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1000 tulosta hakusanalla Thomas S. Hischak

The Theatregoer's Almanac

The Theatregoer's Almanac

Thomas S. Hischak

Greenwood Press
1997
sidottu
As a concise study of the American theatre, this work explores the past and present by looking at major aspects of theatregoing in America over the past 250 years. Diverse topics include plays On and Off Broadway, ticket prices, critics, playwrights, awards, musicals, actors, theatre groups and organizations, and theatre publications. The Almanac is both a reference work and a very personal browsing book. It is lively and highly readable, yet scholarly with commentary, suggestions for further reading, and a thorough index. This work will be of interest to scholars, students, and theatregoers in general.The Almanac provides an interesting collection of facts, presents personal commentary on trends in theatre, puts contemporary theatre in the context of the past, and serves as both a browsing book and a reference work. Material is presented by subject matter. The range is very wide, but the book often focuses on details, interesting trivia, and little-known facts. Like an eccentric collector who arranges his personal museum of art in his own unique way, The Theatregoers Almanac takes the reader on a personal and distinctive tour of the American theatre.
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American Theatre

American Theatre

Thomas S. Hischak

Oxford University Press Inc
2001
sidottu
Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.
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Word Crazy

Word Crazy

Thomas S. Hischak

Praeger Publishers Inc
1991
sidottu
This volume surveys the development of the American musical during the 20th century by focusing on one of the most important yet least recognized members of the creative team: the lyricist. From George M. Cohan and Irving Berlin through Oscar Hammerstein II, Alan Jay Lerner, Ira Gershwin, Stephen Sondheim, and others, Word Crazy examines both well-known and obscure writers who have shaped one of America's most beloved theatrical forms. The author offers an overview of each lyricist's career and works and evaluates his or her strengths, weaknesses, patterns, temperament, and personal vision. The result is an unusual critical history of the Broadway musical that will be of significant interest to students of the theatre as well as to anyone who wishes to learn more about the unique craft of the theatre lyricist.Beginning with George M. Cohan, the American theatre's first important lyricist, and continuing up into the 1980s, the book presents an overall history of the musical theatre during this century. Hischak explores the various trends and movements, from the early operettas through the arrival of jazz, and up through the conceptual musicals of the last 30 years. The treatment is chronological with most chapters focusing on a single lyricist. A bibliography and index complete the volume. By reviewing the careers and works of America's most influential theatre lyricists, Hischak offers a fresh new perspective on the evolution of musical theatre in America.
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Stage It with Music

Stage It with Music

Thomas S. Hischak

Greenwood Press
1993
sidottu
A one-stop, up-to-date source for information on the history of the American musical theatre, Stage It with Music packs an astonishing quantity and variety of facts as well as insights and anecdotes into a convenient dictionary format. Coverage extends from the genre's nineteenth century beginnings to the present day, from The Black Crook (1866) to Jelly's Last Jam (1992). Included are entries on over 300 individual shows, musical series, performers, composers, lyricists, librettists, directors, designers, music directors, orchestrators, choreographers, producers, producing companies and other theatrical institutions, and on other subjects and genres relating to musical theatre. Among the latter are entries on British Imports, Dance in Musicals, Flop Musicals, Locations of Musicals, Operetta, Pastiche Musicals, and Tony Awards. As fascinating as its subject, Stage It with Music will serve the researcher seeking a specific fact, but he or she may find it hard to stop there. Extensive cross-referencing will lead to masses of related material, and most researchers will not be able to resist browsing well beyond the original quest. Thoroughly indexed, the volume also includes a chronology of the musicals covered as separate entries and a bibliography of general works on musical theatre.
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The American Musical Theatre Song Encyclopedia

The American Musical Theatre Song Encyclopedia

Thomas S. Hischak

Greenwood Press
1995
sidottu
The first encyclopedia of theatre songs from Broadway shows ranging from The Black Crook (1866) to the 1994 Tony Award-winning Passion, this handy guide features over 1,800 songs from over 500 musicals. It gives such information as the songs' authors, original performers, and dates and history of recordings. Each song is described and briefly analyzed, explaining how the song fit in the original production and what is notable about its music, lyrics, and presentation. Thoroughly indexed by song title, show, authors, and performers. Of interest to scholars, students, and fans alike. The musical theatre song is conceived, written, and produced as part of a whole. While it may eventually stand on its own and join the ranks of popular hits, its immediate purpose is clear: it must work in the show. This book is about how hundreds of famous and not-so-famous songs have functioned in the American musical. In addition to identifying the authors and the source of the song, it hopes to explain the song: what kind of song it is, what it is about, what purpose it has in the show, as well as who originally sang it, what the song's history is, and what may be unique about this particular number. It is a book about songs as little pieces of playwriting for the musical theatre. The song entries are presented alphabetically, but the Musicals Listing at the end of the work includes all the songs discussed from a particular show.
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The American Musical Film Song Encyclopedia

