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1000 tulosta hakusanalla Mauri Jane King
"Maura Farrelly has a fresh and challenging perspective on the Americanization of Roman Catholicism, one that tracks its origins to early Maryland. Papist Patriots bears close reading by all students of American history and religion." -- Christine Leigh Heyrman, Professor of American History, University of Delaware "Distinguished by impressive research and a well-written, lively narrative, Farrelly's study will change the way historians think about Catholics in colonial America. The author argues that the foundation for the making of an American Catholic identity rests in Maryland's 1649 Act of Religious Toleration. Over time, Maryland's Catholics became more American than English so that by the 1770s these Papists had become ardent Patriots. By endorsing the republicanism and individualism of the independence movement they created an American Catholic identity that has endured into the twenty-first century." -- Jay P. Dolan, Professor Emeritus of History, University of Notre Dame Many historians have noted the role that anti-Catholicism played in stirring up animosity against the king and Parliament in the early days of the Revolution. Yet, in spite of the rhetoric, Maryland's Catholics supported the independence movement more enthusiastically than their Protestant neighbors to the point where the support for the war in predominately Catholic Maryland may even have been greater than that exhibited by the residents of Massachusetts. Not only did Maryland's Catholics embrace the idea of independence, they also embraced the individualistic, rights-oriented ideology that defined the Revolution, even though theirs was a communally-oriented denomination that stressed the importance of hierarchy, order, and obligation. Catholic leaders in Europe made it clear that the war was a "sedition" worthy of damnation, even as they acknowledged that England had been no friend to the Catholic Church. So why, then, did "papists" become "patriots?" Farrelly finds that the answer has a long history, one that begins in England in the early seventeenth century and gains momentum during the nine decades preceding the American Revolution, when Maryland's Catholics lost a religious toleration that had been uniquely theirs in the English-speaking world, and were forced to maintain their faith in an environment that was legally hostile and clerically poor. This experience made Maryland's Catholics the colonists who were most prepared in 1776 to accept the cultural, ideological, and psychological implications of a break from England.
Using fears of Catholicism as a mechanism through which to explore the contours of Anglo-American understandings of freedom, Anti-Catholicism in America, 1620–1860 reveals the ironic role that anti-Catholicism played in defining and sustaining some of the core values of American identity, values that continue to animate our religious and political discussions today. Farrelly explains how that bias helped to shape colonial and antebellum cultural understandings of God, the individual, salvation, society, government, law, national identity, and freedom. In so doing, Anti-Catholicism in America, 1620–1860 provides contemporary observers with a framework for understanding what is at stake in the debate over the place of Muslims and other non-Christian groups in American society.
Using fears of Catholicism as a mechanism through which to explore the contours of Anglo-American understandings of freedom, Anti-Catholicism in America, 1620–1860 reveals the ironic role that anti-Catholicism played in defining and sustaining some of the core values of American identity, values that continue to animate our religious and political discussions today. Farrelly explains how that bias helped to shape colonial and antebellum cultural understandings of God, the individual, salvation, society, government, law, national identity, and freedom. In so doing, Anti-Catholicism in America, 1620–1860 provides contemporary observers with a framework for understanding what is at stake in the debate over the place of Muslims and other non-Christian groups in American society.
Disappearing and reappearing tools; Windows found shut when they were left open; The rocking of an empty chair; Instructions on how to swim to safety; Knowing everyone is safe; Falling over a cliff; Watching a bathroom not catch-fire; Rushing waters in a sudden thunderstorm; Arriving minutes after a double-murder; Escaping death sent for the wrong reason; Drawing the right ticket to win "The Dance"; Reserving a flight 2 months before an emergency surgery; Popping a tire on a blackened night; Helping a Mom keep her children; Another life-saving emergency surgery; Assuring a friend to not be jealous; Unexpected assistance in traffic with an escort home; A friendly reminder God uses all creatures; The faith of a child, the courage given from prayer, and the feeling of chills will permeate each stop on this journey of a personal walk with God.
Winner of the 2025 Spur Award In Compliments of Hamilton and Sargent Maura Jane Farrelly explores the history of the Gilded Age United States, using the lives of three people from prominent East Coast families who moved to Wyoming to start over as her guide. Robert Ray Hamilton was a state lawmaker from New York and the great-grandson of Alexander Hamilton. John Dudley Sargent came from a long line of Brahmin families in New England that included several colonial governors and the famous painter John Singer Sargent. Edith Drake Sargent was the eccentric and musical daughter of a New York banker who had made a fortune selling short. All three experienced some form of humiliation after newspapers speculated on their possible shameful secrets: bigamy, blackmail, murder, incest, baby-selling, mental illness, and more. All three fled to Wyoming, believing distance and remoteness would hide their shame. But by the 1890s the West was no longer a place where anyone could hide. Just as many today are learning that the internet has opened up a vast wilderness of information to exploration and settlement-enabling our mistakes and transgressions to follow us for years-so, too, did Hamilton and the Sargents learn that technology and the growing power of celebrity journalism made it difficult for anyone in the West to leave a scandal-ridden past behind. Compliments of Hamilton and Sargent is a story about the early demise of our right to be forgotten.
