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1000 tulosta hakusanalla Peter Sellers

Peter Sellers

Peter Sellers

Michael Seth Starr

McFarland Co Inc
2012
pokkari
Peter Sellers left behind a rich legacy of film work, some of which is only belatedly recognized for its genius. Especially notable were his numerous crazy accents. Though most widely known as the slapstick Inspector Clouseau of the "Pink Panther" series (from 1964 on), he is recalled by many for such earlier efforts as his triple role in The Mouse That Roared (1959) and his masterly breakthrough to the mainstream American market in I'm All Right, Jack (1959). This book analyzes each Sellers film from 1951, not least his Oscar-nominated triple-role stint in Dr. Strangelove. He also turned in a brilliant performance as the slyly sinister Clare Quilty in Lolita. Interesting anecdotes, behind-the-scenes information, a detailed plot summary, contemporary criticism and the author's own analysis are given for each film. Complete filmographies and index.
The Real Peter Sellers

The Real Peter Sellers

Norman Andrew

PEN SWORD BOOKS LTD
2021
sidottu
Throughout the world, people regard Peter Sellers purely as a comedic genius: surely, one of the greatest ever to have lived. But, the astute observer will notice that he always appeared to be acting, even when being interviewed. So, who was Peter Sellers? Sellers once said, I could never be myself you see. There is no Me . I do not exist. There used to be me, but I had it surgically removed'. Clearly, this was not intended to be taken literally. Instead, the inference is that somehow, he had lost his sense of identity. To discover the real Peter Sellers is no easy task, and when we do, what we encounter is a totally different persona from the comedic characters that he portrayed on the screen. Sellers had celebrity status: a succession of beautiful wives; immense wealth; magnificent motor cars; expensive yachts; a house in Mayfair, and various palatial residences. But far from being happy, he was plagued by self-doubt; ambitious, but never satisfied. And so, he resorted to superstition, clairvoyance, and drugs to get himself through the day. For all Sellers' worldwide fame as Inspector Clouseau', many regard the film Being There, in which he played the character Chance', a gardener, as his masterpiece. In fact, the film was a damning indictment of the false god of materialism. Sellers' obsession with the character of Chance', makes it seem likely that this was the kind of person he aspired to be, and wished that he had been.
Five Conversations About Peter Sellers

Five Conversations About Peter Sellers

Elizabeth Gonzalez James

Texas Review Press
2023
pokkari
Five Conversations About Peter Sellers is an essay that begins as an exploration of the author’s burgeoning obsession with Peter Sellers, and specifically his role in hijacking and derailing production of the spy spoof, Casino Royale, in the late 60s. But what begins as a reported piece on how the film set erupted into chaos, quickly devolves into its own chaos as the essay splits into 5 different narrators, each with their own idea of what the essay is actually about. Is it about how Peter Sellers and his oversize ego ruined Casino Royale? Is it about how society has too long allowed horrible men to run the world? Is it an exploration of the nature of the essay as a creative form? Or is Peter Sellers and his genius at impersonation actually a vehicle through which the author probes her own shifting identity as a bi-ethnic person? The answer is...yes. From Five Conversations About Peter SellersBeth: There’s a passage in Notes from Underground where the narrator speaks about the perverse pleasure of knowing your own vileness. ‘This pleasure comes precisely from the sharpest awareness of your own degradation; from the knowledge that you have gone to the utmost limit; that it is despicable, yet can’t be otherwise, that you no longer have any way out, that you will never become a different man.’ Build all the utopias you want, but some people can only know they’re alive when they’ve destroyed everything beautiful around them.
The Life and Death of Peter Sellers

