Sais II: The Prehistoric Period is the final publication of the EES/Durham/SCA excavations carried out in 2007 in the 'Great Pit' at Sa el-Hagar, ancient Sais. It contains a full discussion of the layers dating to the Neolithic and Buto-Maadi Periods, with specialist reports on the chipped and ground stone tools, small finds, pottery, animal bones and flora. As the only Neolithic site so far excavated on the Nile floodplain in Egypt, the site has important implications for understanding the Neolithisation of the Delta and the development of Predynastic settlements in the north of Egypt.
Hieroglyphs were far more than a language. They were an omnipresent and all-powerful force in communicating the messages of ancient Egyptian culture for over three thousand years; used as monumental art, as a means of identifying Egyptianness, and for rarefied communication with the gods. In this exciting new study, Penelope Wilson explores the cultural significance of the script with an emphasis on previously neglected areas such as cryptography, the continuing decipherment into modern times, and examines the powerful fascination hieroglyphs still hold for us today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Sais was Egypt's capital in the 26th Dynasty, but it also had an earlier history, unknown before the EES/ Durham University/ SCA work at the site. This volume is the final excavation report for work carried out in the Northern Enclosure area of the site at Kom Rebwa, funded by the British Academy through the Egypt Exploration Society and the Arts and Humanities Research Council. Excavations between 2000 and 2004 uncovered levels dating between the 20th Dynasty and the Third Intermediate Period. The best preserved levels consisted of part of a house, whose roof had collapsed and an earlier kiln, used for firing faience beads as well as pottery. Lower, buried layers also included Old Kingdom material, hinting at the earlier history of the area. The report contains invaluable information about everyday rural life in the Delta, with anlayses of the different layers, the pottery and the small finds, as well as plant remains and animal bones.
Dance class is where its at, Join Penelope Jean and her small dog Bean on her first adventure. Girl dancers learn practice makes perfect when you dance. Who knew that Penelope would have to practice so hard to impress herself and the older-dancers at Ms. Kelsey's Dance Studio The show must go on, with Penelope's dog Bean in her corner, how hard could dancing be?
A Magazine Celebrating Romance: Issue 10: August-September 2018Love romance? Love discovering the best new writers with bite-sized stories? Or maybe you prefer to treat yourself by escaping into a sure-to-please favorite author's world now and again, but don't have the time to read a full-length novel. Heart's Kiss magazine offers delicious variety and more.Each issue has 70,000 plus words of fiction from names readers will recognize, to newly discovered writers, including interviews and articles talking about what romance readers love most--the books they love, why romance is important in today's world, their love of the genre and what to enjoy next.Heart's Kiss is filled with a sweet-spicy-erotic mix of historical, contemporary, paranormal, suspense and futuristic romance stories that will be sure to make you yearn for more.IN THIS ISSUE: OPENING EDITORIAL by Lezli Robyn HEART'S KISS INTERVIEWS L. PENELOPE by Lezli Robyn BEFORE I RUN by L. Penelope PENNY DREADFUL by Andrea Dale WHEN THE OCEAN CALLS by Petronella Glover BIG TROUBLE by Gracie Wilson OLD SCARS by Meghan Ewald RUNNING FROM LOVE, ALREADY LOST by Rei Rosenquist THE PIANO TUTOR by Anthea Lawson\ PREGNANT GIRL'S GUIDE TO FALLING IN LOVE by Alice Faris YOU READ THAT?: DIVERSITY. DIVERSITY. DIVERSITY? by Julie Pitzel RECOMMENDED BOOKS by C.S. DeAvilla An excerpt from BREATHLESS by Celeste Bradley and Susan Donovan CLOSING EDITORIAL by Tina Smith
Eberhard Arnold; Dietrich Bonhoeffer; Joan Chittister; Dorothy Day; Fyodor Dostoyevsky; Richard J. Foster; Jonathan Wilson-Hartgrove; David Janzen; Søren Kierkegaard; C. S. Lewis; Chiara Lubich; Thomas Merton; Henri J. M. Nouwen; John M. Perkins; Eugene H. Peterson; Christine D. Pohl; Howard A. Snyder; Mother Teresa; Saint Benedict; Jeremiah Barker; Amy Carmichael; Hans Denck; Andreas Ehrenpreis; Thomas R Kelly; Penelope Lawson; Juan Mateos; Kathleen Norris; Thomas E Powers; Peter Riedemann; Christopher C Smith; Ulrich Stadler
