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1000 tulosta hakusanalla Tina M Randolph
Reflections: Poetry by Tina Nash
Tina M. Nash
Createspace Independent Publishing Platform
2016
nidottu
Seasons within the Soul: Poetry by Tina Nash
Tina M. Nash
Createspace Independent Publishing Platform
2016
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Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work--from Deana Lawson's disarmingly intimate portraits to Arthur Jafa's videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph's films and Dawoud Bey's photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson--requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity. Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering--and joy--of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.
Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work--from Deana Lawson's disarmingly intimate portraits to Arthur Jafa's videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph's films and Dawoud Bey's photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson--requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity. Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering--and joy--of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.
Push Past Your Fear and Find Your Purpose: A Woman's Anthology to Power
Tina M. Payne
Tina M.\Payne Payne#consulting
2019
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What does it mean to live life on purpose? What does it mean to live with passion or vigor? You see these terms are all relative based on not just emotion, but more importantly, the action that comes forth as a result of it. This book is a collection of stories from ten passionate and purposeful women, who happen to also all be nurses. The cumulative effort of these stories will exemplify the meaning of transformation, that achieves by getting "on track" along their journey. Take a walk with them as they show you the faith and determination needed to live a life full of vigor Alignment = meaningfulness and these powerhouses live as "Nurses on Purpose".
73 Miles to Empty: How Visionary Women Refuel When They're Tired, Uninspired, and Ready to Quit
Tina M. France
Hark the Herald Media
2020
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73 Miles To Empty is an inspirational, yet practical guidebook for purpose driven, visionary women who want to recharge and reconnect to the vision that's on the inside of them. In this book, Tina M. France describes her experience of being a devoted wife and mom of three, project manager for a research company, minister, business co-owner, and basketball coach and found herself feeling overwhelmed and unsure of how to walk out her God-inspired purpose in a way that glorified God while also enjoying a balanced life. Tina shares real-life, faith focused principles on how to connect us to our purpose, set strategic priorities, navigate through awkward transition periods, and position us for success.
Create Unstoppable Miracles: 8 Steps to Getting What You Want and Need
Tina M. Carter
Tina Carter
2015
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Soulwhisperings: Erotic and Devotional Love Poems for an Outer or Inner Beloved (Colored Version)
Tina M. Benson M. a.
Satya Books
2016
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Soulwhisperings: Erotic and Devotional Love Poems for an Outer or Inner Beloved (Black and White Version)
Tina M. Benson M. a.
Satya Books
2016
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In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of "race" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.
In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of "race" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.