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1000 tulosta hakusanalla R M Rieger

Counting Colorful Fruit

Counting Colorful Fruit

R M Rieger

Warm Summer Publishing, LLC
2021
sidottu
Counting Colorful Fruit is a simple, easy-to-read counting and color adventure with tasty fruit from around the world. The modern, minimalist illustrations are designed to capture the attention of little readers as they learn colors on their journey from one to ten.
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Über J. M. R. Lenz' "Der Hofmeister" - Komödie, Tragikomödie oder bürgerliches Trauerspiel

Über J. M. R. Lenz' "Der Hofmeister" - Komödie, Tragikomödie oder bürgerliches Trauerspiel

Maria Rieder

Grin Publishing
2008
pokkari
Studienarbeit aus dem Jahr 2008 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,3, Universit t Regensburg (Germanistik), 12 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Das 18. Jahrhundert war charakteristisch f r einen gesellschaftlichen Umbruch und die Emanzipation des B rgertums, die an den Grundsteinen der St ndeordnung r ttelte. In dieser Zeit konnte sich auch das berlieferte strenge Regelsystem der Dramentheorie nicht mehr unver ndert halten. Lenz war einer der gro en Schriftsteller, die dieses System in Frage stellten. Er wird in seiner Zeit unterschiedlich eingesch tzt: Einerseits in seinem k nstlerischen Schaffen verachtet, da seine Werke keine gerade tragische oder komische Linie aufweisen, andererseits f r eben diese Tatsache als Sch pfer der realistischen b rgerlichen Trag die gelobt, f r das unter anderen Werken "Der Hofmeister" so ber hmt wurde. Die Bezeichnung des "Hofmeisters" als "b rgerliche Trag die" birgt jedoch schon die erste Schwierigkeit. Von Lenz selbst wurde das Werk zun chst als "Kom die" bezeichnet. In weiteren Stellungnahmen schwankte er jedoch zwischen "Kom die," "Lust- und Trauerspiel," "Trauerspiel" und "Rarit tskasten." Auch Kritiker und Leser haben von jeher unterschiedliche Meinungen zu Gattung des Werkes gehabt: "B rgerliches Trauerspiel," "Tragikom die," "Lustspiel," etc. Einig waren sich jedoch viele zeitgen ssische und sp tere Autoren dar ber, dass das Werk der Gattung des Dramas neue Dimensionen er ffnete und Lenz einen neuen Dramentypus geschaffen habe. Das Werk "Der Hofmeister oder die Vorteile der Privaterziehung" ist ein ironisches gesellschaftskritisches Drama, in dem Lenz auch die eigenen biographischen Erfahrungen einflie en lie . Dieser war selbst eine zeitlang Hofmeister gewesen, ein Lebensabschnitt, der ihn im negativen Sinne stark gepr gt hatte. In diesen Ausf hrungen wird auf das Problem der Gattungsbezeichnung f r dieses Werk eingegangen und beleuchtet, inwiefern die Schwank
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Monatsschrift Kinderheilkunde

Monatsschrift Kinderheilkunde

K. D. Bachmann; H. Berger; J. Bierich; D. Boda; H.-J. Bremer; J. Brodehl; G. R. Burgio; K. Fischer; E. Gladtke; B. Hadorn; B. Hagberg; N. Hallman; H. G. Hansen; H. Harbauer; G.-A. von Harnack; W. C. Hecker; H. Helge; W. H. Hitzig; E. Huth; E. Kleihauer; W. Künzer; M. A. Lassrich; B. Leiber; B. Lindquist; W. Marget; J. Oehme; H. Olbing; R. A. Pfeiffer; A. Prader; K. Riegel; E. Rossi; K. Schärer; E. Schmidt; F.-J. Schulte; H. Spiess; J. Spranger; G. Stalder; U. Stephan; J. Stoermer; J. Ströder; W. Teller; R. Zetterström

Springer-Verlag Berlin and Heidelberg GmbH Co. K
1980
nidottu
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R.M.S. Nascopie

