A Dulcimer for Christmas is a great way to share the joy of the Christmas season on your mountain dulcimer Great care was taken to ensure that the selections in this book sound great and are easy to play. Chords are also provided for each tune and tuning with diagrams to help you jam along with friends. All tunes are written in standard music notation and dulcimer tablature. All major tunes in this book are in D-A-D tuning. Minor tunes are provided in two versions, in D-A-C and A-A-D tunings. Be sure to check out the D-A-A version of this book as well for those who prefer that tuning. Tunes include: Angels from the Realms of Glory, Angels We Have Heard on High, Away in a Manger, Bring a Torch, Jeanette, Isabella, Deck the Halls, God Rest Ye Merry, Good Christian Men, Rejoice, Good King Wenceslas, Hark the Herald Angels Sing, Jingle Bells, Joy to the World, O Come, All Ye Faithful, O Come, O Come, Emmanuel. Once in Royal David's City, Patapan, Silent Night, The First No l, We Wish You a Merry Christmas, Wexford Carol, What Child Is This
Over 50 hymns included, all with lyrics and dulcimer chord symbols A Dulcimer Hymn Collection is a great way to share the joy of the old hymns and spirituals that you love on your mountain dulcimer Great care was taken to ensure that the selections in this book sound great and are easy to play. Chords are also provided for each tune and tuning with diagrams to help you jam along with friends. All tunes are written in standard music notation and dulcimer tablature. All major tunes in this book are in D-A-D tuning. Minor tunes are in D-A-C tuning or using a capo on the first fret in D-A-D tuning. Be sure to check out the D-A-A version of this book as well for those who prefer that tuning. Tunes in this book were written for a Beginning to Intermediate playing level but folks of all abilities can find something in here to enjoy Tunes include: A Mighty Fortress Is Our God; Abide with Me; All Hail the Power of Jesus' Name; Amazing Grace; Battle Hymn of the Republic; Be Thou My Vision; Blessed Assurance; Blest Be the Tie That Binds; Christ the Lord Has Risen Today; Come Thou Almighty King; Come Thou Fount of Every Blessing; Come Thou Long Expected Jesus; Come, Ye Sinners, Poor and Needy; Crown Him With Many Crowns; Do Lord, Remember Me; Down to the River to Pray; Faith of Our Fathers; Go, Tell It on the Mountain; Guide Me, O Thou Great Jehovah; He Leadeth Me; Holy, Holy, Holy; How Firm a Foundation; I Love Thy Kingdom Lord; In the Garden; It Is Well With My Soul; Jesus Loves Me; Jesus Shall Reign Wheree'er the Sun; Jesus the Very Thought of Thee; Joyful, Joyful, We Adore Thee; Just as I Am, Without One Plea; My Faith Looks Up to Thee; Nearer My God to Thee; O For a Thousand Tongues To Sing; Old Hundredth; Onward Christian Soldiers; Rock of Ages; Savior, Like a Shepherd Lead Us; Simple Gifts; Stand Up, Stand Up for Jesus; Sweet Hour of Prayer; Swing Low, Sweet Chariot; There Is a Fountain Filled with Blood; This Is My Father's World; To God Be the Glory; Wayfaring Stranger; We Gather Together; What a Friend We Have in Jesus; What Wondrous Love Is This; When I Survey the Wondrous Cross; Will the Circle Be Unbroken? And Bonus tunes: Hosanna, Blessed Is He that Comes; Sing Hallelujah, Praise the Lord
Over 50 hymns included, all with lyrics and dulcimer chord symbols A Dulcimer Hymn Collection is a great way to share the joy of the old hymns and spirituals that you love on your mountain dulcimer Great care was taken to ensure that the selections in this book sound great and are easy to play. Chords are also provided for each tune and tuning with diagrams to help you jam along with friends. All tunes are written in standard music notation and dulcimer tablature. All major tunes in this book are in D-A-A tuning and are playable on the melody string. All are suitable for noter/drone playing styles. Minor tunes are in D-A-G tuning or using a capo on the first fret in D-A-A tuning. Be sure to check out the D-A-D version of this book as well for those who prefer that tuning. Tunes in this book were written for a Beginning to Intermediate playing level but folks of all abilities can find something in here to enjoy Tunes include: A Mighty Fortress Is Our God; Abide with Me; All Hail the Power of Jesus' Name; Amazing Grace; Battle Hymn of the Republic; Be Thou My Vision; Blessed Assurance; Blest Be the Tie That Binds; Christ the Lord Has Risen Today; Come Thou Almighty King; Come Thou Fount of Every Blessing; Come Thou Long Expected Jesus; Come, Ye Sinners, Poor and Needy; Crown Him With