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1000 tulosta hakusanalla Sanja Ivic

European Identity and Citizenship

European Identity and Citizenship

Sanja Ivic

Palgrave Macmillan
2016
sidottu
This book uses a theoretical and empirical approach to explore the philosophies of European citizenship and European identity. The author applies a focused analytical framework to argue that European identity and citizenship should be perceived as postmodern categories which are multi-layered, dynamic and fluid.The book offers a detailed review of political and legal studies which do not comprehend or explain postmodernist concepts of citizenship and identity. In the theoretical part of the book various philosophical models of citizenship and identity (from antiquity to the postmodern era) are portrayed, and the author's own theory and analytical framework is developed. The empirical part of the book discusses a variety of case studies illustrating how European Union policies apply to this framework.
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EU Citizenship

EU Citizenship

Sanja IVIC

Vernon Press
2019
pokkari
The modern liberal idea of citizenship is constructed by a fixed notion of identity which gains meaning through a number of binary oppositions, such as we/ they, citizen/ foreigner, self/ other and so forth. Defined by these binaries, where the first term is perceived as dominant because it is considered to be derived from reason, the fixed notion of identity inevitably produces exclusion and marginalization. Importantly, the postmodern concept of citizenship stems from a critique of these essentialist and universalist conceptions of identity. Exploring European identity and European citizenship from a philosophical perspective, this book reveals the discursive construction of these two concepts whilst at the same time attempting to define them as either modernist or postmodernist categories. Dr. Ivic takes a hermeneutic approach in her interpretation of European citizenship and identity through a close reading of European treaties and other official documents. Through her detailed analysis, Dr. Ivic is able to present the reader with well-informed and concrete examples of modern and postmodern concepts of identity within Europe. Moreover, this book explores the impact that contemporary issues such as Brexit, the migration crisis in Europe, and the proliferation of nationalist discourses, have on European citizenship and identity. Where existing research literature has failed, this book offers a dynamic and textual analysis of citizenship that takes into account the complex philosophical, legal, political and theoretical background of Europe. Dealing with issues that have not yet been sufficiently explored, 'EU Citizenship' is an important contribution to the field of philosophical analysis. Aimed at university students, this book will also provide a baseline and set of reference points for researchers and practitioners of European studies that are working with projects that look at European citizenship.
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The Concept of European Values

The Concept of European Values

Sanja Ivic

BLOOMSBURY PUBLISHING PLC
2023
sidottu
The Concept of European Values: Creating a New Narrative for Europe offers a philosophical analysis of the concept of European values from its origin to the present day. This book rethinks European values in light of the crises—economic, political, migration, identity, and pandemic—that the European Union (EU) has faced from 2008 until today and analyzes EU initiatives to create a new narrative for Europe. Sanja Ivic reexamines the concept of European values as well as the philosophical and political assumptions on which this concept is based. In times of crisis, the EU has shown a lack of solidarity. As evidenced by Brexit, the migration crisis, and the pandemic crisis, the EU is experiencing a clash of national and postnational norms and values. Ivic argues that the EU did not react in accordance with the supranational values and principles on which it is based, as stated in Article 2 of the Treaty on European Union: respect for democracy, human dignity, freedom, equality, the rule of law, and respect for human rights. Its reaction to these crises shows a turn from postnational values (which the EU advocated as a supranational political community) to nationalist paradigms.
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Eastern and Western Conceptions of Human Rights: Reaching a World Consensus

