The first book to present Edith Stein specifically as a spiritual author, this volume contains selections of her works in a wide range of genres and reveals a wide range of spiritual concerns. †
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1000 tulosta hakusanalla Sarah Borden Sharkey
Edith Stein was one of the important early phenomenologists. A German-Jewish philosopher, Discalced Carmelite nun, martyr, and saint who died in Auschwitz, Stein participated in the early 20th century revival of scholasticism and was much admired by John Paul II. ""Thine Own Self"" focuses on Stein's later writings and in particular her magnum opus, ""Finite and Eternal Being"". Although completed in 1936, Stein's book was not published at the time because of the new laws against non-Aryan publications, and the work sat completed but unread until after World War II. The recent availability of this book in English makes a substantive scholarly analysis of this major text particularly timely. ""Thine Own Self"" investigates Stein's account of human individuality and her mature philosophical positions on being and essence. Sarah Borden Sharkey shows how Stein's account of individual form adapts the Aristotelian-Thomistic tradition in order to account for evolution and more contemporary insights in personality and individual distinctiveness. Borden Sharkey explains how Stein's theory of individuality and individual forms is tied to her understanding of essence and being, and she compares Stein's distinctive metaphysical positions to those of Thomas Aquinas, John Duns Scotus, and Edmund Husserl. In addition to expositing Stein's metaphysical positions, Borden Sharkey argues that, although Stein's account of individual forms is both more contemporary and more adequate than John Duns Scotus' haecceitas, it is nonetheless problematic. The book concludes by defending a more Aristotelian-Thomistic understanding of form - albeit one that must be re articulated in light of contemporary and Steinian critiques.
There are few topics more central to philosophical discussions than the meaning of being, and few thinkers offering a more compelling and original vision of that meaning than Edith Stein (1891–1942). Stein’s magnum opus, drawing from her decades working with the early phenomenologists and intense years as a student and translator of medieval texts, lays out a grand vision, bringing together phenomenological and Scholastic insights into an integrated whole. The sheer scope of Stein’s project in Finite and Eternal Being is daunting, and the text can be challenging to navigate. In this book, Sarah Borden Sharkey provides a guide to Stein’s great final philosophical work and intellectual vision. The opening essays give an overview of Stein’s method and argument and place Finite and Eternal Being both within its historical context and in relation to contemporary discussions. The author also provides clear, detailed summaries of each section of Stein’s opus, drawing from the latest scholarship on Stein’s manuscript. Edith Stein’s Finite and Eternal Being: A Companion offers a unique guide, opening up Stein’s grand cathedral-like vision of the meaning of being as the unfolding of meaning.
This book articulates the theoretical outlines of a feminism developed from Aristotle’s metaphysics, making a new contribution to feminist theory. Readers will discover why Aristotle was not a feminist and how he might have become one, through an investigation of Aristotle and Aristotelian tradition. The author shows how Aristotle’s metaphysics can be used to articulate a particularly subtle and theoretically powerful understanding of gender that may offer a highly useful tool for distinctively feminist arguments.This work builds on Martha Nussbaum’s ‘capabilities approach’ in a more explicitly and thoroughly hylomorphist way. The author shows how Aristotle’s hylomorphic model, developed to run between the extremes of Platonic dualism and Democritean atomism, can similarly be used today to articulate a view of gender that takes bodily differences seriously without reducing gender to biological determinations.Although written for theorists, this scholarly yet accessiblebook can be used to address more practical issues and the final chapter explores women in universities as one example. This book will appeal to both feminists with limited familiarity with Aristotle’s philosophy, and scholars of Aristotle with limited familiarity with feminism.
This book articulates the theoretical outlines of a feminism developed from Aristotle’s metaphysics, making a new contribution to feminist theory. Readers will discover why Aristotle was not a feminist and how he might have become one, through an investigation of Aristotle and Aristotelian tradition. The author shows how Aristotle’s metaphysics can be used to articulate a particularly subtle and theoretically powerful understanding of gender that may offer a highly useful tool for distinctively feminist arguments.This work builds on Martha Nussbaum’s ‘capabilities approach’ in a more explicitly and thoroughly hylomorphist way. The author shows how Aristotle’s hylomorphic model, developed to run between the extremes of Platonic dualism and Democritean atomism, can similarly be used today to articulate a view of gender that takes bodily differences seriously without reducing gender to biological determinations.Although written for theorists, this scholarly yet accessiblebook can be used to address more practical issues and the final chapter explores women in universities as one example. This book will appeal to both feminists with limited familiarity with Aristotle’s philosophy, and scholars of Aristotle with limited familiarity with feminism.