The American Musical Film Song Encyclopedia

Thomas S. Hischak

Greenwood Press
1999
sidottu
Following the successful, The American Musical Theatre Song Encyclopedia (Greenwood, 1995), this new encyclopedia reviews in-depth individual songs written for the American musical film over the past seventy years. Over 1,800 songs from over 500 musical films are identified and described. In addition to detailing the songs' authors, original singers, and initial film appearances, the encyclopedia also explains how the songs were used in the film, lists subsequent film and stage appearances of the songs, and notes memorable recordings. From Jolson to Elvis, operetta to rock musicals, and Irving Berlin to the Beatles, the comprehensive scope of this work gathers a wealth of information about film musical songs not readily available elsewhere. The combination of accurate, thoroughly researched information, commentary, and anecdotal background will appeal to both film scholars and fans. Numerous indexes for easy reference include a list of alternate song titles, famous movie songs from other sources, best song Oscars, Oscar-winning film musicals, and a list of film musicals from 1927 through 1998. A bibliography completes this important reference tool and provides helpful sources for further research.
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Film It with Music

Film It with Music

Thomas S. Hischak

Greenwood Press
2001
sidottu
Uses an encyclopedic format to provide entries for American movie musicals and the people associated with them including performers, songwriters, directors, choreographers, producers, studios, and designers.
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The Tin Pan Alley Song Encyclopedia

The Tin Pan Alley Song Encyclopedia

Thomas S. Hischak

Greenwood Press
2002
sidottu
Many books have been written about Tin Pan Alley—the colloquial name assigned to popular music before the advent of rock 'n' roll—yet little is available about the individual songs defining this enormously significant style of American music. This encyclopedia of over 1,200 songs written from the middle of the 19th century through the 1950s provides information and commentary on the music embraced by the American public.No other single volume contains as much information on the subject. Author Thomas Hischak provides an exhaustive yet highly readable guide to the songs, their periods, their styles, and their performers. His study explains in layman's language how this music survived over time, and how it came to play such an influential role in American popular culture. Ideal for researchers and browsers alike, this encyclopedia is a long overdue examination of an American musical institution.These songs were not written for stage or screen, but for saloons, singalongs, dance orchestras, sheet music, piano player rolls, recordings, nightclubs, concerts, and radio broadcasts. They colored the fabric of American popular culture for centuries, from early American folk songs to Civil War melodies, 19th-century sentimental ballads, minstrel songs, ragtime, and jazz.
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The Tin Pan Alley Song Encyclopedia

The Tin Pan Alley Song Encyclopedia

Thomas S. Hischak

Greenwood Press
2002
nidottu
Many books have been written about Tin Pan Alley—the colloquial name assigned to popular music before the advent of rock 'n' roll—yet little is available about the individual songs defining this enormously significant style of American music. This encyclopedia of over 1,200 songs written from the middle of the 19th century through the 1950s provides information and commentary on the music embraced by the American public. No other single volume contains as much information on the subject. Author Thomas Hischak provides an exhaustive yet highly readable guide to the songs, their periods, their styles, and their performers. His study explains in layman's language how this music survived over time, and how it came to play such an influential role in American popular culture. Ideal for researchers and browsers alike, this encyclopedia is a long overdue examination of an American musical institution. These songs were not written for stage or screen, but for saloons, singalongs, dance orchestras, sheet music, piano player rolls, recordings, nightclubs, concerts, and radio broadcasts. They colored the fabric of American popular culture for centuries, from early American folk songs to Civil War melodies, 19th-century sentimental ballads, minstrel songs, ragtime, and jazz.
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Disney Voice Actors

Disney Voice Actors

Thomas S. Hischak

McFarland Co Inc
2011
pokkari
This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters.
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American Literature on Stage and Screen

American Literature on Stage and Screen

Thomas S. Hischak

McFarland Co Inc
2012
pokkari
The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations. Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different medium. In addition to famous novels and short stories by authors such as Nathaniel Hawthorne, F. Scott Fitzgerald, and Willa Cather, many bestsellers, mysteries, children's books, young adult books, horror novels, science fiction, detective stories, and sensational potboilers from the past two centuries are examined.
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American Plays and Musicals on Screen

