Kirjojen hintavertailu. Mukana 11 244 527 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Martin Gayford

The Yellow House

The Yellow House

Martin Gayford

Penguin Books Ltd
2007
pokkari
REVISED AND UPDATED EDITION'Masterly . . . a wonderfully alert and moving portrait' Mail on Sunday---------------------Two artistic giants. One small house.From October to December 1888 a pair of at the time largely unknown artists lived under one roof in the French provincial town of Arles. Paul Gauguin and Vincent Van Gogh ate, drank, talked, argued, slept and painted in one of the most intense and astonishing creative outpourings in history. Yet as the weeks passed Van Gogh buckles under the strain, fought with his companion and committed an act of violence on himself that prompted Gauguin to flee without saying goodbye to his friend.The Yellow House is an intimate portrait of their time together as well as a subtle exploration of a fragile friendship, art, madness, genius behind a shocking act of self-mutilation that the world has sought to explain ever since.---------------------'Gayford's fascinating depiction of the Odd Couple of art history is both moving and riveting' Daily Mail'Profoundly absorbing. Gayford has reconstructed these tumultuous weeks . . . the reader lives them day by day, almost minute by minute. Delightful, utterly fascinating' Independent on Sunday
Constable In Love

Constable In Love

Martin Gayford

Penguin Books Ltd
2010
pokkari
Art critic Martin Gayford, author of The Yellow House, brings the Regency period to life in Constable in Love: Love, Landscape and the Making of a Great Painter his account of the life of English Romantic painter John Constable. Love, not landscape, was the making of Constable. . . John Constable and Maria Bicknell might have been in love but their marriage was a most unlikely prospect. Constable was a penniless painter who would not sacrifice his art for anything, while Maria's family frowned on such a penurious union. For seven long years the couple were forced to correspond and meet clandestinely. But it was during this period of longing that Constable developed as a painter. And by the time they'd overcome all obstacles to their marriage, he was on the verge of being recognised as a genius.Martin Gayford brings alive the time of Jane Austen in telling the tremendous story of Constable's formative years, as well as this love affair's tragic conclusion which haunted the artist's final paintings.'Delightful...a small drama of love, frustration and despair played itself out with massive repercussions for the history of painting' Financial Times'Gayford's nuanced narrative throws much-needed fresh light, as well as real understanding, on both Constable's painting and his love life' Sunday Telegraph'A scrupulously observed tragical-comical tale' Evening StandardMartin Gayford is a celebrated art critic and journalist who has written for the Spectator and the Sunday Telegraph and is the current Chief European Art Critic for Bloomberg. In his other book The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles Gayford depicts the period in which artistic geniuses van Gogh and Gauguin shared a house in the small French town of Arles.
Michelangelo

Michelangelo

Martin Gayford

Fig Tree
2017
pokkari
'An absorbing book, beautifully told and with the writer fully in command of a huge body of research' Philip Hensher, Mail on Sunday There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and The Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.'It is a measure of [Michelangelo's] magnitude, and Gayford's skill in capturing it, that you finish this book wishing that Michelangelo had lived longer and created more' Rachel Spence, FT 'One of our most distinguished writers on what makes modern artists tick . . . It is very difficult to cut through the thicket of generations of scholarship and say anything new about David, the Sistine Chapel, The Last Judgement, the Basilica of St Peter's or many of Michelangelo's other masterpieces, but Gayford manages to do so by encouraging us to think - and look - at both the obvious and the overlooked' Sunday Telegraph'Only the most ambitious biographer can take on the talent of Michelangelo Buonarroti' The Times
Venice

