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1000 tulosta hakusanalla Sanja Panea

Pferdepsychologie: Was du wissen musst, um mich zu verstehen

Pferdepsychologie: Was du wissen musst, um mich zu verstehen

Sanja Panea

tredition GmbH
2020
nidottu
In diesem Buch wirst Du die Geheimnisse f r Sicherheit, Vertrauen und Freundschaft zwischen Mensch und Pferd erfahren. Hier wirst Du tiefen Zugang zu seiner Seele bekommen und Du wirst lernen, die Signale des Pferdes zu deuten. Dieses Buch hat nichts mit Reiten zu tun - es ist viel mehr als das. Hier geht es um das Fluchttier Pferd, wir tauchen tief in die Pferdepsychologie ein. Um die Psychologie des Pferdes zu verstehen, musst Du zuerst die Perspektive seines berlebens verstehen, denn fast jede Reaktion basiert auf dem berleben wollen. In jedem wilden Pferd steckt ein sanftes und in jedem sanften Pferd steckt ein wildes. Das darfst Du niemals vergessen. Du kannst nicht Jahrmillionen nat rlicher Programmierung ver ndern. Pferde denken nicht wie Menschen, deswegen haben auch so viele Menschen Probleme mit ihren Pferden. Um mit dem Pferd zurechtzukommen, musst Du lernen, zu denken wie ein Pferd, und anfangen, die Dinge mit seinen Augen zu betrachten. Pferde benutzen die nonverbale Kommunikation, die K rpersprache - in diesem Buch lernst Du sie kennen, au erdem die vier Charaktertypen der Pferde. Du wirst in der Lage sein, eine Analyse f r Dein Pferd zu erstellen und lernen, wie Du Dich in unterschiedlichen Situationen idealerweise pferdegerecht zu verhalten hast. Mit diesem Wissen wirst Du im t glichen Umgang mit Deinem Pferd mehr Selbstsicherheit aufbauen k nnen. Ich habe dieses Buch geschrieben, um Menschen dabei zu helfen, die Reaktionen ihres Pferdes besser zu verstehen. Durch Missverst ndnisse in der Kommunikation kann es zu fatalen Folgen kommen, zu Verletzungen, Aggression, Wut und Frust. Um das zu vermeiden, sollten Pferdehalter sich mit der Psychologie der Pferde besch ftigen, denn wenn man die verstanden hat, dann macht es auch beiden Seiten Spa , zusammen zu sein und miteinander zu arbeiten.
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Pferdepsychologie: Was du wissen musst, um mich zu verstehen

Pferdepsychologie: Was du wissen musst, um mich zu verstehen

Sanja Panea

tredition GmbH
2020
sidottu
In diesem Buch wirst Du die Geheimnisse f r Sicherheit, Vertrauen und Freundschaft zwischen Mensch und Pferd erfahren. Hier wirst Du tiefen Zugang zu seiner Seele bekommen und Du wirst lernen, die Signale des Pferdes zu deuten. Dieses Buch hat nichts mit Reiten zu tun - es ist viel mehr als das. Hier geht es um das Fluchttier Pferd, wir tauchen tief in die Pferdepsychologie ein. Um die Psychologie des Pferdes zu verstehen, musst Du zuerst die Perspektive seines berlebens verstehen, denn fast jede Reaktion basiert auf dem berleben wollen. In jedem wilden Pferd steckt ein sanftes und in jedem sanften Pferd steckt ein wildes. Das darfst Du niemals vergessen. Du kannst nicht Jahrmillionen nat rlicher Programmierung ver ndern. Pferde denken nicht wie Menschen, deswegen haben auch so viele Menschen Probleme mit ihren Pferden. Um mit dem Pferd zurechtzukommen, musst Du lernen, zu denken wie ein Pferd, und anfangen, die Dinge mit seinen Augen zu betrachten. Pferde benutzen die nonverbale Kommunikation, die K rpersprache - in diesem Buch lernst Du sie kennen, au erdem die vier Charaktertypen der Pferde. Du wirst in der Lage sein, eine Analyse f r Dein Pferd zu erstellen und lernen, wie Du Dich in unterschiedlichen Situationen idealerweise pferdegerecht zu verhalten hast. Mit diesem Wissen wirst Du im t glichen Umgang mit Deinem Pferd mehr Selbstsicherheit aufbauen k nnen. Ich habe dieses Buch geschrieben, um Menschen dabei zu helfen, die Reaktionen ihres Pferdes besser zu verstehen. Durch Missverst ndnisse in der Kommunikation kann es zu fatalen Folgen kommen, zu Verletzungen, Aggression, Wut und Frust. Um das zu vermeiden, sollten Pferdehalter sich mit der Psychologie der Pferde besch ftigen, denn wenn man die verstanden hat, dann macht es auch beiden Seiten Spa , zusammen zu sein und miteinander zu arbeiten.
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Sanja Ivekovi?: Sweet Violence

