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1000 tulosta hakusanalla Magdalena Mißler-Behr
Fuzzybasierte Controllinginstrumente
Magdalena Mißler-Behr
Deutscher Universitatsverlag
2001
nidottu
Auf der Basis der Fuzzy-Set-Theorie stellt Magdalena Missler-Behr das Anwendungspotenzial der unscharfen Mengen im Controlling dar
Kundenwert aus Kundensicht
Nadine Wachter; Prof. Dr. Magdalena Mißler-Behr
Deutscher Universitatsverlag
2006
nidottu
Dr. Nadine Wachter weist nach, dass eine Differenzierung bzw. Segmentierung der Kunden gem ihrer unterschiedlichen Kundennutzendimensionen und der daraus f r das Marketing folgenden unterschiedlichen Ansprache der Kunden die Kundenzufriedenheit und vor allem die Kundenbindung erh ht.
Family Record of John J. Miller and Magdalena Miller
Susan Maye Miller 1907-1972 Bontrager
Hassell Street Press
2021
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Colorado Rocks!: A Guide to Geologic Sites in the Centennial State
Magdalena S. Donahue; Marli B. Miller
Geological Society of America
2021
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These 50 well-chosen sites--many on every geologist's bucket list--span Colorado's geologic history from 1.7-billion-year-old rocks of the Black Canyon to the constantly shifting landscape of the Great Sand Dunes. The asteroid-produced iridium-enriched layer that marks the end of the dinosaurs is here, as are insects and petrified wood exquisitely preserved at Florissant Fossil Beds, the pure white marble used in the Lincoln Memorial, mysterious Unaweep Canyon that lacks a river, and colorful mounds of silicious sinter at Pagosa Springs. The Great Unconformity, a famous geologic feature tucked away in a few remote locations in other western states, pops up at seven of the featured sites. The late 1800s rush for precious metals produced a network of roads that crisscross the towering mountains, making Colorado's fascinating geology extremely accessible to the average sightseer. With beautiful photographs and informative figures and maps, this guidebook will help you select a destination and head for the door.
A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her workMagdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions—from Greek and Chinese to Aztec and African—are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience.This beautifully illustrated book discusses Odundo’s innovative method and puts her ceramic forms into conversation with global contemporary art. This close examination allows for a careful look at the artist’s works on paper—her prints and sketchbook drawings, published here in depth for the first time—demonstrating how they are a fundamental aspect of her creative practice. The book also features an in-depth Q&A with Odundo, in which she shares rare insights into her sense of self as an artist.With an incisive foreword by Susan Jefferies and illuminating contributions by Nehal El-Hadi, Elizabeth Harney, and Barbara Thompson, Magdalene Odundo provides new perspectives on an incomparable artist of our time, revealing the profound complexities of her work while deepening our understanding of modernism more broadly.Published in association with the Gardiner Museum of Ceramic Art, Toronto
Our histories focus almost entirely on a relatively small group of men making big decisions in big buildings in cities, but most folks living at any given time were unaffected by their maneuverings. This book looks at "the other half" of the story, explaining how history and religion came to focus on those men, how that tendency affects our lives now, and what new ways of being are emerging. The key to understanding what's happening today - and how we might thrive in the future - is to be found in the lives of Mary the mother of Jesus, the Magdalene, and their predecessors.
Stepping away from her comfort zone, author JC Miller orchestrates a written tapestry chronicling the fragile state of a woman on the edge of insanity. Plagued by a lifelong curse of mental illness, Mary Magdalene finds herself spending her golden years in a mental asylum. Her once zealous life becomes minimized to an endless routine of over-stimulating antipsychotic drugs. That is until Salmone Abrams, a hidden jewel from her past, resurfaces and helps her remember who she once was-The Queen of Harlem. Madame Mary Mags. Inspired by her jazz playlist, JC Miller's current novella, My Name is Mary Magdalene, shakes the family tree while exploring the often-stigmatized topic of mental health. This fictional spin on the biblical account of Mary Magdalene and her seven demons travels from the late 1940s into the mid-1990s as Mary recalls the battles that tore her life apart. Fear, Lust, Entitlement, Greed, Misery, Dependency, and Guilt-emotional baggage that once achingly held her down propels her to victory.
