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1000 tulosta hakusanalla Sonia Alconini
Imperial frontiers are a fascinating stage for studying the interactions of people, institutions, and their environments. In one of the first books to explore the Inka frontier through archaeology, Sonia Alconini examines part of present-day Bolivia that was once a territory at the edge of the Inka empire. Along this frontier, one of the New World’s most powerful polities came into repeated conflict with tropical lowland groups that it could never subject to its rule.Using extensive field research, Alconini explores the multifaceted socioeconomic processes that transpired in the frontier region. Her unprecedented study shows how the Inka empire exercised control over vast expanses of land and peoples in a territory located hundreds of miles away from the capital city of Cusco, and how people on the frontier navigated the cultural and environmental divide that separated the Andes and the Amazon.
I On demande un tudiant pour passer l' t dans une famille, la campagne. Pour les conditions, s'adresser madame la g n rale Gor line, la Tverska a, maison Mialof, Moscou. - Pourquoi pas ? se dit Boris Gr bof en repliant le journal o il venait de lire cette annonce. Pourquoi pas l aussi bien qu'ailleurs ? Il faudra toujours commencer par un bout, autant vaut aujourd'hui que demain. Il se leva, passa son l ger paletot de printemps, et sortit pour tenter la fortune. On n'aurait pu l'accuser de mettre trop d'empressement cette d marche: il s'en allait d'un air nonchalant en regardant droite et gauche. La Tverska a tait loin de chez lui; pour s'y rendre, il avait traverser toute la ville chinoise, ce bazar pittoresque de Moscou, plus semblable une ville byzantine du moyen ge qu' un quartier de capitale au dix-neuvi me si cle. Il s'arr tait partout, pr t rebrousser chemin sous le plus l ger pr texte. La destin e ne fournit pas l'ombre d'une excuse son ind cision, et il arriva devant la porte de la g n rale Gor line sans avoir trouv moyen de reculer. Il entra. Au bruit que fit, en retombant, la double porte vitr e, un suisse v tu d'un uniforme vert tr s r p , orn de galons jaunes tr s graisseux, mergea d'une petite niche plac e en sous-sol. Une forte odeur de soupe maigre, aux choux aigris et aux champignons secs, accompagna cette apparition.
Henry Gr ville, de son vrai nom Alice Marie C leste Durand n e Fleury, n e le 12 octobre 1842, Paris, et morte le 26 mai 1902, Boulogne-Billancourt1, est une femme de lettres fran aise.
Sonia, par Henry Gr ville (1878). C'est une histoire puissante et impressionnante, et en m me temps charmante et raffin e, de la vie russe. Sonia est une pauvre petite esclave, frapp e et maltrait e par les aristocrates brutaux, portant le nom de Gor line, qu'elle sert. Le traitement cruel se poursuit jusqu' ce qu'un jeune pr cepteur, nomm Boris Gr bof, arrive au ch teau pour donner des le ons Eug ne et Lydie, fils et fille de la maison. Il a piti de Sonia et est gentil avec elle; Et elle lui rend en retour l'affection la plus profonde. Boris tombe amoureux de Lydie, qui est une tr s jolie fille, et lui remporte une promesse de mariage; Mais aussit t que madame Gor line d couvre l'attachement, elle est remplie de rage et rejette aussit t le tuteur. Il prend Sonia, qui a galement t chass de la maison, sa maison, o elle reste l'emploi de sa m re g e et g e pendant plusieurs ann es. Boris continue ch rir son affection pour Lydie tout ce temps, et elle lui permet de se consid rer engag elle; Bien que, tant faible et volage, est constamment l'aff t d'une chance de faire un match plus brillant. Finalement, elle arrache Boris; Et lui, d couvrant la fausset de sa nature, est consol , et avec le temps pouse sa servante fid le, Sonia, qui est devenue une fille belle et capable, et a acquis sous son enseignement une ducation consid rable. Cette histoire donne une image distincte de la vie familiale en Russie, o Madame Gr ville a r sid pendant de nombreuses ann es, et o elle a t capable de ma triser toutes les phases de caract re russe. Il y a beaucoup dans le livre qui est lumineux et remarquable, et le caract re de Sonia est d velopp avec beaucoup de d licatesse et d'originalit .