Eastern and Western Conceptions of Human Rights: Reaching a World Consensus

Sanja IVIC

BLOOMSBURY ACADEMIC
2025
sidottu
This book explores Western and non-Western conceptions of human dignity and human rights in order to demonstrate the hermeneutical nature of the concepts of human dignity and human rights, discussing examples of violations in Afghanistan, Myanmar, China, the EU, and the Western Balkans. While human rights are considered a universal framework for ensuring the dignity, rights, and freedoms of all human beings, their conceptualization and practice vary within different cultural, social, and philosophical traditions. While the Western tradition emphasizes the concept of inherent human dignity combined with an individualistic notion of autonomy and rights, in Islamic thought it is underpinned by morality and combined with duties and divine guidance, and the Confucian approach focuses on the harmony of society and relational ethics. The concepts of human dignity and human rights are contingent and dynamic categories, which means that they are open to different interpretations. Sanja Ivic also highlights the relevance of philosophical hermeneutics for legal and political studies. Drawing on the hermeneutical (interpretative) nature of human rights, this book explores different philosophical solutions to achieving a global consensus on human rights, engaging with thinkers such as Hans-Georg Gadamer, John Rawls, Charles Taylor, Gianni Vattimo, Onuma Yasuaki, and Dimitrije Mitrinovic.
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Paul Ricoeur’s Idea of Reference

Paul Ricoeur’s Idea of Reference

Sanja Ivic

BRILL
2018
nidottu
This book investigates the importance of Ricoeur’s hermeneutics and poetics in rethinking humanities. In particular, Ricoeur’s insights on reference as refiguration and his idea of interpretation as a triadic process (which consists of mimesis 1 – prefiguration, mimesis 2 – configuration, and mimesis 3 – refiguration) will be applied to philosophy of science and to literary and historical texts. It will be shown that Ricoeur’s idea of emplotment can be extended and applied to scientific, literary and historical texts. This multidisciplinary research will include philosophy of science, metaphysics, hermeneutics, and literary theory.
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Sanja Ivekovi?: Sweet Violence

Sanja Ivekovi?: Sweet Violence

Roxana Marcoci

Museum of Modern Art
2011
sidottu
Published in conjunction with the first solo museum exhibition of the work of Sanja Ivekovic in the United States, this volume presents the most comprehensive survey on the artist available in English. A feminist, activist, video and performance pioneer, Ivekovic (born Zagreb, 1949) came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings, laying the ground for a new form of practice antipodal to official art. She produced works of crosscultural resonance that range from Conceptual photomontages to video, installation and performance. This catalogue presents an overview of the artist’s projects from the early 1970s to 2010 in all mediums, offering a fascinating view of the official politics of power, gender roles, and the paradoxes inherent in a society’s collective memory. Essays by Roxana Marcoci and Terry Eagleton offer a critical examination of the neo-avantgarde in former Yugoslavia, within which Ivekovic’s work first emerged, and place her work in the context of violence in art and real-life circumstances. This publication contributes to the reevaluation of significant women artists ad a broader understanding of the discursive relationship between art, performance, political studies, and social change in the post-1960s period.
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Sanja Ivekovic

Sanja Ivekovic

Ruth Noack

Afterall Publishing
2013
sidottu
The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Ivekovic's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine passed beneath her apartment, Ivokevic began simulating masturbation on her balcony. Although she could not be seen from the street, she knew that the surveillance teams on the roofs of neighboring buildings would detect her presence. Within minutes, a policeman appeared at her door ordered her inside. Not only did Ivekovic's action expose government repression and call attention to the rights of women, it also called attention to the relationship of gender to power, and to the particular experience of political dissidence under communist rule in Eastern Europe. Triangle is considered one of Ivekovic's key works and yet, despite Ivekovic's stature as one of the leading artists of the former Yugoslavia, it has received little direct attention. With this book, Ruth Noack offers the first sustained examination of Ivekovic's widely exhibited, now canonical artwork.After a detailed analysis of the work's formal qualities, Noack considers its position in the context of artistic production and political history in socialist Yugoslavia. She looks closely at the genesis of the performance and its documentation as a work of art, and relates the making of the work and the politics of canon-making to issues pertaining to the former East-West divide. She discusses the artistic language and meaning-making in relation to conceptualism and performance and to the position of women in Tito's Yugoslavia and in society at large, and investigates the notion that Ivekovic's work of this period is participating in citizenship, shifting the focus from the artist's subversive act to her capacity to shape the terms through which we order our world.
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Sanja Ivekovic