Ceramic Art
Margaret S. Graves; Sequoia Miller; Magdalene Odundo; Vicki Parry
PRINCETON UNIVERSITY PRESS
2023
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A new examination of the history of ceramic art, spanning ancient to modern times, emphasizing its traditions, materials, and methods of makingConcise but comprehensive, Ceramic Art brings together the voices of art historians, conservators, and artists to tell the history of making art from fired clay. The story spans history and continents, examining the global traditions of ceramists that range from pre-Columbian Peruvian artisans to contemporary African studio potters.The volume shows how human need gave rise to multiple traditions in earthenware, stoneware, porcelain, glaze, and surface decoration from Africa, Asia, Europe, the Middle East, and the Americas. Essays describe the core materials and practice of ceramics, followed by consideration of its production, consumption, and use. Throughout, the focus is on the power of materials and the role conservation plays in the afterlife of a ceramic object.An accessible introduction to an ancient practice, Ceramic Art offers new ways of thinking about the broader forces that have shaped the traditions of the medium.
The first International Festival of Women in Experimental Theatre, the Magdalena Project, took place in Cardiff in 1986. Fifteen countries were represented by 30 women. This illustrated volume documents the unique event and offers insight into the origins and organization of the workshop, probes into the problems of authority and power relations within the group, records individual training sessions and presents short profiles of each performer. The author explores some of the theoretical issues relating to women's theatre and the state of experimental theatre, which emerged from the festival.
A captivating new book from Wade Davis - winner of the Samuel Johnson Prize for Into the Silence - that brings vividly to life the story of the great Río Magdalena, illuminating Colombia's complex past, present, and future.For Wade Davis, Colombia was the first country that captured his heart and gave him license to be free. Here, he tells of his travels on the mighty Magdalena, the river that made possible the nation. Along the way, he finds a people who have overcome years of conflict precisely because of their character, informed by an enduring spirit of place, and a deep love of their remarkable land.Braiding together memoir, history and journalism, Magdalena is at once an absorbing adventure through a spectacular landscape and a kaleidoscopic picture of Colombia as it stands on the verge of a new period of peace.'Outstanding... Davis tells epic tales of passion, violence and ambition with tremendous narrative verve' Sunday Times, Books of the Year'A wonderful evocation of a lifetime's travel in Colombia' Spectator, Books of the Year
“Beautifully written and satisfyingly creepy, this is one of the most poignant and original ghost stories I've ever read.” —Mark Haskell Smith, author of BlownIn a small, secluded town that thrives on gossip and superstition, Dottie offers plenty of both when the scandal breaks about a missing girl, a ghost, and the affair that started it all. Having suffered a history of miscarriages, reclusive Dottie develops a strange motherly interest in her 15-year-old neighbor, Magdalena. Somewhere between fantasy and reality, Dottie finds new life in her relationship with the mysterious girl. But Dottie’s entanglements with Magdalena, a curious centenarian, a compelling stranger, an ex-mobster, and a murder of crows thrusts this once cloistered woman into a frenzy of public scrutiny. To quell the rumors, Dottie puts pen to paper and discovers something as frightening as it is liberating—her voice.