Many Crowns; Do Lord, Remember Me; Down to the River to Pray; Faith of Our Fathers; Go, Tell It on the Mountain; Guide Me, O Thou Great Jehovah; He Leadeth Me; Holy, Holy, Holy; How Firm a Foundation; I Love Thy Kingdom Lord; In the Garden; It Is Well With My Soul; Jesus Loves Me; Jesus Shall Reign Wheree'er the Sun; Jesus the Very Thought of Thee; Joyful, Joyful, We Adore Thee; Just as I Am, Without One Plea; My Faith Looks Up to Thee; Nearer My God to Thee; O For a Thousand Tongues To Sing; Old Hundredth; Onward Christian Soldiers; Rock of Ages; Savior, Like a Shepherd Lead Us; Simple Gifts; Stand Up, Stand Up for Jesus; Sweet Hour of Prayer; Swing Low, Sweet Chariot; There Is a Fountain Filled with Blood; This Is My Father's World; To God Be the Glory; Wayfaring Stranger; We Gather Together; What a Friend We Have in Jesus; What Wondrous Love Is This; When I Survey the Wondrous Cross; Will the Circle Be Unbroken? And Bonus tunes: Hosanna, Blessed Is He that Comes; Sing Hallelujah, Praise the Lord
A Dulcimer for Christmas is a great way to share the joy of the Christmas season on your mountain dulcimer Great care was taken to ensure that the selections in this book sound great and are easy to play. Chords are also provided for each tune and tuning with diagrams to help you jam along with friends. All tunes are written in standard music notation and dulcimer tablature. All major tunes in this book are in D-A-A tuning. Minor tunes are provided in two versions, in D-A-G and D-A-C tunings. Be sure to check out the D-A-D version of this book as well for those who prefer that tuning. Tunes include: Angels from the Realms of Glory, Angels We Have Heard on High, Away in a Manger, Bring a Torch, Jeanette, Isabella, Deck the Halls, God Rest Ye Merry, Good Christian Men, Rejoice, Good King Wenceslas, Hark the Herald Angels Sing, Jingle Bells, Joy to the World, O Come, All Ye Faithful, O Come, O Come, Emmanuel. Once in Royal David's City, Patapan, Silent Night, The First No l, We Wish You a Merry Christmas, Wexford Carol, What Child Is This
Known as the last of the Irish Bards, Turlough O'Carolan (1670 - 1738) was a blind Irish harp player who made his living rambling across 17th century Ireland writing and performing songs to honor and memorialize his patrons. His music remains today a staple of traditional Irish and Celtic music. With his beautiful and often haunting melodies, these tunes will bring you back 300 years, conjuring pastoral images of rural Ireland, with its rolling hills and lush green meadows. So come along as we ramble through life with a bit more of O'Carolan's music to make the journey all the more enjoyable. All tunes in this book are in standard tuning (EADGBE) or in drop D (DADGBE) with the low E string tuned down one whole step to a D. Similar to my Gigging Guitarist collections, I use as many open and ringing strings to simulate the melodic nature of the harp. Tunes include: Blind Mary, Bridget Cruise - 3rd Air, Captain O'Kane, Carolan's Cup, Carolan's Draught, Carolan's Ramble to Cashel, Carolan's Receipt (Dr. John Stafford), Carolan's Welcome (Carolan's Air), Eleanor Plunkett, Fanny Poer, John O'Connor, Lady St. John, Morgan Magan, Planxty George Brabazon - 2nd Air, Planxty Hewlett, Planxty Irwin (Colonel John Irwin), Princess Royal (Miss MacDermott), Si Bheag, Si Mhor, The Clergy's Lamentation
Dulcimer on the Backroads is a great way to share the joy of the old time and Celtic fiddle tunes and ballads that you love on your mountain dulcimer Great care was taken to ensure that the selections in this book sound great and are easy to play. Chords are also provided for each tune and tuning with diagrams to help you jam along with friends. All tunes are written in standard music notation and dulcimer tablature. All major tunes in this book are in D-A-D tuning. Minor tunes are in D-A-C tuning. Be sure to check out the D-A-A version of this book as well for those who prefer that tuning. Tunes in this book were written for a Beginning to Intermediate playing level but folks of all abilities can find something in here to enjoy Tunes include: Angeline the Baker; Arkansas Traveler; Be Thou My Vision; Black Mountain Rag; Bonaparte Crossing the Rhine; Breaking Up Christmas; Bury Me Beneath the Willow; Carolan's Welcome; Charleston Girls; Cindy; Cold Frosty Morning; Coleman's March; Cornbread and Butterbeans; Cripple Creek; Danny Boy; Fanny Po'er; Fly Around My Pretty Little Miss; Hangman's Reel; Hard Times Come Again No More; How Many Biscuits Can You Eat?; John Brown's Dream; Kesh Jig; Liberty; Liza Jane; Lost Indian (Cherokee Shuffle); Mississippi Sawyer; Old Joe Clark; Over the Waterfall; Pretty Saro; Ragtime Annie; Red Wing; Road to Lisdoonvarna; Sally Ann; Sally in the garden; Sandy River Belle; Shady Grove; Shenandoah; Si Beag Si Mhor; Simple Gifts; Soldier's Joy; South Wind; Spotted Pony; St. Anne's Reel; Star of County Down; Tar Road to Sligo; The Ash Grove; The Blackest Crow; Turkey in the Straw; Wayfaring Stranger; Whiskey Before Breakfast
