Naama Lorvil ouvre ainsi son coeur dans ce premier recueil de po mes. Ces po mes crits sur plusieurs ann es, mettant nue les variations de sa personne, de sa vie. Variation en deux temps repr sente donc sa foi en Dieu, les paroles qui lui ont t r v l es et ses exp riences; l'expression de son v cu traduit sous une forme po tique.Variation en deux temps repr sente bien cette dualit , cette qu te, ces deux faces oppos es et s par es par un rien qui ont fait en sorte que Naama puisse reprendre les paroles de ce verset en reconnaissant que Toute gr ce excellente et tout don parfait descendent d'en haut, du P re des lumi res, chez qui il n'y a ni changement, ni ombre de variation Ceci est un d but, le reste est en route. Voici Variation en deux temps
Naama Tsabar’s art overcomes the boundaries of sculpture, music, performance and architecture: Hamburger Bahnhof presents the installation and performance artist with her first institutional solo exhibition in Germany. The exhibition Estuaries focuses on four bodies of work with wall and floor pieces that also function as musical instruments and can be activated by the audience. The performance, created especially in the exhibition, is developed in close collaboration with a group of female identifying or gender non-confirming musicians and dancers from Berlin, New York and Los Angeles and will be premiered on the opening weekend. The exhibition presents on about 420 sqm four series of over twenty works that correspond with each other both visually and sonically throughout the exhibition space. Naama Tsabar reveals hidden spaces and systems in her interactive works, re-defining gendered narratives and shifting the viewing experience to a moment of active participation. This is the fourth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof – Nationalgalerie der Gegenwart. It comprises a curatorial text by Ingrid Buschmann, an interview with the artist, and a contribution by Fiona McGovern that situates Naama Tsabar’s work within a larger context. Text in English and German.
This study focuses on the past (1985) and current (2018) evolution of the Sabkha of Na ma, with particular emphasis on crucial parameters such as salinity, vegetation, and water status. The main objective is to provide essential data for the conservation of the biodiversity of this region. The results obtained through representative sampling, including 136 soil samples at two distinct depths (4 cm and 30 cm), are at the heart of this analysis. Salinity analyzes reveal maximum values reaching 115.3 g/l at 4 cm depth and 80.3 g/l at 30 cm. As for conductivity, the highest values are 198.4 mS at 4 cm and 141.89 mS at 30 cm, respectively. Furthermore, the results highlight a variation in the pH of the Sabkha soil, oscillating between weakly alkaline and strongly alkaline. The diachronic approach, based on the analysis of the NDVI of satellite images Landsat_5, Landsat_8, and Sentinel_2, offers a fascinating insight of the evolution of vegetation over a period of 33 years. Using the NDWI over the same period highlights the growing water deficit in the region over time.
Questo studio si concentra sull'evoluzione passata (1985) e attuale (2018) del Sabkha di Na ma, con particolare enfasi su parametri cruciali come la salinit , la vegetazione e lo stato dell'acqua. L'obiettivo principale fornire dati essenziali per la conservazione della biodiversit di questa regione. I risultati ottenuti attraverso un campionamento rappresentativo, comprendente 136 campioni di terreno a due distinte profondit (4 cm e 30 cm), sono al centro di questa analisi. Le analisi della salinit rivelano valori massimi che raggiungono 115,3 g/l a 4 cm di profondit e 80,3 g. /l a 30 cm. Per quanto riguarda la conduttivit , i valori pi alti sono rispettivamente 198,4 mS a 4 cm e 141,89 mS a 30 cm. Inoltre, i risultati evidenziano una variazione del pH del suolo Sabkha, che oscilla tra debolmente alcalino e fortemente alcalino. L'approccio diacronico, basato sull'analisi dell'NDVI delle immagini satellitari Landsat_5, Landsat_8 e Sentinel_2, offre uno spaccato affascinante del pH. evoluzione della vegetazione in un periodo di 33 anni. L'utilizzo dell'NDWI nello stesso periodo evidenzia il crescente deficit idrico nella regione nel corso del tempo.