The Life and Death of Peter Sellers

Roger Lewis

Quercus Publishing
2025
sidottu
'A fascinating, tragic and instructive story, vividly told' Sunday TelegraphRoger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives (Ann Hayes, Britt Ekland, Miranda Quarry and Lynne Frederick). He alternately showered his wives and children with gifts and then threatened to kill them. Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life. The Life and Death of Peter Sellers concludes with his premature death at the age of 54, 'sick at heart and alone in those sunless hotel rooms', so recoiled from intimacy that no one really knew him anymore.PRAISE FOR THE LIFE AND DEATH OF PETER SELLERS'It is a mad book - but then the subject is a madman. I love Lewis's passion ... I recommend it' Sunday Times'Reinventing the genre as well as reassessing its subject with formidable intelligence, this book is a remarkable achievement' Literary Review
The Life and Death of Peter Sellers

The Life and Death of Peter Sellers

Roger Lewis

Applause Theatre Book Publishers
1996
sidottu
Roger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behavior involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives (Ann Hayes, Britt Ekland, Miranda Quarry and Lynne Frederick). He alternately showered his wives and children with gifts and then threatened to kill them. Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life. The story of Peter Sellers concludes with his premature death at the age of 54, "sick at heart and alone in those sunless hotel rooms, " so recoiled from intimacy that no one really knew him anymore.
The Life and Death of Peter Sellers

The Life and Death of Peter Sellers

Roger Lewis; Peter Sellers

Applause Theatre Book Publishers
1996
pokkari
Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life. The story of Peter Sellers concludes with his premature death at the age of 54 sick at heart and alone in those sunless hotel rooms so recoiled from intimacy that no one really knew him anymore.
Kickback and Other Stories

Kickback and Other Stories

Peter Sellers

Mosaic Press
2021
nidottu
In settings as diverse as a struggling advertising agency, a book store, and a large computer company, the protagonists in Kickback and Other Stories find duplicity, betrayal, and sudden violence. As so often in life, there are no heroes, and it's often hard to tell who is the greater villain. A four-time nominee for the Crime Writers of Canada's Arthur Ellis Award for Best Short Story, and winner of the 2001 Ellery Queen Readers' Award, Sellers' stories have appeared in Alfred Hitchcock Mystery Magazine, Ellery Queen Mystery Magazine, Down & Out Magazine and numerous anthologies. "Closing Doors", which appears in this collection and originally appeared in Ellery Queen's Mystery Magazine, recently was awarded the 2020 Arthur Ellis Best Crime Short Story Award. Don Hutchison, acclaimed author of Great Pulp Heroes, said of Peter Sellers' stories: "A typical Sellers story there is usually one bad decision made, and on that hangs the plot—as well as the perpetrator.
The Last Martini

The Last Martini

Peter Sellers

MOSAIC PRESS
2024
nidottu
The Last Martini is a wry and amusing look at the prevalence of the hangover experience through the history of literature. It is the first survey of some of the most vivid, hilarious, and moving descriptions of hangovers and their sufferers that has ever been compiled. While the book is far from comprehensive—the list of hangover scenes is a lengthy one—it is a unique and intriguing introduction to the field. The Last Martini is not a book of hangover cures and placebos, unless they are methods and recipes detailed in works of fiction. Instead, it is a celebration of the countless different ways in which authors have described the experience. While the book includes the sardonic, understanding humour most writers have found in those dismal mornings after, it also features excerpts, such as those by Hubert Selby Jr and Charles Jackson, that reflect the real life tragedy and pathos that excess can bring. The Last Martini is the kind of book that can be read cover to cover or dipped into at random. It can be enjoyed by everyone who has ever had a hangover and by everyone who's never had one and wants to know what they've been missing.
Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed
The Boozy Biography of the Four Greatest Actors to Ever Walk--Or Stagger--Into a Pub. Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: On screen they were stars. Off screen they were legends Hellraisers is the story of drunken binges of near biblical proportions, parties and orgies, broken marriages, riots, and wanton sexual conquests. Indeed, acts so outrageous that if you or I had perpetrated them we could have ended up in jail. Their mercurial acting talent and love from the press and the public allowed them to get away with the kind of behaviour that today's film stars could scarcely dream of. They were truly the last of a breed, the last of the movie hellraisers.This book traces the intertwining lives and careers of Burton, Harris, O'Toole, and Reed, plus an assortment of other movie boozers who crossed their path. It's a celebratory catalogue of their miscreant deeds, a greatest-hits package, as it were, of their most breathtakingly outrageous behavior, told with humor and affection. You can't help but enjoy it--after all, they bloody well did. "God put me on this earth to raise sheer hell."--Richard Burton "I don't have a drink problem. But if that was the case and doctors told me I had to stop I'd like to think that I would be brave enough to drink myself into the grave."--Oliver Reed "I was a sinner. I slugged some people. I hurt many people. And it's true, I never looked back to see the casualties."--Richard Harris "Booze is the most outrageous of drugs, which is why I chose it."--Peter O'Toole
The Passions of Peter Sellars