Dulcimer on the Backroads is a great way to share the joy of the old time and Celtic fiddle tunes and ballads that you love on your mountain dulcimer Great care was taken to ensure that the selections in this book sound great and are easy to play. Chords are also provided for each tune and tuning with diagrams to help you jam along with friends. All tunes are written in standard music notation and dulcimer tablature. All major tunes in this book are in D-A-A tuning. Minor tunes are in D-A-G tuning. Be sure to check out the D-A-D version of this book as well for those who prefer that tuning. Tunes in this book were written for a Beginning to Intermediate playing level but folks of all abilities can find something in here to enjoy Tunes include: Angeline the Baker; Arkansas Traveler; Be Thou My Vision; Black Mountain Rag; Bonaparte Crossing the Rhine; Breaking Up Christmas; Bury Me Beneath the Willow; Carolan's Welcome; Charleston Girls; Cindy; Cold Frosty Morning; Coleman's March; Cornbread and Butterbeans; Cripple Creek; Danny Boy; Fanny Po'er; Fly Around My Pretty Little Miss; Hangman's Reel; Hard Times Come Again No More; How Many Biscuits Can You Eat?; John Brown's Dream; Kesh Jig; Liberty; Liza Jane; Lost Indian (Cherokee Shuffle); Mississippi Sawyer; Old Joe Clark; Over the Waterfall; Pretty Saro; Ragtime Annie; Red Wing; Road to Lisdoonvarna; Sally Ann; Sally in the garden; Sandy River Belle; Shady Grove; Shenandoah; Si Beag Si Mhor; Simple Gifts; Soldier's Joy; South Wind; Spotted Pony; St. Anne's Reel; Star of County Down; Tar Road to Sligo; The Ash Grove; The Blackest Crow; Turkey in the Straw; Wayfaring Stranger; Whiskey Before Breakfast
Advanced Beginner to Intermediate Playing Level - Intended for gigging musicians, the tunes in this book were arranged with a number of special considerations in mind. First and foremost, these tunes were arranged to be played easily. They are not necessarily easy as far as difficulty goes, but these arrangements use voice leadings and motions that reduce awkward hand positions and stretches that could cause hand fatigue or hand issues down the line. All arrangements are in standard tuning (E A D G B E). These arrangements were deliberately kept to a maximum of two pages to eliminate pages turns while performing. All tunes can be repeated, at the player's discretion, any number of times. Introductions and endings are noted sparsely to both save space and allow the performer to add his or her own introductions and endings. One thing you will also notice is that there are no full barre chords in this book, as barre chords place a lot of stress on a player's hands. There are a few instances of half barre chords (top three strings only), but even these are used sparingly. These arrangements utilize drones when appropriate, and bass notes are frequently offset from strong beats (e.g. bass notes landing on the and of the beat rather than on the beat). Although this style differs from many other guitar arrangements, this method of playing emphasizes the melody and allows the long, held bass notes (often open strings when possible) to fill out the soundscape. You'll find that rhythm is utilized to create a wonderfully full texture, rather than stacked notes as found in other guitar arrangements. This again is for the ease of reading and playability for the performer. As you become more comfortable with these arrangements, you will find areas where you could easily thicken the texture with some additional notes as you see fit. This book serves as a basic guide with endless possible embellishments and additions available to the performer. There are 19 tunes in the book, including: John Brown's March, The South Wind, Bonaparte Crossing the Rhine, Down by the Sally Gardens, Cold Frosty Morning, Oh Shenandoah, Jock o' Hazeldean, Spotted Pony, St. Anne's Reel, Princess Royal, Bury Me Beneath the Willow, Childgrove, Red Is the Rose, Cripple Creek, Bill Sullivan's Polka, Danny Boy, Over the Waterfall, The Parting Glass, Eliza Tries Again
