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1000 tulosta hakusanalla Mina Loy

The Lost Lunar Baedeker: Poems of Mina Loy

The Lost Lunar Baedeker: Poems of Mina Loy

Mina Loy

Farrar, Straus and Giroux
1997
nidottu
Mina Loy's technique and subjects - prostitution, menstruation, destitution, and suicide - shock even some modernists and she vanished from the poetry scene as dramatically as she had appeared on it. Roger Conover has resuced the key texts from the pages of forgotten publications, and has included all of the futurist and feminist satires, poems from Loy's Paris and New York periods, and the complete cycle of "Love Songs," as well as previously unknown texts and detailed notes.
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Mina Loy

Mina Loy

PRINCETON UNIVERSITY PRESS
2023
sidottu
A richly illustrated exploration of Mina Loy’s art and writingsMina Loy (1882–1966) was one of the most iconoclastic figures in modernism. A groundbreaking poet, she also left an indelible mark in painting, drawing, prose, art criticism, and fashion. Mina Loy: Strangeness Is Inevitable is the first book to examine the full scope of her extraordinary career, demonstrating Loy’s transformative impact on the visual arts as well as the literary avant-garde of the twentieth century.Presenting dozens of Loy’s paintings, drawings, and constructions alongside selections of her poems and writings, this book gives a comprehensive overview of the complex images and objects Loy created and situates them in the larger context of her life and work. It explores Loy’s pursuit of truth and beauty, arguing that her engagement with the emphatically “unbeautiful” materials of the Bowery—such as rags and bottle caps—reflects her questioning of truth. The book positions Loy within the broader context of surrealist art; sheds light on her relationships with influential figures such as Gertrude Stein, Marcel Duchamp, and Wyndham Lewis; and addresses Loy’s enduring relevance today.Featuring rare and previously unpublished artworks, Mina Loy: Strangeness Is Inevitable reveals this visionary artist’s extraordinary contributions as an image-maker, writer, and cultural arbiter, introducing her work to a new generation of readers and charting new directions in art history, women’s studies, poetry, and modernist studies.Published in association with the Bowdoin College Museum of ArtExhibition ScheduleBowdoin College Museum of Art, Brunswick, MaineApril 6–September 17, 2023
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Mina Loy

Mina Loy

Mary Ann Caws

REAKTION BOOKS
2022
sidottu
Mina Loy was born in London in 1882, became American, and lived variously in New York, Europe and, finally, Aspen, Colorado, where she died in 1966. Flamboyant and unapologetically avant-garde, she was a poet, painter, novelist, essayist, manifesto writer, actress, and dress and lampshade designer. Her life involved an impossible abundance of artistic friends, performance and spectacular adventures in the worlds of Futurism, Christian Science, feminism, fashion, and everything modern and modernist.This new account by Mary Ann Caws explores Mina Loy’s exceptional life, and features many rare images of Loy and her husband, the Swiss writer, poet, artist, boxer and provocateur Arthur Cravan, who disappeared without trace in 1918.
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Mina Loy - Songs To Joannes & Other Verse

Mina Loy - Songs To Joannes & Other Verse

Mina Loy

Forgotten Poets
2024
pokkari
Mina Loy - Songs to Joannes & Other VerseForgotten Poets #7 / forgottenpoets.substack.com'Songs to Joannes & Other Verse' 146 pages] brings together a selection of poems by London poet Mina Loy, later based in Paris and New York, including the entire 34 song sequence, 'Songs to Joannes', and a generous selection of Loy's other verses (originally published 1914-1923), as well as selected short essays, manifestos, and aphorisms; with illustrations by Mina Loy, Djuna Barnes, and Clara Tice. Loy was a revolutionary poet, and a member of the Futurist and Dada groups in the mid-1910s, and a forerunner to the 'free' and 'new verse' movements of the 1920s.. . . . . . . . .-: From: Songs To Joannes: -Out of the severingOf hill from hillThe interimOf star from starThe nascentStaticOf night. . . . . . . . .-: Gertrude Stein: -CurieOf the laboratoryof vocabularyshe crushedthe tonnageof consciousnesscongealed to phrasesto extracta radium of the word. . . . . . . . .The Forgotten Poets Newsletter presents: new collections of out-of-print and obscure poetry, with a focus on compressed & fragmented 'free' and 'new' verse from the late-1800s & early-1900s, & the early history of English-language tanka & haiku. Verses are carefully selected & spaciously laid-out, adorned with illustrations & ornaments from the books & magazines they originally appeared in.
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Mina Loy

