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743 tulosta hakusanalla Mamadou Billo Barry

Ode Aan Moeder Aarde

Ode Aan Moeder Aarde

Mamadou Lamarana Barry

Lulu.com
2018
pokkari
Het verhaal draait rond een jongen die het volk van zijn moeder moet redden op het platteland. Zijn vader is van een metropool. Dieper in gaat het om de aarde, de verwoesting ervan en de moeite om hier tegenin te gaan. Bekijk de beelden en lees om te ontdekken wat ze verbergen. "De vogels gaan uit in de morgen, met een lege maag en komen terug in de avond, met een volle maag. Elke dag opnieuw. Nochtans zaaien ze niet. Ze leven gewoon. Toch doen ze de bossen groeien, het is niet de mens die zorgt voor het eten waarvan de wilde dieren leven. Het is niet door ons landbouw, dat ze kunnen leven, hoewel we zoveel grond voor onszelf inpalmen. Wanneer een vogeltje iets eet en het laat het zaad ergens vallen, groeit uit dat zaad weer een fruitboom, als het niet in de stad is. Wil jij niet zoals zo'n vogeltje leven? Dat je gewoon door te eten, je nog meer eten brengt aan de toekomst, zonder er moeite voor te doen. Het is een wonderbaarlijk cyclus."
100 Animals That Can F*cking End You
A wittily informative field guide to the deadliest animals on Earth from "AnimalTok" star @mndiaye_97 Ever wonder how to tell if a moose is about to subtract you? Curious why you should be terrified of cassowaries, the "velociraptor that time forgot?" Questioning whether that cute baby hippo is actually a homicidal maniac in the making? Yea, so was Mamadou Ndiaye . . . and now he's got your answers. 100 Animals That Can F*cking End You is the ultimate countdown to merk by animal, featuring everything from tiny bugs that can turn you into a hashtag to animals so massive they can murder you by accident. These include: - The massive Southern elephant seal, which "is built like a truck with the personality of a Spring Break frat boy" - Sperm whales with a call so strong it can vibrate you to death - A golf-ball-sized octopus that can erase twenty-six people with one bite - Hyenas, which have no qualms eating their prey while it is still alive - A snake so quick it can strike you three times before you blink You'll learn not only which animals to avoid, but which ones can beat you in a footrace, which ones create surprisingly high body counts, and which ones will give you a good reason never to venture into the ocean. Mamadou also offers the occasional survival tip, even if it is just to make peace with your higher power. This dynamic, fact-filled, occasionally disturbing book is perfect for animal lovers and anyone perplexed by the natural world.
The Changing Face of Afro-Caribbean Cultural Identity
The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and Négritude looks primarily at Negrismo and Négritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guillén, Manuel del Cabral, and Palés Matos. This search is extended to the Négritude movement through the poems of Léopold Senghor, Léon-Gontran Damas, and Aimé Césaire. Mamadou Badiane further discusses the under-represented Négritude women writers who were silenced by their male counterparts during the first half of the twentieth century. Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the Négritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage, the members of the Antillanité and Créolité movements see themselves as a product of miscegenation between different cultures.
The Changing Face of Afro-Caribbean Cultural Identity
The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and Négritude looks primarily at Negrismo and Négritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guillén, Manuel del Cabral, and Palés Matos. This search is extended to the Négritude movement through the poems of Léopold Senghor, Léon-Gontran Damas, and Aimé Césaire. Mamadou Badiane further discusses the under-represented Négritude women writers who were silenced by their male counterparts during the first half of the twentieth century. Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the Négritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage, the members of the Antillanité and Créolité movements see themselves as a product of miscegenation between different cultures.