Rachel Stenner; Kaley Kramer; Adam James Smith; Georgina E. M. Wilson; Joe Saunders; William Clayton; Jennifer Young; Alan B. Farmer; Benjamin Woodring; Michael Durrant; Verônica Calsoni Lima; Rosalind Johnson
This collection profiles understudied figures in the book and print trades of the seventeenth century. With an equal balance between women and men, it intervenes in the history of the trades, emphasising the broad range of material, cultural, and ideological work these people undertook. It offers a biographical introduction to each figure, placing them in their social, professional, and institutional settings. The collection considers varied print trade roles including that of the printer, publisher, paper-maker, and bookseller, as well as several specific trade networks and numerous textual forms. The biographies draw on extensive new archival research, with details of key sources for further study on each figure. Chronologically organised, this Element offers a primer both on numerous individual figures, and on the tribulations and innovations of the print trade in the century of revolution.
In June 1870, the residents of the city of New Orleans were already on edge when two African American women kidnapped seventeen-month-old Mollie Digby from in front of her New Orleans home. It was the height of Radical Reconstruction, and the old racial order had been turned upside down: black men now voted, held office, sat on juries, and served as policemen. Nervous white residents, certain that the end of slavery and resulting "Africanization" of the city would bring chaos, pointed to the Digby abduction as proof that no white child was safe. Louisiana's twenty-eight-year old Reconstruction governor, Henry Clay Warmoth, hoping to use the investigation of the kidnapping to validate his newly integrated police force to the highly suspicious white population of New Orleans, saw to it that the city's best Afro-Creole detective, John Baptiste Jourdain, was put on the case, and offered a huge reward for the return of Mollie Digby and the capture of her kidnappers. When the Associated Press sent the story out on the wire, newspaper readers around the country began to follow the New Orleans mystery. Eventually, police and prosecutors put two strikingly beautiful Afro-Creole women on trial for the crime, and interest in the case exploded as a tense courtroom drama unfolded. In The Great New Orleans Kidnapping Case, Michael Ross offers the first full account of this event that electrified the South at one of the most critical moments in the history of American race relations. Tracing the crime from the moment it was committed through the highly publicized investigation and sensationalized trial that followed, all the while chronicling the public outcry and escalating hysteria as news and rumors surrounding the crime spread, Ross paints a vivid picture of the Reconstruction-era South and the complexities and possibilities that faced the newly integrated society. Leading readers into smoke-filled concert saloons, Garden District drawing rooms, sweltering courthouses, and squalid prisons, Ross brings this fascinating era back to life. A stunning work of historical recreation, The Great New Orleans Kidnapping Case is sure to captivate anyone interested in true crime, the Civil War and its aftermath, and the history of New Orleans and the American South.
Increasingly, psychiatrists make little distinction between psychiatric and neurologic disorders, considering them all as dysfunctions of the central nervous system. This is a practical how to book intended primarily for trainees and practicing clinicians unfamiliar with the relatively new field of neuropsychiatry. It is written as the author might teach the material during clinical rounds and in small group seminars. In a clear and engaging style, he explains what to do and how to do it, giving the rationale for each step, and synthesizing neuropsychiatric principles with practical guidelines for diagnosis and management of adult patients. Many tables are included for quick reference and to help the reader to quickly see the big picture of a given topic. The book covers personality and personality disorders, depression, bipolar disorder, psychiatric disorders, alcohol and substance abuse, epilepsy, traumatic brain injury and stroke, anxiety disorders, obsessive compulsive disorders, headache and violence. It can be used as an introductory text for psychiatric residents, medical students, and others who care for persons with behavioral disorders. It can also be used as a clinical manual or reference by practitioners in psychiatry and neurology.