After Sonia Cornwall's father died in 1939, her mother inherited the Onward Ranch and a huge debt. To make the ranch viable, a twenty-year-old Sonia traded paintbrush for pitchfork, labouring alongside the male ranch hands. But after marrying Hugh Cornwall in 1947, Sonia had time for painting once again. She learned techniques from some of Canada's most celebrated artists who came to visit the Onward Ranch, and later her home at the Jones Ranch, from Peter Aspell, Mollly Bobak and Jack Hardman to Group of Seven painters A.Y. Jackson and Joe Plaskett, Cliff Robinson and Zeljko Kujundic. Tales from renowned Cariboo Chilcotin personalities bring Sonia's story to life: old-timer Willie Crosina recalls pitchforking hay to seven hundred head of cattle in sixty below Fahrenheit, and filmmaker Peter Elkington describes the now-defunct home veterinary procedures practised by Sonia's husband, Hugh. Independent and driven, Sonia developed a distinct style that captured the nuances of the rugged interior in oils, mixed media, pastels and watercolours, doing for British Columbia's Central Interior what Emily Carr did for the Coast. The Honourable Judith Guichon, lieutenant governor of BC, describes Sonia's paintings as "very real, warm, alive." Sonia Cornwall died in 2006, but her paintings continue her important legacy of connecting us to rural life and the beauty of simple and unexpected places.
Henry Greville, pseudonyme de Alice Marie Celeste Durand nee Fleury (1842-1902), a publie de nombreux romans, des nouvelles, des pieces, de la poesie; elle a ete a son epoque un ecrivain a succes. Le charmant enfant de madame Goreline, son fils Eugene, etait un enfant terrible pareil a tous les autres, ni plus ni moins intelligent, mais d'une impertinence adorable avec son pere, comme du reste on aurait pu le conclure sans le voir, rien qu'a la facon dont madame Goreline parlait a son mari en presence de leurs enfants. Le diner, mesquin et pretentieux, etait exactement ce que promettait le salon grenat. Il y avait un poisson delicat, mais trop petit pour le nombre des convives, dont deux ou trois n'eurent en partage que quelques bribes noyees dans un flot de mayonnaise. La salade etait faite avec de l'huile rance achetee au plus pres et du vinaigre aqueux, produit de fabrication domestique; ainsi du reste. Le repas s'ecoula d'ailleurs sans encombre. La maitresse du logis comblait Boris de prevenances et de bons morceaux; Eugene, encore intimide par la presence du nouveau venu, se tenait d'une facon satisfaisante, et le general etait si fort absorbe qu'il n'ouvrit pas la bouche apres le premier compliment expedie en quatre mots: - Enchante de vous voir .
... Elle tait tranquille comme si rien de particulier ne lui f t arriv ; ses joues taient plus roses que de coutume, ses yeux plus brillants, mais elle semblait en pleine possession d'elle-m me pendant que le jeune homme perdu ne r vait qu' l'heure du lendemain, cette heure o il la tiendrait sous son regard, o peut- tre il pourrait encore lui saisir la main ... Pourrait-il lui parler ? Non, sans doute, ils taient sans cesse interrompus par les all es et venues des domestiques et de madame Gor line elle-m me. Mais il la verrait au moins, - et son coeur cessait de battre cette seule id e....
