A short account of the life and writings of the English anthropologist Ruth Finnegan FBA. Part memoir, part reference.
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1000 tulosta hakusanalla Ruth Finnegan
The doyen multi-award anthropologist Ruth Finnegan returns by popular demand, this time to answer common questions about the general issues around the technology co=of communication and the significance of orality and literacy. Are we bound by technology? Do individuals and human cultures have any say in the matter? What IS communication anyway and how does it, can it, get passed on through the ages? A unique, authoritative and readable account on an absolutely fascinating area. Riveting. Not to be missed. Read more in Ruth's fabulous series SWHC series THE SECRET WAYS OF HUMAN COMMUNICATING, now available in the scintillating Callender Press collection.
Ever wondered what the thieves in the Ali Baba story were really like? Where they came from and how they were recruited and what exactly they did? And were they all the same? You don't know? Find the amazing answers in the story of an ordinary little boy, a newly discovered version now for the first time revealed. An absorbing fairy tale for children of all ages, young or not, with an unexpected twist and an ecological and human ending.
The amazing story of a small island in the South Pacific, its music and culture and its gifts to the world
What is the role of sound in human like?and of music? What do we use it for and ow does it vary across the world? Where does it come from and above all why should we - as we do - care about it?This series of reflections by the celebrated anthropologist Ruth Finnegan tackles these questions and more in her inimitable friendly and accessible style. An Informative and inspiring book, unique.
A stunning account of how things that seem just part of everyday life, are in fact extraordinary once we notice them. As anthropologists do when they stop to listen. As poets do when they see the world in a grain of sand. When we see how things that are not normally defined as special, perhaps because studied or practised by 'amateurs' rather than 'specialists', are often truly special. How as we go through our daily round our lives are surrounded by splendour.After you read this then world will never look the same.
Surprising conclusions about one of the great issues of our time by an acclaimed prize-winning expert. world-wide coverage brought home to our doorsteps. Startling, provocative and intensely readable.
A companion story to Ruth Finnegan's multi-award inspirational novel 'Black Inked Pearl', this time, unusually, told from the perspective of the ever-sounding sea A volume in the unique 'Kate-Pearl' series
The study of oral traditions and verbal arts leads into an area of human culture to which anthropologists are increasingly turning their attention. Oral Traditions and the Verbal Arts provides up-to-date guidance on how to approach the study of oral form and their performances, treating both the practicalities of fieldwork and the methods by which oral texts and performances can be observed, collected or analysed. It also relates to those current controversies about the nature of performance and of 'text'.Designed as a practical and systematic introduction to the processes and problems of researching in this area, this is an invaluable guide for students, and lecturers of anthropology and cultural studies and also for general readers who are interested in enjoying oral literature for its own sake.
How do we picture urban life and formulate our experience of it? Tales of the City, first published in 1998, brings together the academics' abstract tales with the vivid stories about a particular city, Milton Keynes, and the often moving self-narrations of its residents. It explores the role of story-telling processes for the creative constructing of experience, with particular attention to personal narrations. The story that is now emerging, told by many individual actor narrators, is of the city as a natural setting for human life, in stark contrast to the pessimistic anti-urban tales of many academic narrators. Drawing on narrative studies, cultural and linguistic anthropology and social theory, Professor Finnegan skilfully examines the narrative conventions and cultural implications of our multiple tales of the city, and relates them to profound mythic themes about urban life, community, and to the creative role of the active, reflecting individual.
How do we picture urban life and formulate our experience of it? Tales of the City brings together the academics’ abstract tales with the vivid stories about a particular city, Milton Keynes, and the often moving self-narrations of its residents. It explores the role of story-telling processes for the creative constructing of experience, with particular attention to personal narrations. The story that is now emerging, told by many individual actor narrators, is of the city as a natural setting for human life, in stark contrast to the pessimistic anti-urban tales of many academic narrators. Drawing on narrative studies, cultural and linguistic anthropology and social theory, Professor Finnegan skilfully examines the narrative conventions and cultural implications of our multiple tales of the city, and relates them to profound mythic themes about urban life, community, and to the creative role of the active, reflecting individual.
A landmark in the study of music and culture, this acclaimed volume documents the remarkable scope of amateur music-making in the English town of Milton Keynes. It presents in vivid detail the contrasting yet overlapping worlds of classical orchestras, church choirs, brass bands, amateur operatic societies, and amateur bands playing jazz, rock, folk, and country. Notable for its contribution to wider theoretical debates and its influential challenge to long-held assumptions about music and how to study it, the book focuses on the practices rather than the texts or theory of music, rejecting the idea that only selected musical traditions, "great names," or professional musicians are worth studying. This opens the door to the invisible work put in by thousands of local people of diverse backgrounds, and how the pathways creatively trodden by amateur musicians have something to tell us about both urban living and what it is to be human. Now with a new preface by the author, this long-awaited reissue of The Hidden Musicians will bring its insights and innovations to a new generation of students and scholars.
