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1000 tulosta hakusanalla Sfernando Carmona
Construyendo una cultura emprendedora desde el modelamiento estratégico
Dougglas Hurtado Carmona; Fernando Suárez Galvis; Jorge Vengoechea Orozco
Lulu.com
2017
pokkari
Building an entrepreneurial culture from the strategic modeling
Dougglas Hurtado Carmona; Fernando Suarez Galvis; Jorge Vengoechea Orozco
Lulu.com
2022
pokkari
Building a culture of entrepreneurship from strategic modeling, contributes to directing efforts in the selected path, guaranteeing results in the short and medium term. This statement is based on the implications of the term, since, when speaking of strategic modeling, it necessarily refers to the exercise carried out by business organizations or not, in order to define both the strategies and the tactical actions required to develop in a manner effective management to be carried out. Therefore, it is essential to specify the model and prioritize the strategies with the aim of achieving greater viability at the time of reaching the proposed goals. In this sense, the initiatives that some university institutions have taken with the development of an entrepreneurial culture, even when it has not given the expected results, due to ignorance or little use, are of vital importance for the public university institutions of the municipality of Soledad Atl ntico, organizations that have expressed interest in the continuous improvement and quality of all their processes.
Construcción de prototipos para validar ideas de negocio
Andres Fernando Cuellar Cardona
Editorial Academica Espanola
2018
pokkari
Dibujar es una de las formas de aprender, dise ar es de vital importancia en cualquier proceso que implique una posterior construcci n, de all el valor de los bocetos. Las diferentes t cnicas de prototipar software, no s lo permiten orientar en el dise o y apariencia de las futuras aplicaciones, de paso realizar validaciones en conceptos, funciones e interacciones. En este escenario es donde aparece la metodolog a que a partir de una sumatoria de experiencias propone un conjunto de herramientas y recursos, la metodolog a DeCk. Libro dedicado a Claudia Lorena Rodr guez Gir n.
Rehabilitation Robotics
Manuel Cardona; Fernando E. Serrano
Springer International Publishing AG
2025
sidottu
Rehabilitation robotics is an important field of study focused on improving the gait rehabilitation of people affected by neurological disorders, ictus, cerebral palsy, and spinal cord injuries, among others. The study of rehabilitation robotics includes medical activities, kinematics dynamics, and control analysis. This book presents a complete and exhaustive analysis of the kinematics and dynamics of exoskeleton robots for rehabilitation. The forward and inverse kinematics are studied using the geometric, Denavit-Hartenberg, and screw theory approach. The dynamics analysis of exoskeleton robots using Newton-Euler, Euler–Lagrange, and D'Alembert formulation are also studied. Moreover, the main control techniques for exoskeleton robots are analyzed, including robust control, impedance control, adaptive control, Lyapunov functions, and uncertainties found in dynamic systems. The book includes MATLAB applications and examples.
A musician who has no direction finds himself in all the right, and occasionally wrong situations. He effortlessly runs into romance and genuine friendships until his past and politics make things difficult. Written for mature aged readers who are not so mature.
Entrenamiento de La Fuerza Explosiva En Futbolistas Adolescentes
Andr S Fernando Loaiza Barona; Juan Felipe Camacho Rios; Andres Fernando Loaiza Barona
Eae Editorial Academia Espanola
2012
pokkari
J lia uma Auxiliar de Enfermagem que veio de Tr s Cora es para S o Jos dos Campos em busca de uma vida melhor. Enquanto ela se olha no espelho,
Fernando Pessoa (1888-1935) is the quintessential philosophical outsider. Affiliated to no institution, and associated with no traditional school, in his prose fiction and poetry, Pessoa invented a new philosophy of the human subject, arguing that imagination is key to human flourishing and human self-enrichment. Each of us, he claimed, can use our powers of imagination to “pluralise ourselves;” that is to say, to live, simultaneously and in sequence, as a plurality of distinct subjects. Calling these artefact minds “heteronyms”, Pessoan synthetic selves are new ways poetically to experience the world. In this study of the philosophical thought of Pessoa, philosopher Jonardon Ganeri highlights connections between Pessoa with earlier philosophical poets, from Keats to Shakespeare and from Coleridge to Whitman. Ganeri emphasises Pessoa's originality in his theory of the human subject as a radical departure from the history of Christian or Islamic thought, highlighting affinities with ideas from works of philosophical fiction in classical India through an examination of Pessoa's own engagement with Indian poetry and philosophy. Ganeri convincingly argues for the need to consider Pessoa's writings as a philosopher, both on their own terms and as in deep conversation with the tradition of Indian thought.
