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1000 tulosta hakusanalla S.M. Makarov

Ot starinnykh razvlechenij k zrelischnym iskusstvam. V debrjakh pozorisch, potekh i razvlechenij

Ot starinnykh razvlechenij k zrelischnym iskusstvam. V debrjakh pozorisch, potekh i razvlechenij

S.M. Makarov

Lenand
2020
nidottu
V nastojaschej rabote issledujutsja razvlechenija, istoki kotorykh berut nachalo v magicheskikh, obrjadovykh, ritualnykh dejstvakh, gadatelnykh praktikakh i drevnikh smekhovykh traditsijakh. Avtor obraschaetsja k rudimentam magicheskikh i ritualnykh dejstvij, drevnim smekhovym traditsijam, sokhranivshimsja v sovremennykh detskikh razvlechenijakh, kotorye sposobstvovali zarozhdeniju tsirkovykh zhanrov. V knige pokazano, kak drevnejshie dejstva, vkhodivshie v maslenichnoe "igrische", otchasti transformirovalis v teatralnoe, balagannoe iskusstvo i tsirkovye nomera, attraktsiony. V rabote rassmatrivajutsja balagannye priemy i nomera, kotorye nashli svoe mesto v teatralnykh postanovkakh, estradnykh i tsirkovykh programmakh. Vpervye issleduetsja erotizm tsirkovogo iskusstva, beruschij nachalo v magii plodorodija, orgaisticheskikh kultakh; opredeljaetsja granitsa ponjatij "eroticheskij" i "seksualnyj". Avtor rasskazyvaet o tom, kak "alogichnoe myshlenie", javljajuscheesja vazhnejshej chastju drevnikh smekhovykh traditsij, sposobstvovalo vozniknoveniju iskusstva klounady, a takzhe sodejstvovalo razvitiju u bolshinstva ljudej soobrazitelnosti i chuvstva jumora.Dlja teatrovedov, folkloristov, kulturologov, issledovatelej sovremennogo iskusstva, istorikov estradnogo i tsirkovogo tvorchestva.
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Ozhivshie tsvety. Orakul (50 kart i rukovodstvo dlja gadanija v korobke)

Ozhivshie tsvety. Orakul (50 kart i rukovodstvo dlja gadanija v korobke)

M.S. Makarova; T.V. Shingareva

Eksmo
2024
nidottu
Orakul "Ozhivshie tsvety" govorit s praktikom na sovershenno unikalnom simvolicheskom jazyke - Lingua Flora, jazyke tsvetov. V osnovu orakula voshli illjustratsii iz odnoimjonnoj knigi 1847 goda znamenitogo frantsuzskogo khudozhnika Zhana Injasa Izidora Zherara, kotoryj tvoril pod psevdonimom Granvil. Avtory, opirajas na tochnye i ostroumno peredannye Granvilem kharaktery tsvetov, i svoju 5-letnjuju praktiku raboty s orakulom, sozdali podrobnoe traktovanie dlja kazhdoj karty. Ono vkljuchaet v sebja legendu ili interesnyj fakt o tsvetke, opisanie karty, osnovnoe i tenevoe znachenija, opisanie lichnosti, a takzhe kharakteristiku otnoshenij.Orakul "Ozhivshie tsvety" javljaetsja prekrasnym instrumentom dlja issledovanija chelovecheskoj dushi. On pozvoljat proanalizirovat svojo psikho-emotsionalnoe sostojanie; uznat ljubogo cheloveka poluchshe, vyjavit kharakter ljubykh vzaimootnoshenij i mnogoe drugoe.
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S & M

S & M

Jeffrey DeShell

Fiction Collective Two
1997
nidottu
S & M relentlessly questions the roles langu age and imagination play in the construction of sexual and e motional desire. The novel revolves around a lesbian relatio nship and a married university professor experimenting with sex. '
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S & M

S & M

Jan-Malte Schui; Christian Meierhofer

BoD - Books on Demand
2005
nidottu
Gegensätze ziehen sich an Dieser Grundsatz soll für die beiden Autoren nicht nur ein bloßes Sprichwort bleiben, sondern auch immer wieder in ihren Gedichten zum Ausdruck gebracht werden. Obwohl ihre darstellerische Form auf den ersten Blick grundverschieden wirkt, so verliert man doch nie den "roten Faden", der sich durch alle Werke hindurchzieht, nie ganz aus den Augen. Der zuweilen starke Kontrast, der manchem wohl als absurd erscheinen mag, läßt sich nur durch einen gemeinsamen Gedanken überwinden: - die Freude am Schöpferischen - Manchmal sieht man so viele Dinge, daß man das Eigentliche, das nicht zum Sehen gemacht ist, aus den Augen verliert. Das Leben vom Traum Träume, so schwer wie die Ängste einer Nacht Schwirren klirrend in meiner Seele Der Schmerz es zum Verhängnis macht Hoffnung trocknet mir die Kehle Einst der Wunsch wunschlos zu sein Niemals auch nur zu leben gewagt Schicksalslos, verlassen, allein Unbekümmert faulend zart Voller Reinheit längst verdorben Sehne ich mich nach Licht Doch die blinden Augen längst verstorben Selbst Dunkelheit umgibt mich nicht Erkenntnis befeuchtet mir die Kehle Der Schmerz es zum Verhängnis macht So schweben ruhig in meiner Seele Träume, so leicht wie der Tod einer Nacht
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S.M.A.K. Highlights for a Future

