The volume contains the proceedings of an international symposium organized by the Fondazione Civilta Bresciana in Brescia, Italy in 1994. It comprises 28 scholary articles in English, divided into five sections.
Title: Historical Curiosities relating to St Margaret's Church, Westminster. Signed, J. R., i.e. John Rickman. With three plates, and a MS. letter from A. Rickman.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Rickman, John; 1837. 8 . 10351.f.9.
J.D Brown had been sheriff most of his life and was good at it, but like a lot of lawmen he had faced disappointment. With a near death experience and finding out how his life still remained a mess he decided to make some changes.Like all of Clint's stories the tale twist and the reader is never sure how things will turn out. You will enjoy this short storie of the western frontier.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.]+++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Library of CongressN034053St. Eustatius: printed by Edward L. Low & Co, for the author, 1793. 4],160p.; 4
The first book devoted to the the career of anglophone West Africa’s most important early twentieth-century statesman and intellectualThe African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In this revisionist account, Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure.
The first book devoted to the the career of anglophone West Africa’s most important early twentieth-century statesman and intellectualThe African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In this revisionist account, Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure.
‘I’m thinking this night wasn’t I a foolish fellow not to kill my father in years gone by.’ – Christy MahonOn the first night of J. M. Synge’s The Playboy of the Western World (1907) the audience began protesting in the theatre; by the third night the protests had spilled onto the streets of Dublin. How did one play provoke this? Christopher Collins addresses The Playboy ’s satirical treatment of illusion and realism in light of Ireland’s struggle for independence, as well as Synge’s struggle for artistic expression. By exploring Synge’s unpublished diaries, drafts and notebooks, he seeks to understand how and why the play came to be.This volume invites the reader behind the scenes of this inflammatory play and its first performances, to understand how and why Synge risked everything in the name of art.
I'm thinking this night wasn't I a foolish fellow not to kill my father in years gone by.' – Christy MahonOn the first night of J. M. Synge's The Playboy of the Western World (1907) the audience began protesting in the theatre; by the third night the protests had spilled onto the streets of Dublin. How did one play provoke this? Christopher Collins addresses The Playboy 's satirical treatment of illusion and realism in light of Ireland's struggle for independence, as well as Synge's struggle for artistic expression. By exploring Synge's unpublished diaries, drafts and notebooks, he seeks to understand how and why the play came to be.This volume invites the reader behind the scenes of this inflammatory play and its first performances, to understand how and why Synge risked everything in the name of art.
![Historical Curiosities Relating to St Margaret's Church, Westminster. [Signed, J. R., i.e. John Rickman. with Three Plates, and a Ms. Letter from A. Rickman.]](/covers/9781241599225.jpg)