Venice

Martin Gayford

THAMES HUDSON LTD
2023
sidottu
A Sunday Times Art Book of the Year A visual journey through five centuries of the city known for centuries as 'La Serenissima' – a unique and compelling story for both lovers of Venice and lovers of its art. Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events. In this elegant volume, Gayford – who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions – takes us on a visual journey through the past five centuries of the city known ‘La Serenissima’, the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.
How Painting Happens (and why it matters) – A Times Book of the Year 2024
A Times Book of the Year ‘This is as clear a piece of writing about the experience of looking at a great painting as I have ever read … Gayford seems to have seen everything and thought deeply about all of it’ Andrew Marr, New Statesman 'If you are someone who revels in the deliciousness of oil paintings, who looks at them and wants to eat them ‘as if they were ice cream or something’, in Damien Hirst’s phrase, then Martin Gayford’s latest book will be a banquet' The Spectator 'Martin Gayford, long-serving critic and art historian, is a trusted insider and a favoured guest of the most celebrated talents in the UK and beyond. If anyone knows what makes them tick, it ought to be this latter-day Vasari ... Stimulating and sumptuously illustrated' Financial Times 'From El Greco to Picasso, Martin Gayford’s How Painting Happens offers us an encyclopedic journey through art history' Daily Telegraph ‘A remarkable painting can move the soul. So how does it come about? Martin Gayford brilliantly marks out the path from inspiration to execution’ The Irish Times Drawing on decades of conversations with practising artists, Martin Gayford offers intimate insight into the practice, meaning and potential of painting. Painting is an almost inconceivably ancient activity that remains vigorously alive in the twenty-first century. Every successful painting creates a new world, which we inhabit for as long as we care to look at it. Paintings can incorporate profound ideas and paradoxes that can be grasped without words. For those who dedicate themselves to it, the art of painting can become an all-consuming, lifelong obsession. It is a subject on which painters themselves are often the most incisive commentators. Martin Gayford’s riveting and richly illustrated book deftly brings together numerous artists’ voices, past and present. It draws on a trove of conversations conducted over more than three decades with artists including Frank Auerbach, Gillian Ayres, Frank Bowling, Cecily Brown, Peter Doig, Lucian Freud, Katharina Fritsch, David Hockney, Claudette Johnson, Lee Ufan, Paula Rego, Gerhard Richter, Bridget Riley, Jenny Saville, Frank Stella, Luc Tuymans, Zeng Fanzhi and many more. Here too is Vincent van Gogh on Rembrandt, John Constable on Titian, Francis Bacon on Velazquez, R. B. Kitaj on Cézanne and Jean-Michel Basquiat on Picasso. We hear the personal reflections of these artists on their chosen medium; how and why they paint; how they came to the practice; the influence of fellow painters; and how they find creative sustenance and inspiration in their art. How Painting Happens crosses the centuries to give us a wealth of insights into the endlessly compelling phenomenon of painters and painting.
My Heart is This

My Heart is This

Martin Gayford

THAMES HUDSON LTD
2026
sidottu
Tracey Emin talks about painting: what it is, why she does it, why it matters. Tracey Emin is one of the most widely admired artists working in Britain today. Richly illustrated with photographs of the artist and her art, here is a vivid and intimate portrait of her life and work in her own words, in conversation with art critic Martin Gayford. Emin reflects on painting – how she approaches it, why it matters to her, and how it connects to her life – and how everything has changed since her cancer diagnosis four years ago. Offering a uniquely personal insight into the artist’s extraordinary life and career, Emin expresses herself in her characteristically frank confessional style that is so familiar to anyone who has seen her paintings. This is Tracey Emin on her own terms: on learning to paint, how to live her life after cancer, and relearning why painting matters above everything else.
The Pursuit of Art

The Pursuit of Art

Martin Gayford

Thames Hudson Ltd
2019
sidottu
In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford’s journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi’s Endless Column in Romania, prehistoric cave art in France, the museum island of Naoshima in Japan, the Judd Foundation in Marfa, Texas, and a Roni Horn work in Iceland. Interwoven with these accounts are journeys to meet artists – Robert Rauschenberg in New York, Marina Abramovic in Venice, Henri Cartier-Bresson in Paris – or travels with artists, such as a trip to Beijing with Gilbert & George. These encounters not only provide insights into the way artists approach and think about their art but also reveal the importance of their personal environments. And in the process, Gayford discusses how these meetings have impacted on his own evolving ideas and tastes.
Modernists & Mavericks