Mina Loy

Mina Loy

Buenos Aires Poetry
2022
pokkari
Mina Loy (Mina Lowy / 1882, Londres - 1966, Aspen, Colorado) fue una poeta modernista cuya obra fuertemente feminista retrat los aspectos m s ntimos de la sexualidad femenina y su vida emocional. Loy comenz a estudiar arte en 1987 en St. John's Wood School en Londres. En 1899 dej Inglaterra para estudiar pintura en Munich, Alemania, y luego viaj a Par s en 1902. En 1907 viaj a Florencia y entr en contacto con los futuristas. Gertrude Stein y otros artistas y escritores expatriados alentaron las tendencias modernistas de Loy. Ya en 1913 la poeta estaba utilizando teor as futuristas en la literatura para promover la pol tica feminista desde su trabajo. En 1915 public "Love Songs" para la revista modernista Others, y en 1916 se uni al movimiento vanguardista de la ciudad de Nueva York, ganando elogios de los contempor neos modernistas William Carlos Williams, Ezra Pound y T. S. Eliot. En "Songs to Jannes" de 1917 (una expansi n de "Love Songs"). Una completa colecci n de su obra, The Last Lunar Baedeker, apareci en 1982.
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Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

Linda A. Kinnahan

Routledge
2019
nidottu
In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relation to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy’s encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy’s late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera’s modern impact –Kathleen Fraser and Caroline Bergvall – to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.
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Mina Loy's Critical Modernism

Mina Loy's Critical Modernism

Laura Scuriatti

University Press of Florida
2019
sidottu
This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy’s “eccentric” writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms “critical modernism.” Drawing on neglected archival material, Scuriatti illuminates the often-overlooked influence of Loy’s time spent amid Italian avant-garde culture. In particular, she considers Loy’s assessment of the nature of genius and sexual identity as defined by philosopher Otto Weininger and in Lacerba, a magazine founded by Futurist leader Giovanni Papini. She also investigates Loy’s reflections on the artistic masterpiece in relation to the world of commodities; explores the dialogic nature of the self in Loy’s autobiographical projects; and shows how Loy used her “eccentric” stance as a political position, especially in her later career in the United States. Offering new insights into Loy’s feminism and tracing the writer’s lifelong exploration of themes such as authorship, art, identity, genius, and cosmopolitanism, this volume prompts readers to rethink the place, value, and function of key modernist concepts through the critical spaces created by Loy’s texts.
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Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

Linda A. Kinnahan

Routledge
2017
sidottu
In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relation to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy’s encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy’s late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera’s modern impact –Kathleen Fraser and Caroline Bergvall – to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.
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Reading Mina Loy’s Autobiographies

Reading Mina Loy’s Autobiographies

Sandeep Parmar

Bloomsbury Academic USA
2013
sidottu
Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers. Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a ‘modern woman' through an analysis of her unpublished autobiographical prose. Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the ‘modern' and how they apply to the ‘modernist' writer—based on her engagement with twentieth-century avant-garde aesthetics—and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a ‘late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
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Reading Mina Loy’s Autobiographies

Reading Mina Loy’s Autobiographies

Sandeep Parmar

Bloomsbury Academic
2014
nidottu
Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers. Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a ‘modern woman' through an analysis of her unpublished autobiographical prose. Reading Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the ‘modern' and how they apply to the ‘modernist' writer—based on her engagement with twentieth-century avant-garde aesthetics—and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a ‘late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
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Stories and Essays of Mina Loy

Stories and Essays of Mina Loy

Loy Mina

Dalkey Archive Press
2011
nidottu
"Stories and Essays of Mina Loy" is the first book-length volume of Mina Loy's narrative writings and critical work ever published. This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy's narratives address issues such as abortion and poverty, and what she called "the sex war" is an abiding theme throughout. "Stories and Essays of Mina Loy" also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy's early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events, and religion complete this beguiling collection, cementing Mina Loy's place as one of the great writers of the twentieth century.
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Kun minä löysin Itseni

