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1000 tulosta hakusanalla Salima Mazri Badjadja

Shari´a, Citizenship, and Identity in Aceh

Shari´a, Citizenship, and Identity in Aceh

Arskal Salim; Moch. Nur Ichwan; Eka Srimulyani; Marzi Afriko

UNIVERSITY OF NOTRE DAME PRESS
2025
sidottu
Shari`a, Citizenship, and identity in Aceh presents both an ethnographic and a sociohistorical account of identity making among both the Muslim majority population and different minority groups in Aceh, Indonesia. Diverging from previous studies on majority-minority group relations in a predominantly Muslim country that tend to engage solely with one group's experiences, Shari`a, Citizenship, and Identity in Aceh argues that the majority and minority groups in Aceh, Indonesia, have interactively and mutually created conceptions of identity and recognition that have significant implications on the experience of citizenship in the region. The authors provide not only a narrative of majority-minority group encounters in a variety of issues, but also a wide-ranging account of struggles from both the Muslim majority and non-Muslim minority groups for recognition of their own identity in the public space. To what extent do minority groups feel that they belong to Aceh's communal identity, which is mostly Islamic? And what kind of citizenship is in place when minorities feel marginalized living under Aceh's Islamic rules? Shari`a, Citizenship, and Identity in Aceh debunks the concept of citizenship by way of deploying the concept of the politics of recognition against the politics of the dominant culture theory. It looks further at how equal citizenship in a democratic political system has been negotiated and compromised, and how the politics of dominant culture has caused a sense of shared ownership to be largely deficient and vague in Aceh.
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Shari´a, Citizenship, and Identity in Aceh

Shari´a, Citizenship, and Identity in Aceh

Arskal Salim; Moch. Nur Ichwan; Eka Srimulyani; Marzi Afriko

UNIVERSITY OF NOTRE DAME PRESS
2025
nidottu
Shari`a, Citizenship, and identity in Aceh presents both an ethnographic and a sociohistorical account of identity making among both the Muslim majority population and different minority groups in Aceh, Indonesia. Diverging from previous studies on majority-minority group relations in a predominantly Muslim country that tend to engage solely with one group's experiences, Shari`a, Citizenship, and Identity in Aceh argues that the majority and minority groups in Aceh, Indonesia, have interactively and mutually created conceptions of identity and recognition that have significant implications on the experience of citizenship in the region. The authors provide not only a narrative of majority-minority group encounters in a variety of issues, but also a wide-ranging account of struggles from both the Muslim majority and non-Muslim minority groups for recognition of their own identity in the public space. To what extent do minority groups feel that they belong to Aceh's communal identity, which is mostly Islamic? And what kind of citizenship is in place when minorities feel marginalized living under Aceh's Islamic rules? Shari`a, Citizenship, and Identity in Aceh debunks the concept of citizenship by way of deploying the concept of the politics of recognition against the politics of the dominant culture theory. It looks further at how equal citizenship in a democratic political system has been negotiated and compromised, and how the politics of dominant culture has caused a sense of shared ownership to be largely deficient and vague in Aceh.
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Salima