Welcome to A Mixed Bag, an eclectic assortment of poems inspired through the experience of living an ordinary life, a mixture of tears and sorrow . . . joys and laughter. The poems collected here, born from my mother's passing, reflect the fact life is both a mixture of happy and sad moments. By writing about the beautiful and whimsical, and those experiences which may bring about tears and sadness, I offer others a piece of hope, a vision of sunshine on the horizon of a new day. We may experience pain, but alongside pain walk gifts found in the beauty of nature and in the giving of others to help us through this journey called life.
Sacred Songs, for the School at Teignrace.
Jane Saint Maur
British Library, Historical Print Editions
2011
pokkari
Sacred Songs for British Seamen.
Jane Saint Maur
British Library, Historical Print Editions
2011
pokkari
He Pitopito Korero no te Perehi Maori
Jane McRae; Jenifer Curnow; Ngapare Hopa
Auckland University Press
2006
nidottu
He Pitopito Korero no te Perehi Maori Readings from the Maori Language Press is a reader of various articles and content from 19th-century Maori newspapers. The editors, Jenifer Curnow, Jane McRae and Ngapare Hopa, released a successful book of essays on Maori-language newspapers, Rere Atu, Taku Manu! (AUP), in 2002, and this new companion volume is sure to be popular with the same audience. For easy use and comparison, the Maori and English texts have been placed alongside one another, illustrating a fascinating range of tone, style and subject. The book contains an introduction followed by six sections divided thematically: From the Editors, Letters,Articles, News, Obituaries and Advertisements. Curnow, McRae and Hopa have chosen from the wealth of material available a representative, insightful selection of Maori-language texts that are incomparably useful as a reflection of New Zealand history and Maori attitudes as well as a wonderful resource for students of Maori language and culture.
Explores the history of women and gender in the U.S. A Concise Women’s History, 1/e, explores the dynamics of power in the U.S., between women and men and among women themselves. This history spans from the first cultural contact between indigenous peoples and Europeans in the 15th century to the new globalism of the 21st century. Because it recognizes diversity as a central factor in the history of women and gender, this title explores the lives of a broad spectrum of women. Chapters explore how relationships among women were determined by differences of race, ethnicity, class, age, region, or religion.
A Revolution in Tropes is a groundbreaking study of rhetoric and tropes. Theorizing new ways of seeing rhetoric and its relationship with democratic deliberation, Jane Sutton and Mari Lee Mifsud explore and display alloiosis as a trope of difference, exception, and radical otherness. Their argument centers on Aristotle’s theory of rhetoric through particular tropes of similarity that sustained a vision of civic discourse but at the same time underutilized tropes of difference. When this vision is revolutionized, democratic deliberation can perform and advance its ends of equality, justice, and freedom. Marie-Odile N. Hobeika and Michele Kennerly join Sutton and Mifsud in pushing the limits of rhetoric by engaging rhetoric alloiostrophically. Their collective efforts work to display the possibilities of what rhetoric can be. A Revolution in Tropes will appeal to scholars of rhetoric, philosophy, and communication
A Revolution in Tropes is a groundbreaking study of rhetoric and tropes. Theorizing new ways of seeing rhetoric and its relationship with democratic deliberation, Jane Sutton and Mari Lee Mifsud explore and display alloiosis as a trope of difference, exception, and radical otherness. Their argument centers on Aristotle’s theory of rhetoric through particular tropes of similarity that sustained a vision of civic discourse but at the same time underutilized tropes of difference. When this vision is revolutionized, democratic deliberation can perform and advance its ends of equality, justice, and freedom. Marie-Odile N. Hobeika and Michele Kennerly join Sutton and Mifsud in pushing the limits of rhetoric by engaging rhetoric alloiostrophically. Their collective efforts work to display the possibilities of what rhetoric can be. A Revolution in Tropes will appeal to scholars of rhetoric, philosophy, and communication
Juridisk metodlära
Maria Nääv; Mauro Zamboni; Håkan Andersson; Antonia Bakardjieva Engelbrekt; Vladimir Bastidas; Maria Grahn-Farley; Minna Gräns; Håkan Hydén; Jan Kleineman; Jane Reichel; Joel Samuelsson; Mårten Schultz; Torben Spaak; Eva-Maria Svensson; Filippo Valguarnera; Peter Wahlgren
Studentlitteratur AB
2018
nidottu
Vad är det egentligen en jurist gör när hen ska lösa en juridisk fråga? Vilken metod används? Om du skulle fråga en jurist i dag om vad juridisk metod är, skulle du säkert få samma svar som det påstås att Sankt Augustinus gav när han fick frågan om vad tid är: ”Om du inte frågar mig om vad tid är, så vet jag svaret; men om du frågar mig, så vet jag inte.” Vad exakt är det då som juristen gör när hen tillämpar den juridiska metoden?Det enkla svaret är att det beror på. Det finns nämligen inte endast en juridisk metod som en jurist kan använda sig av utan istället finns det en uppsjö olika argumentationslinjer till buds. Ibland är metoden styrd av frågan, ibland av valet av perspektiv på juridiken och dess funktion i samhället.Juridisk metodlära syftar till att ge en grundläggande presentation av olika juridiska metoder och visa hur dessa kan användas för att få olika perspektiv och lösningar på juridiska frågeställningar. Kapitelvis redogör författarna för olika juridiska metoder och visar vilka möjligheter som öppnas med respektive metod. Ambitionen är att inspirera läsaren att fundera över alternativa argumentationslinjer för att angripa ett juridiskt problem.