American Plays and Musicals on Screen

Thomas S. Hischak

McFarland Co Inc
2014
pokkari
As the popularity of film grew and audiences demanded longer stories, Hollywood began borrowing plots as well as actors and directors from Broadway--some of these play-to-films were triumphs and others were inexplicable duds. This reference work is an annotated guide to American stage productions remade for film and television, with works ranging from late 19th-century American plays and musicals, through silent and sound films, to made-for-video productions by PBS, A&E, HBO, and others. Each alphabetically listed entry provides complete credits for the play or musical: date, theatre, playwright, cast (with characters) and crew, length of run, along with choreographer, song titles, and authors of the score where available. The screen versions follow, listing alternate titles, date, studio, screenwriter, cast (with characters), director, and producer. Each entry concludes with detailed commentary on the productions; it describes what changes occurred between the formats, determines the strengths and weaknesses of each, judges the success of the transition, and describes how the end product was received. A bibliography and name and title indexes complete this cross-referenced work.
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Broadway Plays and Musicals

Broadway Plays and Musicals

Thomas S. Hischak

McFarland Co Inc
2015
pokkari
New York City's Broadway district is by far the most prestigious and lucrative venue for American performers, playwrights, entertainers and technicians. While there are many reference works and critical studies of selected Broadway plays or musicals and even more works about the highlights of the American theater, this is the first single-volume book to cover all of the activities on Broadway between 1919 and 2007. More than 14,000 productions are briefly described, including hundreds of plays, musicals, revivals, and specialty programs. Entries include famous and forgotten works, designed to give a complete picture of Broadway's history and development, its evolution since the early twentieth century, and its rise to unparalleled prominence in the world of American theater. The productions are identified in terms of plot, cast, personnel, critical reaction, and significance in the history of New York theater and culture. In addition to a chronological list of all Broadway productions between 1919 and 2007, the book also includes approximately 600 important productions performed on Broadway before 1919.
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Through the Screen Door

Through the Screen Door

Thomas S. Hischak

Scarecrow Press
2004
nidottu
In this personal and opinionated book Tom Hischak takes a close look at what happens when a Broadway musical goes to Hollywood, and less often when Hollywood comes to Broadway. The musicals discussed range from The Desert Song (1927), the first sound film of a Broadway musical, to Chicago, the 2002 film made from the 1975 Broadway hit. Film musicals that became Broadway shows range from Lili (1953) to Never Gonna Dance (2003). The book assumes a basic familiarity with famous musicals (for example the plot of My Fair Lady is summed up in a sentence or two) but lesser known works are fully explained. One chapter looks at British musicals that were popular in New York and were later filmed with Hollywood connections. Also included is a Directory that gives credits, names, and songs for both the stage and screen version for all the musicals discussed. Appendices offer statistical data on musicals, and there is an extensive Bibliography.
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Enter the Playmakers

Enter the Playmakers

Thomas S. Hischak

Scarecrow Press
2006
nidottu
A companion book to author Thomas Hischak's earlier volume Enter the Players: New York Stage Actors in the 20th Century (Scarecrow Press, 2003), Enter the Playmakers: Directors and Choreographers on the New York Stage explores the lives and careers of over three hundred directors and choreographers who worked in the New York theatre. Famous artists like Elia Kazan and Jerome Robbins are featured alongside lesser known or new talents, all of whom have contributed to the American theatre. A biographical sketch outlines the life and career of each director and choreographer, explaining their strengths and talents and what makes them unique. This is followed by a chronological listing of every play or musical that the artist staged in New York, including details such as dates, venue (Broadway, Off Broadway, etc.) and whether the production was a new work or a revival. Presenting artists from the mid-18th century up through current favorites like Daniel Sullivan, Susan Stroman, Doug Hughes, and Kathleen Marshall, the book includes traditionalists (like Harold Clurman and Gower Champion), avant-garde artists (Elizabeth LeCompte and Richard Foreman), and directors and choreographers noted for various styles, genres, and theatre movements. Internationally recognized artists, such as Max Reinhardt and Peter Brook, whose productions had an impact on the New York theatre are also included. By listing all of the artist's New York credits, each entry gives a vivid picture of the stage career of these important directors and choreographers.
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Off-Broadway Musicals since 1919

Off-Broadway Musicals since 1919

Thomas S. Hischak

Scarecrow Press
2011
sidottu
Although the venue Off Broadway has long been the birthplace of innovative and popular musicals, there have been few studies of these influential works. Long-running champs, such as The Fantasticks and Little Shop of Horrors, are discussed in many books about American musicals, but what of the hundreds of other Off-Broadway musicals? In Off-Broadway Musicals since 1919, Thomas Hischak looks at more than 375 musicals, which are described, discussed, and analyzed, with particular attention given to their books, scores, performers, and creators. Presented chronologically and divided into chapters for each decade, beginning with the landmark musical Greenwich Village Follies (1919), the book culminates with the satiric The Toxic Avenger (2009). In this volume, any work of consequence is covered, especially if it was popular or influential, but also dozens of more obscure musicals are included to illustrate the depth and breadth of Off Broadway. Works that introduced an important artistic talent, from performers to songwriters, are looked at, and the selection represents the various trends and themes that made Off Broadway significant. In addition to essential data about each musical, the plot and score are described, the success (or lack of) is chronicled, and an opinionated commentary discusses the work's merits and influences on the musical theatre in general. The first book of its kind, this highly readable volume will please both the theatre scholar and the average musical theatre patron or fan.
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The Jerome Kern Encyclopedia