Modernists & Mavericks

Martin Gayford

Thames Hudson Ltd
2018
sidottu
Sunday Times Art Book of the Year 2018 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.
A Bigger Message

A Bigger Message

Martin Gayford

Thames Hudson Ltd
2016
nidottu
David Hockney is possibly the world’s most popular living painter, but he is also something else: an incisive and original thinker on art. Here are the fruits of his lifelong meditations on the problems and paradoxes of representing a three-dimensional world on a flat surface. How does drawing make one `see things clearer, and clearer, and clearer still’, as Hockney suggests? What significance do different media – from a Lascaux cave wall to an iPad – have for the way we see? What is the relationship between the images we make and the reality around us? How have changes in technology affected the way artists depict the world? The conversations are punctuated by wise and witty observations from both parties on numerous other artists – Van Gogh or Vermeer, Caravaggio, Monet, Picasso – and enlivened by shrewd insights into the contrasting social and physical landscapes of California, where Hockney lives, and Yorkshire, his birthplace. Some of the people he has encountered along the way – from Henri Cartier-Bresson to Billy Wilder – make entertaining appearances in the dialogue.
Modernists & Mavericks

Modernists & Mavericks

Martin Gayford

Thames Hudson Ltd
2019
nidottu
Sunday Times Art Book of the Year 2018'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.
Venice

Venice

Martin Gayford

THAMES HUDSON LTD
2025
nidottu
A Sunday Times Art Book of the Year. This is a unique and compelling journey through five centuries of the city known as ‘La Serenissima’ – a perfect companion for both lovers of Venice and lovers of its art. Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events. In this elegant volume, Gayford – who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions – takes us on a visual journey through the city’s past five centuries.
Man with a Blue Scarf

Man with a Blue Scarf

Martin Gayford

Thames Hudson Ltd
2019
nidottu
Lucian Freud (1922–2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes us into that most private place, the artist’s studio, and to the heart of the working methods of this modern master – both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also built up: a portrait, in words, of Freud himself. Full of wry and revealing observations, this is a book not quite like any other: the inside story of how it feels to pose for a remarkable artist, and be transformed into a work of art.
A Bigger Message

A Bigger Message

Martin Gayford

THAMES HUDSON LTD
2025
nidottu
The bestselling book of conversations between David Hockney and art critic Martin Gayford as they explore the nature of creativity. David Hockney’s exuberant work is highly praised and widely loved, but he is also something else: an incisive and original thinker on art. In this now classic book, filled with anecdote, insight, passion and wit, Hockney reveals the fruits of his lifelong meditations on the problems and paradoxes of representing a three-dimensional world on a flat surface. Compiled from a decade and a half of conversations with art critic Martin Gayford, it reflects a period in which Hockney relocated from Los Angeles to his native East Yorkshire. Their exchanges communicate the immense delight and inspiration that Hockney finds in the changing seasons and natural splendours of this sparsely inhabited corner of England – a delight that is, in the words of Margaret Drabble, ‘an invitation to us all to look better, see better, enjoy more’.
Venice: City of Pictures

Venice: City of Pictures

Martin Gayford

THAMES HUDSON
2025
nidottu
Venice was a major center of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto, and Veronese are a key part of this story. No other city has been depicted by so many great painters in such diverse styles and moods. Venetian views were a specialty of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more.Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner, and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern-art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events.In this elegant volume, Gayford--who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions--takes us on a visual journey through the past five centuries of the city known as "La Serenissima," the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.
The Yellow House

