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1000 tulosta hakusanalla Michele Roberts

Michele Roberts

Michele Roberts

Sarah Falcus

Verlag Peter Lang
2007
nidottu
This book provides an accessible and yet thorough analysis of the work of Michele Roberts, a prolific half-English and half-French writer who can claim both literary and popular appeal. Roberts's work is examined alongside contemporary feminist theory, particularly the work of Luce Irigaray and feminist philosophers of religion. The book traces the development of Roberts's work from its origins in the feminist movement of the seventies, through its engagement with the philosophy of religion and its interest in historiography, to the postmodern playfulness of her latest work. At the same time, the book does acknowledge enduring concerns in her "oeuvre," particularly the fascination with the mother-daughter relationship and the desire to engage with and rewrite both history and myth. The book offers detailed readings of Roberts's novels together with a selection of her short stories and poetry."
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Travelling in Women’s History with Michèle Roberts’s Novels

Travelling in Women’s History with Michèle Roberts’s Novels

Maria Soraya Garcia-Sanchez

Peter Lang AG, Internationaler Verlag der Wissenschaften
2011
nidottu
Travelling in Women’s History with Michèle Roberts’s Novels: Literature, Language and Culture is a journey to discover Roberts’s work as a feminist writer, novelist and memoirist. An overall analysis and detailed overview of Michèle Roberts’s novels first provide the reader with a study of Roberts’s rewriting of stories that have been inspired by historical, mythological and religious women who gain a voice in her fiction. Not only will the content of Roberts’s novels be explored but also its connection to form, as this feminist writer has always linked body to language. Second, the book analyses personal and public discoveries in Roberts’s memoir, Paper Houses: A Memoir of the ‘70s and Beyond (2007). The personal, professional and political journeys the writer-protagonist strolls in London will be part of a feminist culture and language that the memoirist preserves in her autobiography. Finally, two conversations with Michèle Roberts from 2003 and 2010 are presented in a last chapter in order to illustrate Roberts’s arguments when writing as a woman.
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Impossible Saints

Impossible Saints

Michéle Roberts

Mariner Books
1999
nidottu
What does it take for a woman to be judged saintly? In this wily, wonderfully original novel, Michle Roberts tells the story of the fictional Saint Josephine: her life and death, her childhood and evolution from woman to nun to abbess, her unlikely canonization. The more we discover, the more incredible her sainthood seems. Who was Saint Josephine? Craven nun or fearless miracle worker? Pious role model or seductress? Illuminating Saint Josephine's story are the equally fantastical stories of eleven actual female saints: mad one-armed girls, beauties locked in towers, mothers who encourage their daughters' fatal anorexia, ingenues who seduce and dismember their fathers. Together the stories expose the historical conflict between female sexuality and religion, the roots of female roles in the church, and the troubled love between fathers and daughters. In original exploration of love, faith, and desire, Impossible Saints is a funny, disturbing, and utterly compelling novel about modern women who came before their time.
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Colette

Colette

Michèle Roberts

Oxford University Press
2024
sidottu
The power of Colette's work comes from its modernist storytelling. Colette was a pioneering, ground-breaking modernist writer, but has not always had her originality and worth recognized in Britain. Her work provocatively uses unstable narratives, gaps, silences, fairytale, mythical tropes, and sensual evocations of childhood, sex, and landscapes. In this book, Michèle Roberts examines how Colette invents new forms to express her unsettling content on desire, perversion, ageing, and different forms of love. Delving into four keys texts, Roberts explores Colette's willingness to break open taboos about older woman and desire, as well as hidden and forbidden aspects of human longings and pleasures. Through these re-readings, Roberts discovers that Colette's work is even more entrancing, more disturbing, and more original than she first thought.
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Fair Exchange

Fair Exchange

Michèle Roberts

Picador USA
2002
nidottu
In the early 1800s in a small village in rural France, a peasant woman named Louise summons her priest. Fearing she is about to die, Louise begins her final confession to the bored cleric and reveals a lifelong secret involving a famous woman writer, a young English poet, and a wicked and unusual crime. Inspired by the lives and loves of the eighteenth-century pioneer of women's rights, Mary Wollstonecraft, and her contemporary, William Wordsworth, "Fair Exchange" is a spellbinding and sensual novel of passion and guilt.
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The Looking Glass

The Looking Glass

Michèle Roberts

Picador USA
2002
nidottu
An orphan enchanted by stories and the incantatory power of words, Genevieve lives an isolated existence as a maid to the widow Patin in a village cafe on the Normandy coast in the early 20th century. Forced to flee the village, she comes under the spell of a charismatic spinner of words, a poet who captivates every woman around him -- his mother, his mistress, his niece, his niece's governess, and eventually, his new maid, who soon begins to spin a story of her own.
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French Cooking for Two

