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1000 tulosta hakusanalla R. O. A. M. Lyne

R. O. A. M. Lyne: Collected Papers on Latin Poetry

R. O. A. M. Lyne: Collected Papers on Latin Poetry

R. O. A. M. Lyne

Oxford University Press
2007
sidottu
This volume presents a wide range of pieces from a world-class Latinist which displays both his diverse interests as a scholar and his consistent concern with Augustan texts, their language and literary texture. The range of articles, written over more than three decades and including one previously unpublished piece, covers the same connected territory - largely Virgil, Horace, and elegy. R. O. A. M. Lyne's consistent approach of close reading means that the articles form a coherent whole, while his compelling style as an engaged literary analyst ensures that these are not dry or forbidding pieces.
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Further Voices in Vergil's Aeneid

Further Voices in Vergil's Aeneid

R. O. A. M. Lyne

Clarendon Press
1992
nidottu
The Aeneid can strike one as a relatively conventional epic. It may seem an objective heroic tale of Rome's beginnings, unshocking in tone and substance, indeed (and more particularly) patriotic and inspiring. Vergil designed it so that it might read in this way. This is one `voice` that he wished us to hear. We may call it the epic voice. But there are `further voices`. Imagery and other stylistic devices are exploited to insinuate ramifying meanings and messages for those prepared to listen, and these may be disturbing, even shocking, as they add to, comment upon, question and occasionally subvert the implications of the epic voice. This book examines and illustrates Vergil's method of intruding such further voices. In doing so it illuminates with unusual clarity the manner and content of Vergil's communications; it is as if one is taken inside Vergil's workshop, indeed inside his mind.
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Words and the Poet

Words and the Poet

R. O. A. M. Lyne

Clarendon Press
1998
nidottu
Readers familiar with Dr Lyne's last book on Virgil will know what to expect. There is the same clarity of expression and layout, the same care to make his use of special terminology unambiguous, the same passionate belief, to use his own words, that "nothing in Vergil is without purpose of explanation". Dr Lyne undoubtedly makes the reader think and sharpens his perception of Virgil; he imparts much interesting, factual information in a clear, orderly style and his passion to know what can be found in Virgil's text is genuine and attractive.' Greece & Rome To a surprising extent Vergil avoids artifices of poetic diction like archaism and grecism, preferring ordinary language: words that were the common stock of the Latin tongue or even (and this remarkably often) words that conventional poets generally avoided at all costs as too ordinary (prosaisms, colloquialisms). In this he shares the taste of his contemporary Horace. The present book identifies and categorizes such diction in vergil. But more importantly it shows how such comparatively unpromising material is converted by the poet's methods of `combination' (iunctura) into poetry. Parallels are drawn with Horace's procedures, and Vergil's boldness stressed. Horace combines words in such a way as to `make them new'; Vergil's combinations veritably extort unexpected and novel sense. Horace can put prosaic words to work in spite of their unpromising familiarity; Vergil more vigorously exploits them. The Vergilian techniques of extortion and exploitation are richly illustrated in this book. Not all Vergil's characteristic methods merit such violent descriptions. His use of the traditional simile ('narrative through imagery') is characterized by discretion and guile - but at key points links up with those more forceful methods. Guileful too is the way in which he may persuade some neutral word to acquire a specal sense over a stretch of text - or the way he may incite us to pursue a sequence of related effects. Vergilian narrative through imagery, and his techniques of incitement and acquisition, are also fully explained in this richly original and informative book.
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Horace

Horace

R. O. A. M. Lyne

Yale University Press
2013
pokkari
This fascinating study of one of the greatest poets of the Augustan Age sheds new light on Horace's works by the way it combines literary analysis with investigation into the poet's social and political circumstances.Lyne's personal and historical approach focuses on the poet's relations with his patron Maecenas, with the Emperor Augustus, and with other grandees. Closely analyzing poems from Satires, Odes, and Epistles, Lyne reveals not only the magnificence of Horace's public literature, but the private man behind it. He shows how Horace neatly balanced deference with the careful assertion of his own social and political standing.According to Lyne, Horace was a master of private insinuation, as well as a skilled maker of public poetry. He was also a master in the art of ordering his works: exactly where a poem occurs is often of the subtlest importance. Lyne also examines the resumption of the great political lyric in the Odes of Book 4 (set aside in 23 B.C.), and contends that, beneath the public face, Horace here exhibited resentment, recording views that undermined earlier patriotic statements.
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7 Keys To S.T.A.R.D.O.M. discovering the star within you

7 Keys To S.T.A.R.D.O.M. discovering the star within you

Sheldon R. Smith

Createspace Independent Publishing Platform
2012
nidottu
The potential for stardom lies deep within all of us. Many of us limit stardom to the big screen, or standing before paparazzis, being showered with the image of "lights, camera, action". Well what if I told you that you don't have to drive or fly for miles to build an image of stardom? What if I told you that stardom was right at your fingertips? In this book, learn how stardom for you may be found when you use certain keys that you possess inside to unlock the fortune that lies within. There's a "star person" in you waiting to be unleashed on the world. Find out how to release that person inside of you.
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T r a u e r k o m p a s s

T r a u e r k o m p a s s

Nancy Schuhmacher

tredition GmbH
2024
pokkari
In meinem Buch geht es darum, jedem Menschen einen individuellen Weg zur Trauer zu er ffnen. Es zeigt die Vielfalt und Einzigartigkeit des Trauerprozesses und ermutigt dazu, den eigenen Umgang mit Verlust zu finden. Jeder Mensch geht anders mit Trauer um.
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T R A N S F O R M A T I O N

T R A N S F O R M A T I O N

Dasarathi Mishra

Partridge Publishing India
2022
pokkari
"The author, Dasarathi Mishra, a veteran central banker and bank supervisor and a leading champion for financial education, has comprehensively captured the critical role played by the central bank in the financial sector reforms. Mr Mishra's book is a good addition to the literature on post reforms Indian financial system whose robustness and resilience remains critical to strong, sustained, and inclusive economic growth of the country." - Harun R Khan, Former Deputy Governor, Reserve Bank of India
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T R A N S F O R M A T I O N

T R A N S F O R M A T I O N

Dasarathi Mishra

Partridge Publishing India
2022
sidottu
"The author, Dasarathi Mishra, a veteran central banker and bank supervisor and a leading champion for financial education, has comprehensively captured the critical role played by the central bank in the financial sector reforms. Mr Mishra's book is a good addition to the literature on post reforms Indian financial system whose robustness and resilience remains critical to strong, sustained, and inclusive economic growth of the country." - Harun R Khan, Former Deputy Governor, Reserve Bank of India
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M e d i t a ç õ e s p a r a M u s i c i s t a s

M e d i t a ç õ e s p a r a M u s i c i s t a s

Amy Dunker

Independently Published
2019
nidottu
A vida musical uma vida em busca da perfei o.Infelizmente, a perfei o ilus ria; e, ainda assim, continuamos, porque essa a nossa natureza. Embora essabusca intermin vel crie timas obras de arte e momentosmusicais inesquec veis para musicistas e para o p blico, elapode ter um pre o alto, tanto f sica quantoemocionalmente.As medita es a seguir refletem o conhecimento adquiridoem uma longa carreira como int rprete, compositora eprofessora. As medita es s o curtas. N o h explica eslongas. Elas s o feitas para que o leitor ou leitora passe umtempo contemplando qual seu significado, no sentidopessoal e no musical tamb m. Escolha uma ou duas e passeum dia, uma semana, um m s refletindo sobre elas.
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