Este estudio se centra en la evoluci n pasada (1985) y actual (2018) del Sabkha de Na ma, con especial nfasis en par metros cruciales como la salinidad, la vegetaci n y el estado del agua. El objetivo principal es proporcionar datos esenciales para la conservaci n de la biodiversidad de esta regi n. Los resultados obtenidos mediante muestreos representativos, que incluyen 136 muestras de suelo a dos profundidades distintas (4 cm y 30 cm), son el n cleo de este an lisis. Los an lisis de salinidad revelan valores m ximos que alcanzan 115,3 g/l a 4 cm de profundidad y 80,3 g. /l a 30 cm. En cuanto a la conductividad, los valores m s altos son 198,4 mS a 4 cm y 141,89 mS a 30 cm, respectivamente. Adem s, los resultados ponen de relieve una variaci n en el pH del suelo de Sabkha, que oscila entre d bilmente alcalino y fuertemente alcalino. El enfoque diacr nico, basado en el an lisis del NDVI de las im genes de sat lite Landsat_5, Landsat_8 y Sentinel_2, ofrece una visi n fascinante del suelo. Evoluci n de la vegetaci n durante un per odo de 33 a os. El uso del NDWI durante el mismo per odo resalta el creciente d ficit de agua en la regi n a lo largo del tiempo.
Sikandar-Naama is the story of a fool named 'Sikandar' from the city of Budaun (Uttar Pradesh State), which Salma Siddiqui has presented not only with brilliance but also with colors of sincerity and compassion. Along with interest and charm, it also reflects the color of deep humanity. The fool lives in a world of opportunism, but he does not adopt opportunism himself. Even in an environment of hypocrisy, the fool speaks the truth without any hesitation. The fool has a bitter and harsh tongue and a sincere and sweet heart. A fool is never a great man, but a fool is not a bad man either./سکندرنامہ علاقہ بدایوں کے ایک بدھو کی کہانی ہے جسے سلمٰی صدیقی نے صرف روشنائی سے نہیں بلکہ خلوص اور ہمدردی کے رنگوں کے ساتھ پیش کیا ہے۔ اس میں دلچسپی اور دلکشی کے ساتھ گہری انسانیت کا رنگ بھی جھلکتا ہے۔ بدھو موقع پرستی کی دنیا میں رہتا تو ہے مگر خود موقع پرستی اختیار نہیں کرتا۔ ریاکاری کے ماحول میں بھی بدھو بےاختیار سچ بول دیتا ہے۔ بدھو زبان کا کڑوا اور کھردرا اور دل کا کھرا اور میٹھا ہے۔ بدھو کبھی بڑا آدمی نہیں ہوتا مگر بدھو برا آدمی بھی نہیں ہوتا۔
Os valores das quais a sociedade esquece-se de compreender que o inimigo da alma e Invis vel aos nossos olhos, mas aos Olhos de Deus; n o esta escondida tornando poss vel, sua descoberta, ajud -lo a recuperar valores sociais que perdidas, foram nas esferas do Espiritual e emocional.
Diese Studie konzentriert sich auf die vergangene (1985) und aktuelle (2018) Entwicklung des Sabkha von Na ma, mit besonderem Schwerpunkt auf entscheidenden Parametern wie Salzgehalt, Vegetation und Wasserzustand. Das Hauptziel besteht darin, wesentliche Daten f r die Erhaltung der Artenvielfalt dieser Region bereitzustellen. Die Ergebnisse einer repr sentativen Probenahme, darunter 136 Bodenproben in zwei unterschiedlichen Tiefen (4 cm und 30 cm), stehen im Mittelpunkt dieser Analyse. Salzgehaltsanalysen zeigen H chstwerte von 115,3 g/l in 4 cm Tiefe und 80,3 g /l bei 30 cm. Bei der Leitf higkeit liegen die h chsten Werte bei 198,4 mS bei 4 cm bzw. 141,89 mS bei 30 cm. Dar ber hinaus verdeutlichen die Ergebnisse eine Variation des pH-Werts des Sabkha-Bodens, der zwischen schwach alkalisch und stark alkalisch schwankt. Der diachrone Ansatz, der auf der Analyse des NDVI der Satellitenbilder Landsat_5, Landsat_8 und Sentinel_2 basiert, bietet einen faszinierenden Einblick in die Entwicklung der Vegetation ber einen Zeitraum von 33 Jahren. Die Verwendung des NDWI ber denselben Zeitraum verdeutlicht das im Laufe der Zeit wachsende Wasserdefizit in der Region.
10979 shrii keishavaadi chaturvin'shati naama kiirtanalu is a collection of devotional songs composed by shrii sudarshanadaasaakhya kavi. Written in Telugu, these hymns are dedicated to Shri Kesava and encompass twenty-four names associated with the deity. This work offers a glimpse into early 20th-century Telugu religious literature and provides valuable insights into Hindu devotional practices. The compositions are intended for liturgical use and reflect the rich tradition of keertanas in South Indian religious expression. Scholars and devotees alike will find this collection a valuable resource for understanding the cultural and spiritual landscape of the time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