Sanja Ivekovi?: Sweet Violence

Roxana Marcoci

Museum of Modern Art
2011
sidottu
Published in conjunction with the first solo museum exhibition of the work of Sanja Ivekovic in the United States, this volume presents the most comprehensive survey on the artist available in English. A feminist, activist, video and performance pioneer, Ivekovic (born Zagreb, 1949) came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings, laying the ground for a new form of practice antipodal to official art. She produced works of crosscultural resonance that range from Conceptual photomontages to video, installation and performance. This catalogue presents an overview of the artist’s projects from the early 1970s to 2010 in all mediums, offering a fascinating view of the official politics of power, gender roles, and the paradoxes inherent in a society’s collective memory. Essays by Roxana Marcoci and Terry Eagleton offer a critical examination of the neo-avantgarde in former Yugoslavia, within which Ivekovic’s work first emerged, and place her work in the context of violence in art and real-life circumstances. This publication contributes to the reevaluation of significant women artists ad a broader understanding of the discursive relationship between art, performance, political studies, and social change in the post-1960s period.
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Sanja Ivekovic

Sanja Ivekovic

Ruth Noack

Afterall Publishing
2013
sidottu
The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Ivekovic's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine passed beneath her apartment, Ivokevic began simulating masturbation on her balcony. Although she could not be seen from the street, she knew that the surveillance teams on the roofs of neighboring buildings would detect her presence. Within minutes, a policeman appeared at her door ordered her inside. Not only did Ivekovic's action expose government repression and call attention to the rights of women, it also called attention to the relationship of gender to power, and to the particular experience of political dissidence under communist rule in Eastern Europe. Triangle is considered one of Ivekovic's key works and yet, despite Ivekovic's stature as one of the leading artists of the former Yugoslavia, it has received little direct attention. With this book, Ruth Noack offers the first sustained examination of Ivekovic's widely exhibited, now canonical artwork.After a detailed analysis of the work's formal qualities, Noack considers its position in the context of artistic production and political history in socialist Yugoslavia. She looks closely at the genesis of the performance and its documentation as a work of art, and relates the making of the work and the politics of canon-making to issues pertaining to the former East-West divide. She discusses the artistic language and meaning-making in relation to conceptualism and performance and to the position of women in Tito's Yugoslavia and in society at large, and investigates the notion that Ivekovic's work of this period is participating in citizenship, shifting the focus from the artist's subversive act to her capacity to shape the terms through which we order our world.
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Sanja Ivekovic

Sanja Ivekovic

Ruth Noack

Afterall Publishing
2013
pokkari
The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Ivekovic's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine passed beneath her apartment, Ivokevic began simulating masturbation on her balcony. Although she could not be seen from the street, she knew that the surveillance teams on the roofs of neighboring buildings would detect her presence. Within minutes, a policeman appeared at her door ordered her inside. Not only did Ivekovic's action expose government repression and call attention to the rights of women, it also called attention to the relationship of gender to power, and to the particular experience of political dissidence under communist rule in Eastern Europe. Triangle is considered one of Ivekovic's key works and yet, despite Ivekovic's stature as one of the leading artists of the former Yugoslavia, it has received little direct attention. With this book, Ruth Noack offers the first sustained examination of Ivekovic's widely exhibited, now canonical artwork.After a detailed analysis of the work's formal qualities, Noack considers its position in the context of artistic production and political history in socialist Yugoslavia. She looks closely at the genesis of the performance and its documentation as a work of art, and relates the making of the work and the politics of canon-making to issues pertaining to the former East-West divide. She discusses the artistic language and meaning-making in relation to conceptualism and performance and to the position of women in Tito's Yugoslavia and in society at large, and investigates the notion that Ivekovic's work of this period is participating in citizenship, shifting the focus from the artist's subversive act to her capacity to shape the terms through which we order our world.
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Fallen Blue Knights

Fallen Blue Knights

Sanja Kutnjak Ivkovic

Oxford University Press Inc
2005
sidottu
Despite its suspected prevalence, no comprehensive analysis of police corruption has been published for nearly three decades. Fallen Blue Knights provides a systematic, in-depth analysis of the subject, while also addressing the question of what can be done to ensure successful corruption control. Ivkovic argues that the current mechanisms for control--the courts, prosecutors, independent commissions, and the media, as well as the internal control mechanisms within a police agency itself--suffer from severe shortcomings that substantially limit their effectiveness. In this much-needed analysis, Ivkovic redefines the roles of major players and develops a novel, comprehensive model of corruption control.
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Reclaiming Justice