LITERARY TITAN GOLD AWARD It is a common notion that Africa has, and indeed ought to have, learned much from the west. This is not wrong; all cultures rightly learn from each other. But less is said of what there is to learn from Africa: from her stories, myths, music, proverbs, insights - and more. Here an acclaimed African scholar steps into the gap by uncovering for us something of the great legacy of African thought and practice in ways that will astonish many. Written with verve and authority and directed above all to students and sixth formers, this book will also delight and often surprise those who know something of Africa as well as those hitherto ignorant. Ruth Finnegan OBE FBA is Emeritus Professor The Open University, Foreign Associate of the Finnish Literature Bureau, and International Fellow of the American Folklore Society. An anthropologist and multi-award author, she has published extensively, chiefly on Africa, musical practice, and English urban life. Recent books include How is Language?, Fiji's Music: Where Did It Come From?, her edited Entrancement: The Consciousness of Dreaming, Music and The World, and two prize-winning Africa-influenced novels Black Inked Pearl and Voyage of Pearl of the Seas.
The poor poor dragon, with his boils and his bruises and blisters and SINS. His UGLINESS. No universe any more either, someone had blown it up (his universe, he needed it) . So no dragon - just boils and horrid scaley scales and blisters and .... Can the little lady from Donegal help? Re-create the universe? See that his shining scales and his lovely curves exist and are beautiful? A stunning tale of self-hate resolved. This is the latest volume (2021) of the fantastic Little Angel Books by a prize-winning author.
Treatments of human communication mostly draw on cognitive and word-centred models to present it as predominantly a matter of words. This, Finnegan argues, seriously underestimates the far-reaching multi-modal qualities of human interconnecting and the senses of touch, olfaction, and, above all, audition and vision that we draw on.In an authoritative and readable account, Ruth Finnegan brings together research from linguistic and sensory anthropology, material culture, non-verbal communication, computer-mediated communication, and, strikingly, research on animal communication, such as the remarkable gesture systems of great apes. She draws on her background in classical studies and her long anthropological experience to present illuminating examples from throughout the world, past and present.The result is to uncover an amazing array of sounds, sights, smells, gestures, looks, movements, touches, and material objects used by humans and other animals to interconnect both nearby and across space and timeShe goes on to first explore the extra-sensory modes of communication now being revealed in the extraordinary "new science" research and then, in an incendiary conclusion, to deny the long-prevailing story of human history by questioning whether orality really came before literacy; whether it was really through "the acquisition of language" that our prehistoric cave painting ancestors made a sudden leap into being "true humans"; and finally, astonishingly, to ask whether human communicating had its first roots not, after all, in verbal language but something else.Not to be missed, this highly original book brings a fresh perspective on, among other things, that central topic of interest today – the dawn of human history – and on what being homo sapiens really means. This revised and updated edition has additional illustrations, updated chapters, and a new concluding chapter. A provocative and controversial account that will stir worldwide debate, this book is an essential transdisciplinary overview for researchers and advanced students in language and communication, anthropology, and cultural studies.
Treatments of human communication mostly draw on cognitive and word-centred models to present it as predominantly a matter of words. This, Finnegan argues, seriously underestimates the far-reaching multi-modal qualities of human interconnecting and the senses of touch, olfaction, and, above all, audition and vision that we draw on.In an authoritative and readable account, Ruth Finnegan brings together research from linguistic and sensory anthropology, material culture, non-verbal communication, computer-mediated communication, and, strikingly, research on animal communication, such as the remarkable gesture systems of great apes. She draws on her background in classical studies and her long anthropological experience to present illuminating examples from throughout the world, past and present.The result is to uncover an amazing array of sounds, sights, smells, gestures, looks, movements, touches, and material objects used by humans and other animals to interconnect both nearby and across space and timeShe goes on to first explore the extra-sensory modes of communication now being revealed in the extraordinary "new science" research and then, in an incendiary conclusion, to deny the long-prevailing story of human history by questioning whether orality really came before literacy; whether it was really through "the acquisition of language" that our prehistoric cave painting ancestors made a sudden leap into being "true humans"; and finally, astonishingly, to ask whether human communicating had its first roots not, after all, in verbal language but something else.Not to be missed, this highly original book brings a fresh perspective on, among other things, that central topic of interest today – the dawn of human history – and on what being homo sapiens really means. This revised and updated edition has additional illustrations, updated chapters, and a new concluding chapter. A provocative and controversial account that will stir worldwide debate, this book is an essential transdisciplinary overview for researchers and advanced students in language and communication, anthropology, and cultural studies.
The Strange Tools of Human Communication: The Voice, the Pen, and the Lyre is a thought-provoking exploration of the everyday tools of communication that weaves together history, art, and science to reveal how the voice, hand, and mind shape our shared experiences.Through a blend of scholarly research, personal insights, and field experiences – from the oral tales of Sierra Leone's Limba storytellers to ancient cave art and modern iconography – this book offers fresh perspectives on how we connect across time and cultures. Challenging the idea that spoken language alone defines humanity, it emphasises the crucial role of hands, gestures, and artistic forms as the foundation of human communication. Readers are invited to consider the possibility of an ancestral, shared consciousness and the mysterious similarities in ancient art worldwide. Through vivid examples and personal insights, the book redefines communication as a blend of conscious expression and subconscious influence, inviting readers to consider the hidden connections that unite us across cultures and time, and to contemplate the future of communication.The Strange Tools of Human Communication is an ideal supplement to upper level undergraduate and graduate courses in cultural anthropology, sociocultural linguistics, and cultural studies.