Juridisk metodlära
Maria Nääv; Mauro Zamboni; Håkan Andersson; Antonina Bakardjieva Engelbrekt; Vladimir Bastidas Venegas; Maria Grahn-Farley; Minna Gräns; Håkan Hydén; Jan Kleineman; Jannice Käll; Max Lyles; Jane Reichel; Mårten Schultz; Torben Spaak; Wanna Svedberg Andersson; Eva-Maria Svensson; Filippo Valguarnera; Peter Wahlgren
Studentlitteratur AB
2025
nidottu
Vad är det egentligen en jurist gör när hen ska lösa en juridisk fråga? Vilken metod används? Om du skulle fråga en jurist i dag om vad juridisk metod är, skulle du säkert få samma svar som det påstås att Sankt Augustinus gav när han fick frågan om vad tid är: ”Om du inte frågar mig om vad tid är, så vet jag svaret; men om du frågar mig, så vet jag inte.” Vad exakt är det då som juristen gör när hen tillämpar den juridiska metoden? Det enkla svaret är att det beror på. Det finns nämligen inte endast en juridisk metod som en jurist kan använda sig av utan istället finns det en uppsjö olika argumentationslinjer till buds. Ibland är metoden styrd av frågan, ibland av valet av perspektiv på juridiken och dess funktion i samhället. Juridisk metodlära syftar till att ge en grundläggande presentation av olika juridiska metoder och visa hur dessa kan användas för att få olika perspektiv och lösningar på juridiska frågeställningar. Kapitelvis redogör författarna för olika juridiska metoder och visar vilka möjligheter som öppnas med respektive metod. Denna tredje, reviderade upplaga har bland annat utvidgats med två nya kapitel om rättsrealism och posthumanism. Ambitionen är att inspirera läsaren att fundera över alternativa argumentationslinjer för att angripa ett juridiskt problem.
Kliniske metoder i sygeplejepraksis
Elisabeth Brøgger Jensen; Ingrid Poulsen; Jeanette Præstegaard; Helle Merete Nordentoft; Jane Rohde Voigt; Lene Sørensen; Jette Svanholm; Nina Tvistholm; Dorthe Boe Danbjørg; Jette Thuesen; Helle Bruhn; Cathrine Fenger Benwell; Lise Dam Rasmussen; Birgith Sletting; Mari Holen
Gyldendal
2011
nidottu
Kliniske metoder i sygeplejepraksis er en lærebog, der både viser hvordan kliniske metoder kan forstås og hvad kliniske metoder eksempelvis kan være. Bogen ønsker at vise kliniske metoder som et mangfoldigt begreb – både på et ideologisk, begrebsmæssigt og klinisk niveau. Emnet belyses fra to vinkler, en perspektiverende vinkel der diskuterer kliniske metoder som et relativt nyt begreb i sygeplejeprofessionen og en konkret vinkel som giver eksempler på udvalgte kliniske metoder.
ComedyCharacters: 9 male, 8 female Interior Set Always humorous, the play never loses sight of the fact that these youngsters are experiencing emotions which, though comic to an older eye, are new and wonderful and important to the young people. This is the brightly human story of what happens in the Hartman household when Midge, the youngest, affected by spring, finds herself in the throes of first love. This charming hoyden thinks nothing of starting whirlwinds to impress the young man of her choice - who happens unluckily to be in love wth Midge's older sister, Virginia. In a series of unexpected and delightful manipulations, Midge almost causes Virginia to lose the right boy and to be suspected as a thief; drops a bombshell into Mr. Hartman's business; disrupts brilliant brother Elliott's carefully (and comically) planned life; threatens her mother's social position - in short, threatens the well-being of all concerned, including her own lively companions. And at the end of the second act the world comes smashing down around an angered family and a bewildered Midge. But on the night of the Spring Prom - Midge's first formal dance - if she gets to go - Midge steps in again and sets matters straight in a heart-warming and funny fashion. And by the end of th play, the three Hartman youngsters have taken important steps toward maturity. A play for high schools which will delight those especially who demand literary excellence as well as strong audience appeal.
Farce Marrijane Hayes and Joseph Hayes Characters: 8 male, 10 female Interior Set James Clark plans to spend a peaceful summer concentrating on getting elected president of his country club, a first step toward becoming District Attorney in the fall. Uncle Jimmie's plans go astray when Pamela, 17, and Sonny, 15, arrive. He wins his election with inventive help from the kids, but they also all but wreck James' romance and turn the house upside down.