The Jerome Kern Encyclopedia

Thomas S. Hischak

Scarecrow Press
2013
sidottu
Jerome Kern (1885-1945) is considered one of the most versatile and influential of all American theatre and film composers. His pioneer work in developing a truly American musical sound inspired many of the great songwriters of the 1920s, 1930s, and 1940s, and his songs include dozens of beloved standards still heard today, such as “Smoke Gets in Your Eyes” and “The Way You Look Tonight.” The Jerome Kern Encyclopedia consists of entries on people, theatre and film musicals, songs, subjects, and themes related to the composer. Not only are all of Kern’s stage and screen projects from 1904 to 1946 covered, but there are also entries on all the major librettists and lyricists with whom he worked, as well as producers, directors, actors, and other individuals who figured prominently in his career. Approximately 100 of Kern’s most important songs are discussed, and other entries address awards, collaborations, working methods, song styles, and other related subjects. The encyclopedia also includes a brief biography of Kern, a chronology of his life and work, and appendices on recordings, interpolations, revivals, and remakes. The most complete work on one of America’s greatest composers, this fascinating, readable, and extensive look at Kern will appeal to theatregoers, movie musical fans, students, teachers, and professionals in musical theatre.
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Musicals in Film

Musicals in Film

Thomas S. Hischak

Greenwood Publishing Group Inc
2016
sidottu
This wide-ranging guide introduces (or reintroduces) readers to movie musicals past and present, enabling them to experience the development of this uniquely American art form—and discover films they'll love.This comprehensive guide covers movie musicals from their introduction with the 1927 film The Jazz Singer through 2015 releases. In all, it describes 125 movies, opening up the world of this popular form of entertainment to preteens, teens, and adults alike.An introduction explains the advent of movie musicals; then, in keeping with the book's historical approach, films are presented by decade and year with overviews of advances during particular periods. In this way, the reader not only learns about individual films but can see the big picture of how movie musicals developed and changed over time. For each film covered, the guide offers basic facts—studio, director, songwriters, actors, etc.—as well as a brief plot synopsis. Each entry also offers an explanation of why the movie is noteworthy, how popular it was or wasn't, and the influence the film might have had on later musicals. Sidebars offering brief biographies of important artists appear throughout the book.
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The Encyclopedia of Film Composers

The Encyclopedia of Film Composers

Thomas S. Hischak

Rowman Littlefield
2015
sidottu
For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes ·Biographical material ·Important dates ·Career highlights ·Analysis of the composer’s musical style ·Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.
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100 Greatest American Plays

100 Greatest American Plays

Thomas S. Hischak

Rowman Littlefield
2017
sidottu
Theatre in America has had a rich history—from the first performance of the Lewis Hallam Troupe in September 1752 to the lively shows of modern Broadway. Over the past few centuries, significant works by American playwrights have been produced, including Abie’s Irish Rose, Long Day’s Journey into Night, A Streetcar Named Desire, Death of a Salesman, A Raisin in the Sun, Fences, and Angels in America. In 100 Greatest American Plays, Thomas S. Hischak provides an engaging discussion of the best stage productions to come out of the United States. Each play is discussed in the context of its original presentation as well as its legacy. Arranged alphabetically, the entries for these plays include: ·plot details ·production history ·biography of the playwright ·literary aspects of the drama ·critical reaction to the play ·major awards ·the play’s influence ·cast lists of notable stage and film versions The plays have been selected not for their popularity but for their importance to American theatre and include works by Edward Albee, Harvey Fierstein, Lorraine Hansberry, Lillian Hellman, Tony Kushner, David Mamet, Arthur Miller, Eugene O’Neill, Sam Shepard, Neil Simon, Gore Vidal, Wendy Wasserstein, Thornton Wilder, Tennessee Williams, and August Wilson. This informative volume also includes complete lists of Pulitzer Prize winners for Drama, the New York Drama Critics Circle Award for American Plays, and the Tony Award for Best Play. Providing critical information about the most important works produced since the eighteenth century, 100 Greatest American Plays will appeal to anyone interested in the cultural history of theatre.
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