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1000 tulosta hakusanalla Thomas Chippendale

The Gentleman and Cabinet-maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Houshold Furniture ... The Whole Comprehended in one Hundred and Sixty Copper-plates, ... By Thomas Chippendale,
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT129806Titlepage in red and black. With a half-title and a list of subscribers. The third leaf is an engraved dedication.London: printed for the author, and sold at his house. MDCCLIV. Also by T. Osborne; H. Piers; R. Sayer; J. Swan. At Edinburgh, by Messrs. Hamilton and Balfour: and at Dublin, by Mr. John Smith, 1754]. 4], x,27, 1]p., plates; 2
Thomas Chippendale

Thomas Chippendale

Adam Bowett; James Lomax

Shire Publications
2021
nidottu
For at least 150 years, Thomas Chippendale has been synonymous with beautifully made eighteenth-century furniture in a variety of styles – Rococo, Chinese, Gothic and Neoclassical. Born in Otley, Yorkshire, in 1718, Chippendale rose to fame because of his revolutionary design book, The Gentleman and Cabinet Maker’s Director, published in 1754. That same year he set up his famous workshops in St Martin’s Lane, creating some of the most magnificent furniture ever made in Britain. This beautifully illustrated history focuses on Britain’s most famous furniture maker and designer, including the worldwide phenomenon ‘Chippendale style’ that became popular in Europe, North America and Asia after his death in 1779. Today, his influence lives on with the ongoing production of ‘Chippendale’ furniture, while the eighteenth-century originals are selling for millions at auction.
Thomas Chippendale 1718-1779

Thomas Chippendale 1718-1779

Adam Bowett; James Lomax

The Chippendale Society
2018
sidottu
This is the catalogue of the 2018 Leeds exhibition celebrating the tercentenary of Thomas Chippendale's birth. It covers all 95 exhibits including furniture, drawings, engravings, textiles and wallpaper, together with other contemporary and later material. Each entry is illustrated in colour, with supporting images in both colour and black and white. Also included are introductory essays to each section of the exhibition, covering Chippendale's life and career, his furniture styles, his relationships with customers, and his legacy from the 18th century to the present day.
The Life and Work of Thomas Chippendale Junior

The Life and Work of Thomas Chippendale Junior

Judith Goodison

Philip Wilson Publishers Ltd
2017
sidottu
The Chippendale cabinet-making firm, founded by Thomas Chippendale senior in about 1750, became famous partly through the successful publication of The Gentleman and Cabinet-Maker's Director (1754, re-published 1755 and 1762), but also through the fine furniture supplied to a number of illustrious clients. Chippendale senior ran the workshop for just over twenty years and his eldest son, Thomas Chippendale junior, continued the business for over forty years; the first two decades in partnership with Thomas Haig. Chippendale senior's work has been well documented but Chippendale junior's work has never, until now, been thoroughly researched. The Life and Work of Thomas Chippendale Junior repairs the omission. His patrons included members of the Royal Family, aristocrats, landed gentry and antiquarians; he was adept at satisfying their demands, whether they required lavish gilt or simpler, often mahogany, pieces. Where family archives and original settings survive, as at Harewood House, Paxton House and Stourhead, they reveal the variety and quality of Chippendale's output. An analysis of client's invoices, even when the furniture can no longer be traced, for the first time provides a colourful view of what customers chose and what prices they paid.
The Colonial Style of American Furniture - From the Jacobean Period to Thomas Chippendale
This book contains a detailed treatise on 'colonial style' American furniture, including information on pieces from the Jacobean period to Thomas Chippendale. Complete with historical information, detailed descriptions and authentic photographs, this text constitutes a must-have for those with an interest in historical furniture from these periods and makes for a great addition to collections of antique furniture literature. The chapters of this book include: Jacobean or Stuart Period; William and Mary; American Furniture; Highboys, Lowboys, and Tables; Desks; Brasses; The Queen Anne - Early Georgian Period; England Under Anne and Her Successors; The Colonies find Themselves; and more. We are proud to republish this antiquarian book here complete with an new introduction on the history of furniture.
The Gentleman and Cabinet-maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Houshold Furniture in the Gothic, Chinese and Modern Taste
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT014876With an additional engraved leaf of dedication. In fact a reissue of the edition of 1754].London: printed by J. Haberkorn, for the author, and sold at his house. Also by T. Osborne, H. Piers, R. Sayer, J. Swan. At Edinburgh by Messrs. Hamilton and Balfour: and at Dublin, by Mr. John Smith, 1755. x,27, 1]p., CLX plates; 2