Fifty-two readings on living in intentional Christian community to spark group discussion.Gold Medal Winner, 2017 Illumination Book Awards, Christian LivingSilver Medal Winner, 2017 Benjamin Franklin Award in Religion, Independent Book Publishers AssociationWhy, in an age of connectivity, are our lives more isolated and fragmented than ever? And what can be done about it? The answer lies in the hands of God’s people. Increasingly, today’s Christians want to be the church, to follow Christ together in daily life. From every corner of society, they are daring to step away from the status quo and respond to Christ’s call to share their lives more fully with one another and with others. As they take the plunge, they are discovering the rich, meaningful life that Jesus has in mind for all people, and pointing the church back to its original calling: to be a gathered, united community that demonstrates the transforming love of God.Of course, such a life together with others isn’t easy. The selections in this volume are, by and large, written by practitioners—people who have pioneered life in intentional community and have discovered in the nitty-gritty of daily life what it takes to establish, nurture, and sustain a Christian community over the long haul.Whether you have just begun thinking about communal living, are already embarking on sharing life with others, or have been part of a community for many years, the pieces in this collection will encourage, challenge, and strengthen you. The book’s fifty-two chapters can be read one a week to ignite meaningful group discussion.Contributors include: John F. Alexander, Eberhard Arnold, J. Heinrich Arnold, Johann Christoph Arnold, Alden Bass, Benedict of Nursia, Christoph Friedrich Blumhardt, Leonardo Boff, Dietrich Bonhoeffer, Joan Chittister, Stephen B. Clark, Andy Crouch, Dorothy Day, Anthony de Mello, Elizabeth Dede, Catherine de Hueck Doherty, Fyodor Dostoyevsky, Jenny Duckworth, Friedrich Foerster, Richard J. Foster, Jodi Garbison, Arthur G. Gish, Helmut Gollwitzer, Adele J Gonzalez, Stanley Hauerwas, Joseph H. Hellerman, Roy Hession, David Janzen, Rufus Jones, Emmanuel Katongole, Arthur Katz, Søren Kierkegaard, C. Norman Kraus, C.S. Lewis, Gerhard Lohfink, Ed Loring, Chiara Lubich, George MacDonald, Thomas Merton, Hal Miller, José P. Miranda, Jürgen Moltmann, Charles E. Moore, Henri J. M. Nouwen, Elizabeth O’Connor, John M. Perkins, Eugene H.Peterson, Christine D. Pohl, Chris Rice, Basilea Schlink, Howard A. Snyder, Mother Teresa, Thomas à Kempis, Elton Trueblood, and Jonathan Wilson-Hartgrove.
When Penelope O'Shaunessy, "an incoming freshman of average height and lank hair" steps into Harvard Yard for the first time she has lots of advice from her mother: "Don't be too enthusiastic, don't talk to people who seem to be getting annoyed, and for heaven's sake, stop playing Tetris on your phone at parties." Penelope needs this advice. She is the kind of girl who passes through much of her life with coffee spilled on her white shirt, who can't quite tell when people are joking, and who, inevitably, always says the wrong thing. But no amount of coaching will prepare Penelope for the people she meets at school. Gloriously skewering the social hierarchy of college, Penelope is the brilliantly funny story of one of the most singular, memorable heroines in recent fiction.
Penelope Wilhern has everything a girl could want: A wealthy, socialite family, an enchanted bedroom and some of the coolest clothes around. There is only one problem: She was born into a cursed family and has the face of a pig. Hidden away from the world, Penelope now finds herself subjected to a string of snobby, blue-blooded bachelors in a desperate attempt to find her a husband in order to break the curse. Though she yearns for something greater, what's a girl to do when faced with a determined mother and her matchmaking sidekick? Hoping to snap a photo of the mysterious girl, mischievous tabloid reporter Lemon hires down-on-his-luck Max to pose as a prospective suitor and infiltrate the family. But when Max finds himself truly drawn to Penelope, he can't bring himself to expose and disappoint her, so he just disappears. Fed up with this latest betrayal and determined to live life on her own terms, Penelope decides to break free from her family and go out into the world in search of adventure. Hiding her true identity with a scarf, Penelope discovers a wondrous world where freedom opens her eyes to possibilities she never knew existed. Making new friends along the way, she discovers happiness in the most unexpected places.
Let others sing of war and a hero buffeted by fate. I sing of marriage and a marriage bed, and the endurance of love.With an introduction by the author, this is Tom Stoppard in the voice of Odysseus's wife recalling how the Trojan War 'took away my husband for ten years, and ten more coming the long way home', and Odysseus's dramatic arrival back on Ithaca.Weaving Homeric tropes with the wry wit of a woman of our time, Penelope tells this still vibrant love story from the oldest poem in Western literature.
It's 11:30 a.m. and already it's ninety-two degrees. At the bottom of a drained swimming pool four ridiculous men connive plot and play for an unwinnable love even as they face certain death at the hands of her returning husband. A riveting and savage take on the classic Greek myth of Penelope wife of Odysseus.
Penelope Scambly Schott has researched facts and woven them into this poem. She cites her sources and points out fact from fiction. The poems take the reader directly into the mind and heart of a strong woman, who is extraordinary partly because she thinks she is ordinary.
Penelope Scambly Schott has researched facts and woven them into this poem. She cites her sources and points out fact from fiction. The poems take the reader directly into the mind and heart of a strong woman, who is extraordinary partly because she thinks she is ordinary.
