The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT032618Anonymous. By N. Haym. Parallel Italian and English texts. Half-title: 'Eliza. An opera.' - The ornaments are those used by Thomas Wood.London: printed, and sold at the King's Theatre in the Hay-Market, 1725 1726]. 75, 1]p.; 8
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT071126The dedication signed: Nicola Francesco Haym. Parallel Italian and English texts. "The musick is composed by Mr. Handel."London: printed and sold at the Opera-Office in the Hay-Market, 1725. 2],79, 1]p.; 8
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT073437The libretto only, by N.F. Haym. Parallel Italian text and English prose translation. Pp.33-40 misnumbered 25-32.London: printed for Tho. Wood, 1720. vii, 1],71, 1]p.; 8
Research on gender inequality uses limited and sectoral areas as a reference. A team of scholars, academics and researchers from fourteen different countries – Cuba, Haiti, India, Iraq, Iran, Italy, Ivory Coast, Mexico, Pakistan, Peru, Poland, Tunisia, United States and Venezuela – bring out instead in a synchronous and transversal way the gender discrimination for women’s experiences at work, in family, for education. Results show that in the varied landscape of countries considered over 50 percent believe it is still difficult to be a woman in their own country today. Only one third of respondents believe women’s policies in their country are right and less than the majority believe there’s a possibility of having support to balance and reconcile family and work. At the same time, the tragedy of domestic violence – worsened in the Covid period – crosses borders and refers to that culture of machismo that still characterizes gender inequality. Why? For the atavistic presumption of superiority of one sex over the other so difficult to eradicate from culture, education and stereotypes still existing today. On the contrary, certainty is rather that “donnons le monde aux femmes, elles en feront un paradis!” (“Give the world to women, they will make it a paradise”), as an interviewee from Haiti wrote.
While armed forces in several countries underwent deep transformations after the end of the Cold War, few, if any, experienced more radical changes than Germany, Italy and Japan. This book explores how these three countries have modified the posture and structure of their militaries over the past three decades. While each country has had to overcome a pacifist constitution, a widespread view in both elite and public opinion that war was a taboo and armed forces should be designed to defend and deter against large-scale threats, they have all become more active security providers over recent decades.Each country, however, has followed a distinct path. This book reconstructs these paths to show how a mixture of external and domestic factors affected the pace and the extent of transformations. The book also identifies critical junctures in such processes: any push to change it argues is mediated by the need to come to terms with the cumbersome weight of the past.