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Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Marcel Dietler
Ist die Bibel, wie die Gl ubigen sagen, das Wort Gottes? Oder ist sie, wie andere meinen, das schreckliche Buch, das Krieg, Tod und Verderben ber die Menschheit gebracht hat? Soll man, wie die Gl ubigen sagen, den Kindern die Geschichten der Bibel erz hlen? Oder soll man, wie andere allen Ernstes vorschlagen, Eltern vor Gericht bringen, die solches tun? Mit solchen Gedanken setzt sich der Verfasser auseinander.
Mein Buch enth lt Gedanken, die mir w hrend der Coronakrise geschenkt worden sind. Ich habe sie niedergeschrieben und per Mail und per Post versandt. Sie haben gro e Verbreitung gefunden. Ich habe Meldung von einem alten blinden Priester erhalten, dem sie vorgelesen worden sind. Sie sind in Kl stern und Asylzentren bekannt geworden. Leute, die ich kenne oder auch nicht kenne, haben sie anderen in die Briefk sten gesteckt. Diese Gedanken sind in dem vorliegenden Buch zu finden. Das Buch enth lt aber auch Kurzgeschichten, Gedichte und Gebete der letzten drei Jahre. Nicht alle sind brave Pfarrergeschichten. Es ist einiges dabei, was in der Schweiz als Schreckm mpfeli bezeichnet wird. Ich kann das Pfarrer-Sein nicht lassen. Aus den Schreckm mpfelis haben sich Glaubensgespr che entwickelt mit Menschen, die selten oder nie ber den Glauben sprechen.
Judas Iskariot ist die wohl umstrittenste Gestalt des Neuen Testaments. Meist wird er nur negativ gesehen. Der Judaskuss ist zum Sprichwort geworden. Im Lukasevangelium wird sein Verrat begr ndet mit dem Hinweis, der Teufel sei in ihn gefahren. Im Johannesevangelium wird er als geldgieriger Heuchler dargestellt, der seine Geldgier als soziales Interesse tarnt. Laut den Evangelisten hat Jesus immer gewusst, dass Judas ihn verraten w rde; es musste sogar so sein, sagen die biblischen Schreiber, sonst w ren die alttestamentlichen Verheissungen nicht in Erf llung gegangen. Judas ist also derjenige, der den Plan Gottes ausf hrt.
Wussten Sie, dass eines der seltsamsten Hotels auf der Welt auf der Grenze zwischen Frankreich und der Schweiz steht? Sie teilen in diesem Hotel mit Ihrer Frau/Ihrem Mann zwar das Bett, aber der eine von Ihnen liegt in Frankreich, der andere in der Schweiz. Das Hotel spielte im zweiten Weltkrieg auf dem Fluchtweg vieler Juden eine bedeutende Rolle. Und wussten Sie, dass es in der Schweiz ein Concentrationslager gab - mit C geschrieben? Beide, das Hotel und das Concentrationslager mit C, kommen in dem Buch vor, das Sie gerade in den H nden halten. Aber vielleicht interessiert Sie weder das seltsame Hotel noch das Concentrationslager mit C. Sie suchen nach Liebesgeschichten. In diesem Fall m ssten Sie den Roman Simone und Simon erst recht lesen; denn er enth lt eine Liebesgeschichte, welche Sie sich kaum vorstellen k nnen.
Ich hatte einen Traum: Die Kirche kam aufgeregt zu Gott und beklagte sich bitter ber die Menschen, die ihr davonlaufen w rden. Gott h rte l ngere Zeit geduldig zu, sagte jedoch nach einer Weile freundlich, aber bestimmt: Kirche, w rdest du mir jetzt bitte aus dem Weg gehen, ich m chte weiterwirken. Den Kirchen laufen die Menschen in Scharen davon. Dabei sind Kirchen eine so gute Sache, dass man sie erfinden m sste, wenn es sie nicht bereits g be. Aber die Kirche wird sich selber neu erfinden. Wer der Kirche eine Chance geben will, wird nach dem Buch vom Marcel Dietler greifen.
This volume describes a cognitive model of student programmers, and an implementation of that model that allows student programmers to be simulated. The focus of the model is on the problem solving that students perform to generate both correct and buggy programs as well as on the individual differences that cause different students to generate different programs for the same programming task. By developing a taxonomy of student programmer knowledge; a model of student program generation; and a preliminary model of individual differences, this research contributes to a better understanding of four areas of the study of student programmers. The most important claim is that a cognitive model of student program generation fits within a properly "fleshed out" generate test-and-debug (GTD) problem solving architecture in which impasse/repair knowledge plays a key role. This research is important theoretically because it explores the use of a GTD impasse/repair problem solving architecture in a new domain, and important practically because of its educational implications for programming instructions.
Marcel...
