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1000 tulosta hakusanalla Pietro Alessandro Maria Ughi

Alessandro Di Pietro: Ghostwriting Paul Thek

Alessandro Di Pietro: Ghostwriting Paul Thek

Alessandro Di Pietro

Mousse Publishing
2024
nidottu
Alessandro Di Pietro: Ghostwriting Paul Thek, edited by Cornelia Mattiacci and Peter Benson Miller, is conceived as a compendium of texts and notes generated for the artist Alessandro Di Pietro as he developed the exhibition project Ghostwriting Paul Thek: Time Capsules and Reliquaries. The traveling exhibition—which appeared at the Watermill Center, New York; CAN Centre d’Art Neuchâtel, Switzerland; Palazzo Monti, Brescia, Italy; and Fondazione Nicola Del Roscio, Rome—presented pieces conceived in dialogue with the work of the legendary US artist Paul Thek (1933–1988). The texts, notes, and other original sources featured in the volume—ranging from essays to WhatsApp messages, diary entries, and newspaper pages—are presented in the languages in which they were contributed by the twenty-five authors involved (English or Italian). They re-create the intellectual context for the development of Thek’s/Di Pietro’s intertwined ideas, blurring fact and fiction and maintaining a certain ambiguity of authorship. The publication’s sole reprint comes from Chris Kraus’s Aliens & Anorexia (2000). The exhibition/publication project was the winner of the eleventh edition of the Italian Council (2022) call for proposals issued by the General Directorate for Creativity of the Italian Ministry of Culture.
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Pietro Metastasio's Operatic Storm: Texts and Musics for Didone Abbandonata, Alessandro Nell'indie, Artaserse, Adriano in Siria, and Demofoonte

Pietro Metastasio's Operatic Storm: Texts and Musics for Didone Abbandonata, Alessandro Nell'indie, Artaserse, Adriano in Siria, and Demofoonte

Brepols Publishers
2024
nidottu
Pietro Metastasio (1698-1782) can be considered as the most renowned operatic dramatist of eighteenth-century Europe. His drammi per musica travelled all around Europe - and beyond - throughout the eighteenth century and the early years of the nineteenth. Courts, palaces, and public theatres were eager to perform his dramas, and so hundreds of composers set them to music, sometimes on more than one occasion. This volume lets the surviving textual and musical traces speak for themselves. As a catalogue of the sources of five of Metastasio's most successful titles - Didone abbandonata, Alessandro nell'Indie, Artaserse, Adriano in Siria, and Demofoonte -, it offers their most complete chronology up to date, as well as a detailed presentation of the printers and the theatres in which these texts became alive. In the case of the majority of these works, thousands of manuscripts and copies attest to more than one hundred complete musical versions and over two hundred and fifty productions. They may thus rightly be considered witnesses to the operatic fever that took Europe by storm in the Enlightenment.
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