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1000 tulosta hakusanalla Robert C Salisbury

Organs & Organists of St. Martin's Church, Salisbury.

Organs & Organists of St. Martin's Church, Salisbury.

Robert C Fielding

Createspace Independent Publishing Platform
2017
pokkari
Covering a period from 1657 to the present, Robert Fielding has collected together information about the organs and organists of the 11th century parish church of Sarum St. Martin in Salisbury.The central source of information is taken from the book Notes on St Martin's Church and Parish compiled by Thomas H. Baker which was published in Salisbury in 1906. Baker had unearthed several valuable sources from which he drew his 'notes'. Churchwardens' Accounts, Vestry Books and other documents had been discovered in the 'Parish Chests'. Other sources included Hatcher's History of Salisbury, St Martin's Parish Magazine, the Gentleman's Magazine and help given by Rev. C. N. Wyld, who was Rector at the period of the last restoration, the Rev. Canon Myers and Mr. W.C. Pearce, then the Parish Clerk, who apparently communicated details 'known to no one else'.With similar aims to Thomas Baker, Robert Fielding has aimed to provide a booklet for those interested in what has been taking part in St Martin's with regard to the people that have spent time there as musicians and the instruments that have appeared and disappeared in a procession that brings us to the present inherited 1869 William Hill organ, a fine example of this builder's work and one that remains remarkably close to its original conception.This third edition includes information found in a cupboard in the organ loft during a 'spring-clean'. Amongst many letters and documents were estimates, reports and advice from a number of sources dating from the 1960s. It also has additional sections on the organist George W. Blake and the recently deceased Stephen Cooke.
Robert C. Jackson Paintings

Robert C. Jackson Paintings

Philip Eliasoph

Schiffer Publishing Ltd
2012
sidottu
A monograph of contemporary American painter Robert C. Jackson. The paintings of Robert C. Jackson are introduced by Philip Eliasoph in the artist’s first monograph. Using paintings from artists as diverse as Andrew Wyeth and Jasper Johns, Eliasoph’s extensive knowledge of American art places Jackson’s artwork into a historical context. This beautifully illustrated book includes more than 130 images of the artist’s paintings with details, photographs of the artist at work, sketchbook reproductions, and an interview with the artist himself. Eliasoph colorfully proclaims, “The paintings we are about to examine are inescapably a bundle of contradictions, satirical complexities, and witty subterfuge. Essentially, Jackson is a uniquely self-realized painter. His feisty independence is fortified with healthy dosages of non-conforming eccentricity, with a small touch of screwball nuttiness.” The foreword by Professor Henry Adams reveals a similar sentiment, “Notably, this is also the sort of strange mix of sensibilities one finds in the best American novelists, such as Mark Twain.”
Robert C. Jackson

Robert C. Jackson

Robert C. Jackson

SCHIFFER PUBLISHING LTD
2025
sidottu
With over 525 images and photos that focus on his career from age 45 to 60, American still-life painter Jackson reveals his work methods, inspirations, and development. Featuring more than 525 paintings in Robert C. Jackson's iconic style of realism with a slyly irreverent twist, this beautiful book thoughtfully covers his midcareer works. Many of his signature themes are recognizable but now treated more deeply, the compelling nature of his art is intensified, and larger canvases prevail. Known especially for his realistic still-life paintings featuring objects such as soda crates, balloon dogs, and foods, Jackson creates playful, exuberant art that often makes impossible situations believable, one reason for its wide appeal. Learn more about: • His final college semester when he took Painting 101 to fill out his schedule. • The first time he ever quit anything. (It was a career as an engineer.) • How the concept of "seriously funny" motivates him. • The cleansing and growth that occurs with aging as a painter. • Zippy, the clown he keeps on retainer to make balloon dogs. Jackson's paintings have been featured in five solo museum exhibitions to date, and are in private, corporate, and museum collections worldwide, ranging from the Delaware Art Museum to the South Dakota Art Museum. Jackson's conversational insights begin each section and address how he built a successful art career. Jackson offers specific details of interest to collectors as well as to artists also striving for a full-time career in painting. For example, coming up with new source material year after year requires effort, and Jackson explains his processes for doing just that. He also shares how embracing commissioned artwork as a collaborative art process can be fulfilling for both the artist and client. Candid black-and-white photos of Jackson at work and play express the spirit he brings to his art. Understand why new fans and established collectors alike respond to this artist who has found his unique and identifiable voice within contemporary art.
The Descendants of David Dunlap / by Robert C. Dunlap, Jr.

The Descendants of David Dunlap / by Robert C. Dunlap, Jr.

Robert C. (Robert Cleveland) Dunlap

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.