LYRICAL AND POETIC NOVEL BY AWARD WINNING AUTHOR This 2021 US Edition of the novel MAGDALENA includes illustrations by the author, Cecilia Manguerra Brainard. Written in the fragmented style, Philippine American author Cecilia Manguerra Brainard's lyrical novel, MAGDALENA, tells the story of three generations of Filipino women whose lives have been affected by the Philippine American War, World War Two, and the Vietnam War. A favorite among poets, academics, and feminists, the book has been the subject of academic papers by Drs. John Jack Wigley, Rhodora G. Magan, and Ruth S. Rimando, among others. An excerpt from World Literature Today's review says, "Cecilia Manguerra Brainard's novel MAGDALENA takes its title from a protagonist descended from several generations of equally compelling female characters. Brainard's earlier novel When the Rainbow Goddess Wept (1994) employed the viewpoint of an adolescent girl to recount the Japanese invasion of the Philippines during World War II. With Magdalena Brainard uses a nonlinear narrative and multiple points of view to describe the history of the Philippines that roughly corresponds to its contact with the United States from the Spanish-American War to the war in Vietnam. Magdalena begins and ends with the perspective of Juana, daughter of the title character and her American lover (a POW in Vietnam), who is herself pregnant and curious about her family history. Letters, diaries, and narratives from numerous characters help Juana reconstruct her maternal and, to a lesser extent, paternal lineage." Midwest Book Review reviewed this book as follows: "Expertly written by Cecilia Manguerra Brainard ... Magdalena is set in the chaotic backdrop of twentieth century East Asia. A romantic, powerful tale of three generations of Filipino women, written with a close eye on the terrors of war and the Japanese invasion of the Philippines during World War II, Magdalena is an intense, involving, highly recommended saga that documents author Cecilia Manguerra Brainard as a gifted author with a mastery of storytelling that will keep the reader's total attention and engagement from first page to last " Alma Anonas-Carpio reviewed the book for The Philippines Graphic as follows: "The story of Magdalena's life is a rich one, full of emotional intensity told with the brilliant clarity of Manguerra Brainard's pen ... Rarely have I read such exquisite command of storytelling as I see in the pages of this novel. Here she uses the backdrop of a Japanese-occupied Philippines to maximum effect, devastating the reader's emotions without giving any quarter nor taking any prisoners. You die inside and come to life again when the feelings of hope hit you-and they will ... Read MAGDALENA to see how the strength and beauty of these women spanned three generations, defeating even death. No, not even death can save you from the intense and iridescent beauty of Manguerra Brainard's mastery of her craft." Filipino author Linda Ty-Casper praised the book saying: "With her second novel, Magdalena, Cecilia Brainard adds new portraits to the gallery in Philippine literature. She has always had a strong sense of place. Here, she provides an inner landscape as well. Together, these provide the coordinate for the family secrets that bind the characters as securely as bloodlines. By the end they have glimpsed who they have become, allowing the novel beyond its last page, to live on in the readers' thoughts." Likewise the author Aimee Liu said: "Cecilia Manguerra Brainard has written an ambitious novel of forbidden love. Set against the turbulent history of East Asia in the twentieth century and by turns erotic and tragic, Magdalena vividly depicts three generations of strong Filipino women."
Wohnstube im Paulimannhause, die sehr reinlich gehalten ist. Rechts in der Ecke der Herrgottswinkel: ein Tisch, dahinter B nke, die an der R ckwand und der rechten Seitenwand angebracht und in der Ecke zusammengef gt sind. Dar ber ein Kruzifix. Links in der Ecke ein Kachelofen, davor eine Bank. Weiter vorne ein Lehnstuhl, in welchem die kranke Mariann Mayr sitzt, ein Kissen unter dem Kopfe, ber die F e eine Decke gebreitet, daneben ein kleiner Tisch. Zwei T ren; eine rechts vorne, die in den Hausgang, eine links vorne, die in die K che f hrt. Zwei Fenster in der R ckwand, gegen die rechte Ecke zu. Man sieht durch sie in die Dorfgasse; an der rechten Seitenwand, nahe der Ecke, ein Fenster, durch das die Sonne herein scheint. In der R ckwand, nahe dem Ofen, ein kleiner Wandschrank, neben der T re rechts ein Kleiderrahmen. Im Herrgottswinkel einige Heiligenbilder. Einige St hle.