Två äldre män träffas när en av dem rasar samman på Gare du Nord i Paris. I ett kuvert har han en biljett till Warszawa. Den andre är läkare men kan bara vänta in ambulansen. Detta korta möte blir skärningspunkten för deras parallella liv: båda har de förlorat sina hustrur, båda lever ensamma när de under olika omständigheter möter en liten flicka vid namn Sonia. Hon skakar om dem och får dem att agera på oväntade sätt; tillsammans med henne blir den tunna hinnan mellan omsorg och grymhet tydlig, men också det flödande ljuset i världen. Sonia är en roman om livets bräcklighet och de brott människan måste begå för att leva. De två männen ser tillbaka på livet, fångna i sina perspektiv och drömmar. Historierna de berättar döljer inte bara deras motiv utan rättfärdigar också deras ingrepp i världen. Daniel Pedersen är författare, förläggare och översättare. År 2021 utkom Öppet vatten, hans första skönlitterära bok, på Nirstedt/litteratur. Natt och aska: Förintelsens litteraturer (2024) togs emot av kritiker och läsare som ett framtida standardverk inom sitt ämne.
Sonia Gandhi'sstory represents the greatest transformational journey made by any world leader in the last four decades. Circumstance and tragedy, rather than ambition, paved her path to power.Born into a traditional,middle-classItalian family, Sonia met and fell in love with Rajiv Gandhi, son offuture Indian prime ministerIndira Gandhi and grandson of Jawaharlal Nehru, while studying English inCambridge. Cruelly tested by the assassinations of her mother-in-law and of her husband,Sonia grew into a strong, authoritative but always private figure, now president of a coalition rulingover a billion people in the world's largest democracy. Through exclusive interviews with members of Sonia's party, political opponents and family friends, Rani Singh casts new light on Sonia.Inthe first mainstream biography of thisinspirationalfigure,the author'scompelling narrative retraces the path of the brave and beautiful Sonia Gandhi, examining what her lifeand legacy mean for India.
Sonia Johnson
Christine Talbot; Matthew Bowman; Joseph M. Spencer
UNIVERSITY OF ILLINOIS PRESS
2024
sidottu
Few figures in the history of the Church of Jesus Christ of Latter-day Saints provoke such visceral responses as Sonia Johnson. Her unrelenting public support of the Equal Rights Amendment (ERA) made her the face of LDS feminism while her subsequent excommunication roiled the faith community.Christine Talbot tells the story of Sonia's historic confrontation with the Church within the context of the faith's first large-scale engagement with the feminist movement. A typical if well-educated Latter-day Saints homemaker, Sonia was moved to action by the all-male LDS leadership's opposition to the ERA and a belief the Church should stay out of politics. Talbot uses the activist's experiences and criticisms to explore the ways Sonia's ideas and situation sparked critical questions about LDS thought, culture, and belief. She also illuminates how Sonia's excommunication shaped LDS feminism, the Church's antagonism to feminist critiques, and the Church itself in the years to come.A revealing and long-overdue account, Sonia Johnson explores the life, work, and impact of the LDS feminist.
Sonia Johnson
Christine Talbot; Matthew Bowman; Joseph M. Spencer
UNIVERSITY OF ILLINOIS PRESS
2024
nidottu
Few figures in the history of the Church of Jesus Christ of Latter-day Saints provoke such visceral responses as Sonia Johnson. Her unrelenting public support of the Equal Rights Amendment (ERA) made her the face of LDS feminism while her subsequent excommunication roiled the faith community.Christine Talbot tells the story of Sonia's historic confrontation with the Church within the context of the faith's first large-scale engagement with the feminist movement. A typical if well-educated Latter-day Saints homemaker, Sonia was moved to action by the all-male LDS leadership's opposition to the ERA and a belief the Church should stay out of politics. Talbot uses the activist's experiences and criticisms to explore the ways Sonia's ideas and situation sparked critical questions about LDS thought, culture, and belief. She also illuminates how Sonia's excommunication shaped LDS feminism, the Church's antagonism to feminist critiques, and the Church itself in the years to come.A revealing and long-overdue account, Sonia Johnson explores the life, work, and impact of the LDS feminist.