Edith Stein was beatified in 1987 and canonized in 1998 but is still relatively unknown in the English-speaking world. She provides an example of a Christian thinker deeply engaged in the debates of her own day, and her work offers models and insights for addressing the questions of the 21st century. Sarah Borden presents an overview of St Edith Stein's life and thought, beginning with a biographical chapter and then covering the major areas in which she wrote. These include her early work in phenomenology, her political writings, her studies on women and women's education, as well her later turn to medieval metaphysics, and spiritual and religious texts. The final chapter covers the controversies surrounding Stein's beatification and canonization. Arranged by topic and proceeding largely in chronological order, the book is accessible and aimed at a general audience, although the material is presented in such a way as to be useful to specialists.
When Kate and Colin meet at a party in Manhattan their connection is electric. They marry quickly, moving to the suburbs, and in the light of day they seem like any young couple, but the games they play after dark are far from routine.
This is a non-fiction book that consists of fourteen chapters, each of which is an interview with women dramatists from a different part of the world. Featured in these chapters: Dah Teatar: Belgrade, Serbia; ASHTAR Theatre: Palestine; VOICETheatre: Paris and New York; ISÔKO Theatre: Rwanda; Teatro PASMI: Chile; Sina Chhon: Cambodia; Catharsis: Lebanon; AHRDO Theatre: Afghanistan; Simorgh Film & Theatre: Afghanistan; Dalia Basiouny: Egypt; Ajoka Theatre: Pakistan; Rafiki Theatre: Uganda; The River and the Mountain: Uganda; FAVILEK and the Bond Street Theatre: Haiti and New York. The Stage Warriors are women from around the world who use theater to talk about war, politics, crime, abuse, and violence in nations where these subjects are taboo. The interviews in this book explain how these women came to use theater to enact change, who they help, and the importance of their work. Beyond the boundaries of poverty, religion, and intolerance, these women use theater to broaden citizen participation, bring focus and energy, and reshape national identity. Through the shows and workshops they create, the Warriors are finding ways to help the disenfranchised exert power in education, politics, the economy, and the home. The Stage Warriors have faced stiff resistance. Some have seen their offices consumed in flames. Others have found their cars destroyed. Still others have been physically assaulted. Yet nothing stops these women from making a space where their voices can be heard. These theater practitioners display the resourcefulness, strength, and promise that characterise women across the globe who are steadily bringing stability and justice to conflicted regions.
With murder, court battles, and sensational newspaper headlines, the story of Lizzie Borden is compulsively readable and perfect for the Common Core. Lizzie Borden took an axe, gave her mother forty whacks. When she saw what she had done, she gave her father forty-one. In a compelling, linear narrative, Miller takes readers along as she investigates a brutal crime: the August 4, 1892, murders of wealthy and prominent Andrew and Abby Borden. The accused? Mild-mannered and highly respected Lizzie Borden, daughter of Andrew and stepdaughter of Abby. Most of what is known about Lizzie's arrest and subsequent trial (and acquittal) comes from sensationalized newspaper reports; as Miller sorts fact from fiction, and as a legal battle gets underway, a gripping portrait of a woman and a town emerges. With inserts featuring period photos and newspaper clippings--and, yes, images from the murder scene--readers will devour this nonfiction book that reads like fiction. A School Library Journal Best Best Book of the Year "Sure to be a hit with true crime fans everywhere." --School Library Journal, Starred
Writing Sin in the German Lands, 1050–1215 is about how sin and atonement function as an impetus for textual production and formal, linguistic, and intellectual creativity. It focuses on the late eleventh and twelfth centuries, a time in which various social and cultural conditions came together to provoke both an interest in sin and an opportunity for writing experimentally about it, and its area of enquiry is the German-speaking world. Working with a remarkably rich body of German-language texts, this book allows us not only to grasp with greater clarity aspects of medieval penitential thought and practice, but it also offers new ways of thinking about the development of German as a literary language. The book joins bodies of work on the history of penance and on devotional writing in the European vernaculars, and through the interconnection of these two fields of study, it offers a new perspective on questions that currently occupy scholars of the Middle Ages: the medieval conception of the self in relation to other and to God; the value and function of vernacular writing; the nature of textuality; and the relationship between writing, speech, material text, and performance. In five chapters that deal with a wide range of texts, many of which have had little scholarly attention, this volume shows that the long twelfth century was not only a period in which there was a particular interest in exploring aspects of the theology and practice of penance, but also, significantly, a time in which a fundamental connection can be seen between thinking about sin and creative literary production.
