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1000 tulosta hakusanalla Philip Monk
Four young London artists who are attracting international attention- Tracey Emin, Georgina Starr, Jane and Louise Wilson- are examined in this book. Monk looks at each artist, the autobiographical influence as evidenced in the development of their work and the relationship among them all.
Between 1990-96 Reinke juxtaposed short video tapes with imaginative narrative. This project, known as the 'hundred voices', is completely documented here. The publication features video stills and voice over commentary.
Mike Kelley and Paul McCarthy
Philip Monk; Ann Goldstein; Tim Martin; Martin Prinzhorn
Power Plant
2000
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Der kommunale Zweckverband als Organisationsform interkommunaler Zusammenarbeit
Philip Schmidtke-Mönkediek
KSV Mediengesellschaft
2025
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Remember radicalism? A time when the Toronto art scene was in formation - and destruction? When there were no models and anything was possible? The late 1970s was a key period when Toronto thought itself Canada's most important art centre, but history has shown that the nascent downtown art community - not the established uptown scene of commercial galleries - was where it was happening. It was a political period. Beyond the art politics, art itself was politicised in its contents and context. Art's political dimension was continually polemically posed - or postured - by artists in these years. Beyond politics, posturing, in fact, was a constant presence as the community invented itself. It was also a period rich in invention of new forms of art. Punk, semiotics, and fashion were equally influential, not to mention transgressive sexuality. It was the beginning of the photo-blowup allied to the deconstructed languages of advertising. Video and performance aligned in simulations of television production as the "underground" mimicked the models of the mainstream for its own satiric, critical purposes. With no dominant art form and the influence of New York in decline, there were no models and anything was possible: even the invention of the idea of an art community as a fictional creation. Is Toronto Burning? takes you on a journey through this period rich in invention of new forms of art. It brings together artworks by Susan Britton, David Buchan, Colin Campbell, Elizabeth Chitty, Carole Conde and Karl Beveridge, Judith Doyle, General Idea, Isobel Harry, Ross McLaren, Missing Associates (Peter Dudar & Lily Eng), Clive Robertson, Tom Sherman, and Rodney Werden alongside archival documents. The artworks were all shown at the exhibition of the same name at the end of 2014 at The Art Gallery of York University, curated by Director Philip Monk. In partnership with The Art Gallery of York University.
The Monk's Pardon: A Historical Romance of the time of Philip IV of Spain
Raoul de Navery
Createspace Independent Publishing Platform
2014
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You brought from Spain a copy of one of those works, which reflect the greatest honor upon the genius of that immortal galaxy of great men, whose glory reached its culminating point in the reign of Philip IV. I first thought of writing the dramatic story of Alonso Cano when I saw and admired his wonderful statue of St. Francis, which it is impossible to contemplate without respect and emotion. The book therefore belongs of right to him who first made this statue known in France, and who, like the Spanish master, wields alternately the pen of the author, the pencil of the painter, and the chisel of the sculptor.
The Monk's Pardon. A Historical Romance of the Time of Philip IV. Of Spain. From the French of Raoul De Navery
Raoul De Navery; Anna Theresa Sadlier
Antigonos Verlag
2025
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The Monkey's Grandma Loves Cheese
Philip A. Edwards
Createspace Independent Publishing Platform
2011
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Of Nikolayev’s accomplished first book, Robert Kelly writes: "Nothing escapes his formal insistence to renew. . . . A wild, generous book, full of invention." Monkey Time is the Winner of the 2001 Verse Prize, selected by Lyn Hejinian.
Living New World Monkeys (Platyrrhini), Volume 1
Philip Hershkovitz
University of Chicago Press
1977
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In this long-awaited work, Philip Hershkovitz provides the most thorough and comprehensive treatise ever published on New World monkeys. The volume gives a detailed account of the origin, evolution, dispersal, and behavior of platyrrhines and a systematic arrangement of all known forms, living and extinct. During an eleven-year period, Hershkovitz examined more than 3,100 museum-preserved specimens and relevant primate fossils and observed hundreds of animals in captivity and thousands in the wild state. He presents his results in an elegant and encyclopedic text, lavishly illustrated with 520 figures and 7 color plates. Hershkovitz opens the study with a brief history and a definition, characterization, and comparison of primates as a taxonomic unit. Basing his work on nearly all known genera of living primates, the author deals with New World monkeys from comparative anatomical and evolutionary points of view. He examines display characters, pelage, the evolution of color patterns, primate locomotion, cranial and dental morphology, and the central nervous system. The final and most extensive part of the volume is devoted to the taxonomy and biology of the family Callitrichidae, comprising marmosets and tamarins, and the family Callimiconidae, represented by the callimico alone. Hershkovitz concludes with an exhaustive bibliography of more than 2,500 published works and a gazetteer of essential geographic data.
Get ready for mischievous monkeys Moving islands And a splashy adventure with illustrations on almost every page. When Oliver's explorer parents go missing, he sets sail to find them with some new friends. There's a grumpy albatross, a nearsighted mermaid . . . even a living island But the high seas are more exciting and strange than Oliver could have imagined. Can he and his crew spar with sarcastic seaweed, outrun an army of sea monkeys, win a fabulous maritime fashion contest, and defeat a wicked sea captain in time to save Mom and Dad? For early chapter book readers who are ready for something longer, the Not-So-Impossible Tales are packed with silly humor, action, and larger-than-life fun. This book was previously published in hardcover as Oliver and the Seawigs. " A] sly and dashing tale. . . Readers' ribs aren't the only ones that get a vigorous tickle." --Kirkus Reviews "A delightfully told, beautiful tale of nautical hairdressing, saltwater primates and sarcastic seaweed--this is my kind of book " --Chris Riddell, award-winning co-creator of the Edge Chronicles