Kun minä löysin Itseni

Terhi Susanna

Books on Demand
2017
pokkari
"Shamaanin maailma on sellainen, jossa moni miettisi kysymystä: miksi. Shamaanin ajattelutapa on poikkeava, se edustaa aina hänen omaa sisäistä maailmaansa.Shamaani kohtaa omien demoniensa lisäksi myös muiden demonit. Heidän, jotka uskaltavat pyytää hänen apuaan. Ei siksi, että he pelkäisivät shamaania. Vaan siksi, että he pelkäävät itseään. Shamaani ei voi pelätä mitään tai ketään. Hänen on oltava rohkea. Sillä omien taisteluidensa lisäksi, hänen on autettava muita voittamaan omat taistelunsa. Shamaani ei voi pelätä näkyjään, sillä hän ei voisi koskaan työskennellä shamaanina, jos hän pelkäisi. Shamaani ei myöskään voi ajatella rajoittuneesti. Jos hän ajattelisi rajoittuneesti, ei hän voisi tulkita näkyjään ja tuntemuksiaan. Rajoittuneisuus ei kuulu shamaanin maailmankuvaan. Shamaanin on oltava kokonainen, jotta hän voi toimia auttajana. Hän ei voi elää kenenkään sellaisen kanssa, joka pyrkii rajoittamaan häntä tai hänen maailmankatsomustaan. Hän ei voi elää puoliksi.Hän antaa itsensä ja kehonsa suuremmille voimille, jotta joku toinen saa alkaa elää."Minä etsin Itseäni monta vuotta elämästäni. Ei ollut paikkaa eikä aikaa, jossa olisin tuntenut olevani oma Itseni.Minä kasvoin omaan minuuteeni samalla kun kasvoin shamaaniksi.
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The Salt Companion to Mina Loy

The Salt Companion to Mina Loy

Salt Publishing
2010
nidottu
The Salt Companion to Mina Loy comprises ten essays by leading scholars and writers on the work of modernist poet Mina Loy. Loy (1882-1966) formed part of the new generation of poets who revolutionised writing in the early twentieth century. She had personal and artistic links to Italian Futurism and Parisian Surrealism, as well as to individuals such as James Joyce, Ezra Pound, Wyndham Lewis, Djuna Barnes and Gertrude Stein. Working with reference to, but also often against the ideas of these fellow writers, her experimental, witty and inconoclastic poems were both distinctive and arresting. Since the republication of her poems in 1996-7, Loy has gained in stature and importance both in the UK and the US: her writing is now seen as central to literary innovations in the 1910s and 1920s, and she is often a set author on undergraduate and MA courses. Apart from the collection of essays Mina Loy: Woman and Poet published twelve years ago, there is currently no single book on Loy’s work in print. The Companion will be an invaluable new resource for students and readers of modernism. It provides new perspectives and cutting-edge research on Loy’s work and is distinctive in its consideration of her prosodic and linguistic experiments alongside a discussion of the literary and historical contexts in which she worked. The contributors include influential and emerging experts in modernist studies. They are Peter Nicholls, Tim Armstrong, Geoff Gilbert, David Ayers, Andrew Robertson, John Wilkinson, Suzanne Hobson, Rachel Potter, Alan Marshall, Rowan Harris and Sandeep Parmar.
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Poetics of Identity: Mina Loy Voicing the Fluid Female Body

Poetics of Identity: Mina Loy Voicing the Fluid Female Body

Pavlina Ferfeli

Peter Lang AG
2011
sidottu
Examining closely the intersection of Continental theories of difference and a predominantly American ethic of diversity, the book uses phenomenology and interdisciplinary study to investigate female embodiment in Mina Loy’s poetic and visual work. It contends that Loy’s female embodied subjectivity is enacted in the mode of a subject-in-process, forever active in the transformation of materiality, intercorporeality, visuality and ideology. It shows that the representation of a forcefully fluid and unfetished female body endows Loy and her contemporary Surrealist women artists with the necessary tool to redefine the rigid ethics and aesthetics of existing Surrealism, complicate gender identity and set a new basis for the social sciences. As it appears both sexed and asexual, corporeal and transcendent, the female body suggests the impasse of the antagonism between sperm and ovum as well as that of body and mind, with Loy’s ardent feminism finally evolving into humanitarian wisdom. The book suggests that even though Loy’s work has been traditionally viewed mainly as an instance of modernist rupture, it also forms a humanitarian feminist poetry that bridges, compensates and heals.
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Travels with Mina Loy: Navigating the Avant-Garde

