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1000 tulosta hakusanalla Pietro Crinito

Pietro

Pietro

Jojo Regalado

iUniverse
2002
pokkari
Pietro is a pathetic serial killer stricken with Lycanthrophy, a mental delusion in which a person believes he is transforming into a ravenous creature prowling for victims. A malevolent entity engulfs Pietro’s psychological essence, forcing him to do reprehensible acts beyond his control.
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Pietro

Pietro

Danilo Gapcroft

Independently Published
2019
nidottu
Valter um jovem solit rio que mora pr ximo Favela Santa Helena. Um dia, ao presenciar Jonas - seu amor da adolesc ncia - fugindo da pol cia ap s cometer um crime, ele se depara com o policial de meia idade Pietro Oliveira, o qual lhe pede informa es. Valter se disp e a colaborar com Pietro, desde que Pietro tamb m colabore com o jovem.O bandido, o policial e o jovem lobo solit rio. Quando o destino dos tr s se cruzarem, suas vidas nunca mais ser o as mesmas.Cont m cenas adultas/er ticas.
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Pietro

Pietro

Christopher V. Cardew

New Generation Publishing
2005
pokkari
Ranging from South America to Africa and Italy, this novel explores the extremes of nature, and the extremes which men go to in order to survive, find a niche in life and attain personal redemption. A web of dramatic events is drawn together by the appearance of Pietro, a young orphan from a favela in Rio de Janeiro.
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Pietro Bembo on Etna

Pietro Bembo on Etna

Gareth D. Williams

Oxford University Press Inc
2017
sidottu
This book is centered on the Venetian humanist Pietro Bembo (1470-1547), on his two-year stay in Sicily in 1492-4 to study the ancient Greek language under one of its most distinguished contemporary teachers, the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo's elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father Bernardo (himself a prominent Venetian statesman with strong humanist involvements) after Pietro's return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights and findings of Pietro's climb. Far more important in the present study is his eye for creative elaboration, or for transforming his literal experience on the mountain into a meditation on his coming-of-age at a remove from the conventional career-path expected of one of his station within the Venetian patriciate. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onwards; (ii) the striking novelty of De Aetna's status as the first Latin text produced at the nascent Aldine press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro's ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.
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Pietro Bembo on Etna

Pietro Bembo on Etna

Gareth D. Williams

Oxford University Press Inc
2022
nidottu
This book is centered on the Venetian humanist Pietro Bembo (1470-1547), on his two-year stay in Sicily in 1492-4 to study the ancient Greek language under one of its most distinguished contemporary teachers, the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo's elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father Bernardo (himself a prominent Venetian statesman with strong humanist involvements) after Pietro's return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights and findings of Pietro's climb. Far more important in the present study is his eye for creative elaboration, or for transforming his literal experience on the mountain into a meditation on his coming-of-age at a remove from the conventional career-path expected of one of his station within the Venetian patriciate. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onwards; (ii) the striking novelty of De Aetna's status as the first Latin text produced at the nascent Aldine press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro's ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.
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Pietro Bembo and the Intellectual Pleasures of a Renaissance Writer and Art Collector

Pietro Bembo and the Intellectual Pleasures of a Renaissance Writer and Art Collector

Susan Nalezyty

Yale University Press
2017
sidottu
One of the most influential scholars of the Renaissance, Pietro Bembo (1470–1547) gained fame not only for his literary theory and poetry, but for his incredible collection of art and antiquities. Drawing on anecdotes from Bembo’s letters and unpublished archival material, Susan Nalezyty analyzes how Bembo’s collection functioned as a source of inspiration for artists like Titian and writers like Giovanni della Casa. As visitors to the collection marveled at the quality and variety of the displayed objects, Bembo encouraged investigations into the ways in which contemporary art compared with ancient objects. Often straddling the line between the visual and literary worlds, these critical discussions catalyzed artistic experiments that led to new modes of creative expression. This generously illustrated volume brings Bembo’s collection to life and reveals its key role in the development of Renaissance artistic philosophy and historical study of the classical past.
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Pietro Mascagni

Pietro Mascagni

Roger Flury

Greenwood Press
2000
sidottu
Bringing together a vast amount of information on Pietro Mascagni and his works, this volume in the Greenwood Press series Bio-Bibliographies in Music includes a catalogue of the composer's works and performances, bibliography, discography, and brief biographical sketch. Mascagni is best known for Cavalleria Rusticana, but he wrote fifteen other stage works and over 100 other compositions, including sacred music, songs and film scores. Overshadowed by his contemporary Puccini and tainted by association with the fascist regime of Mussolini, Mascagni is both a famous and neglected opera composer. This volume charts the decline in performances of Mascagni's operas other than Cavalleria Rusticana and reveals a growing interest in and changing attitude toward the composer. The discography includes more than 2,500 recordings, and the annotated bibliography includes 361 titles. This research tool will appeal to Mascagni and to opera scholars. Each section is cross-referenced throughout. An appendix includes a chronology of Mascagni's conducting career.
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Pietro Von Abano

Pietro Von Abano

Garland Publishing Inc
1989
sidottu
Volume 3 of the SELECTED WORKS OF Louis Spohr 1784-1859- Pietro von Abano. At about this time one of his pupils, the twenty-three-year-old Carl Friedrich Curschmann, who had ambitions to compose an opera, showed Spohr a libretto that had been adapted from Ludwig Tieck's novel Pietro von Abano oder Petrus Apone, eine Zaubergeschichte (Breslau 1825) by the Kassel lawyer and poet Carl Pfeiffer. Spohr was immediately impressed by the libretto and, having dissuaded Curschmann from going ahead with the project, probably on the grounds that he was too inexperienced for such a major undertaking, he came to an agreement with Curschmann and Pfeiffer that he should set it himself. Including the plot, script and screenshots of the original music documents.
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Pietro Cicognani

Pietro Cicognani

Karen Bruno; Isabella Rossellini

Vendome Press
2020
sidottu
For the past thirty years, Italian born Pietro Cicognani has been designing highly customized and exquisitely crafted country houses, city apartments, outbuildings, pool houses, and even garden plans for an A-list clientele. In the first monograph on his work, some twenty of his most notable projects are featured, including a reconverted barn complex on Long Island, a sprawling estate in upstate New York, a chic minimalist townhouse in Manhattan, and a romantic seaside house and elaborate garden in the Hamptons. Whether a new construction or a gut renovation, each of his projects is designed in collaboration with the finest artisans and exceptional interior designers. Illustrated with specially commissioned photographs by renowned architecture and interiors photographer Francesco Lagnese, as well site plans and drawings, and featuring a foreword by actress Isabella Rossellini, whose country home he designed, Pietro Cicognani: Architecture & Design is a feast for the eyes and a celebration of unstinting design excellence.
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The Northwest Architecture of Pietro Belluschi;

The Northwest Architecture of Pietro Belluschi;

Pietro 1899-1994 Belluschi

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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The Northwest Architecture of Pietro Belluschi;

The Northwest Architecture of Pietro Belluschi;

Pietro 1899-1994 Belluschi

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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