This will change the way you see money forever. What if Jesus told you how to use your money? Here's the thing, Jesus talked about money more than almost any other topic. Jesus knows that where your money is, there your heart will be also. He has a plan for you and one part of that plan is getting you to honor Him with your money. Why We Give was written to challenge people to be both generous and strategic with their money.Jesus challenges each of us to give, and this book will tell you why.
Brett Atkinson; Tim Bewer; Joe Bindloss; Greg Bloom; Celeste Brash; Lindsay Brown; Austin Bush; Jayne D'Arcy; David Eimer; Michael Grosberg; Paul Harding; Damian Harper; Ashley Harrell; Trent Holden; Anita Isalska; Mark Johanson; Hugh McNaughtan; Rebecca Milner; Nick Ray; Simon Richmond; Iain Stewart; Andy Symington; Phillip Tang; Ria de Jong
Lonely Planet: The world's leading travel guide publisher Lonely Planet's Southeast Asia on a Shoestring is your passport to having big experiences on a small budget, offering the most relevant, up-to-date advice on what to see and skip, what hidden discoveries await you and how to optimise your budget for an extended continental trip. Watch the sun rise over Cambodia's temples of Angkor; hang out, hit the beach and learn to cook in Vietnam's cosmopolitan, buzzing Hoi An; and kayak around the turquoise waters of Laos' Si Phan Don. All with your trusted travel companion. Inside Lonely Planet's Southeast Asia on a Shoestring: Budget-oriented recommendations with honest reviews - eating, sleeping, sightseeing, going out, hidden gems that most guidebooks missExtensive planning tools and budget calculatorsHighlights and itineraries help you tailor your trip to your personal needs and interestsInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsEssential info at your fingertips - hours of operation, phone numbers, websites, transit tips, pricesCultural insights provide a richer, more rewarding travel experience - covering history, art, literature, cinema, landscapesColour maps and images throughoutCovers Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Thailand, Timor-Leste, Singapore, VietnamUseful features: First Time Southeast Asia, Big Adventures Small Budget, Off the Beaten Track, Border Crossing, Splurge, and Responsible Travel The Perfect Choice: Lonely Planet's Southeast Asia on a shoestringis perfect for budget- and value-conscious travellers taking a big trip, and is packed with amazing sights and experiences, savvy tips and recommendations. After only a few of the destinations in this guide? Check out the relevant Lonely Planet destination guides. These are our most comprehensive titles, designed to immerse you in the culture and help you discover the best sights and get off the beaten track. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)
In the classic tradition of George and Martha, Elephant and Piggie, and Frog and Toad comes Moo Moo and Mr. Quackers in their debut, Moo Moo in a Tutu. A cow who wants to be a ballerina? Are you for real? This is a hilarious, one-of-a-kind friendship story between an adventurous cow and a very loyal duck that will have you quacking up all the way through and applauding for more.
A heartwarming, gorgeously illustrated picture book of an adorable cat finding its forever home, from acclaimed author-artist Tim Miller. Tiny, brave, playful kitty goes on an adventure through the crowded, noisy city in a story about finding love and kindness in unexpected places. The kitten’s bravery, loneliness, playfulness, joy, camaraderie, and curiosity create a rich, emotional journey. The story reflects Tim Miller's passionate advocacy for animal rescue.No tiny kitty fan will be able to resist this triumphant story of overcoming the odds in the big city.
“Izzy’s happiness at creating something of their own and the simple but lively text make for a delightful and engaging read-aloud. A charming stroll through the imagination and a testament to the joys of creativity.” —KirkusInspired by a museum visit, a young koala decides to make art of their very own in this playful picture book from acclaimed author-artist Tim Miller. Perfect for fans of The Dot, What Do You Do with an Idea?, and The Book of Mistakes.Izzy loves the big city—especially the art museum.Izzy is so inspired by the art all around—now it's time to make their own!This joyful celebration of creativity will spark the imagination of every young reader.
A NEW YORK TIMES BESTSELLERFormer Republican political operative Tim Miller answers the question no one else has fully grappled with: Why did normal people go along with the worst of Trumpism? As one of the strategists behind the famous 2012 RNC “autopsy,” Miller conducts his own forensic study on the pungent carcass of the party he used to love, cutting into all the hubris, ambition, idiocy, desperation, and self-deception for everyone to see. In a bracingly honest reflection on both his own past work for the Republican Party and the contortions of his former peers in the GOP establishment, Miller draws a straight line between the actions of the 2000s GOP to the Republican political class's Trumpian takeover, including the horrors of January 6th.From ruminations on the mental jujitsu that allowed him as a gay man to justify becoming a hitman for homophobes, to astonishingly raw interviews with former colleagues who jumped on the Trump Train, Miller diagrams the flattering and delusional stories GOP operatives tell themselves so they can sleep at night. With a humorous touch he reveals Reince Priebus' neediness, Sean Spicer's desperation, Elise Stefanik and Chris Christie’s raw ambition, and his close friends’ submission to a MAGA psychosis.Why We Did It is a vital, darkly satirical warning that all the narcissistic justifications that got us to this place still thrive within the Republican party, which means they will continue to make the same mistakes and political calculations that got us here, with disastrous consequences for the nation.
