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Thomas De Quincey

Thomas De Quincey

Oxford University Press
2022
nidottu
This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas De Quincey (1785-1859). The edition presents De Quincey's work in all of its rich variety, and offers the most thorough and accurate annotation of De Quincey's major works ever compiled. Thomas De Quincey: 21st-Century Oxford Authors is the most comprehensive selection of De Quincey's writings published in decades, and includes all the essays that made him a major figure in his own age, and that give him a burgeoning relevance in ours. The volume features complete versions of his three most famous works of impassioned autobiography—Confessions of an English Opium-Eater (1821), Suspiria de Profundis (1845), and 'The English Mail-Coach' (1849)—as well as a great deal of manuscript material related to these works, and an extensive selection from his revised version of the Confessions (1856). It contains all three of his essays 'On Murder Considered as One of the Fine Arts' (1827, 1839, and 1854), the first two instalments of which are brilliant exercises in satirical high jinks, and the final instalment of which is a graphic account of the notorious Radcliffe Highway killings of 1811. It features lengthy excerpts from De Quincey's biographical recollections of 'Samuel Taylor Coleridge' (1834) and 'William Wordsworth' (1839), both of whom De Quincey admired intensely, though his personal relationship with both poets eventually collapsed into bitterness and self-justification. It features De Quincey's finest pieces of literary criticism, including 'On the Knocking at the Gate in Macbeth' (1823) and his two searching examinations of 'The Literature Knowledge and the Literature of Power' (1823 and (1848). The edition includes an Introduction to the life and works of De Quincey, and a Chronology, which enhance the study, understanding, and enjoyment of these works.
Thomas De Quincey

Thomas De Quincey

Oxford University Press
2019
sidottu
This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas De Quincey (1785-1859). The edition presents De Quincey's work in all of its rich variety, and offers the most thorough and accurate annotation of De Quincey's major works ever compiled. Thomas De Quincey: 21st-Century Oxford Authors is the most comprehensive selection of De Quincey's writings published in decades, and includes all the essays that made him a major figure in his own age, and that give him a burgeoning relevance in ours. The volume features complete versions of his three most famous works of impassioned autobiography--Confessions of an English Opium-Eater (1821), Suspiria de Profundis (1845), and 'The English Mail-Coach' (1849)--as well as a great deal of manuscript material related to these works, and an extensive selection from his revised version of the Confessions (1856). It contains all three of his essays 'On Murder Considered as One of the Fine Arts' (1827, 1839, and 1854), the first two instalments of which are brilliant exercises in satirical high jinks, and the final instalment of which is a graphic account of the notorious Radcliffe Highway killings of 1811. It features lengthy excerpts from De Quincey's biographical recollections of 'Samuel Taylor Coleridge' (1834) and 'William Wordsworth' (1839), both of whom De Quincey admired intensely, though his personal relationship with both poets eventually collapsed into bitterness and self-justification. It features De Quincey's finest pieces of literary criticism, including 'On the Knocking at the Gate in Macbeth' (1823) and his two searching examinations of 'The Literature Knowledge and the Literature of Power' (1823 and (1848). The edition includes an Introduction to the life and works of De Quincey, and a Chronology, which enhance the study, understanding, and enjoyment of these works.
Thomas de Quincey

Thomas de Quincey

F. Burwick

Palgrave Macmillan
2001
sidottu
This book examines what De Quincey called 'psychological criticism', a mode of studying how 'literature of power' arouses ideas and images dormant in the subconscious. He explores this 'power' by means of an introspective analysis of the effects produced in his own mind by reading Shakespeare and Milton, Wordsworth and Coleridge. Discussion of De Quincey's critical and narrative prose includes his skilled rewriting of a German forgery of a Waverly novel, as well as such better known works as 'Suspiria de Profundis', Murder Considered as one of the Fine Arts.' 'On the Knocking at the Gate in Macbeth', 'The English Mail-Coach,' and 'Wordsworth's Poetry.' New insight into each of these works is provided by drawing on a wealth of previously unpublished manuscripts.
Thomas De Quincey
The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.
Thomas De Quincey
The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.