On August 22, 1485, at Bosworth Field, Richard III fell, the Wars of the Roses ended, and the Tudor dynasty began. The clash is so significant because it marks the break between medieval and modern; yet how much do we really know about this historical landmark? Michael K. Jones uses archival discoveries to show that Richard III's defeat was by no means inevitable and was achieved only through extraordinary chance. He relocates the battle away from the site recognized formore than500 years. With startling detail of Henry Tudor's reliance on French mercenaries and a new account of the battle action, the author turns Shakespeare on its head, painting an entirely fresh picture of the dramatic life and death of Richard III, England's most infamous monarch."
It's 1485. The battle of Bosworth marked an epoch in the lives of two great houses: the house of York fell to the ground when Richard III died on the field of battle; and the house of Tudor rose from the massacre to reign for the next hundred years. Michael Jones rewrites this landmark event in English history with startling evidence to suggest that the site of the battle recognized for over 500 years is wrong. He not only shifts the location of the battle, but shifts our perspective of its heroes and villains and its place in history.
This pictured book that is in color was written not to ridicule the horrors of slavery in American history, but only to educate and entertain so-called Blacks, African Americans, Negroes, and Colored people about their true history. The price is high to discourage white people from buying this book
Michael K. Jones's new history of Stalingrad offers a radical reinterpretation of the most famous battle of the WW2. Combining eyewitness testimony of Red Army fighters with fresh archive material, the book gives a dramatic insight into the thinking of the Russian command and the mood of the ordinary soldiers. He focuses on the story of the Russian 62nd Army, which began the campaign in utter demoralisation, yet turned the tables on the powerful German 6th Army. He explains the Red Army's extraordinary performance using battle psychology, emphasising the vital role of leadership, morale and motivation in a triumph that turned the course of the war.
Congregational closures are something few of us want to contemplate or even talk about. Yet we are constantly faced with the reality that our faith communities are asking important questions about whether or not to remain open. Questions are being asked and decisions are being made that touch tens of thousands of Christians across North America each year. Empty Houses is a resource designed to help individuals and congregations with the difficult work of making decisions concerning their congregation's future.
This is a study of the life of Margaret Beaufort, mother of Henry VII and foundress of two Cambridge colleges. It is at once the first biography of Lady Margaret to explore the full range of archival sources, and one of the best-documented studies of any late-medieval woman. Lady Margaret’s early experiences of the medieval ‘marriage market’ anticipated the turbulent political world in which she reached maturity. Deeply involved in the Wars of the Roses, and conspirator against Richard III, she was to become the foundress of one of England’s greatest ruling dynasties. Her considerable wealth, much of it owed to her son’s triumph, was used to finance education at Oxford and Cambridge, and her lasting memorials are the Cambridge colleges of Christ’s and St John’s. Behind her activities as both politician and benefactress can be discerned a vigorous, sometimes ruthless, but always enterprising personality, which left a deep impression on her contemporaries. This is a biography of unusual character which brings to life an extraordinary personality under a great variety of aspects, illuminating in depth the political, social, ecclesiastical and academic history through the life of one of the most remarkable women of the age.
This sample book was written not to ridicule the horrors of slavery in American history, but only to educate and entertain so-called Blacks, African Americans, Negroes, and Colored people about their true history. (White people may go blind if they read it.)
On 1 April 1982 Major Mike Norman, commander of Naval Party 8901, was looking forward to a peaceful year-long tour of duty on the Falkland Islands. But events turned out differently, for the next day the Argentinians invaded and he and his small Royal Marines garrison found themselves fighting for their lives. They took up defensive positions in and around Government House and on the approaches to Stanley to protect the Governor, Rex Hunt, and delay the enemy's advance. They were prepared to die executing these orders. After a desperate battle against vastly superior numbers, Hunt ordered them to lay down their arms. As the surrender took place, an Argentinian told a Marine: 'The Islands are ours now'. The response was simple: 'We will be back'. They were, and this is their story. The Royal Marines of Naval Party 8901 volunteered to join the Task Force and, some seventy-five days after the invasion, the men who were forced to watch the raising of the Argentine flag over the Islands were able, in return, to proudly run up the Falklands flag once more at Government House. Mike Norman and Michael Jones's dramatic account draws upon Norman's vivid recollections, the log book and action reports of the defence of Government House and Stanley, the testimony of Marines under Mike Norman's command and recently released government archives.
