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1000 tulosta hakusanalla Robert E. Hollmann
One of the most popular series ever published for young Americans, these classics of childhood have been praised alike by parents, teachers, and librarians. These lively, inspiring, believing biographies sweep today's young readers right into history.
A "witty, lively and wholly fascinating" (The New York Times) portrait of an iconic Southern hero With lively storytelling and full-hearted Southern directness, Roy Blount, Jr., presents a unique portrait of Robert E. Lee. Fascinated by the qualities that made Lee such a charismatic, though reluctant, leader, Blount vividly conveys Lee's audacity and uncanny successes in battle, as well as his humility, his quirky sense of humor, and the sorrowful sense of responsibility he felt for his outnumbered, half-starved army. The first concise biography of this American legend, Robert E. Lee will appeal to history and military buffs, students of Southern culture, and every reader curious about the makeup of a man who has become an American icon.
General Robert E. Lee was a complicated man and military figure. In Robert E. Lee, the 11th book in the critically acclaimed Great Generals Series, Noah Andre Trudeau follows the general's Civil War path with a special emphasis on Lee's changing set of personal values as the conflict wended through four bloody years and by exploring his famous skills as a crafty and daring tactician. Trudeau adds a fresh perspective toward understanding a major figure in American history who remains decidedly an enigma.
General Robert E. Lee was a complicated man and military figure. In Lee, the 11th book in the critically acclaimed Great Generals Series, Noah Andre Trudeau follows the general's Civil War path with a special emphasis on Lee's changing set of personal values as the conflict wended through four bloody years and by exploring his famous skills as a crafty and daring tactician. Trudeau adds a fresh perspective toward understanding a major figure in American history who remains decidedly an enigma.
This biography provides a concise, accurate, and lively account of one of the best known yet least understood figures of the Civil War, Robert E. Lee, depicting him as a human being instead of a legend, making him accessible as a person.Robert E. Lee: A Biography takes one of the best known and least understood figures of the American Civic War down from his pedestal as an iconic, legendary hero and transforms him into a human being that 21st-century readers can easily relate to. Author Brian Melton clearly separates fact from the idealized lore and fiction created after the Civil War by members of what has been termed "the Lee cult." Through the book's thorough, clear, and accessible presentation, and its inclusion of accurate historical details—for example, Lee's status as an incurable flirt—General Lee becomes a fascinating and compelling mortal man.Intended for both high school students and the general public, this biography will offer a thorough and unbiased examination of Lee's life and military career. Readers will be able to clearly trace the steps that led Lee to prominence—both before and during the Civil War—and discover how his actions helped shape the American military.
Here are Howard's greatest horror tales, all in their original, definitive versions. Some of Howard's best-known characters-Solomon Kane, Bran Mak Morn, and sailor Steve Costigan among them-roam the forbidding locales of the author's fevered imagination, from the swamps and bayous of the Deep South to the fiend-haunted woods outside Paris to remote jungles in Africa. The collection includes Howard's masterpiece "Pigeons from Hell,"""which Stephen King calls "one of the finest horror stories of the twentieth] century," a tale of two travelers who stumble upon the ruins of a Southern plantation-and into the maw of its fatal secret. In "Black Canaan" even the best warrior has little chance of taking down the evil voodoo man with unholy powers-and none at all against his wily mistress, the diabolical High Priestess of Damballah. In these and other lavishly illustrated classics, such as the revenge nightmare "Worms of the Earth" and"""The Cairn on the Headland,"""Howard spins tales of unrelenting terror, the legacy of one of the world's great masters of the macabre.
This volume explores the reception of the classical past in the works of twentieth-century American dramatist Robert E. Sherwood and his use of the ancient world to critique key events and trends in American history. It explores his comedies and the influence of both Greek Old and New Comedy, as well as his mediation of his experiences in World War I through Livy’s account of the war with Carthage. During the 1930s, Sherwood used the Peloponnesian War as a template for bringing to the attention of an unaware public the danger of an impending war between the forces of democracy and the totalitarianism represented by Nazi Germany, and post-war he raised awareness of the dangers of nuclear war through the lens of the Greek gods. As well as looking at his use of the classical past in his work, since Sherwood wrote drama deeply concerned with the major social and political events of his day, his plays open windows onto the major social and political challenges facing the United States and the world from the outbreak of World War I until the beginning of the nuclear age. This volume will be of interest to anyone working on the Classical Tradition and Classical Reception, as well as to students of twentieth-century American literature, drama, history, and politics.
This volume explores the reception of the classical past in the works of twentieth-century American dramatist Robert E. Sherwood and his use of the ancient world to critique key events and trends in American history. It explores his comedies and the influence of both Greek Old and New Comedy, as well as his mediation of his experiences in World War I through Livy’s account of the war with Carthage. During the 1930s, Sherwood used the Peloponnesian War as a template for bringing to the attention of an unaware public the danger of an impending war between the forces of democracy and the totalitarianism represented by Nazi Germany, and post-war he raised awareness of the dangers of nuclear war through the lens of the Greek gods. As well as looking at his use of the classical past in his work, since Sherwood wrote drama deeply concerned with the major social and political events of his day, his plays open windows onto the major social and political challenges facing the United States and the world from the outbreak of World War I until the beginning of the nuclear age. This volume will be of interest to anyone working on the Classical Tradition and Classical Reception, as well as to students of twentieth-century American literature, drama, history, and politics.