Reclaiming Justice

Sanja Kutnjak Ivkovich; John Hagan

Oxford University Press Inc
2011
sidottu
For the first time in legal history, an indictment was filed against an acting head of state, Slobodan Milosevic, for crimes that Milosevic allegedly committed while he was in office. Seeking to change the concept of ethnic cleansing from a rationalizing euphemism to an incriminating metaphor, the International Criminal Tribunal for the Former Yugoslavia (ICTY) set precedents and expanded the boundaries of international criminal and humanitarian law. In Reclaiming Justice, Sanja Kutnjak Ivkovich and John Hagan add to prior literature about the ICTY by providing a comprehensive view of how people from Bosnia and Herzegovina, Croatia, Kosovo, and Serbia view and evaluate the ICTY. Kutnjak Ivkovich and Hagan ask crucial questions about international justice in a systematic and comprehensive manner, looking into the ICTY's legality and judicial independence, as well as specific issues of substantive and procedural justice and collective and individual responsibility. Kutnjak Ivkovich and Hagan provide an in-depth analysis of perceptions about the ICTY, the subsequent work of its local courts, and decisions reached by the local courts. They also examine the relationship between the views of the ICTY and ethnicity, a particularly relevant notion because the war was fought largely along ethnic lines.
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Oxford Case Histories in Geriatric Medicine

Oxford Case Histories in Geriatric Medicine

Sanja Thompson; Nicola Lovett; John Grimley Evans; Sarah Pendlebury

Oxford University Press
2015
nidottu
Based around the core curriculum for specialist trainees and consultants, Oxford Case Histories in Geriatric Medicine is a valuable reference and teaching tool, which provides an opportunity for case-based learning across a rapidly growing field. This book uses well-structured and concise cases from the Oxford hospitals. Each case has associated questions on the differential diagnosis and aspects of management providing interactive learning material. Cases were chosen to illustrate specific issues of particular relevance to geratology, emphasizing the unusual or occult presentation of disease, the presence of multiple interacting pathologies, possibility for rapid deterioration, high incidence of complications of treatment, including adverse drug reactions and a need at times for difficult clinical decisions. Part of the Oxford Case Histories series, this book will be valuable reading for postgraduate trainees and consultants, and will be an essential resource for those preparing for exit examinations and revalidation. It is also the ideal tool for those who wish to improve their skills in diagnosis and management of a broad range of geriatric disorders.
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Modernism and Melancholia

Modernism and Melancholia

Sanja Bahun

Oxford University Press Inc
2013
sidottu
The malaise of melancholia has a long tradition in literature, theory, and the visual arts, from Dürer's famous sixteenth-century engraving (Melencolia I) and Milton's "Il Penseroso," to Walter Benjamin's Arcades and Lars Von Triers' recent film Melancholia. Sanja Bahun's monograph uses the mental condition as a jumping-off point to advance new approaches to modernist novelists from around Russia, the Czech Republic, and Britain. Informed by the writings of Freud, Klein, Judith Butler, and others, Bahun argues that formal explorations by modernist authors are best interpreted as narratives of historical melancholia. Specifically, Modernism and Melancholia shows how a range of novels from 1913 to 1941 perform melancholia in their diction, images, metaphors, syntax, and experimental narrative techniques. Drawing on the narrative theorist, Bakhtin, Bahun applies the term chronotope to link all these formal characteristics to a historical moment bounded by two world wars, the loss of stable identities, and the rise of racism and totalitarianism. Melancholic symptoms, once they become performative, create a modernist relationship to history that becomes both passionately engaged and curiously withdrawn. The three core novels at the heart of the study are Andrei Bely's Petersburg, Franz Kafka's The Castle, and Virginia Woolf's Between the Acts. Modernism and Melancholia adds an important transnational perspective to modernist studies and comparative literature more broadly.
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Architecture and the Image at the Turn of the 21st Century

Architecture and the Image at the Turn of the 21st Century

Sanja Rodeš

TAYLOR FRANCIS LTD
2024
sidottu
This book examines architecture, image, and media relationships as productive for architecture and architectural discourses. By arguing that the relationships between architecture and media cannot be dismissed via linear criticism of architecture and media or image, these relations are instead seen as a part of a sphere (a mediasphere) of complex relationships. In lieu of anything like a consensus on the contemporary condition of architecture (referring to the late twentieth and the twenty-first centuries), the starting point of this book is that the relationships between architecture, media, and images continue to multiply, owing to continuous technological advancements.Contemporary architecture considered in this book is related to the selected circumstances of high visibility, where architectural images are propelled into visibility and conflated with non-architectural images. This takes architecture outside of architectural-only discourse and into the public realm. By granting higher visibility to both the architectural images and architecture in the public realm, architecture can also be influenced by the various perceptions of the general public and can enter public consciousness via non-architectural media. With increased visibility, architecture’s far-reaching presence calls for more structured analysis of its nature and potential. As the analysed architecture in this book is associated with the discourses outside of architecture (some of which relate to terrorism, natural disaster, and branding and consumption), the limits of contemporary architectural discipline are questioned and extended.This book is written for academics and students in architectural history, theory, and criticism, particularly those interested in visual and media studies.
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