Fernando de Rojas and the Renaissance Vision
Castells Ricardo
Pennsylvania State University Press
2000
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The late medieval masterpiece Celestina has long been the focus of controversy, over both its authorship and the apparent contradictions and inconsistencies within its plot. Scholars trace the publication of Celestina to 1499, when Fernando de Rojas supposedly discovered the first act and completed the remainder of the drama within a two-week period. The plot centers on the ill-fated love of Calisto and Melibea and the fascinating character of the old bawd, Celestina. Scholars disagree about how to interpret the meeting of the two lovers in the first scene, when they share an unusual conversation that is incongruous with their comportment in the remainder of the work. Ricardo Castells seeks to resolve this and other seeming contradictions by tracing the oneiric, phantasmal, and melancholic traditions of the Renaissance and their effect on the composition of Celestina. Castells explores the European cultural and literary tradition—works of both fiction and nonfiction that would have been available to Rojas—to discover theoretical approaches to the physiology of lovesickness and its accompanying dreams and visions. He employs the themes of love, medicine, and dreams in these works to explain the seemingly illogical progression of the play’s action and the ultimately detrimental effects of melancholy, lovesickness, and sensual contamination on the protagonist, Calisto. In so doing, Castells places Celestina within its appropriate cultural and historical context, enriching our perception not only of the text itself but also of the traditions that helped to produce it.
Fernando de Rojas and the Renaissance Vision
Ricardo Castells
Pennsylvania State University Press
2001
pokkari
The late medieval masterpiece Celestina has long been the focus of controversy, over both its authorship and the apparent contradictions and inconsistencies within its plot. Scholars trace the publication of Celestina to 1499, when Fernando de Rojas supposedly discovered the first act and completed the remainder of the drama within a two-week period. The plot centers on the ill-fated love of Calisto and Melibea and the fascinating character of the old bawd, Celestina. Scholars disagree about how to interpret the meeting of the two lovers in the first scene, when they share an unusual conversation that is incongruous with their comportment in the remainder of the work. Ricardo Castells seeks to resolve this and other seeming contradictions by tracing the oneiric, phantasmal, and melancholic traditions of the Renaissance and their effect on the composition of Celestina. Castells explores the European cultural and literary tradition—works of both fiction and nonfiction that would have been available to Rojas—to discover theoretical approaches to the physiology of lovesickness and its accompanying dreams and visions. He employs the themes of love, medicine, and dreams in these works to explain the seemingly illogical progression of the play’s action and the ultimately detrimental effects of melancholy, lovesickness, and sensual contamination on the protagonist, Calisto. In so doing, Castells places Celestina within its appropriate cultural and historical context, enriching our perception not only of the text itself but also of the traditions that helped to produce it.
This book brings together a collection of paintings depicting male nudes, by artist Fernando Carpaneda. "My sculptures and paintings are experimental works on material and feelings. I think I can explore new possibilities sculpting the human body and new forms. I worked for 15 years with assemblages before starting sculpting and through the assemblages I became a sculptor. It was a kind of a natural process. Most of my sculptures are portraits of friends, ex-lovers, porn stars and random guys. I transform my sculptures into a kind of reliquary, where you can identify several references to the models; Phrases, poetry, human hair. I followed this path because I wanted to create works that have a consequential meaning to me and a strong connection with my models, and so, my past experiences are always present. I wish my works can reach an audience that appreciates art regardless of being gay or straight. I like to do works that do not fit into the circuit of contemporary art. I like to go against the standard imposed by art institutions. I try to escape the contemporary visual aesthetics and I prefer follow lines of works that escape this contemporary aesthetic. My goal with my art is also to show other sides within the GLBTQ culture and society in general. By that, to open the minds of the audience to other possibilities within gay and punk art. My works speak of freedom, of being what you are, without fear of assuming your ideas and ideals.
Fernando Carpaneda "New Portraits" is a series of paintings and drawings depicting the beauty and the sensuality of men and women. The work seeks to provoke debates and questions about equality, in the sense of valuing the human being. Carpaneda takes inspiration from the urban element, and uses the language of the street along with his own experiences. Beggars, pop stars, punks and outcasts of all kinds are the object of his attention and look. In June 2012, some of his works were exhibited on 23 foot LED screens as part of "Art Takes Times Square" and were seen by over 1 million people. Carpaneda was also named as a Juror's Choice for Visual Art at the 2016 Seattle Erotic Art Festival.
Fernando Cortes and the Conquest of Mexico 1485-1547
Francis Augustus Macnutt
Kessinger Pub
2007
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The Washington Post Book World has written that Fernando Pessoa was "Portugal's greatest writer of the twentieth century though] some critics would even leave off that last qualifying phrase" and "one of the most appealing European modernists, equal in command and range to his contemporaries Rilke and Mandelstam." The Selected Prose of Fernando Pessoa, a Los Angeles Times Best Book of 2001, spans playful philosophical inquiry, Platonic dialogue, and bitter intellectual scrapping between Pessoa and his many literary alter egos ("heteronyms"). The heteronyms launch movements and write manifestos, and one of them attempts to break up Pessoa's only known romantic relationship. Also included is a generous selection from Pessoa's masterpiece, The Book of Disquiet, freshly translated by Richard Zenith from newly discovered materials. The Selected Prose of Fernando Pessoa is an important record of a crucial part of the literary canon.