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1000 tulosta hakusanalla Michael A. Lofaro

Southern Manuscript Sermons before 1800: A Bibliography

Southern Manuscript Sermons before 1800: A Bibliography

Michael A. Lofaro

Newfound Press
2010
nidottu
Southern Manuscript Sermons before 1800 is the first guide to the study of the manuscript sermon literature of the Southern colonies/states of Maryland, Virginia, North Carolina, South Carolina, and Georgia. The bibliography contains entries for over 1,600 sermons by over a hundred ministers affiliated with eight denominations. The compilation provides a previously unavailable major tool for research into the early South. Richard Beale Davis began the bibliography in 1946 as part of his research for Intellectual Life in the Colonial South, 1585-1763, which won the National Book Award in history. Michael A. Lofaro took over the project in 1976, expanded the colonial entries (pre-1764), and added the period of 1764-1799. George M. Barringer contributed entries for Jesuit sermons. Sandra G. Hancock contributed those for Thomas Cradock. The bibliography is also available online (dlc.lib.utk.edu/sermons). This database contains the same in-depth descriptions of these sermons, over 90 percent of which are unknown. It provides multiple avenues of access. Searches can be constructed and limited by single or combined criteria of author, repository, book of the Bible, date, state, denomination, keyword, and short title. Scholars can employ both versions of this tool to construct a more complete picture of the southern mind before 1800 and to reveal how that mind contributes to a national ethos. The bibliography will aid many disciplines--religion, cultural and American studies, history, literature, political science, sociology, psychology, and more--and all those who wish to interpret the past and its effect upon the present. It will lead to a more balanced appraisal of American intellectual history by encouraging access to a large body of southern sermons to place alongside those of the northern and middle states for critical assessment.
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Let Us Now Praise Famous Men at 75

Let Us Now Praise Famous Men at 75

Michael A. Lofaro

University of Tennessee Press
2017
sidottu
Barely noticed upon publication in 1941, writer James Agee and photographer Walker Evans’s unique chronicle of Alabama sharecroppers, Let Us Now Praise Famous Men, would enjoy a remarkable revival during the 1960s. Remembering it as a “bible of sorts” for civil rights activists like himself, psychiatrist Robert Coles called it “an eloquent testimony that others had cared, had gone forth to look and hear, and had come back to stand up and address their friends and neighbors and those beyond personal knowing.” The book has remained in print ever since, profoundly affecting subsequent generations of readers. In this collection, seventeen gifted essayists offer provocative new perspectives on the Agee-Evans classic, ranging from personal appreciations to computational analysis, with forays into literary, film, historical, social, and cultural criticism, among other approaches. David Moltke-Hansen examines the political context in which the book was produced, comparing it in particular to the works of Erskine Caldwell and others with more explicit agendas than Agee, while Sarah E. Gardner explores Agee’s position as a southerner in the literary culture of 1930s Manhattan. Contrasting Agee’s text to the uncaptioned Evans photographs that open the book, Jeffrey Couchman discusses how the writer applied a “cinematic eye” to his descriptions of the sharecroppers’ homes and their possessions. In their essays, Hugh Davis, Brent Walker Cline, and David Madden link Agee with earlier writers such as Wordsworth, Schopenhauer, Dostoevsky, and Melville, while Michael Jacobs considers Agee as a forefather of the “New Journalism” championed by Tom Wolfe. Other contributors explore such disparate topics as Agee’s conception of irony, the conflict of art and nature in the book, and the author’s portrayal of space. Taken together, these artful elucidations of a notoriously difficult but brilliant work provide the most comprehensive and wide-ranging view of Let Us Now Praise Famous Men to date.
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Boone, Black Hawk, and Crockett in 1833

Boone, Black Hawk, and Crockett in 1833

Michael A. Lofaro

University of Tennessee Press
2019
sidottu
Although name such as Daniel Boone, Black Hawk, and “Davy” Crockett are familiar to most Americans, the historical, political, and literary contexts that produced the mythical images of these figures are unfamiliar to most outside academia. In Boone, Black Hawk, and Crockett in 1833,Michael A. Lofaro compiles, annotates, and analyzes three (auto)biographical writings published in Cincinnati, Ohio, in 1833-The Biographical Memoir of Daniel Boone; Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk; and The Life and Col. David Crockett of West Tennessee-to reveal how the portrayals of Boone, Black Hawk, and Crockett revised the idea of the “frontier hero.” By placing them together in dialogue through the scholarly reediting of their texts, Lofaro demonstrates that these works exemplify, typify, and epitomize masculinity, burgeoning capitalism, and Jacksonian democracy, probe beliefs in race and class, and provide nothing short of a deep dissection of the frontier mentality of the antebellum period. Additionally, the reception of these works influenced the ways in which nineteenth-century Americans understood and perceived manifest destiny, the removal of Native Americans from their homelands, to the west of the Mississippi River, and the waning concept of “American frontier.” With its great scope and insight, this publication creates connections among many academic disciplines, including colonial America, Jacksonian America, Native American studies, as well as literary and folklore studies.
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The Life and Adventures of Colonel David Crockett of West Tennessee

