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1000 tulosta hakusanalla Richard L. Morton

Dark Minds

Dark Minds

B. A. Morton; Emma Pullar; Louise Jensen; Tara Lyons; Richard T. Burke; Betsy Reavley; Tony R. Cox; S.E. Lynes; Ross Greenwood; JT Lawrence; Ron Nicholson; Lisa Hall; KA Richardson; A.J. Sendall; Pete Adams; A.S. King; L J Ross; Paul D. Brazill; April Taylor; Joel Hames; Anita Waller; Simon Maltman; Jim Ody; Steve Dunne; Peter Best; Tess Makovesky; Alex Walters; Paul Gitsham; M.A. Comley; Stephen Edger; Nick Jackson; Roz White; David Evans; Lucy V. Hay; Alex Shaw; Jane E. James; Mark L. Fowler; Charlie Flowers; Hannah Haq

Bloodhound Books
2016
pokkari
A collection of short stories from some of your favourite authors. Do you think you know darkness? Think again. Bloodhound Books presents Dark Minds—a collection of stories by authors who have come together to produce an anthology that will lure, tantalise and shock its readers. What took place By the Water? What goes on behind A Stranger’s Eyes? And what is so special about Slow Roast Pork? From master authors such as Lisa Hall, Steven Dunne, Louise Jensen and Anita Waller, readers can expect a one hell of a ride . . . All profits from the sale of this book will be donated to Hospice UK and Sophie’s Appeal. Dark Minds is a collection of 40 crime and thriller short stories from authors including; Louise Jensen, L.J. Ross, Lisa Hall, Steven Dunne, Betsy Reavley, Alex Walters and Anita Waller plus many more. For the complete table of contents, Look Inside.
Joseph Smith and the Beginnings of Mormonism

Joseph Smith and the Beginnings of Mormonism

Richard L. Bushman

University of Illinois Press
1987
nidottu
Winner of the David Woolley Evans and Beatrice Evans Biography Award and a History Book Club selection, 1985. The core of Mormon belief was a conviction about actual events. The test of faith was not adherence to a certain confession of faith but belief that Christ was resurrected, that Joseph Smith saw God, that the Book of Mormon was true history, and that Peter, James, and John restored the apostleship. Mormonism was history, not philosophy. It is as history that Richard L. Bushman analyzes the emergence of Mormonism in the early nineteenth century. Bushman, however, brings to his study a unique set of credentials--he is both a prize-winning historian and a faithful member of the Latter-day Saints church. For Mormons and non-Mormons alike, his book provides a very special perspective on an endlessly fascinating subject. Building upon previous accounts and incorporating recently discovered contemporary sources, Bushman focuses on the first twenty-five years of Joseph Smith's life--up to his move to Kirtland, Ohio, in 1831. Bushman shows how the rural Yankee culture of New England and New York--especially evangelical revivalism, Christian rationalism, and folk magic--both influenced and hindered the formation of Smith's new religion. Mormonism, Bushman argues, must be seen not only as the product of this culture, but also as an independent creation based on the revelations of its charismatic leader. In the final analysis, it was Smith's ability to breathe new life into the ancient sacred stories and to make a sacred story out of his own life which accounted for his own extraordinary influence. By presenting Smith and his revelations as they were viewed by the early Mormons themselves, Bushman leads us to a deeper understanding of their faith.
The Kimball Challenge at Fifty: Mormon Arts Center Essays

The Kimball Challenge at Fifty: Mormon Arts Center Essays

Terryl Givens; Paul L. Anderson; Richard Bushman

Createspace Independent Publishing Platform
2017
nidottu
June 28-July 1, 2017 marked the first Mormon Arts Center Festival. Held in the Riverside Church in New York City, the event gathered together eminent scholars, artists, and musicians for an exploration of fine art by LDS members. The theme of the Festival was a speech given fifty years ago by Spencer W. Kimball, "Education for Eternity" at the beginning of the academic year at Brigham Young University, September 1967. He suggested that Mormon culture might produce our own Shakespeares, Michelangelos, and Goethes. Ten years later, President Kimball wrote a new introduction for the speech, which was published in the Ensign magazine and has become a touchstone for many of the faith's creative artists. He said, "In our world, there have risen brilliant stars in drama, music, literature, sculpture, painting, science, and all the graces. For long years I have had a vision of members of the Church greatly increasing their already strong position of excellent till the eyes of all the world will be upon us." Scholars invited to present papers at the Mormon Arts Center Festival delved into questions of the relevance of such ideas today. Their essays are collected in this volume. As Richard Bushman, who was present at the 1967 speech, writes in the introduction, "The question will remain for people with religious natures: How can faith be integrated with culture? The desire to know God is so powerful that it seeks expression in every realm of life. The arts with their intimate access to our deepest feelings must, we think, inevitably connect with our faith. The speakers in the symposium offer a variety of answers to how this may be accomplished by Mormons. As these essays show, Mormonism may not yet have produced a Michelangelo or a Goethe, but we do believe our religion and our art belong together."
Following the Call