In June 1870, the residents of the city of New Orleans were already on edge when two African American women kidnapped seventeen-month old Mollie Digby from in front of her New Orleans home. It was the height of Radical Reconstruction. The old racial order had been turned upside down and black men now voted, held office, sat on juries, and served as policemen. Nervous white residents fearing impeding chaos pointed to the Digby abduction as proof that no white child was safe now that slavery had ended and the South had been "Africanized." Newspapers opposed to Louisiana's biracial Reconstruction government stoked those fears by reprinting rumors that the stolen Digby baby had been sacrificed in a Voodoo ceremony on the shore of Lake Pontchartrain. Louisiana's twenty-eight year old Reconstruction Governor Henry Clay Warmoth, in turn, hoped to use the kidnapping to prove that his newly integrated police force, trained in the latest investigative techniques from Boston and New York, could solve the crime. He offered a huge reward for the return of Mollie Digby and the capture of her kidnappers, and his police chief put his best Afro-Creole detective, the dashing Jean Baptiste Jourdain, on the case. The Associated Press sent the story out on the wire and newspaper readers around the country began to follow the New Orleans mystery. Leads poured in from across the Gulf Coast and from as far north as Ohio and New York, and Jourdain became the first black detective in the United States to make national news. Interest in the story only grew when police and prosecutors put two strikingly beautiful Afro-Creole women on trial for the crime and a tense courtroom drama unfolded against the backdrop of a yellow fever epidemic and the momentous events of Reconstruction in the South. A stunning work of historical recreation, Michael Ross's The Great New Orleans Kidnapping Case is the first full account ever written about an event that electrified the South at one of the most critical moments in the history of American race relations. Ross brings the era back to life, leading readers into smoke filled concert saloons, Garden District drawing rooms, sweltering courthouses, and squalid prisons, and he uses the Digby kidnapping, investigation, and trial to offer important new insights into the complexities and possibilities of the Reconstruction era.
In The Singing Irish, Michael Alan Anderson brings to life the rich history and traditions of the Notre Dame Glee Club. Replete with nearly three hundred images, the stunning large-format book examines the early history of the ensemble before 1915, its robust membership, rehearsal and concert customs, and the contributions of its conductors through the decades. Anderson interviewed dozens of Glee Club alumni going back to the early 1940s to narrate the vibrant story of the group, while assembling a wealth of documents that detail the activities undertaken—and impressions made—by this extraordinary musical ensemble. The group's famous appearances on the Ed Sullivan Show in the early 1950s marked the height of the Glee Club's visibility; however, the ensemble continues to sell out concerts on national and international tours, having traveled to nearly every state in the United States and numerous countries in Europe, Asia, and Central America. Through its eclectic repertoire and polished singing, the Glee Club has achieved a lofty status among collegiate choral ensembles in the United States, beloved by students, members of the Notre Dame family, and friends and supporters of the university around the world. Combining the meaningful culture of Notre Dame with the highest standards of artistic excellence, The Singing Irish makes a wonderful keepsake for fans and alumni of the Notre Dame Glee Club as it enters its centennial year.
This study uncovers the musical foundations and performance suggestions of books of hours, guides to prayer that were the most popular and widespread books of the late Middle Ages.Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these handbooks to liturgy and devotional prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category.The book’s interdisciplinary approach within a musical context, and beautiful full-color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history.
This study uncovers the musical foundations and performance suggestions of books of hours, guides to prayer that were the most popular and widespread books of the late Middle Ages.Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these handbooks to liturgy and devotional prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category.The book’s interdisciplinary approach within a musical context, and beautiful full-color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history.
This book provides a comprehensive review of melancholia as a severe disorder of mood, associated with suicide, psychosis, and catatonia. The syndrome is defined with a clear diagnosis, prognosis, and range of management strategies, differentiated from other similar psychiatric, neurological, and general medical conditions. It challenges accepted doctrines in the classification and biology of the mood disorders and defines melancholia as a treatable mental illness. Described for millennia in medical texts and used as a term in literature and poetry, melancholia was included within early versions of the major diagnostic classificatory systems, but lost favour in later editions. This book updates the arguments for the diagnosis, describes its characteristics in detail, and promotes treatment and prevention. The book offers great hope to those with a disorder too often mis-diagnosed and often fatal. It should be read by all those responsible for the management of patients with mood disorders.