French Cooking for Two

Michele Roberts

Les Fugitives
2025
pokkari
Following her critically acclaimed first cookbook French Cooking for One, this new cookbook by Michèle Roberts, illustrated by the author, is about friendship as much as it is about preparing a French dinner for two. A book to stimulate your appetite to invite a dear friend round as soon as possible and cook for them.
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French Cooking for One

French Cooking for One

Michele Roberts

Les Fugitives
2024
nidottu
'So many micro feasts, and every one of them nourishment for body and soul.' -Rachel Cooke, Observer Food Monthly Whether cooking for one on a daily or an occasional basis, cooking well for yourself means cherishing yourself and your appetites, joyously giving yourself pleasure, opening yourself to new experiences. This book will encourage you to do all that. - M. R. A unique work of literary and culinary joie de vivre, part food memoir, part recipe book, French Cooking for One is Michele Roberts' first cookbook, and a personal and quirky take on Edouard de Pomiane's ten-minute cooking classic. Once a food writer for the New Statesman, Roberts was born in 1949 and raised in a bilingual French-English household, learning to cook from her French grandparents in Normandy. Her love of food and cookery has always shone through in her novels and short stories. French cuisine, classic though it is, still holds delicious surprises. From quick bites for busy days to sumptuous main courses for those who enjoy spending more time in the kitchen, the focus throughout is on dishes that are simple and fun to prepare, and results that are mouthwatering to contemplate and, of course, to eat. With over 160 delicious recipes, the majority of which are vegetarian, combined with piquant storytelling and feminist wit, French Cooking for One is a working cook's book with French flair, bursting with life and illustrated with the author's original ink drawings, full of charm and humour. More than a handbook of classic French dishes, French Cooking for One does something that few, if any, cookbooks do: it bears testimony to a singular literary life. Gorgeously written vignettes of Roberts' childhood in Normandy and of her years living in Pays de la Loire are peppered with anecdotes about intellectual and artistic luminaries: an omelette prepared by Gertrude Stein's cook for Picasso; a simple pasta dish calling to mind the French philosopher Julia Kristeva and the Scottish poet Alison Fell's images of female orgasm; and Emma Bovary's extraordinary wedding cake, among others.
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Ignorance

Ignorance

Michèle Roberts

Bloomsbury Publishing PLC
2013
nidottu
LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2013Jeanne and Marie-Angèle grow up, side by side yet apart, in the Catholic village of Ste Madeleine. Marie-Angèle is the daughter of the grocer, inflated with ideas of her rightful place in society; Jeanne's mother washes clothes for a living and used to be a Jew. When war arrives, the village must play its part in a game for which no one knows the rules - not the dubious hero who embroils Marie-Angele in the black market, nor the artist living alone with his red canvases. In these uncertain times, the enemy may be hiding in your garden shed and the truth can be buried under a pyramid of recriminations. A mesmerising exploration of guilt, faith, desire and judgement, Ignorance brings to life a people at war.
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The Walworth Beauty

The Walworth Beauty

Michèle Roberts

Bloomsbury Publishing PLC
2018
nidottu
From the Booker-shortlisted author comes a sensuous, evocative novel exploring the lives of women in Victorian London, for fans of Sarah Waters, Emma Donoghue and Kate Atkinson2011: When Madeleine loses her job as a lecturer, she decides to leave her riverside flat in cobbled Stew Lane, where history never feels far away, and move to Apricot Place. Yet here too, in this quiet Walworth cul-de-sac, she senses the past encroaching: a shifting in the atmosphere, a current of unseen life. 1851: and Joseph Benson has been employed by Henry Mayhew to help research his articles on the working classes. A family man with mouths to feed, Joseph is tasked with coaxing testimony from prostitutes. Roaming the Southwark streets, he is tempted by brothels’ promises of pleasure – and as he struggles with his assignment, he seeks answers in Apricot Place, where the enigmatic Mrs Dulcimer runs a boarding house.As these entwined stories unfold, alive with the sensations of London past and present, the two eras brush against each other – a breath at Madeleine’s neck, a voice in her head – the murmurs of ghosts echoing through time. Rendered in immediate, intoxicating prose, The Walworth Beauty is a haunting tale of desire and exploitation, isolation and loss, and the faltering search for human connection; this is Michèle Roberts at her masterful best.
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Mud

Mud

Michele Roberts

Virago Press Ltd
2011
pokkari
Chosen as a Fiction Book of the Year in the Daily Telegraph by Maggie O'FarrellIn this witty and subversive collection of stories, Michèle Roberts explores women's desires, memories and loves as only she can. A jilted woman skirts the edges of time and place as she walks the streets of London at night; another returns to the scene of her honeymoon without her husband; a wife takes apt revenge on her vegetarian husband . . .
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Paper Houses