The first major publication to explore the work of Sonia Boyce, one of Britain’s most exciting contemporary artists, including her newest and most ambitious work to date The British artist Sonia Boyce (b. 1962) is celebrated for depicting intimate social encounters that explore interpersonal dynamics in drawing, photography, video, and installation, using images and sounds captured during the participatory art events she initiates. Boyce’s immersive new exhibition for the British Council commission at La Biennale di Venezia 2022 is her most ambitious to date—focussing on collaborative play as a route to artistic innovation and the importance of taking creative risks—both central tenets of Boyce’s exceptional artistic practice. Sonia Boyce: Feeling Her Way captures the drama and scope of this multisensory work as it unfolds throughout the British Pavilion. Boyce came to prominence as a key figure in the British Black arts movement of the 1980s and the authors’ texts connect this astonishing new work with Boyce’s preceding works and her abiding interests and concerns. Published in association with the British CouncilExhibition Schedule:La Biennale di Venezia (April 23–November 27, 2022)
Sonia Delaunay
Rachel Silveri; Cécile Godefroy; Gail Levin; Margarete Zimmermann; Hilde D’haeyere; Steven Jacobs; Tamar Kharatishvili; Celeste Day Moore; Dirk Van Oost; Ruth Hommelen; Maude Bass-Krueger; Marjan Sterckx; Werner Adriaenssens; Kasia Stempniak; Noah Dubay; Emilie Hammen; Laurent Cotta; Christoph Benjamin Schulz; Geoffrey Ripert; Kaat Obbels; Patrick Raynaud
YALE UNIVERSITY PRESS
2024
sidottu
A richly crafted tribute to the avant-garde artist and designer Sonia Delaunay, whose boundary-breaking approach is echoed in the volume’s interdisciplinarity and its inspired design Described as “the most significant contribution to Sonia Delaunay studies in a decade,” this catalogue sets a new standard for the study of this pioneering avant-garde artist, designer, and entrepreneur (1885–1979). Eschewing traditional chronological structures to better showcase groundbreaking research unifying the artist’s timeless oeuvre across mediums, this publication demonstrates Delaunay’s innate versatility and willingness to create without material limitation using her unique language of light and color. Textiles, fashion, interiors, book art, and more are highlighted across 26 chapters by leading international scholars to give new insight into Delaunay’s strategies of self-promotion, entrepreneurial endeavors, legacy-building efforts, and vast network of collaborators. These in-depth analyses, including previously underinvestigated material such as film, mosaics, tapestries, and interior design, offer a comprehensive perspective on Delaunay’s lifelong effort to unite art with life by harnessing the energy of technological advancement and the beauty of artisanal craftsmanship. Finally, an appendix provides a unique personal note—an epilogue by Patrick Raynaud, the last living member of Delaunay’s atelier—is a touching firsthand account of the artist’s working practices toward the end of her life. The design, by award-winning book creator Irma Boom, embraces Sonia Delaunay’s own approach to layout and typography, rendering a book that unites past and present to become a work of art in its own right. Distributed for the Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (February 23–July 7, 2024)
Los editores de El Diario La Prensa nos ofrecen la cobertura m s completa de la hist rica ascensi n de la primera latina a la Corte Suprema En agosto de 2009, Sonia Sotomayor se convirti en la primera mujer latina en llegar a lo m s alto del sistema judicial norteamericano --Sonia Sotomayor: una sabia decisi n relata c mo lleg hasta ah . Criada por una tenaz madre viuda, desde muy joven Sonia sab a que quer a ser abogada, pasando las tardes leyendo las novelas de Nancy Drew y ojeando la Enciclopedia Brit nica. M s adelante conocemos a la Sonia licenciada por las universidades de Princeton y Yale, la juez de distrito (la que "salv el b isbol") y la que, finalmente, se defendi del senador Jeff Sessions y de la Asociaci n Nacional del Rifle en las audiencias de confirmaci n en las que se convirti en la 111 Juez de la Corte Suprema. Pero al final, Sonia Sotomayor: una sabia decisi n trata tanto sobre una "sabia latina" como de todos nosotros; de lo que significa ser latino en los Estados Unidos.