Salima

Salima Peippo; Kimmo Rantanen

Johnny Kniga
2021
sidottu
Ilman turvaverkkoa.Kiehtova tarina sirkuselämästä, hurjista tempuista ja kiertävän taiteilijan uskomattomasta arjesta.Miltä maailma näyttää, kun esiintyy kymmenen metrin korkeudessa pää alaspäin roikkuen - ja ilman turvaköyttä?Sirkustaiteilija Salima Peippo kiersi Euroopan sirkuksia lähes kaksikymmentä vuotta. Hän koki niin Monte Carlon kansainvälisen sirkusfestivaalin loiston kuin kiertävien telttasirkusten karun arjen. Oppinsa Peippo hankki Venäjän valtiollisessa sirkuskoulussa, jossa spagaatti viimeisteltiin venytyskoneella. Kansainvälisen uran luominen vaati uhrauksia henkilökohtaisessa elämässä, mutta uskomattomia käänteitä siitä ei puuttunut.Sirkustaiteilijan tunnustukset on mukaansa tempaava tarina unelmien tavoittelusta, siitä miten kenestä tahansa voi tulla mitä tahansa, jos vain uskoo itseensä ja on valmis tekemään töitä menestyksen eteen.Salima Peippo on Kuopiossa asuva sirkustaiteilija, sirkustaiteen opettaja ja kulttuurituottaja. Peippo on myös vuoden 2000 Suomen Neito ja tankourheilun Espanjan mestari. Kimmo Rantanen on pitkän linjan kulttuuritoimittaja, joka kirjoittaa muun muassa Ilta-Sanomiin ja Turun Sanomiin.
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The Changing World of a Bombay Muslim Community, 1870 - 1945

The Changing World of a Bombay Muslim Community, 1870 - 1945

Salima Tyabji

Oxford University Press
2023
sidottu
Muslims formed a disparate and unwieldy community in Bombay in the nineteenth century. The Islam that was professedly held in common by various groups could barely provide a sense of unity or cohesion to people so widely diverse in terms of language, customs, and also of forms and practices of belief. By the middle of the nineteenth century, a class of wealthy ship owners, ship-builders, and merchants, belonging to the varied communities that constituted the city, of which Muslims formed an important part, had emerged. This class was outward-looking, modern, and generally reformist in outlook: Gujarati or Maharashtrian, its goals of social reform, education, as well as political awareness, were gradually beginning to be perceived as goals held across communities, and increasingly across different regions. The questions that were being raised in the social turmoil of the period amongst Hindus were over issues of female education, the age of marriage, widow remarriage, and female seclusion. These issues were not foreign to the Muslim community; and the part played by Muslim leaders in Bombay in discussing and negotiating them was not an insignificant one, taking into account the size and relative backwardness of the community. Within this context, this book traces the evolving identity of a Bombay family and its changing social and political views in the late nineteenth and early twentieth centuries, using three main sources: their family journals, an individual memoir/journal, and letters written home from Europe.
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Hanging Fire

Hanging Fire

Salima Hashmi; Mohsin Hamid; Vishakha N. Desai

Yale University Press
2009
sidottu
Accompanying the first U.S. museum exhibition devoted to contemporary art from Pakistan, this dynamic catalogue provides a groundbreaking look at recent and current trends in Pakistani art. Hanging Fire covers a fascinating range of subjects and media, from installation and video art to sculpture, drawing, and paintings in the “contemporary miniature” tradition. Essays by distinguished contributors from a variety of fields, including Salima Hashmi, Pakistani-American sociologist and historian Ayesha Jalal, and the celebrated novelist Mohsin Hamid, place contemporary Pakistani art in a cultural, historical, and artistic perspective. The book's title, Hanging Fire, alludes to the contemporary economic, political, and social tensions--both local and global--from which these artists find their creative inspiration. It may also suggest to the viewer to delay judgment, particularly based on assumptions or preconceived notions about contemporary society and artistic expression in Pakistan today.Distributed for the Asia Society MuseumExhibition Schedule:Asia Society and Museum (9/10/09 – 1/3/10)
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Ancient Egypt

Ancient Egypt

Salima Ikram

Cambridge University Press
2009
pokkari
This book provides an introduction to one of the greatest civilizations of all time – ancient Egypt. Beginning with a geographical overview that explains the development of Egyptian belief systems as well as its subsequent political development, it examines methodology, the history of the discipline of Egyptology, religion, social organization, urban and rural life, and death. It also includes a section on how people of all ranks lived. Lavishly illustrated, with many unusual photographs of rarely seen sites that are seldom illustrated, this volume is suitable for use in introductory-level courses on ancient Egypt. It offers a variety of student-friendly features, including a glossary, a bibliography, and a list of sources for those who wish to further their interest in ancient Egypt.
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