Travels with Mina Loy: Navigating the Avant-Garde

Suzanne W. Churchill; Linda a. Kinnahan; Susan Rosenbaum

Lever Press
2026
nidottu
Artist and writer Mina Loy (1882-1966) traversed continents, participated in Futurism, Dada, and Surrealism, and depicted poetic and painterly vistas ranging from lunar landscapes to the gritty streets of the Bowery. Travels with Mina Loy: Navigating the Avant-Garde, a companion text to the award-winning, multi-authored web resource Mina Loy: Navigating the Avant-Garde, offers an illustrated tour of Mina Loy's long and varied career, contextualized with in-depth explorations of key places that shaped her life and work. Shedding new light on Loy's poetic responses to Italy, her theatrical explorations in New York City, and her forays into the museums of Paris and New York, the book brings in newly discovered and critically overlooked Loy works, as well as fresh timelines and surveys of the critical corpus on her creative output. This essential guidebook to Mina Loy charts her migrations across geography, movements among artistic circles and people, and transit across arts to illuminate her evolving aesthetics, politics, and artistic commitments.
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Nethered Regions an Anatomy of Mina Loy

Nethered Regions an Anatomy of Mina Loy

Sara Crangle

Edinburgh University Press
2024
sidottu
Mina Loy is recognised as a writer who insists on the primacy of the body, but her fascination with corporeality is inextricable from her esoteric understanding of the soul. Over two volumes, Sara Crangle demonstrates how Loy’s visceral focus propels a prescient, mystical feminist vision that aims to resituate marginalised subjects within modernist culture. Nethered Regions – An Anatomy of Mina Loy provides new thinking on Loy’s approach to the foundations of existence, exploring sentience, primitivism, evolution, vitalism, and sensibility. Dubbing Loy an atavistic vanguardist, this book aligns sacrifice with satire, showing how Loy resists modernist anti-sentimentality by devising a feminist satirical mode in which sardonic aggression generates intimacy and proximity, rather than ironised distance. Loy’s attention to “low” body parts – feet, legs, genitals, bellies, wombs – is illuminated in chapters theorising her engagement with dissident sexualities (queerness, prostitution, women’s pleasure); pictorial-poetic cartographies of desire; and the accursed muse, the unsung counterpart to the poète maudit.
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Elevated Realms an Anatomy of Mina Loy

Elevated Realms an Anatomy of Mina Loy

Sara Crangle

EDINBURGH UNIVERSITY PRESS
2024
sidottu
Mina Loy is recognised as a writer who insists on the primacy of the body, but her fascination with corporeality is inextricable from her esoteric understanding of the soul. Over two volumes, Sara Crangle demonstrates how Loy’s visceral focus propels a prescient feminist vision that aims to resituate marginalised subjects within modernist culture. Elevated Realms – An Anatomy of Mina Loy is the first book-length study devoted to Loy’s affinities with alternative spiritualities ancient and modern. Aligning Loy’s heterodoxies with her vanguardism, this volume analyses Loy’s engagements with mesmerism, spiritualism, and telepathy; enchantment and visionariness; psychoanalysis, philosophy, and physics; Christian Science and Theosophy. Attending to Loy’s presentations of the upper half of the body – heartscapes, spines, eyes, nerve centres – Elevated Realms unearths the coordinates of Loy’s esoteric Eros, a transcendent, orgasmic love that is cosmic, aesthetic, and a corrective to women’s disregarded satiation. The counterpart to her acerbic feminist satires, Loy’s Eros transforms abjectified, feminised posturing. Always singular, Loy’s embodied mysticism remains a potent model for the study of feminist spirituality in the modernist period and beyond.
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Elevated Realms An Anatomy of Mina Loy

Elevated Realms An Anatomy of Mina Loy

Sara Crangle

EDINBURGH UNIVERSITY PRESS
2025
nidottu
Mina Loy is recognised as a writer who insists on the primacy of the body, but her fascination with corporeality is inextricable from her esoteric understanding of the soul. Over two volumes, Sara Crangle demonstrates how Loy's visceral focus propels a prescient feminist vision that aims to resituate marginalised subjects within modernist culture.Elevated Realms An Anatomy of Mina Loy is the first book-length study devoted to Loy's affinities with alternative spiritualities ancient and modern. Aligning Loy's heterodoxies with her vanguardism, this volume analyses Loy's engagements with mesmerism, spiritualism, and telepathy; enchantment and visionariness; psychoanalysis, philosophy, and physics; Christian Science and Theosophy.Attending to Loy's presentations of the upper half of the body heartscapes, spines, eyes, nerve centres Elevated Realms unearths the coordinates of Loy's esoteric Eros, a transcendent, orgasmic love that is cosmic, aesthetic, and a corrective to women's disregarded satiation. The counterpart to her acerbic feminist satires, Loy's Eros transforms abjectified, feminised posturing. Always singular, Loy's embodied mysticism remains a potent model for the study of feminist spirituality in the modernist period and beyond.
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