The Yellow House

Martin Gayford

Mariner Books
2023
nidottu
From October to December of 1888, Paul Gauguin shared a yellow house in the south of France with Vincent van Gogh. They were the odd couple of the art world -- one calm, the other volatile -- and the denouement of their living arrangement was explosive. Making use of new evidence and Van Gogh's voluminous correspondence, Martin Gayford describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Gayford also makes a persuasive analysis of Van Gogh's mental illness -- the probable bipolar affliction that led him to commit suicide at the age of thirty-seven. The Yellow House is a singular biographical work, as dramatic and vibrant as the work of these brilliant artists.
Lucian Freud

Lucian Freud

Martin Gayford

Phaidon Press Ltd
2018
sidottu
With more than 480 illustrations, this is the most comprehensive publication to date on one of the greatest painters of the twentieth and early twenty-first centuries, Lucian Freud Created in collaboration with the Lucian Freud Archive and David Dawson, Director of the Archive, and edited by Mark Holborn, this sumptuous, two-volume, slipcased publication celebrates Freud's work from the 1930s to his death in 2011, and includes hundreds of paintings, drawings and sketches, and etchings - even illustrated private letters. Nearly all the artworks included have been newly photographed by celebrated British photographer John Riddy. This is both a vital contribution to art scholarship and a gorgeous addition to the bookshelves of art lovers around the world. Published by Phaidon, the global publisher of books on art, architecture, photography, design, performing arts, decorative arts, fashion, film, travel, and contemporary culture, as well as cookbooks and children's books.
Lucian Freud

Lucian Freud

Martin Gayford

PHAIDON PRESS LTD
2022
sidottu
A sumptuous single-volume edition of Phaidon's acclaimed overview of one of the greatest painters of our time Larger-than-life British artist Lucian Freud enjoyed a career lasting over seven decades. He worked almost until the day he died, when he left a portrait of friend and studio assistant David Dawson unfinished. Now available for the first time in one elegantly combined edition, this acclaimed celebration of Freud's work from the 1930s to his death in 2011 includes hundreds of paintings, drawings, sketches, and etchings - even personal photographs and illustrated private letters. A comprehensive overview of his life and work in one luxurious volume, this book is a gorgeous addition to the shelves of art lovers everywhere. Created in collaboration with the Lucian Freud Archive and David Dawson, Director of the Archive, and edited by Mark Holborn.
Van Gogh: Sunflowers (One Painting, One Story)

Van Gogh: Sunflowers (One Painting, One Story)

Martin Gayford

NATIONAL GALLERY COMPANY LTD
2024
pokkari
‘The sunflower is mine’, Van Gogh once declared. No other artist has been so closely associated with a specific flower, and his sunflower pictures are among his most loved works. In this compact and richly illustrated book, Martin Gayford explores the history of the National Gallery’s Sunflowers, painted in Arles in 1888 shortly before Paul Gauguin came to stay with Van Gogh in the famous Yellow House. The book will look closely at the painting itself, conjuring the time and place of its creation, as well as considering its legacy and reception at the National Gallery after it was acquired in 1924.Published by National Gallery Global/Distributed by Yale University Press
Lucian Freud

Lucian Freud

Martin Gayford; David Scherf

Yale University Press
2021
sidottu
Brings together, for the first time, Lucian Freud's oil on copper paintings, including his lost portrait of Francis Bacon and two works that have never been reproduced before In the early 1950s, Lucian Freud produced several works in oil paint on copper, a technique favored by 17th-century artists such as Rembrandt and Frans Hals, but unusual for a 20th-century painter. Originally thought to be only a handful, Freud in fact painted more than a dozen copper works—all small-scale, enamel-smooth and astonishingly intense. Based on a decade of research, this book, for the first time, brings together all of Freud’s “coppers,” including two works that have never been reproduced before. Among these paintings is Freud’s famous portrait of Francis Bacon, labeled by Nicholas Serota as "the most important portrait of the 20th century." The work was stolen in 1988—its whereabouts still unknown—but during research for the book a rare photograph was discovered that shows the work just minutes before the theft, and it is published here for the first time.Distributed for Less Publishing