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Thaddeus Stevens

Thaddeus Stevens

Fawn M. Brodie

WW Norton Co
2007
nidottu
In this biography of the chief architect of Reconstruction after the Civil War, Fawn Brodie seeks to explain the basis for his actions, the nature of his economic radicalism, and the emotional forces that resulted in his becoming one of the most controversial figures in American history. She describes his roles as father of the Fourteenth Amendment and prosecutor in the impeachment trial of Andrew Johnson, his relations with Lincoln, and his battles for black suffrage and schooling.
Thaddeus Stevens

Thaddeus Stevens

Hans L. Trefousse

The University of North Carolina Press
2005
nidottu
One of the most controversial figures in nineteenth-century American history, Thaddeus Stevens is best remembered for his role as congressional leader of the radical Republicans and as a chief architect of Reconstruction. Long painted by historians as a vindictive 'dictator of Congress,' out to punish the South at the behest of big business and his own ego, Stevens receives a more balanced treatment in Hans L. Trefousse's biography, which portrays him as an impassioned orator and a leader in the struggle against slavery. Trefousse traces Stevens's career through its major phases: from his days in the Pennsylvania state legislature, when he antagonized Freemasons, slaveholders, and Jacksonian Democrats, to his political involvement during Reconstruction, when he helped author the Fourteenth Amendment and spurred on the passage of the Reconstruction Acts and the impeachment of Andrew Johnson. Throughout, Trefousse explores the motivations for Stevens's lifelong commitment to racial equality, thus furnishing a fuller portrait of the man whose fervent opposition to slavery helped move his more moderate congressional colleagues toward the implementation of egalitarian policies.
Thaddeus Strode

Thaddeus Strode

Sabine Eckmann; Meredith Malone

Washington University, Mildred Lane Kemper Art Museum
2008
sidottu
Thaddeus Strode's vibrant large-scale paintings are universes unto themselves: wild mash-ups of California surf and skateboard culture, Zen philosophy, rock music, literature, film, and comic books. "Absolutes and Nothings" marks the artist's first major museum show, presented as part of the Mildred Lane Kemper Art Museum's "Contemporary Projects" series.Strode's images draw on a wealth of motifs inspired by a broad range of sources in popular culture, freely combined with the artist's own creations. The strength and visual pleasure of Strode's aesthetic come from his self-reflexive combination of painterly styles and incongruous elements, in which enigmatic texts, phantoms, monsters, and castaways play off one another to produce cryptic - and captivating - fantasies. Including over two dozen full-color images of works from 2001 to the present, as well as essays by Sabine Eckmann, Meredith Malone, and Benjamin Weissman, "Absolutes and Nothings" is a fascinating premier monograph from one of our most vital and exciting contemporary visual artists.