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1000 tulosta hakusanalla Richard Allen

The Life, Experience, And Gospel Labors of the Rt. Rev. Richard Allen
The Life, Experience, And Gospel Labors of the Rt. Rev. Richard Allen is an unchanged, high-quality reprint of the original edition of 1880. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Hitchcock's Romantic Irony

Hitchcock's Romantic Irony

Richard Allen

Columbia University Press
2007
sidottu
Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.
Hitchcock's Romantic Irony

Hitchcock's Romantic Irony

Richard Allen

Columbia University Press
2007
pokkari
Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.
Projecting Illusion

Projecting Illusion

Richard Allen

Cambridge University Press
1997
pokkari
Projecting Illusion offers a systematic analysis of the impression of reality in the cinema and the pleasure it gives to the film spectator. Film provides a compelling experience that can be considered as a form of illusion akin to the experience of day-dream and dream. Examining the concept of illusion and its relationship to fantasy in the experience of visual representation, Richard Allen situates his explanation within the context of an analytical criticism of contemporary film and critical theory. He argues that many contemporary film theorists correctly identify the significance of the impression of reality, although their explanation of it is incorrect because of an invalid philosophical understanding of the relationship between the mind, representation and reality. Offering a clear presentation and critique of the central arguments of contemporary film and critical theory, Allen also touches on fundamental issues in current discourses of philosophy, art history and feminist theory.
Quaker Communities in Early Modern Wales

Quaker Communities in Early Modern Wales

Richard Allen

University of Wales Press
2007
sidottu
The Society of Friends (Quakers) originated in the turmoil of the Civil War years and Interregnum. Examining Friends in Wales, especially in Monmouthshire in the period 1654-1836, this book assesses the lives of Friends, notably how education, careers, and marriage, were determined by a code of conduct.
Beyond the Noise of Solemn Assemblies

Beyond the Noise of Solemn Assemblies

Richard Allen

McGill-Queen's University Press
2019
sidottu
Since the 1970s Richard Allen's scholarship on the social gospel has broken new ground in the field of Canadian social and religious history by recovering key aspects of the tradition and its contribution to reform movements and politics. Beyond the Noise of Solemn Assemblies collects and extends many of his classic works to present a comprehensive overview of a major thread in the fabric of the country. Observing the mutual foundations of political and religious traditions in myth and arguing that the sacred and the secular belong together in discussions of public affairs, Allen contests the view that religion is personal and isolated from the public square. He discusses a range of topics: the transition from providential to progressive thought in nineteenth-century Canada; the new spirituality of social solidarity articulated by Winnipeg college students in the 1890s; the role of the social gospel in pioneering urban reform; farmers and workers finding in radical Christianity legitimation for political revolt; Christian intellectuals in the 1930s framing a revolutionary prospectus for Depression-era Canada; the significance of Norman Bethune's religious upbringing for his life and work; strategically focused post-war ecumenical coalitions like Project North and the Latin American Working Group; and the prospects for democratic socialism at the end of the Cold War. Opening with a chapter relating the author's upbringing in a ministerial household dedicated to the Protestant ethic as the spirit of socialism, Beyond the Noise of Solemn Assemblies represents a significant contribution to understanding the social Christian movement in Canada.
View from the Murney Tower