In order to accurately describe and diagnose psychiatric illness, practitioners require in-depth knowledge of the signs and symptoms of behavioral disorders. Descriptive Psychopathology provides a broad review of the psychopathology of psychiatric illness, beyond the limitations of the DSM and ICD criteria. Beginning with a discussion of the background to psychiatric classification, the authors explore the problems and limitations of current diagnostic systems. The following chapters then present the principles of psychiatric examination and diagnosis, described with accompanying patient vignettes and summary tables, and related to different diagnostic concerns. A thought-provoking conclusion proposes a restructuring of psychiatric classification based on the psychopathology literature and its validating data. Written for psychiatry and neurology residents, clinical psychologists, behavioral neurologists, clinical psychology students and psychiatric nurse practitioners, it is invaluable to anyone who accepts the responsibility for the care of patients with behavioral syndromes.
This book provides a comprehensive review of melancholia as a severe disorder of mood, associated with suicide, psychosis, and catatonia. The syndrome is defined with a clear diagnosis, prognosis, and range of management strategies, differentiated from other similar psychiatric, neurological, and general medical conditions. It challenges accepted doctrines in the classification and biology of the mood disorders and defines melancholia as a treatable mental illness. Described for millennia in medical texts and used as a term in literature and poetry, melancholia was included within early versions of the major diagnostic classificatory systems, but lost favour in later editions. This book updates the arguments for the diagnosis, describes its characteristics in detail, and promotes treatment and prevention. The book offers great hope to those with a disorder too often mis-diagnosed and often fatal. It should be read by all those responsible for the management of patients with mood disorders.
The economics profession in twentieth-century America began as a humble quest to understand the "wealth of nations." It grew into a profession of immense public prestige--and now suffers a strangely withered public purpose. Michael Bernstein portrays a profession that has ended up repudiating the state that nurtured it, ignoring distributive justice, and disproportionately privileging private desires in the study of economic life. Intellectual introversion has robbed it, he contends, of the very public influence it coveted and cultivated for so long. With wit and irony he examines how a community of experts now identified with uncritical celebration of "free market" virtues was itself shaped, dramatically so, by government and collective action. In arresting and provocative detail Bernstein describes economists' fitful efforts to sway a state apparatus where values and goals could seldom remain separate from means and technique, and how their vocation was ultimately humbled by government itself. Replete with novel research findings, his work also analyzes the historical peculiarities that led the profession to a key role in the contemporary backlash against federal initiatives dating from the 1930s to reform the nation's economic and social life. Interestingly enough, scholars have largely overlooked the history that has shaped this profession. An economist by training, Bernstein brings a historian's sensibilities to his narrative, utilizing extensive archival research to reveal unspoken presumptions that, through the agency of economists themselves, have come to mold and define, and sometimes actually deform, public discourse. This book offers important, even troubling insights to readers interested in the modern economic and political history of the United States and perplexed by recent trends in public policy debate. It also complements a growing literature on the history of the social sciences. Sure to have a lasting impact on its field, A Perilous Progress represents an extraordinary contribution of gritty empirical research and conceptual boldness, of grand narrative breadth and profound analytical depth.
Get an inside look at the irreverent, rule-breaking subculture of hot rodded, or “Outlaw,” Porsches in this handsome volume featuring stunning photography and interviews with key players.Being cool rarely means being “correct.” And few other sports car genres better reflect that ethos than Porsche Outlaws. The enthusiasts and builders behind these modified Porsches defiantly toss out the rulebook along with the factory-correct parts. From custom paint jobs to modified chassis, engine swaps to racing interiors, rally replicas to historic racer tributes, Porsche Outlaws are about building your dream car. These enthusiasts live by the “drive it, don’t hide it” credo, and they’ve become one of the most popular sports car subcultures around the vaunted German marque. Porsche Outlaws chronicles this rapidly growing Porsche cult. The cars are hot rods in every sense of the term, but the basis is a 356, 912, or 911 model rather than a 1932 Ford. Author and photographer Michael Alan Ross presents: The full Outlaw story from its historic roots in the 1950s through todayInterviews with well-known builders and adherents like Rod Emory, Freeman Thomas, Rob Ida, John Oates, Jeff Zwart, and Magnus WalkerHistoric and contemporary photography of a host of fantastic modified PorschesPorsche Outlaws is a must-have addition for any Porsche-enthusiast library.