Sanja Ivekovic

Ruth Noack

Afterall Publishing
2013
pokkari
The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Ivekovic's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine passed beneath her apartment, Ivokevic began simulating masturbation on her balcony. Although she could not be seen from the street, she knew that the surveillance teams on the roofs of neighboring buildings would detect her presence. Within minutes, a policeman appeared at her door ordered her inside. Not only did Ivekovic's action expose government repression and call attention to the rights of women, it also called attention to the relationship of gender to power, and to the particular experience of political dissidence under communist rule in Eastern Europe. Triangle is considered one of Ivekovic's key works and yet, despite Ivekovic's stature as one of the leading artists of the former Yugoslavia, it has received little direct attention. With this book, Ruth Noack offers the first sustained examination of Ivekovic's widely exhibited, now canonical artwork.After a detailed analysis of the work's formal qualities, Noack considers its position in the context of artistic production and political history in socialist Yugoslavia. She looks closely at the genesis of the performance and its documentation as a work of art, and relates the making of the work and the politics of canon-making to issues pertaining to the former East-West divide. She discusses the artistic language and meaning-making in relation to conceptualism and performance and to the position of women in Tito's Yugoslavia and in society at large, and investigates the notion that Ivekovic's work of this period is participating in citizenship, shifting the focus from the artist's subversive act to her capacity to shape the terms through which we order our world.
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Fallen Blue Knights

Fallen Blue Knights

Sanja Kutnjak Ivkovic

Oxford University Press Inc
2005
sidottu
Despite its suspected prevalence, no comprehensive analysis of police corruption has been published for nearly three decades. Fallen Blue Knights provides a systematic, in-depth analysis of the subject, while also addressing the question of what can be done to ensure successful corruption control. Ivkovic argues that the current mechanisms for control--the courts, prosecutors, independent commissions, and the media, as well as the internal control mechanisms within a police agency itself--suffer from severe shortcomings that substantially limit their effectiveness. In this much-needed analysis, Ivkovic redefines the roles of major players and develops a novel, comprehensive model of corruption control.
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Reclaiming Justice

Reclaiming Justice

Sanja Kutnjak Ivkovich; John Hagan

Oxford University Press Inc
2011
sidottu
For the first time in legal history, an indictment was filed against an acting head of state, Slobodan Milosevic, for crimes that Milosevic allegedly committed while he was in office. Seeking to change the concept of ethnic cleansing from a rationalizing euphemism to an incriminating metaphor, the International Criminal Tribunal for the Former Yugoslavia (ICTY) set precedents and expanded the boundaries of international criminal and humanitarian law. In Reclaiming Justice, Sanja Kutnjak Ivkovich and John Hagan add to prior literature about the ICTY by providing a comprehensive view of how people from Bosnia and Herzegovina, Croatia, Kosovo, and Serbia view and evaluate the ICTY. Kutnjak Ivkovich and Hagan ask crucial questions about international justice in a systematic and comprehensive manner, looking into the ICTY's legality and judicial independence, as well as specific issues of substantive and procedural justice and collective and individual responsibility. Kutnjak Ivkovich and Hagan provide an in-depth analysis of perceptions about the ICTY, the subsequent work of its local courts, and decisions reached by the local courts. They also examine the relationship between the views of the ICTY and ethnicity, a particularly relevant notion because the war was fought largely along ethnic lines.
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Oxford Case Histories in Geriatric Medicine

