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1000 tulosta hakusanalla Marcel Durer
Von der Scheune ins Rampenlicht - Der Ursprung des Wrestlings
Marcel Durer
Independently Published
2019
pokkari
Woher kommt Wrestling? Wann hat es mit diesem Schaukampf angefangen? Und vor allem - warum?"Von der Scheune ins Rampenlicht - der Ursprung des Wrestlings" besch ftigt sich mit den Wurzeln des popkulturellen Ph nomens im 19. Jahrhundert, beleuchtet die turbulente Entstehung des modernen Wrestlings in den 1920ern und gibt einen berblick ber dessen Geschichte und seine fr hen Superstars. Auf unterhaltsame Weise erz hlt das Buch die Herkunft des klassischen Sportsentertainment, des Catch-As-Catch-Can-Wrestlings, wirft einen Blick auf das Lucha Libre und Puroresu und stellt in ber 25 Kurzprofilen die wichtigsten Pers nlichkeiten der fr hen Geschichte des Wrestlings vor. Wer ein Buch zur Geschichte des Wrestlings sucht, hat es hiermit gefunden.
Howard Phillips Lovecraft gilt als der wahrscheinlich einflussreichste und wichtigste Horror-Autor des 20. Jahrhunderts und hat mit seinen Geschichten eine Welt erschaffen, die andere Autoren und K nstler noch lange nach seiner eigenen Schaffenszeit beeinflusst hat. Im Schatten lterer Schrecken ist eine von seinem Cthulhu-Mythos inspirierte Sammlung. In f nf verst renden Kurzgeschichten widmet sich der Autor Marcel Durer diesem Mythos und bringt in ihnen Lovecrafts grausame Welt zum Leben. Diese Sammlung beinhaltet die Geschichten: - Marios Pizza - Vaterfreuden - Der Schrecken im Schacht - Das Grauen des Para'Tychkolon - Der merkw rdige Fall des Kaspar Hauser
Die J?gerinnen - Im Bann der Mumie
Marcel Durer
Createspace Independent Publishing Platform
2017
pokkari
Tetrasubstituierte helicale Alkene als molekulare Schalter ¿ Synthese durch Pd-katalysierte Dominoreaktionen und photochemische Untersuchung
Marcel Alexander Düfert
Cuvillier
2010
nidottu
This volume describes a cognitive model of student programmers, and an implementation of that model that allows student programmers to be simulated. The focus of the model is on the problem solving that students perform to generate both correct and buggy programs as well as on the individual differences that cause different students to generate different programs for the same programming task. By developing a taxonomy of student programmer knowledge; a model of student program generation; and a preliminary model of individual differences, this research contributes to a better understanding of four areas of the study of student programmers. The most important claim is that a cognitive model of student program generation fits within a properly "fleshed out" generate test-and-debug (GTD) problem solving architecture in which impasse/repair knowledge plays a key role. This research is important theoretically because it explores the use of a GTD impasse/repair problem solving architecture in a new domain, and important practically because of its educational implications for programming instructions.
Marcel...
Nabu Press
2012
pokkari
The celebrated novelist and influential cultural critic's classic biography of one of history's most important writers, Marcel Proust If there is anyone worthy of producing an intimate biography of the enigmatic genius behind Remembrance of Things Past, it is Edmund White, himself an award- winning writer for whom Marcel Proust has long been an obsession. White introduces us not only to the recluse endlessly rewriting his one massive work through the night, but also the darling of Parisian salons, the grasper after honors, and the closeted homosexual-a subject this book is the first to explore openly. From the frothiest gossip to the deepest angst, here is a moving portrait to be treasured by anyone looking for an introduction to this literary icon.
A witty, refreshing, and fun book on the experience of reading Marcel Proust. What would the world be like without this work, where would we be if it hadn't happened? This is how Michael Wood found himself writing about Proust's work as an event and about events in relation to that work itself. The event that created the figure we know as Proust did not take a whole lifetime, we can date it to within certain months, perhaps certain weeks, of a certain year, 1908. That was when Proust the interesting occasional writer and full-time socialite, turned into an ostensible hermit and a real novelist. This short book says something about the event as a lifetime affair, and shows what the sudden change of 1908 looks like. It explores the work of Marcel Proust as an event in the world, something that happened to literature and culture and our understanding of history. This event has more aspects than we can count, but this book offers detailed critical snapshots of seven of them: the birth of Proust as a novelist; what he teaches us about the mythology of beginnings; about metaphor as a kind of rebellion; about love as a permanent anxiety attack; about the Dreyfus Affair; about the concept of justice; about the mythology of endings.
