Hack the Grid documents a series of large-scale light installations produced in Pittsburgh by New Mexico–based environmental artist Andrea Polli (born 1968), using the city’s long history of energy and industry to interrogate issues from particulate pollution to wind power.
John Hilber; Tremper Longman III; Duane Garrett; J. Glen Taylor; Mark W. Chavalas; Philip S. Johnston; Alan R. Millard; Daniel M. Master; Victor H. Matthews; Kenneth Hoglund; Andrew E. Hill; Izak Cornelius
An image rich, passage-by-passage commentary that integrates textual and artifactual context from the ancient Near East to inform our understanding and interpretation of the Hebrew Bible—while remaining respectful to the inerrancy of Scripture. Without a deep knowledge of the ancient cultures the Old Testament was born from, we can be tempted to impose our own culture on the text, potentially distorting it. This unique Bible backgrounds commentary examines: The history of the ancient Near East as a means of recovering knowledge of the events that shaped the lives of the people. The archaeology as a means of recovering the lifestyle reflected in the material cultures. The literature of the ancient Near East as a means of understanding the heart and soul of the people who inhabited the ancient world that Israel shared. Detailed exegetical notes are combined with comparative discussions of the cultural settings that help scholars interpret the writings of the minor prophets (Hosea through Malachi) and books of wisdom and poetry; Job, Psalms, Proverbs, Ecclesiastes, and Song of Songs. This volume of the celebrated Zondervan Illustrated Bible Backgrounds Commentary series brings these 17 books of the Bible into sharper focus—enabling scholars, pastors, and laity to access rich data from over one hundred and seventy years of explorations and excavations in the Near East. THE ZONDERVAN ILLUSTRATED BIBLE BACKGROUNDS COMMENTARY SERIES Invites you to enter the world of the Old Testament with a company of seasoned guides, experts who will give new insights into these cherished writings. Features: Over 2000 photographs, drawings, maps, diagrams, and charts provide a visual feast that breathes fresh life into the text. Passage-by-passage commentary presents archaeological findings, historical explanations, geographic insights, notes on manners and customs, and more. Analysis into the literature of the ancient Near East will open your eyes to new depths of understanding both familiar and unfamiliar passages. Written by an international team of 30 specialists, all top scholars in background studies.
Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.
Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT059417London: printed for the author; and sold by John Rivington, A. Millar, H. Woodfall, J. Whiston and B. White, J. Hinton and 8 others in London], 1760. 2v.(vi,200, 4]p.), plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT059417London: printed for the author; and sold by John Rivington, A. Millar, H. Woodfall, J. Whiston and B. White, J. Hinton and 8 others in London], 1760. 2v.(vi,200, 4]p.), plates; 2
This book explores Virgil's poetic and mythical transformation of Roman imperialist ideology. The Romans saw an analogy between the ordered workings of the natural universe and the proper functioning of their own expanding empire; between orbis and urbs. In combining this cosmic imperialism with the military and panegyrical themes proper to epic, Virgil draws on a number of traditions: the notion that the ideal poet is a cosmologer; the use of allegory to extract natural-philosophical truths from mythology and poetry (especially Homer); the poetic use of hyperbole and the 'universal expression'. Virgil's imagination is dominated by the cosmological poem of Lucretius; the Aeneid, like the De Rerum Natura, is a poem about the universe and how man should live in it, but Virgil's constant inversion of Lucretian values makes of him an anti-Lucretius. Recent criticism has tended to stress the pessimistic and private sides of the Aeneid; but any easy conclusion that the poet was at heart anti-Augustan is precluded by the depth and detail with which he develops the imperialist themes discussed in this book.
A year in the life of a student brings a journey of self-discovery and challenges beyond recognition. Danny travels to London to start a college course, but soon faces dilemmas that spiral out of control. An intimate relationship with a house-mate, Sarah, distracts him from his studies. Danny's way of life leads to a fork in the road: the wide open path to despair and self-destruction or the narrow lane of struggles and sacrifice. Before the end is nigh, through all his experiences, good and bad, through battling inner demons and trying to come to terms with a painful past, Danny has to decide, is there more to life?
Violent crime is a rarity on the tranquil shores of Martha's Vineyard, which is why ex-cop J.W. Jackson turned in his Boston badge to retire to the idyllic isle. And that's what makes a six-month-old murder so troubling to the perplexed locals. But Jackson's got troubles of his own -- including a loving wife, Zee, who's becoming curiously distant ... and the arrival of a mysterious visitor who's searching for a valuable set of stolen statues, and who's certain J.W.'s the man to hunt them down. It's an assignment that plunges the fisherman/chef-cum-private investigator into an unfamiliar milieu: the Vineyard's cutthroat world of art aficionados. And suddenly J.W. finds himself pitted against some of the island's most powerful and unscrupulous figures, uncovering lethal threads that may connect an unsolved mutilation/slaying with those who would stop at nothing -- including murder -- to add rare forbidden objects to their collections.
A Middle Eastern potentate and his entourage are descending on Martha's Vineyard -- and chaos is in the salt air. Ex-Boston-cop Jeff "J.W." Jackson would rather be fishing with his lady Zee, but the island's overtaxed police force needs his help to control the madness their visitor's arrival has stirred up -- especially since the great man will not leave before ceremoniously reclaiming an emerald necklace stolen from his nation a century ago. But when both the jewels and Zee vanish, J.W. is quickly transformed from rent-a-cop to frantic investigator. Because an ill tide has carried desperate men to this idyllic island with murder on their minds. And Jackson suddenly stands to lose everything that he dearly loves.