Oxford Case Histories in Geriatric Medicine

Sanja Thompson; Nicola Lovett; John Grimley Evans; Sarah Pendlebury

Oxford University Press
2015
nidottu
Based around the core curriculum for specialist trainees and consultants, Oxford Case Histories in Geriatric Medicine is a valuable reference and teaching tool, which provides an opportunity for case-based learning across a rapidly growing field. This book uses well-structured and concise cases from the Oxford hospitals. Each case has associated questions on the differential diagnosis and aspects of management providing interactive learning material. Cases were chosen to illustrate specific issues of particular relevance to geratology, emphasizing the unusual or occult presentation of disease, the presence of multiple interacting pathologies, possibility for rapid deterioration, high incidence of complications of treatment, including adverse drug reactions and a need at times for difficult clinical decisions. Part of the Oxford Case Histories series, this book will be valuable reading for postgraduate trainees and consultants, and will be an essential resource for those preparing for exit examinations and revalidation. It is also the ideal tool for those who wish to improve their skills in diagnosis and management of a broad range of geriatric disorders.
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Modernism and Melancholia

Modernism and Melancholia

Sanja Bahun

Oxford University Press Inc
2013
sidottu
The malaise of melancholia has a long tradition in literature, theory, and the visual arts, from Dürer's famous sixteenth-century engraving (Melencolia I) and Milton's "Il Penseroso," to Walter Benjamin's Arcades and Lars Von Triers' recent film Melancholia. Sanja Bahun's monograph uses the mental condition as a jumping-off point to advance new approaches to modernist novelists from around Russia, the Czech Republic, and Britain. Informed by the writings of Freud, Klein, Judith Butler, and others, Bahun argues that formal explorations by modernist authors are best interpreted as narratives of historical melancholia. Specifically, Modernism and Melancholia shows how a range of novels from 1913 to 1941 perform melancholia in their diction, images, metaphors, syntax, and experimental narrative techniques. Drawing on the narrative theorist, Bakhtin, Bahun applies the term chronotope to link all these formal characteristics to a historical moment bounded by two world wars, the loss of stable identities, and the rise of racism and totalitarianism. Melancholic symptoms, once they become performative, create a modernist relationship to history that becomes both passionately engaged and curiously withdrawn. The three core novels at the heart of the study are Andrei Bely's Petersburg, Franz Kafka's The Castle, and Virginia Woolf's Between the Acts. Modernism and Melancholia adds an important transnational perspective to modernist studies and comparative literature more broadly.
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Architecture and the Image at the Turn of the 21st Century

Architecture and the Image at the Turn of the 21st Century

Sanja Rodeš

TAYLOR FRANCIS LTD
2024
sidottu
This book examines architecture, image, and media relationships as productive for architecture and architectural discourses. By arguing that the relationships between architecture and media cannot be dismissed via linear criticism of architecture and media or image, these relations are instead seen as a part of a sphere (a mediasphere) of complex relationships. In lieu of anything like a consensus on the contemporary condition of architecture (referring to the late twentieth and the twenty-first centuries), the starting point of this book is that the relationships between architecture, media, and images continue to multiply, owing to continuous technological advancements.Contemporary architecture considered in this book is related to the selected circumstances of high visibility, where architectural images are propelled into visibility and conflated with non-architectural images. This takes architecture outside of architectural-only discourse and into the public realm. By granting higher visibility to both the architectural images and architecture in the public realm, architecture can also be influenced by the various perceptions of the general public and can enter public consciousness via non-architectural media. With increased visibility, architecture’s far-reaching presence calls for more structured analysis of its nature and potential. As the analysed architecture in this book is associated with the discourses outside of architecture (some of which relate to terrorism, natural disaster, and branding and consumption), the limits of contemporary architectural discipline are questioned and extended.This book is written for academics and students in architectural history, theory, and criticism, particularly those interested in visual and media studies.
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Crime and Punishment in the Future Internet