Following the Call

Eberhard Arnold; Dietrich Bonhoeffer; Martin Luther King; C. S. Lewis; Wendell Berry; Dorothy Day; Leo Tolstoy; N. T. Wright; Richard Rohr; Madeleine L'Engle; Thomas Merton

Plough Publishing House
2021
pokkari
Fifty-two readings to spark weekly group discussion on putting Jesus’ most central teachings into practice.Jesus’ most famous teaching, the Sermon on the Mount, possesses an irresistible quality. Who hasn’t felt stirred and unsettled after reading these words, which get to the root of the human condition? This follow-up to the acclaimed collection Called to Community: The Life Jesus Wants for His People taps an even broader array of sources, bringing together prophetic voices from every era and a range of traditions to consider the repercussions of these essential words. More than a commentary or devotional, this book is designed to be read together with others, to inspire communities of faith to discuss what it might look like to put Jesus’ teachings into practice today.
Case Handling Costs in Fluid Milk Plants / Richard L. Simmons.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Richard L. Davis and the Color Line in Ohio Coal
Born in Roanoke County, Virginia, on the eve of the Emancipation Proclamation, Richard L. Davis was an early mine labor organizer in Rendville, Ohio. One year after the 1884 Great Hocking Valley Coal Strike, which lasted nine months, Davis wrote the first of many letters to the National Labor Tribune and the United Mine Workers Journal. One of two African Americans at the founding convention of United Mine Workers of America in 1890, he served as a member of the National Executive Board in 1886-97. Davis called upon white and black miners to unite against wage slavery. This biography provides a detailed portrait of one of America's more influential labor organizers.
Italian Paintings from the Richard L. Feigen Collection

Italian Paintings from the Richard L. Feigen Collection

Laurence Kanter; John J. Marciari

Yale University Press
2010
sidottu
Richard L. Feigen has amassed a collection of Italian paintings that is widely admired for its depth and quality, especially for the works it features by the principal masters of the early Italian Renaissance. This beautifully illustrated catalogue of the complete collection presents rare masterpieces by artists from Bernardo Daddi to Fra Angelico, Orazio Gentileschi’s Danaë, Annibale Carracci’s Virgin and Child, and precious, small-scale coppers by major Mannerist and Baroque masters. Italian Paintings from the Richard L. Feigen Collection catalogues more than fifty major works from the 14th to the 17th century, and is the first publication of this remarkable and important collection.Published in association with the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery, New Haven (5/28/10–9/12/10)
Dale L. Morgan

Dale L. Morgan

Richard L Saunders

University of Utah Press,U.S.
2024
sidottu
This is the first biography of Dale L. Morgan, preeminent historian of the Latter Day Saints, the fur trade, and the trails of the American West. The book explores how, despite personal struggles, Morgan remained committed to interpreting the past on the strength of documentary evidence, leaving a legacy to inspire contemporary historians. Connecting Morgan’s life with some of the broad cultural changes that shaped his experiences, this book engages with the methodological shifts that coincided with his career: the mid-twentieth-century collision of interpretations within Latter Day Saint history and the development of a descriptive, scholarly approach to that history. Morgan’s work signaled the start of new ways of understanding, studying, and retelling history, and he motivated a generation of historians from the 1930s to the 1970s to transform their historical approaches. Sounding board, mentor, and close friend to Nels Anderson, Leonard Arrington, Fawn Brodie, Juanita Brooks, Bernard DeVoto, and Wallace Stegner, Dale Morgan is the common factor linking this influential generation of mid-twentieth-century historians of western America.
Dale L. Morgan

Dale L. Morgan

Richard L Saunders

University of Utah Press,U.S.
2023
nidottu
This is the first biography of Dale L. Morgan, preeminent historian of the Latter Day Saints, the fur trade, and the trails of the American West. The book explores how, despite personal struggles, Morgan remained committed to interpreting the past on the strength of documentary evidence, leaving a legacy to inspire contemporary historians. Connecting Morgan’s life with some of the broad cultural changes that shaped his experiences, this book engages with the methodological shifts that coincided with his career: the mid-twentieth-century collision of interpretations within Latter Day Saint history and the development of a descriptive, scholarly approach to that history. Morgan’s work signaled the start of new ways of understanding, studying, and retelling history, and he motivated a generation of historians from the 1930s to the 1970s to transform their historical approaches. Sounding board, mentor, and close friend to Nels Anderson, Leonard Arrington, Fawn Brodie, Juanita Brooks, Bernard DeVoto, and Wallace Stegner, Dale Morgan is the common factor linking this influential generation of mid-twentieth-century historians of western America.