The Testimony of Sense attempts to answer a neglected but important question: what became of epistemology in the late eighteenth century, in the period between Hume's scepticism and Romantic idealism? It finds that two factors in particular reshaped the nature of 'empiricism': the socialisation of experience by Scottish Enlightenment thinkers and the impact upon philosophical discourse of the belletrism of periodical culture. The book aims to correct the still widely-held assumption that Hume effectively silenced epistemological inquiry in Britain for over half a century. Instead, it argues that Hume encouraged the abandonment of subject-centred reason in favour of models of rationality based upon the performance of trusting actions within society. Of particular interest here is the way in which, after Hume, fundamental ideas like the self, truth, and meaning are conceived less in terms of introspection, correspondence, and reference, and more in terms of community, coherence, and communication. By tracing the idea of intersubjectivity through the issues of trust, testimony, virtue and language, the study offers new perspectives on the relationships between philosophy and literature, empiricism and transcendentalism, and Enlightenment and Romanticism. As philosophy grew more conversational, the familiar essay became a powerful metaphor for new forms of communication. The book explores what is epistemologically at stake in the familiar essay genre as it develops through the writings of Joseph Addison, David Hume, Samuel Johnson, Charles Lamb, and William Hazlitt. It also offers readings of philosophical texts, such as Hume's Treatise, Thomas Reid's Inquiry, and Adam Smith's Theory of Moral Sentiments, as literary performances.
The Prelude is now seen as a central text in the Wordsworth corpus. This Guide identifies and gathers significant critical perspectives, interpretations and debates connected with the poem, contextualising and explaining criticism from the Victorian period right through to the present day.
The Prelude is now seen as a central text in the Wordsworth corpus. This Guide identifies and gathers significant critical perspectives, interpretations and debates connected with the poem, contextualising and explaining criticism from the Victorian period right through to the present day.
Passing through more than thirty thousand years of history, the poems of "Bone Antler Stone" are a panorama of Europe from the painted caves of Chauvet and Lascaux to contact with Greece and Rome. The changing spiritual and material lives of the earliest Europeans are vividly imagined through their artwork, burials, architecture, and their interaction with the landscape, the seasons, and one another.
Performance artist Tim Miller has performed infront of audiences all over the world. This volume gathers six of his best-known performances that chart the sexual, spiritual and political topography of his identity as a gay man: ""Some Golden States"", ""Stretch Marks"", ""My Queer Body"", ""Naked Breath"", ""Fruit Cocktail"" and ""Glory Box"". Each performance script is illustrated with photographs and accompanied by Miller's notes and comments. The book explores the tangible body blows - taken and given - of Miller's life and times as explored in his performance: the queer-basher's blow, the sweet blowing breath of a lover, the below-the-belt blow of AIDS/HIV, the psychic blows from a society that disrespects the humanity of lesbian and gay relationships. Miller's performance are full of the put-up-your-dukes and stand-your-ground of such day-to-day blows that make up being gay in America.
If I continue to tour for another twenty years, as I have for the last twenty-one, I will end up sleeping in at least 1000 hotel beds in my lifetime. For maximum poetic oomph, let's say 1001 beds...They symbolize a life and art dedicated to reaching out toward folks from Bozeman to Tampa. A life and art that has traveled widely and, I believe, reached a couple hundred thousand people with my stories of queer life and love. For a quarter century, Tim Miller has worked at the intersection of performance, politics, and identity, using his personal experiences to create entertaining but pointed explorations of life as a gay American man - from the perils and joys of sex and relationships to the struggles of political disenfranchisement and artistic censorship. This intimate autobiographical collage of Miller's professional and personal life reveals one of the celebrated creators of a crucial contemporary art form and a tireless advocate for the American dream of political equality for all citizens. Here we have the most complete Miller yet - a raucous collection of his performance scripts, essays, interviews, journal entries, and photographs, as well as his most recent stage piece ""Us"". This volume brings together the personal, communal, and national political strands that interweave through his work from its beginnings and ultimately define Miller's place as a contemporary artist, activist, and gay man.