The Life and Adventures of Colonel David Crockett of West Tennessee

Michael A. Lofaro

University of Tennessee Press
2020
nidottu
The legendary Davy Crockett arose simultaneously with the emergence of the historical Crockett as a public figure, and once established, the man and the myth were forevermore entangled. The present work, his Life and Adventures (1833), ushered in a series of biographical and autobiographical books that thrust Crockett fully onto the national and international scene. This work, quickly retitled Sketches and Eccentricities, was the most outlandish. Its purported author, J. S. French, mixed two nineteenth-century genres of storytelling - the Humor of the Old Southwest and the sketch - all presented within a historical framework to create an early version of the King of the Wild Frontier. The Crockett encountered here is the marksman who can shoot an elk from 140 yards with his beloved rifle, Betsy, grin the bark off a tree knot, and choose bows and arrows as weapons when challenged to a duel by a fellow congressman. Within a year, Crockett disavowed this book, preferring his autobiography - Narrative of the Life of David Crockett, of the State of Tennessee - but this rollicking story, often bouncing along from tall tale, hunting anecdote, faux moral tale, to humorous pratfall, became a major source for the later biographical writings and a later cultural industry that swept up newspapers, books, political propaganda, plays, and films - and almost every way in which a frontier figure could appear in popular culture. And, while Crockett's image was a source of entertainment and humor, it also pointed toward something far more serious: after his death at the Alamo it presented Americans with a fictional Frontier hero who progressively embodied their views on topics as varied as manliness, manifest destiny, and even white supremacy. However, the Crockett of Sketches - canny, adaptable, intelligent but not educated, hilarious - was above all a perfect reflection of the aspirations, interests, and beliefs of Jacksonian-era Americans.
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Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk

Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk

Michael A. Lofaro

University of Tennessee Press
2021
nidottu
Originally published in 1833, the autobiography of the Sauk war chief Black Hawk was the first memoir written by a Native American who was actively resisting US Indian removal policy. Donald Jackson edited the first scholarly version of this work-Black Hawk: An Autobiography-in 1955. Since then, the Life has become a classic and seminal text in the fields of Native American literature and studies, American history, literature, autobiography, and cultural studies.This edition of Black Hawk's 1833 autobiography includes explanatory, historical, and textual notes that significantly enrich the understanding of Black Hawk's memoir, his life, and the Black Hawk War of 1832. The notes and a chronology make this key Native American text available to scholars in several new ways. Likewise, in its preface and critical essay, this edition moves beyond Jackson's historical work to incorporate insights from numerous other disciplines that have since engaged the text. These investigations reflect the new developments in scholarship since 1955, suggest future possibilities for the crosscultural study of Black Hawk's Life, and examine the continuity of his autobiography within Native American and other life-story traditions. This volume also includes the biographical continuation of Black Hawk's Life-recounting subsequent events in his life until his death in 1838-written by J. B. Patterson for his 1882 reissued and expanded edition of the original autobiography.Scholars of Native American literature and history and settler colonialism will find much to engage them in this remarkable new edition.
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Michael A Smith -- A Visual Journey

Michael A Smith -- A Visual Journey

Michael A Smith

Lodima Press
2005
sidottu
This book was published on the occasion of a major twenty-five year retrospective exhibition at the International Museum of Photography at George Eastman House. It brings together for the first time in one volume a broad and varied selection of Smiths prodigious work. The large number of reproductions trace the growth of his distinctive and life-affirming vision in photographs of the land, cities, and people. A foreword by Marianne Fulton, Senior Curator at the International Museum of Photography at George Eastman House places Smiths work in an historical context, and an insightful essay by John Bratnober probes the connection between the photographs and the life of the artist. A complete chronology and bibliography are included. The high production standards combined with the beauty of the photographs insure that this high-quality publication will stand as one of the finest monographs ever produced. Every detail of production was supervised by the photographer. Included are 24 fold-outs for reproduction of the large-scale 8x20-inch contact prints.
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Michael A. Weinstein