The Passions of Peter Sellars

Susan McClary

The University of Michigan Press
2019
sidottu
Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bach’s passions with the Berlin Philharmonic. Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellars’s goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellars’s productions of Mozart’s Le nozze di Figaro, Don Giovanni, and Così fan tutte; Handel’s Theodora; Messiaen’s Saint François d’Assise; John C. Adams’s Nixon in China, The Death of Klinghoffer, El Niño, and Doctor Atomic; Kaija Saariaho’s L’amour de loin, La Passion de Simone, and Only the Sound Remains; Purcell’s The Indian Queen; and Bach’s passions of Saint Matthew and Saint John. Approaching Sellars’s theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera.
Shakespeare in the Theatre: Peter Sellars

Shakespeare in the Theatre: Peter Sellars

Ayanna Thompson

The Arden Shakespeare
2018
sidottu
The first in-depth look at Peter Sellars, the avant-garde director whose Shakespeare productions have polarized communities and critics. Through extensive interviews and archival work, leading Shakespearean Ayanna Thompson takes readers on a journey through experimental theatre and the tensions that arise between innovation and accessibility. An iconoclastic figure who inspires strong reactions both personally and professionally, Peter Sellars continues to amaze and confound. This book takes readers inside his world for the first time.
Shakespeare in the Theatre: Peter Sellars

Shakespeare in the Theatre: Peter Sellars

Ayanna Thompson

The Arden Shakespeare
2019
nidottu
The first in-depth look at Peter Sellars, the avant-garde director whose Shakespeare productions have polarized communities and critics. Through extensive interviews and archival work, leading Shakespearean Ayanna Thompson takes readers on a journey through experimental theatre and the tensions that arise between innovation and accessibility. An iconoclastic figure who inspires strong reactions both personally and professionally, Peter Sellars continues to amaze and confound. This book takes readers inside his world for the first time.
Bill Viola

Bill Viola

Peter Sellars; Mark Swed; Gerard Mortier; Esa-Pekka Salonen; Bill Viola

YALE UNIVERSITY PRESS
2023
sidottu
In 2004, the opera scene was taken by storm by the ground-breaking production of Richard Wagner’s opera Tristan und Isolde in Los Angeles. This book offers a behind-the-scenes look at how the visionary American artist Bill Viola created four hours of video as a visual complement to this profound psychological drama. It also tells the story of its commissioning by the then Paris Opera director Gerard Mortier, who pushed the boundaries of what opera could be by inviting a trinity of California-based creatives to re-imagine a Tristan und Isolde for our times. Having just opened the now iconic Frank Gehry-designed Walt Disney Concert Hall, this was a bold project for the Los Angeles Philharmonic to take on, but it was one which catapulted them into the world of music and breath-taking visuals. The fully staged opera that resulted has been seen in Paris, Toronto, Madrid, Tokyo, Kobe, and concert versions in LA, New York, Rotterdam, London, Helsinki, Stockholm, and St Petersburg, and the revolutionary four-hour video and visuals created by Bill Viola to accompany this opera lives on through this beautifully illustrated book. Distributed for Mercatorfonds
Theatre and Migration

Theatre and Migration

Peter Sellars; Emma Cox

Red Globe Press
2014
nidottu
A vibrant introduction to theatre that engages with stories, conditions and experiences of migration. Arguing that migration is crucially about encounters with foreignness, Emma Cox traces international histories of migration and considers key issues in contemporary performance - from Cape Town and Melbourne, to London and Toronto.
Said on Opera

