from Artificial Intelligence to DNA programming, often anticipating many of the issues affecting society today. Twisted brings together a selection of the artist’s work in drawing, sculpture, video, photography, and interactive and net-based art, focusing on themes of transmutation, identity construction and the evolution of the cyborg. It includes some of Hershman Leeson’s most important projects, including the Breathing Machine sculptures; early drawings from the 1960s, many of which have never been shown; works from the Roberta Breitmore series (1970–79), perhaps her best-known project, in which she transformed her own identity into a fictional persona; selections from her Water Women series (1976–2010); and many more.
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Lynn Chadwick

Lynn Chadwick

Pangolin London
2015
sidottu
The constructivist and abstract works Chadwick produced between 1963 and 1966 are essential to any analysis of his oeuvre. These sculptures demonstrate that Chadwick was as in touch with the zeitgeist as many of his younger contemporaries.
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Lynn Glaser Correspondence, 1960-1968

Lynn Glaser Correspondence, 1960-1968

Eric P Newman

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Lynn Chadwick. --

Lynn Chadwick. --

Alan 1928- Bowness

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Smith & Adams: Being a Family Record of the Descendants of James Smith and Jane Adams / Lynn D. Vaughn and Minnie L. Smith-Vaughn.

Smith & Adams: Being a Family Record of the Descendants of James Smith and Jane Adams / Lynn D. Vaughn and Minnie L. Smith-Vaughn.

Lynn Downing 1877- Vaughn

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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