Michael A. Weinstein

Routledge
2014
sidottu
This book is a major reassessment of Michael Weinstein’s political philosophy. It situates his singular contribution, designated as "critical vitalism," in the context of both canonical American and contemporary continental theory. Weinstein is presented as a philosopher of life and as an American Nietzsche. Yet the contributors also persuasively argue for this form of thinking as a prescient prophecy addressing contemporary society’s concern over the management of life as well as the technological changes that both threaten and sustain intimacy. This is the first full scale study of Weinstein’s work which reveals surprising aspects of a philosophic journey that has encompassed most of the major American (pragmatic or vitalist) or Continental (phenomenological or existential) traditions. Weinstein is read as a comparative political theorist, a precursor to post-structuralism, and as a post-colonial border theorist. A different aspect of his oeuvre is highlighted in each of the book’s three sections. The opening essays comprising the "Action" diptych contrasts meditative versus extrapolative approaches; "Contemplation" stages a series of encounters between Weinstein and his philosophic interlocutors; "Vitalism" presents Weinstein as a teacher, media analyst, musician, and performance artist. The book contains an epilogue written by Weinstein in response to the contributors.
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Michael A. Weinstein

Michael A. Weinstein

Routledge
2016
nidottu
This book is a major reassessment of Michael Weinstein’s political philosophy. It situates his singular contribution, designated as "critical vitalism," in the context of both canonical American and contemporary continental theory. Weinstein is presented as a philosopher of life and as an American Nietzsche. Yet the contributors also persuasively argue for this form of thinking as a prescient prophecy addressing contemporary society’s concern over the management of life as well as the technological changes that both threaten and sustain intimacy. This is the first full scale study of Weinstein’s work which reveals surprising aspects of a philosophic journey that has encompassed most of the major American (pragmatic or vitalist) or Continental (phenomenological or existential) traditions. Weinstein is read as a comparative political theorist, a precursor to post-structuralism, and as a post-colonial border theorist. A different aspect of his oeuvre is highlighted in each of the book’s three sections. The opening essays comprising the "Action" diptych contrasts meditative versus extrapolative approaches; "Contemplation" stages a series of encounters between Weinstein and his philosophic interlocutors; "Vitalism" presents Weinstein as a teacher, media analyst, musician, and performance artist. The book contains an epilogue written by Weinstein in response to the contributors.
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Michael A. Musmanno

Michael A. Musmanno

John S. Haller

Lehigh University Press
2023
sidottu
Throughout his life, Musmanno provided a voice for the people amid the interplay of politics and the arrogance of power. A crowd pleaser, he had no trepidation in saying what he thought. The author of sixteen books, two of which became movies, numerous unpublished scripts, and gifted with a strong sense of patriotism as well as pride in his Italian heritage, he left a legacy of rhetorical flourishes that still echo through the chambers of the Pennsylvania Legislature, the transcripts of the Einsatzgruppen trial over which he presided in Nuremberg, his testimony at the Eichmann trial and subsequent feud with German-born political theorist Hannah Arendt, and his impassioned dissents (over 500) as a justice on the Pennsylvania Supreme Court.
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George Michael: A Life

George Michael: A Life

James Gavin

ABRAMS
2022
sidottu
George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry’s most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael’s metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael’s sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael’s albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend.
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George Michael: A Biography

George Michael: A Biography

Alex Stevens

Createspace Independent Publishing Platform
2017
nidottu
George Michael was an English singer, songwriter, and record producer who rose to fame as a member of the music duo Wham He was best known in the 1980s and 1990s with his style of post-disco dance-pop, with best-selling songs such as "Last Christmas" and "Wake Me Up Before You Go-Go". Michael sold more than 100 million records worldwide. His 1987 debut solo album, Faith, sold more than 20 million copies worldwide. Michael garnered seven number one singles in the UK and eight number one hits on the Billboard Hot 100 in the US, including "Careless Whisper" and "Freedom '90". He ranks among the best-selling British acts of all time, with Billboard magazine ranking him the 40th-most successful artist to ever live. Michael won various music awards throughout his 30-year career, including three Brit Awards-winning Best British Male twice, four MTV Video Music Awards, four Ivor Novello Awards, three American Music Awards, and two Grammy Awards from eight nominations. Michael, who was gay, was an active LGBT rights campaigner and HIV/AIDS charity fundraiser. In 2004, the Radio Academy named Michael the most played artist on British radio during the period 1984-2004. The documentary A Different Story, released in 2005, covered his career and personal life. In 2006, Michael announced his first tour in 15 years, the worldwide 25 Live tour, spanning three individual tours over the course of three years (2006, 2007 and 2008). In 2016, he announced a second documentary on his life entitled Freedom, set to be released in March 2017. In the early hours of 25 December 2016, Michael, aged 53, was found dead in bed at his Oxfordshire home.
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