R.M.S. Nascopie

Doug Gray

Golden Dog Press
2000
pokkari
Fifty years ago, Royal Mail Ship Nascopie ended a life full of adventure on an unmarked reef in Hudson's Strait. Launched by the Hudson's Bay Company in 1911, her main mission was to supply the Company's far-flung posts in Canada's North. Alone and without any of today's navigation and communications equipment, she battled ice and icebergs, fog, storms, and uncharted waters to delivery everything the posts needed to survive and trade. Few ships played such a prolonged role in developing Canada's North and maintaining her presence there. Nascopie was a strong ship sailed by strong men. She played a historic role for Canada and this is her story.
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The Coral Island by R.M. Ballantyne, Fiction, Literary, Action & Adventure

The Coral Island by R.M. Ballantyne, Fiction, Literary, Action & Adventure

R M Ballantyne

Wildside Press
2003
pokkari
One night, soon after we entered the tropics, an awful storm burst upon our ship. The first squall of wind carried away two of our masts, and left only the foremast standing. There was no room for me upon the lifeboat; but being left behind saved my life -- and the lives of Peterkin and Jack Martin, my two companions. "Come, boys," said Jack Martin in a grave tone as we stood on the quarterdeck awaiting our fate -- "You see it is impossible that the little boat can reach the shore, crowded with men." He had us take hold of a loose oar, and guided us to shelter on a deserted coral isle. . . . . . . and that is the beginning of my harrowing tale.
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R.M.S. Titanic Lifeboat No 6

R.M.S. Titanic Lifeboat No 6

William Cavendish

Unicorn Publishing Group
2024
sidottu
Tyrell and Julia booked to travel on the Titanic with their two sons to introduce them to their American grandfather, but the children were too ill to travel. Julia persisted in going without them. The fatal and tragic decision not only led to the unnecessary loss of her husband, it was to haunt her for the next fifty years. Why was she so determined to go? In a letter written to her sons, as her death approached, she claimed the purpose of the visit was ‘to gain her wealthy father’s support for his son-in-law’s ambition to stand as a Member of Parliament.’ Yet Tyrell had shown no enthusiasm for making the journey, as Julia had already made the trip alone, the previous year quite safely. From the Carpathia Julia cabled her father, Henry Siegel, to have clothes from his department stores ready for the Titanic’s survivors. In 1992 and 2002 her son and grandson learnt from chance encounters with New Yorkers of Julia’s father’s shocking fall from grace, the grandfather who owned a famous department store with a ‘soda fountain meeting place’. Now can be revealed the true reason for her mission.
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Ten R.M.Ballantyne Adventure Stories, Including (complete and Unabridged)

Ten R.M.Ballantyne Adventure Stories, Including (complete and Unabridged)

R. M. Ballantyne

BENEDICTION CLASSICS
2013
sidottu
R.M.Ballantyne is possibly the greatest writer of children's adventure stories. He is most famous for his work "The Coral Island", but wrote more than a hundred stories. Because of a mistake he made in The Coral Island, in which he gave an incorrect thickness of coconut shells, he subsequently travelled all over the world to gain ensure his stories were accurate and carefully researched. For example, he served for as a London fireman while researching "Fighting the Flames" and for "Deep Down" he spent time with the tin miners of Cornwall. In this Collection, ten of his best known and loved stories are included, complete and unabridged. They are: Hudson Bay, The Coral Island (illustrated), The Dog Crusoe and his Master, Away in the Wilderness, Fast in the Ice, The Lifeboat, Post Haste, My Doggie and I, The Madman and the Pirate and The Pirate City
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Irish R M

Irish R M

E.OE. Somerville; Martin Ross

Little, Brown Book Group
1990
pokkari
By the same authors as "French Leave" and "An Enthusiast" this book is a collection of stories first published at the turn of the century and were considered some of the funniest prose in the English language. They have more recently inspired the television series of the same name.
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Charmides, Alcibiades 1 and 2, Hipparchus, The Lovers, Theages, Minos, Epinomis. With an English Translation by W.R.M. Lamb

Charmides, Alcibiades 1 and 2, Hipparchus, The Lovers, Theages, Minos, Epinomis. With an English Translation by W.R.M. Lamb

W R M B 1882 Lamb

Palala Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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