Crime and Punishment in the Future Internet

Sanja Milivojevic

Routledge
2021
sidottu
Crime and Punishment in the Future Internet is an examination of the development and impact of digital frontier technologies (DFTs) such as Artificial Intelligence, the Internet of things, autonomous mobile robots, and blockchain on offending, crime control, the criminal justice system, and the discipline of criminology. It poses criminological, legal, ethical, and policy questions linked to such development and anticipates the impact of DFTs on crime and offending. It forestalls their wide-ranging consequences, including the proliferation of new types of vulnerability, policing and other mechanisms of social control, and the threat of pervasive and intrusive surveillance.Two key concerns lie at the heart of this volume. First, the book investigates the origins and development of emerging DFTs and their interactions with criminal behaviour, crime prevention, victimisation, and crime control. It also investigates the future advances and likely impact of such processes on a range of social actors: citizens, non-citizens, offenders, victims of crime, judiciary and law enforcement, media, NGOs. This book does not adopt technological determinism that suggests technology alone drives social development. Yet, while it is impossible to know where the emerging technologies are taking us, there is no doubt that DFTs will shape the way we engage with and experience criminal behaviour in the twenty-first century. As such, this book starts the conversation about a range of essential topics that this expansion brings to social sciences, and begins to decipher challenges we will be facing in the future.An accessible and compelling read, this book will appeal to those engaged with criminology, sociology, politics, policymaking, and all those interested in the impact of DFTs on the criminal justice system.
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Crime and Punishment in the Future Internet

Crime and Punishment in the Future Internet

Sanja Milivojevic

Routledge
2021
nidottu
Crime and Punishment in the Future Internet is an examination of the development and impact of digital frontier technologies (DFTs) such as Artificial Intelligence, the Internet of things, autonomous mobile robots, and blockchain on offending, crime control, the criminal justice system, and the discipline of criminology. It poses criminological, legal, ethical, and policy questions linked to such development and anticipates the impact of DFTs on crime and offending. It forestalls their wide-ranging consequences, including the proliferation of new types of vulnerability, policing and other mechanisms of social control, and the threat of pervasive and intrusive surveillance.Two key concerns lie at the heart of this volume. First, the book investigates the origins and development of emerging DFTs and their interactions with criminal behaviour, crime prevention, victimisation, and crime control. It also investigates the future advances and likely impact of such processes on a range of social actors: citizens, non-citizens, offenders, victims of crime, judiciary and law enforcement, media, NGOs. This book does not adopt technological determinism that suggests technology alone drives social development. Yet, while it is impossible to know where the emerging technologies are taking us, there is no doubt that DFTs will shape the way we engage with and experience criminal behaviour in the twenty-first century. As such, this book starts the conversation about a range of essential topics that this expansion brings to social sciences, and begins to decipher challenges we will be facing in the future.An accessible and compelling read, this book will appeal to those engaged with criminology, sociology, politics, policymaking, and all those interested in the impact of DFTs on the criminal justice system.
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Police Integrity in South Africa

Police Integrity in South Africa

Sanja Kutnjak Ivkovich; Adri Sauerman; Andrew Faull; Michael E. Meyer; Gareth Newham

Routledge
2021
nidottu
Policing in South Africa has gained notoriety through its extensive history of oppressive law enforcement. In 1994, as the country’s apartheid system was replaced with a democratic order, the new government faced the significant challenge of transforming the South African police force into a democratic police agency—the South African Police Service (SAPS)—that would provide unbiased policing to all the country’s people. More than two decades since the initiation of the reforms, it appears that the SAPS has rapidly developed a reputation as a police agency beset by challenges to its integrity.This book offers a unique perspective by providing in-depth analyses of police integrity in South Africa. It is a case study that systematically and empirically explores the contours of police integrity in a young democracy. Using the organizational theory of police integrity, the book analyzes the complex set of historical, legal, political, social, and economic circumstances shaping police integrity. A discussion of the theoretical framework is accompanied by the results of a nationwide survey of nearly 900 SAPS officers, probing their familiarity with official rules, their expectations of discipline within the SAPS, and their willingness to report misconduct. The book also examines the influence of the respondents’ race, gender, and supervisory status on police integrity. Written in a clear and direct style, this book will appeal to students and scholars of criminology, policing, sociology, political science, as well as to police administrators interested in expanding their knowledge about police integrity and enhancing it in their organizations.
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