Nabu Press
2012
pokkari
The celebrated novelist and influential cultural critic's classic biography of one of history's most important writers, Marcel Proust If there is anyone worthy of producing an intimate biography of the enigmatic genius behind Remembrance of Things Past, it is Edmund White, himself an award- winning writer for whom Marcel Proust has long been an obsession. White introduces us not only to the recluse endlessly rewriting his one massive work through the night, but also the darling of Parisian salons, the grasper after honors, and the closeted homosexual-a subject this book is the first to explore openly. From the frothiest gossip to the deepest angst, here is a moving portrait to be treasured by anyone looking for an introduction to this literary icon.
A witty, refreshing, and fun book on the experience of reading Marcel Proust. What would the world be like without this work, where would we be if it hadn't happened? This is how Michael Wood found himself writing about Proust's work as an event and about events in relation to that work itself. The event that created the figure we know as Proust did not take a whole lifetime, we can date it to within certain months, perhaps certain weeks, of a certain year, 1908. That was when Proust the interesting occasional writer and full-time socialite, turned into an ostensible hermit and a real novelist. This short book says something about the event as a lifetime affair, and shows what the sudden change of 1908 looks like. It explores the work of Marcel Proust as an event in the world, something that happened to literature and culture and our understanding of history. This event has more aspects than we can count, but this book offers detailed critical snapshots of seven of them: the birth of Proust as a novelist; what he teaches us about the mythology of beginnings; about metaphor as a kind of rebellion; about love as a permanent anxiety attack; about the Dreyfus Affair; about the concept of justice; about the mythology of endings.
100 years after Proust's death, In Search of Lost Time remains one of the greatest works in World Literature. At 3,000 pages, it can be intimidating to some. This short volume invites first-time readers and veterans alike to view the novel in a new way. Marcel Proust (1871-1922) was arguably France's best-known literary writer. He was the author of stories, essays, translations, and a 3,000-page novel, In Search of Lost Time (1913-27). This book is a brief guide to Proust's magnum opus in which Joshua Landy invites the reader to view the novel as a single quest--a quest for purpose, enchantment, identity, connection, and belonging--through the novel's fascinating treatments of memory, society, art, same-sex desire, knowledge, self-understanding, self-fashioning, and the unconscious mind. Landy also shows why the questions Proust raises are important and exciting for all of us: how we can feel at home in the world; how we can find genuine connection with other human beings; how we can find enchantment in a world without God; how art can transform our lives; whether an artist's life can shed light on their work; what we can know about the world, other people, and ourselves; when not knowing is better than knowing; how sexual orientation affects questions of connection and identity; who we are, deep down; what memory tells us about our inner world; why it might be good to think of our life as a story; how we can feel like a single, unified person when we are torn apart by change and competing desires. Finally, Landy suggests why it's worthwhile to read the novel itself-how the long, difficult, but joyous experience of making it through 3,000 pages of prose can be transformative for our minds and souls.
David Hopkins analyses the extensive network of shared concerns and images in the work of Marcel Duchamp and Max Ernst, the greatest names associated with Dada and Surrealist art. This book covers a broad period from c.1912 to the mid-1940s, during which the emergence of Dada and Surrealism in Europe and the United States challenged earlier movements such as Cubism and Expressionism, creating scope for the expression of the unconscious fears and desires of artists acutely sensitive to the troubled nature of their times. Examining Duchamp's and Ernst's subversion and manipulation of religious and hermetic beliefs such as Catholicism, Rosicrucianism and Masonry, David Hopkins demonstrates the ways in which these esoteric concerns intersect with themes of peculiarly contemporary relevance, including the social construction of gender and notions of ordering and taxonomy. This detailed comparison of components of Duchamp's and Ernst's work reveals fascinating structural patterns, enabling the reader to discover an entirely new way of understanding the mechanisms underlying Dada and Surrealist iconography.
Leo Bersani is an eminent literary critic whose influential work spans half a century. His vast, in many ways unclassifiable, oeuvre has traversed and blurred the boundaries of the disciplines of modern French literature, literary criticism, psychoanalysis, art history, film theory, philosophical aesthetics, and masculinity studies and sexuality studies. Oxford University Press published Bersani's first book, on Proust, in 1965, but the work has long been out of print. This new edition comes in response to a recent renewal of interest among philosophers of literature, among others, and features a new preface from the author.
Laila Storch is a world-renowned oboist in her own right, but her book honors Marcel Tabuteau, one of the greatest figures in twentieth-century music. Tabuteau studied the oboe from an early age at the Paris Conservatoire and was brought to the United States in 1905, by Walter Damrosch, to play with the New York Symphony Orchestra. Although this posed a problem for the national musicians' union, he was ultimately allowed to stay, and the rest, as they say, is history. Eventually moving to Philadelphia, Tabuteau played in the Philadelphia Orchestra and taught at the Curtis Institute of Music, ultimately revamping the oboe world with his performance, pedagogical, and reed-making techniques. In 1941, Storch auditioned for Tabuteau at the Curtis Institute, but was rejected because of her gender. After much persistence and several cross-country bus trips, she was eventually accepted and began a life of study with Tabuteau. Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style.