If I continue to tour for another twenty years, as I have for the last twenty-one, I will end up sleeping in at least 1000 hotel beds in my lifetime. For maximum poetic oomph, let's say 1001 beds...They symbolize a life and art dedicated to reaching out toward folks from Bozeman to Tampa. A life and art that has traveled widely and, I believe, reached a couple hundred thousand people with my stories of queer life and love. For a quarter century, Tim Miller has worked at the intersection of performance, politics, and identity, using his personal experiences to create entertaining but pointed explorations of life as a gay American man - from the perils and joys of sex and relationships to the struggles of political disenfranchisement and artistic censorship. This intimate autobiographical collage of Miller's professional and personal life reveals one of the celebrated creators of a crucial contemporary art form and a tireless advocate for the American dream of political equality for all citizens. Here we have the most complete Miller yet - a raucous collection of his performance scripts, essays, interviews, journal entries, and photographs, as well as his most recent stage piece ""Us"". This volume brings together the personal, communal, and national political strands that interweave through his work from its beginnings and ultimately define Miller's place as a contemporary artist, activist, and gay man.
From London to DC to Australia to Los Angeles, Tim Miller has sold out shows in which he addresses issues of gender, immigration, homophobia, and censorship. As one of the ""NEA Four,"" who successfully sued the federal government for violating their First Amendment rights when their funding was rescinded in the early 1990s, Miller has always played an important role in defending queer artistic expression on stage. His autobiographical explorations into identity, politics, and art through the lens of his own experiences lead to visceral, humorous, and poignant performances. His activism and experiences inform his newest collection of performance scripts and writings, which represent the culmination of the many struggles for rights and equality that Miller has documented, and performed, over the course of his career. A Body in the O is an important addition to Miller's existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.
This 2003 study sheds light on the way in which the English Romantics dealt with the basic problems of knowledge, particularly as they inherited them from the philosopher David Hume. Kant complained that the failure of philosophy in the eighteenth century to answer empirical scepticism had produced a culture of 'indifferentism'. Tim Milnes explores the way in which Romantic writers extended this epistemic indifference through their resistance to argumentation, and finds that it exists in a perpetual state of tension with a compulsion to know. This tension is most clearly evident in the prose writing of the period, in works such as Wordsworth's Preface to Lyrical Ballads, Hazlitt's Essay on the Principles of Human Action and Coleridge's Biographia Literaria. Milnes argues that it is in their oscillation between knowledge and indifference that the Romantics prefigure the ambivalent negotiations of modern post-analytic philosophy.
How have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and Jürgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.
This 2003 study sheds light on the way in which the English Romantics dealt with the basic problems of knowledge, particularly as they inherited them from the philosopher David Hume. Kant complained that the failure of philosophy in the eighteenth century to answer empirical scepticism had produced a culture of 'indifferentism'. Tim Milnes explores the way in which Romantic writers extended this epistemic indifference through their resistance to argumentation, and finds that it exists in a perpetual state of tension with a compulsion to know. This tension is most clearly evident in the prose writing of the period, in works such as Wordsworth's Preface to Lyrical Ballads, Hazlitt's Essay on the Principles of Human Action and Coleridge's Biographia Literaria. Milnes argues that it is in their oscillation between knowledge and indifference that the Romantics prefigure the ambivalent negotiations of modern post-analytic philosophy.
The sequel to the hilarious THERE IS A MONSTER UNDER MY BED WHO FARTS. How much trouble can one little monster cause at Christmas time? From the cheeky duo who brought you THERE IS A MONSTER UNDER MY BED WHO FARTS and THE PIRATE WHO HAD TO PEE comes a book that is perfect for naughty boys this Christmas.The Fart Monster is back and he's tootier than ever! It's Christmas, and Fart Monster is up to his old stinky tricks ... Will the boy get the blame this time? Or will he be able to convince Santa to keep him off the naughty list?Ages: 3+
'THESE BOOKS REALLY GO OFF!' -- Mac Park, Boy Vs Beast The chapter books your reluctant reader will actually want to read! Stone Beach Primary is not ready for BenDugan and his new best friend.Ben's about to start at his new school and the fart monster's coming along for the ride. But Ben is worried. If his friend gets up to mischief, will the other kids blame Ben? How will Ben survive his first day?FART MONSTER AND ME is the hilarious new series from bestselling duo Tim Miller and Matt Stanton -- sure to get kids laughing ... and reading!PRAISE'will entice and engage young readers, especially boys ... 5 out of 5' -- ReadPlus.com.au
Hymns and Lamentations is a meditation on the realities of deep faith and great suffering. It takes its place in the long tradition of religious literature where a personal relationship with the divine is embraced and swum through, while the equally great reality of suffering and injustice questions the very nature of belief and of God. In Hymns and Lamentations, ecstasy and anguish answer one another.
