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1000 tulosta hakusanalla Thomas Durley Landels
Though once a favourite of no fewer than four English monarchs, Restoration playwright Thomas Durfey has long been neglected by scholars. In his own day he had a lowly reputation in the world of polite letters - before his death his plays had more or less ceased to be produced; his 'serious' poems had died long before that, and even his songs were soon thought of as common property or 'folk' songs. In this new study, author John McVeagh re-examines Durfey's literary output, finding merit and interest where it has long been presumed that none existed, and restoring Durfey to his proper place in late 17th- and early 18th-century literature. Durfey's creative lifetime spanned the entire Restoration period and continued into and beyond the reign of Queen Anne. McVeagh's book studies his continuing ability to adapt to shifts in taste, fashion and personnel in the world of the theatre. It examines in detail his numerous experiments in new kinds of dramatic writing, both responding to and influencing the conditions of theatrical and artistic production. Among the topics covered are Durfey's attempts to feminize Restoration comedy, his political satires in drama in the late Stuart years, his anticipations of sentimental comedy, his search for a new language for lower class tragedy, and his musical-dramatic experimentations in the 1680s and 1690s, focusing particularly on his collaborative work with Matthew Locke, Samuel Ackroyde, John Eccles, Daniel and Henry Purcell and other composers. In addition, the author discusses Durfey's numerous satiric, narrative and other poems, and relates his writings to their social, political and cultural contexts. The book includes a performance record, listing the plays by performance date. The record includes such information, if known, as: where it was performed; by what company; cast list; to whom it was dedicated; a brief description of the prologue and epilogue; when it was published; what music it contained; and details of any revivals.
Thomas Durfey’s «Love for Money, or The Boarding School» (1691)
Peter Lang AG, Internationaler Verlag der Wissenschaften
2023
nidottu
Thomas Durfey’s Love for Money (1691) uses a boarding school in Chelsea as the setting for an amusing series of love intrigues. Characters include a long-lost heiress and her impoverished suitor, a mercenary jilt, a libertine rake with a touch of the gull, a bragging French coxcomb, and two hoydenish romps courted by fortune-hunting schoolmasters with treats of custard and cheesecake. An imperious plotting lady, together with her henpecked husband and her rascal lover, provide timely anti-Jacobite satire. This critical edition offers a fully annotated text and an introduction that places the comedy in its literary and theatrical context. The editors review Durfey’s career and his redefinition of the comedy of wit, veering towards the exemplary in line with the moral values of the new regime.
Official Report of the Reunion of the Descendants of Governor Thomas Dudley
Thomas Dudley Family Association
Hansebooks
2020
nidottu
Memorial Of The Reunion Of The Descendants Of Governor Thomas Dudley (1892)
Dean Dudley
KESSINGER PUBLISHING, LLC
2009
pokkari
The Life and Work of Thomas Dudley, the Second Governor of Massachusetts
Augustine Jones
Kessinger Pub
2007
sidottu
The Life and Work of Thomas Dudley, the Second Governor of Massachusetts
Augustine Jones
Literary Licensing, LLC
2014
nidottu
The Life and Work of Thomas Dudley, the Second Governor of Massachusetts
Augustine Jones
Kessinger Pub
2007
pokkari
British Monachism Or Manners And Customs Of The Monks And Nuns Of England
Thomas Dudley Fosbrooke
KESSINGER PUBLISHING CO
2007
sidottu
A Treatise on the Arts, Manufactures, Manners, and Institutions of the Greeks and Romans
Thomas Dudley Fosbroke
Kessinger Pub
2009
pokkari