Paper Houses

Michele Roberts

Virago Press Ltd
2008
nidottu
Rebellion, revolution, experimental living, feminist communes, street theatre, radical magazines, love affairs - gay and straight - sex, drugs and rock and roll.Michèle Roberts, one of Britain's most talented and highly acclaimed novelists, now considers her own life, in this vibrant, powerful portrait of a time and place: alternative London of the 1970s and beyond. A fledgling writer taking a leap into radical politics, Roberts finds alternative homes, new families and lifelong friendships in the streets and houses of Holloway, Peckham, Regent's Park and Notting Hill Gate. From Spare Rib to publishing her first book, Paper Houses is Roberts' story of finding a space in which to live, love and write - and learning to share it.'Beguiling, enthusiastic, charming and vivid, this is an autobiography to be savoured' Amanda Craig, DAILY TELEGRAPH
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Daughters Of The House

Daughters Of The House

Michele Roberts

Little, Brown Book Group
1993
nidottu
Shortlisted for the Booker PrizeSecrets and lies linger in the very walls of the solid old Normandy house where Therèse and Leonie, French and English cousins, grow up after the war. Intrigued by adults' guilty silences and the broken shrine they find in the woods, the girls weave their own fantasies, unwittingly revealing the village's buried shame, a shame that will haunt them both for the rest of their lives.
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During Mother's Absence

During Mother's Absence

Michele Roberts

Virago Press Ltd
1994
nidottu
Subversive, sensual tales, wise and witty fictions; this collection of short stories from one of Britain's most acclaimed novelists is by turns shockingly delicious and soberingly disquieting. When mother is away taboos are breached, the untouchables embraced and the forbidden tasted.In 'Laundry' a poor, plain girl takes devilish pleasure in outwitting the pious monks and nuns she washes for. In the haunting, powerful fable 'Anger' a young woman, branded by fire at birth by her mother is scarred- and blessed- for life. In the highly sensuous 'Taking it Easy' a mother with writers block finds an escape from the slavery of her twin enemies by turning them into food for thought. And in the beautiful, arresting 'God's House' a young girl faces the ultimate mother's absence.
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Flesh And Blood

Flesh And Blood

Michele Roberts

Virago Press Ltd
1995
nidottu
Freddy thinks he has committed matricide, and his fantasies - or perhaps realities - become stories which twist back through time to varying landscapes. He searches for a home, only to find it in an unexpected place. When able and allowed to return to the present, he can choose which tale to tell.
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Impossible Saints

Impossible Saints

Michele Roberts

Virago Press Ltd
1998
nidottu
Always bold, always provocative, Michele Roberts turns now to the forbidden pleasures and pains of the love between father and daughter and unfolds before us the life and death of Saint Josephine. Holy woman or whore? Upholder of pious or pagan delights? Lowly nun or powerful miracle worker? Or both? And woven throughout her story are the heady and sometimes fearful tales of other female saints - one-armed mad girls, beauties locked in towers, seductive daughters - all women who didn't know their place. Rich with fabulous imagery, IMPOSSIBLE SAINTS is as potent and disturbing as its dangerous themes.'Her fictions are high-risk, unconventional, often apparently unstable; yet are steered with such authority that the otherwise cautious reader is taken almost without realising it into dangerous and exhilarating territory ... She is a writer dedicated to challenging the boundaries by which the idle and unthinking might try to circumscribe her' Rachel Cusk, Sunday Express'Hugely entertaining and genuinely thought-provoking' Julia Flynn, Sunday Telegraph
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The Mistressclass

The Mistressclass

Michele Roberts

Virago Press Ltd
2004
pokkari
Adam is a writer, struggling to come to terms with the death of his painter father, Robert, and his difficult marriage to Catherine. Before he married Catherine, he had been the lover of her sister, Vinny. The classic menage a trois seems about to repeat itself, when Adam discovers his wife's father was less innocent than he had thought. Set mainly in contemporary London, partly in France, the action also harks back to the 1970's. The narrative evokes the style of the nineteenth century novelists and their themes: desire, guilt, pleasure. Pastoral landscapes alternate with those of the inner city and the past's interaction with the present is acted out by ghosts. The dead father haunts his son; in real life Vinny haunts her sister; and the whole novel is haunted by one of its great earliest exponents, Charlotte Bronte, and her passionate search for creative fulfilment.
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Reader, I Married Him

Reader, I Married Him

Michele Roberts

Virago Press Ltd
2006
pokkari
Who is Aurora? Every time she becomes a new Mrs (three times when we last counted) she becomes a new woman. Her stepmother thinks Aurora is impractical, romantic and dreamy. The fact that she gets married so often only goes to prove it. 'Every woman owes it to herself to get married once, but you don't have to make a habit of it.' But now, all alone. . . ?'Aurora, given the chance to be true to herself, rather than to her trio of husbands, turns out to be a world-class minx. After Hugh's funeral, she goes to Italy to visit her old radical-feminist friend, Leonora, now the abbess of the Brigandine convent in Padenza. True to the tradition of convent-educated girls in fiction, Aurora flings herself into a voluptuous life of lunches and lovers. Chiselled phrasing and dancing plot . . . a sizzling firework display of a book' Sunday Times.
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