David G. Anderson; Derek T. Anderson; Katherine McMillan Barry; Kara Bridgman Sweeney; Samuel O. Brookes; Adam M. Burke; Stephen B. Carmody; Philip J. Carr; William A. Childress; I. Randolph Daniel; Ryan Duggins; Grayal E. Farr; Michael K. Faught; Brendan Fenerty; Jay D. Franklin; Lauren M. Franklin; J. Christopher Gillam; Joseph A. M. Gingerich; Jessi J. Halligan; Kandace D. Hollenbach; Vance T. Holliday; Thomas A. Jennings; K. C. Jones; Shawn A. Joy; Jerald Ledbetter; Greg J. Maggard; Steven M. Meredith; D. Shane Miller
The definitive book on what is known about the Late Pleistocene and Early Holocene archaeological record in the Southeast The 1996 benchmark volume The Paleoindian and Early Archaic Southeast, edited by David G. Anderson and Kenneth E. Sassaman, was the first study to summarize what was known of the peoples who lived in the Southeast when ice sheets covered the northern part of the continent and mammals such as mammoths, saber-toothed cats, and ground sloths roamed the landscape.The American Southeast at the End of the Ice Age provides an updated, definitive synthesis of current archaeological research gleaned from an array of experts in the region. It is organized in three parts: state records, the regional perspective, and reflections and future directions. Chapters survey a diversity of topics including the distribution of the earliest archaeological sites in the region, chipped-stone tool technology, the expanding role of submerged archaeology, hunter-gatherer lifeways, past climate changes and the extinction of megafauna on the transitional landscape, and evidence of demographic changes at the end of the Ice Age. Discussion of the ethical responsibilities regarding the use of private collections and the relationship of archaeologists and the avocational community, insight from outside the Southeast, and considerations for future research round out the volume.
Daphne S. Barbour; Barbara Hepburn Berrie; John K. Delaney; Kathryn A. Dooley; Michelle Facini; Ann Hoenigswald; Kimberly Jones; Richard Kendall; Suzanne Quillen Lomax; Alison Luchs; Michael Palmer; Kimberly Schenck; Shelley G. Sturman
This volume of Facture, a biennial journal that presents the latest conservation research on works of art at the National Gallery of Art, Washington, focuses exclusively on conservation treatment, technical art history, and scientific research related to masterpieces by the beloved French artist Edgar Degas (1834–1917). The National Gallery’s extraordinary collection of sculptures, paintings, and works on paper by Degas, including an incomparable group of his wax sculptures—among them his iconic Little Dancer Aged Fourteen—allows the institution to contribute significantly to understanding the artist’s methods and intentions. This volume features discussions of the notion of “finish” in Degas’s paintings, the complex makeup of his wax sculptures, the casting of posthumous bronzes, his innovative use of multiple layers of pastel and fixative in a late work on paper, and even a sonnet that Degas wrote to his “little dancer.” Distributed for the National Gallery of Art, Washington
Bantubonke is an accomplished and revered jazz trumpeter, composer and band leader in decline – an absent present and inadequate spouse. He lives for art at the expense of all else, an imbalance that derails his life and propels him to the brink of madness and despair. A story of direct and implied betrayals, Illumination is an unrelenting study of possession and loss, of the beauty and uncertainty of love, of the dangers and intrusions of fame.
In a South Africa torn by civil war, Michael K sets out to take his mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies.