Bridal-Quest Epics in Medieval Germany. A Revisionary Approach
Sarah Bowden
Modern Humanities Research Association
2012
sidottu
K nig Rother, Salman und Morolf, the M nchner Oswald and Grauer Rock (otherwise known as Orendel) have had a troubled position in the literary history of medieval Germany. Forced into a normative generic framework as either 'Minstrel Epic' (Spielmannsepik) or 'Bridal-quest Epic' (Brautwerbungsepik), these texts have been viewed conventionally according to an essentially teleological classification or a schematic ideal. Bowden challenges the premises of such a view with a detailed history of the textual scholarship, and revaluates these so called 'Bridal quests' on their own terms, offering detailed and suggestive readings of each work without the distortions or limitations inherent in the traditional interpretative model. Sarah Bowden is Powys Roberts Research Fellow at St Hugh's College, Oxford.
Bridal-Quest Epics in Medieval Germany
Sarah Bowden
Modern Humanities Research Association
2012
pokkari
From the award-winning author of Burntcoat and The Electric Michelangelo, one of the most decorated young British writers working today, comes a literary masterpiece: a breathtaking work that beautifully and provocatively surveys the frontiers of the human spirit and our animal drives.For almost a decade, zoologist Rachel Caine has lived a solitary existence far from her estranged family in England, monitoring wolves in a remote section of Idaho as part of a wildlife recovery program. But a surprising phone call takes her back to the peat and wet light of the Lake District where she grew up. The eccentric Earl of Annerdale has a controversial scheme to reintroduce the Grey Wolf to the English countryside, and he wants Rachel to spearhead the project. Though she's skeptical, the earl's lands are close to the village where she grew up, and where her aging mother now lives.While the earl's plan harks back to an ancient idyll of untamed British wilderness, Rachel must contend with modern-day realities--health and safety issues, public anger and fear, cynical political interests. But the return of the Grey unexpectedly sparks her own regeneration.Exploring the fundamental nature of wilderness and wildness, The Wolf Border illuminates both our animal nature and humanity: sex, love, conflict, and the desire to find answers to the question of our existence--the emotions, desires, and needs that rule our lives.
'One of the finest writers at work today.' Damon Galgut'A writer of show-stopping genius.' Guardian 'So vivid, so visceral, so vital.' Val McDermidFor almost a decade Rachel Caine has turned her back on home and worked in Idaho at a reservation for wolves. As one of the few experts in her field she is summoned back to England by the eccentric Earl of Annerdale to help with his plan for re-wilding wolves on his estate in the Lake District. As Rachel attempts a gradual reconciliation with her estranged family, her work with the Earl begins to generate public outrage and the threat of sabotage. Set against a backdrop of Scottish independence and tumultuous power struggles both locally and nationally, The Wolf Border is a novel steeped in wilderness and wildness, both animal and human.
Bear Your Burden: A Bear Shifter Romance
Sarah Knight
Createspace Independent Publishing Platform
2017
nidottu
Experimentieren mit Böden. Unterrichtsbesuch Erdkunde, Klasse 6 Hauptschule
Sarah Swienty
GRIN Verlag
2018
nidottu
Sarah Rector was once famously hailed as “the richest black girl in America.” Set against the backdrop of American history, her tale encompasses the creation of Indian Territory, the making of Oklahoma, and the establishment of black towns and oil-rich boomtowns.Rector acquired her fortune at the age of eleven. This is both her story and that of children just like her: one filled with ups and downs amid bizarre goings-on and crimes perpetrated by greedy and corrupt adults. From a trove of primary documents, including court and census records and interviews with family members, author Tonya Bolden painstakingly pieces together the events of Sarah’s life and the lives of those around her.The book includes a glossary, a bibliography, and an index.Praise for Searching for Sarah RectorSTARRED REVIEWS"This handsome volume with its many photographs is carefully sourced and has a helpful glossary, illustration credits and index. Bolden admirably tells a complex story while modeling outstanding research strategy, as her insightful author’s note attests."--Kirkus Reviews, starred review"This book will be extremely useful to teachers and librarians seeking material to align with Common Core State Standards dealing with the craft of writing of informational text."--School Library Journal, starred review "Bolden’s remarks on tracking down Sarah’s story will appeal to those who enjoy untangling historical mysteries."--The Bulletin of the Center for Children's Books