100 years after Proust's death, In Search of Lost Time remains one of the greatest works in World Literature. At 3,000 pages, it can be intimidating to some. This short volume invites first-time readers and veterans alike to view the novel in a new way. Marcel Proust (1871-1922) was arguably France's best-known literary writer. He was the author of stories, essays, translations, and a 3,000-page novel, In Search of Lost Time (1913-27). This book is a brief guide to Proust's magnum opus in which Joshua Landy invites the reader to view the novel as a single quest--a quest for purpose, enchantment, identity, connection, and belonging--through the novel's fascinating treatments of memory, society, art, same-sex desire, knowledge, self-understanding, self-fashioning, and the unconscious mind. Landy also shows why the questions Proust raises are important and exciting for all of us: how we can feel at home in the world; how we can find genuine connection with other human beings; how we can find enchantment in a world without God; how art can transform our lives; whether an artist's life can shed light on their work; what we can know about the world, other people, and ourselves; when not knowing is better than knowing; how sexual orientation affects questions of connection and identity; who we are, deep down; what memory tells us about our inner world; why it might be good to think of our life as a story; how we can feel like a single, unified person when we are torn apart by change and competing desires. Finally, Landy suggests why it's worthwhile to read the novel itself-how the long, difficult, but joyous experience of making it through 3,000 pages of prose can be transformative for our minds and souls.
David Hopkins analyses the extensive network of shared concerns and images in the work of Marcel Duchamp and Max Ernst, the greatest names associated with Dada and Surrealist art. This book covers a broad period from c.1912 to the mid-1940s, during which the emergence of Dada and Surrealism in Europe and the United States challenged earlier movements such as Cubism and Expressionism, creating scope for the expression of the unconscious fears and desires of artists acutely sensitive to the troubled nature of their times. Examining Duchamp's and Ernst's subversion and manipulation of religious and hermetic beliefs such as Catholicism, Rosicrucianism and Masonry, David Hopkins demonstrates the ways in which these esoteric concerns intersect with themes of peculiarly contemporary relevance, including the social construction of gender and notions of ordering and taxonomy. This detailed comparison of components of Duchamp's and Ernst's work reveals fascinating structural patterns, enabling the reader to discover an entirely new way of understanding the mechanisms underlying Dada and Surrealist iconography.
Leo Bersani is an eminent literary critic whose influential work spans half a century. His vast, in many ways unclassifiable, oeuvre has traversed and blurred the boundaries of the disciplines of modern French literature, literary criticism, psychoanalysis, art history, film theory, philosophical aesthetics, and masculinity studies and sexuality studies. Oxford University Press published Bersani's first book, on Proust, in 1965, but the work has long been out of print. This new edition comes in response to a recent renewal of interest among philosophers of literature, among others, and features a new preface from the author.
Laila Storch is a world-renowned oboist in her own right, but her book honors Marcel Tabuteau, one of the greatest figures in twentieth-century music. Tabuteau studied the oboe from an early age at the Paris Conservatoire and was brought to the United States in 1905, by Walter Damrosch, to play with the New York Symphony Orchestra. Although this posed a problem for the national musicians' union, he was ultimately allowed to stay, and the rest, as they say, is history. Eventually moving to Philadelphia, Tabuteau played in the Philadelphia Orchestra and taught at the Curtis Institute of Music, ultimately revamping the oboe world with his performance, pedagogical, and reed-making techniques. In 1941, Storch auditioned for Tabuteau at the Curtis Institute, but was rejected because of her gender. After much persistence and several cross-country bus trips, she was eventually accepted and began a life of study with Tabuteau. Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style.
A groundbreaking reading of Duchamp's work as informed by Asian "esoterism, " energetic spiritual practices identifying creative energy with the erotic impulse.Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, "If you wish, my art would be that of living: each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral." In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian "esoterism, " energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit Etant donnes: 1 Degrees la chute d'eau 2 Degrees le gaz d'eclairage, (Given: 1. The Waterfall, 2. The Illuminating Gas).Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.
The extraordinary life and times of Marcel Proust, one of the greatest literary voices of the twentieth century, by “Proust’s definitive biographer” (Harold Bloom) Selected by New York Times Book Review as a Best Book Since 2000 Based on a wealth of letters, memoirs, workbooks, and manuscripts unavailable before, the book examines Proust’s character and development as an artist, the glittering Parisian world of which he was a part, and the passions that enabled him to write his masterpiece, In Search of Lost Time. “Serious, thoughtful, well-balanced, well-informed. . . . Carter is the kind of reader Proust hoped for, one who understands that a great work compels us to become better readers of ourselves.”—Victor Brombert, Los Angeles Times “An impeccably researched and well-paced narrative that brings vividly and credibly to life not only the writer himself but also the changing world he knew.”—Roger Pearson, New York Times Book Review