S.M.A.K. Highlights for a Future

Yale University Press
2020
sidottu
A stunning tour through the renowned, wide-ranging collection of contemporary art at Ghent’s Municipal Museum for Contemporary Art (S.M.A.K.) The Stedelijk Museum voor Actuele Kunst (translated as the Municipal Museum of Contemporary Art and commonly abbreviated as S.M.A.K.), located in Ghent, Belgium, has quickly established a reputation for both a superlative permanent collection and provocative exhibitions since it opened to the public in 1999. The museum’s collection focuses on international developments in art after 1945, including works by artists such as Francis Alÿs, Francis Bacon, Joseph Beuys, Marcel Broodthaers, Luc Tuymans, and Bruce Nauman. S.M.A.K. Highlights for a Future showcases the full range and exceptional quality of the museum’s holdings, illustrating some 200 artworks, from well-known masterpieces to less-familiar, recent acquisitions.Distributed for Mercatorfonds
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S M P L C T Y

S M P L C T Y

Samuel Alexander

Simplicity Institute
2023
pokkari
This collection of essays presents an aesthetics of existence called the 'Will to Art'. Readers will be invited to consider the possibility that the universe is fundamentally an aesthetic phenomenon, understood as a process of creative evolution that is moving, albeit agonistically, towards ever-increasing opportunities for artistic expression and aesthetic experience. Art is defined broadly and openly as the meaningful and pleasurable expression of creative labour, and human experience can be considered 'aesthetic' if it flows from the sensuous engagement with art or nature. To speak of the Will to Art is to interpret the world as having an underlying tendency toward artistic and aesthetic flourishing, even though the outcome of this evolutionary process, due to its indeterminate nature, is unknowable in advance.Two premises guide the development of this vision: first, that material sufficiency is all that is needed for human beings to live rich, meaningful, and artful lives; and second, that material sufficiency is all that is possible, over the long term, on a finite planet in an age of environmental limits. Based on those premises, Samuel Alexander proposes and defends a conception of ecological civilisation which he calls SMPLCTY. This is not a utopian prediction about what is a likely future for our species. Rather, it is an orienting vision, one in which individuals and communities thrive in humble conditions of material sufficiency but cultural richness, meaningfully engaged in pleasurable and creative labour in collaboration with others. According to this vision, life itself would become an aesthetic project, a never-ending process of creative activity, sensuous experience, aesthetic engagement, and spiritual exploration. Such a society would be structured with the aim of sustainably providing opportunities for all people to find meaning and pleasure through creative labour and aesthetic experience.
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S M P L C T Y

S M P L C T Y

Samuel Alexander

Simplicity Institute
2023
sidottu
This collection of essays presents an aesthetics of existence called the 'Will to Art'. Readers will be invited to consider the possibility that the universe is fundamentally an aesthetic phenomenon, understood as a process of creative evolution that is moving, albeit agonistically, towards ever-increasing opportunities for artistic expression and aesthetic experience. Art is defined broadly and openly as the meaningful and pleasurable expression of creative labour, and human experience can be considered 'aesthetic' if it flows from the sensuous engagement with art or nature. To speak of the Will to Art is to interpret the world as having an underlying tendency toward artistic and aesthetic flourishing, even though the outcome of this evolutionary process, due to its indeterminate nature, is unknowable in advance.Two premises guide the development of this vision: first, that material sufficiency is all that is needed for human beings to live rich, meaningful, and artful lives; and second, that material sufficiency is all that is possible, over the long term, on a finite planet in an age of environmental limits. Based on those premises, Samuel Alexander proposes and defends a conception of ecological civilisation which he calls SMPLCTY. This is not a utopian prediction about what is a likely future for our species. Rather, it is an orienting vision, one in which individuals and communities thrive in humble conditions of material sufficiency but cultural richness, meaningfully engaged in pleasurable and creative labour in collaboration with others. According to this vision, life itself would become an aesthetic project, a never-ending process of creative activity, sensuous experience, aesthetic engagement, and spiritual exploration. Such a society would be structured with the aim of sustainably providing opportunities for all people to find meaning and pleasure through creative labour and aesthetic experience.
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S.M.D.H.

S.M.D.H.

Natalie Tautou

Lulu.com
2023
pokkari
SELECTED AMATEUR WORKS 18-23. Short weird fiction about transsexual love and death. Collects material originally published digitally on mommyswomb.itch.io along with never-before-seen rarities & b-sides and a new afterword. Contains adult language and themes some readers may find disgusting. CW: EVERYTHING.
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