View from the Murney Tower

Richard Allen

University of Toronto Press
2008
sidottu
Salem Goldworth Bland (1859-1950) was among the most significant religious leaders in Canadian history. A Methodist and, later, United Church minister, Bland's long career and widespread influence made him a leading figure in the popularizing of liberal theology, social reform, and the Social Gospel movement. He was also a man who struggled with the polarities of evangelical faith and worldly culture, and who sought a unifying world-view in the mentoring of Sir J. William Dawson in the sciences, George Monro Grant in public affairs, and John Watson in philosophy. The View from the Murney Tower is a two-volume biography of Salem Bland by Richard Allen, author of The Social Passion: Religion and Reform in Canada, 1914-28. This first volume begins with Bland's upbringing in the home of an educated industrialist turned preacher. It goes on to explore his emergence as a liberating mind and eloquent speaker prepared to support new currents of scientific and social thought, as well as to discuss their implications for Christian faith and life. Allen concludes this first volume with Bland's departure from central Canada for the west in 1903, by which time he had become a somewhat controversial figure amongst conservative evangelicals throughout the country. More than just biography, however, The View from the Murney Tower is also an examination of progressive religion in late-Victorian Canada, a time in which Darwinism and other Biblical, social, and intellectual controversies were profoundly affecting the growth of a young nation.
A Souvenir of Newstead Abbey ... Illustrated.

A Souvenir of Newstead Abbey ... Illustrated.

Richard Allen

British Library, Historical Print Editions
2011
pokkari
Title: A Souvenir of Newstead Abbey ... Illustrated.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF BRITAIN & IRELAND collection includes books from the British Library digitised by Microsoft. As well as historical works, this collection includes geographies, travelogues, and titles covering periods of competition and cooperation among the people of Great Britain and Ireland. Works also explore the countries' relations with France, Germany, the Low Countries, Denmark, and Scandinavia. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Allen, Richard; 1874. 43 p.; 4 . 10360.h.3.
Mud Running

Mud Running

Richard Allen

Lulu.com
2011
pokkari
The Squaw Peak 50-mile trail run is a unique ultramarathon that climbs 12,000 vertical feet through the rugged Wasatch Mountains. This is the backdrop for Mud Running, an all-day race filled with both harsh ordeals and poignant memories. In the tradition of Nicholas Sparks' Three Weeks With My Brother, a unique travel adventure is the catalyst in recalling powerful childhood stories. Raised in a home with six diverse siblings, Allen relates tales of each character as he is reminded of them along the muddy trail. It is the story of individuals influenced by one another, sharing a common upbringing but markedly diverse in the outcome. As diverse as thick snowy mud is from slick warm puddles. Mud Running is also a story of running, from a novice terrified by a 5-k, to a determined runner accomplishing 50 miles. This special novel will be enjoyed by runners and readers alike.
In the DARKEST of Shadows

In the DARKEST of Shadows

Richard Allen

Lulu.com
2016
pokkari
One body. Two identities. Who is this Ministry of Defence research? Why the double identity? Where had he been? Where was he going and Why? Detective Superintendent Mark Faraday of Special Branch and DCI Kay Yin are determined to find out, but in their search for answers they encounter MI5 and America's NSA, treason and callous murder, where deception and duplicity are common place and truth an inconvenience and an illusion.
Storytelling in Hindi Cinema

Storytelling in Hindi Cinema

Richard Allen

BLOOMSBURY PUBLISHING PLC
2026
sidottu
From physical duplicates to role reversals and sexual masquerades, Storytelling in Hindi Cinema provides a comprehensive overview of Hindi films centered around the figure of the double.Richard Allen dissects the cultural significance of these double-themed plots, considering how they reflect questions of social mobility, the expression of desire, social justice, and national identity in the post-colonial period. He considers the wide array of influences that shape the genre, from Sanskrit Kathasaritsagara story-telling traditions, folk Nautanki theatres, and Tales of the Arabian Nights to colonial and post-colonial roots from Shakespeare to Hollywood melodrama. He asserts the influence of Bengali cinema, particularly of filmmaker Hrishikesh Mukherjee, and South Indian films like Hello Brother (1994) in providing diverse perspectives that enrich these narratives.Examining a broad range of films, from 1947 to present, including Mahal (1949), Madhumati (1958), Chupke Chupke (1975), Angoor (1982), Banjaran (1991), Kal Ho Na Ho (2003) and Dostana (2008), Allen traces the evolution of the trope, even incorporating transgressive narratives like cross-dressing and gender disguise. In doing so, he highlights how these cinematic motifs navigate the complexities of traditional worldviews and modern experiences.