Said on Opera

Edward Said; Peter Sellars

Columbia University Press
2024
sidottu
One of the late twentieth century’s most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas—originally delivered as the Empson Lectures at Cambridge University in 1997—showcasing the power of Said’s critical acumen to unsettle canonical interpretations.In close readings of Mozart’s Così fan tutte, Beethoven’s Fidelio, Berlioz’s Les Troyens, and Wagner’s Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras—and how they might speak to the present. He pays careful attention to the works’ historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera’s cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said’s contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said’s career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said’s achievements.
Said on Opera

Said on Opera

Edward Said; Peter Sellars

Columbia University Press
2024
pokkari
One of the late twentieth century’s most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas—originally delivered as the Empson Lectures at Cambridge University in 1997—showcasing the power of Said’s critical acumen to unsettle canonical interpretations.In close readings of Mozart’s Così fan tutte, Beethoven’s Fidelio, Berlioz’s Les Troyens, and Wagner’s Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras—and how they might speak to the present. He pays careful attention to the works’ historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera’s cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said’s contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said’s career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said’s achievements.
Peter Lorenz Sellergren : en småländsk väckelsepräst
peter lorenz sellergren (1768 1843) är en central gestalt i 1800-talets väckelsehistoria i södra Sverige. Hans dramatiska liv, som omfattar berättelsen om en djupt förfallen prästs förvandling till en väckelsepräst »av Guds nåde«, förvånade hans samtid och väcker intresse också i vår egen tid. Man kunde gå upp till ett 15-tal mil för att höra honom och få del av hans själavårdande råd. Den 10:e söndagen efter Trefaldighet 1814, då Sellergren återvände till Hälleberga församling i Växjö stift som en ny människa, observeras fortfarande, efter 200 år, som »Sellergrens söndag« i församlingen. Prosten teol.lic. Olle Madeland har växt upp i den sellergrenska väckelsens kraftfält och tjänstgjort som präst i Hälleberga. Detta har inspirerat honom att skriva denna bok om Sellergrens andliga utveckling och omfattningen av hans själavård. I boken får läsaren, tillsammans med Sellergren, möta olika andliga strömningar som var aktuella under 1800-talets första hälft. Bokens innehåll torde beröra både den teologiskt intresserade läsaren och den som helt enkelt vill veta mer om Sellergren, prästen som fick namnet »kyrkofadern i kaplansstugan«.
Islossningen : Peter Lorenz Sellergrens teologi och hans själavård - En berättelse och ett mönster
Långfredagen 1814 inträffade en sensation i Växjö. Stiftets mest begåvade, mest försupne och mest liberale präst predikade i domkyrkan, och hans predikan var en skakande uppgörelse med allt man tidigare hade sett hos honom. Inte nog med det, när han kom tillbaka till sin församling bröt han med hela det eleganta umgängesliv på herrgårdarna som var en självklarhet bland tidens präster. Prästen hette Peter Lorenz Sellergren. Hans församling var Hälleberga, nära nuvarande Nybro. Under Sellergrens tid blev Hälleberga en vallfartsort för stora skaror som sökte sig dit för att få del av Sellergrens förkunnelse. En av hans många adjunkter var Jonas Sandell, far till sångförfattarinnan Lina Sandell. I hennes sånger har Sellergrens själavård nått ut över hela världen. Islossningen sätter in Sellergrens gärning i ett stort, europeiskt sammanhang. Det klarnar att Sellergrens förkunnelse och själavård präglats av den evangeliska ortodoxi som han först mötte i katekesen. Hans teologi är själavård, hans själavård är teologi. Han förstod och kunde förklara Guds olika sätt att vara mot människor i olika situationer. Han visste hur en levande tro på Jesus kommer till, mognar och växer. Därmed har Sellergren förblivande insikter att ge vår egen tid.