The story of Twelve Apostles is the story of early Christianity: its competing versions of Jesus's ministry, its countless schisms, and its ultimate evolution from an obscure Jewish sect to the global faith we know today in all its forms and permutations. In his quest to understand the underpinnings of the world's largest religion, Tom Bissell embarks on a years-long pilgrimage to the apostles' supposed tombs, traveling from Jerusalem and Rome to Turkey, Greece, Spain, France, India, and Kyrgyzstan. Along the way, Bissell uncovers the mysterious and often paradoxical lives of these twelve men and how their identities have taken shape over the course of two millennia. Written with empathy and a rare acumen--and often extremely funny--Apostle is an intellectual, spiritual, and personal adventure fit for believers, scholars, and wanderers alike.
In Extra Lives, acclaimed writer and life-long video game enthusiast Tom Bissell takes the reader on an insightful and entertaining tour of the art and meaning of video games. In just a few decades, video games have grown increasingly complex and sophisticated, and the companies that produce them are now among the most profitable in the entertainment industry. Yet few outside this world have thought deeply about how these games work, why they are so appealing, and what they are capable of artistically. Blending memoir, criticism, and first-rate reportage, Extra Lives is a milestone work about what might be the dominant popular art form of our time.
Peter, Matthew, Thomas, John: who were these men and their fellow Apostles? What was their relationship to Jesus? Tom Bissell gives us rich answers to these ancient and surprisingly enigmatic questions in an unusual, erudite and fascinating book. By visiting holy sites around the world, and examining how the Apostles' identities took shape over the course of two millennia, he explores the story of Christianity and its growth from an obscure Jewish sect to the global faith we know today.
Young Americans abroad in Central Asia find themselves pushed to their limits in these acclaimed, prize-winning stories by one of our most exciting and talented new authors. Combining bleak humor, ironic insight, deep compassion, and unflinching moral and ethical inquiry, Tom Bissell gives us a gripping collection that is both timeless and profoundly relevant to today's complex world.
From the best-selling coauthor of The Disaster Artist and "one of America's best and most interesting writers" (Stephen King), a new collection of stories that range from laugh-out-loud funny to disturbingly dark--unflinching portraits of women and men struggling to bridge the gap between art and life A young and ingratiating assistant to a movie star makes a blunder that puts his boss and a major studio at grave risk. A long-married couple hires an escort for a threesome in order to rejuvenate their relationship. An assistant at a prestigious literary journal reconnects with a middle school frenemy and finds that his carefully constructed world of refinement cannot protect him from his past. A Bush administration lawyer wakes up on an abandoned airplane, trapped in a nightmare of his own making. In these and other stories, Tom Bissell vividly renders the complex worlds of characters on the brink of artistic and personal crises--writers, video-game developers, actors, and other creative types who see things slightly differently from the rest of us. With its surreal, poignant, and sometimes squirm-inducing stories, Creative Types is a brilliant new offering from one the most versatile and talented writers working in America today.
Award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of The Big Bang Theory to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox's work was relaunched into the world. Originally published in magazines such as The Believer, The New Yorker, and Harper's, these essays represent ten years of Bissell's best writing on every aspect of creation--be it Iraq War documentaries or video-game character voices--and will provoke as much thought as they do laughter. What are sitcoms for exactly? Can art be both bad and genius? Why do some books survive and others vanish? Bissell's exploration of these questions make for gripping, unforgettable reading.
The Father of All Things is a riveting, haunting, and often hilarious account of a veteran and his son's journey through Vietnam. As his father recounts his experiences as a soldier, including a near fatal injury, Tom Bissell weaves a larger history of the war and explores the controversies that still spark furious debate today. Blending history, memoir, and travelogue, The Father of All Things is a portrait of the war's personal, political, and cultural impact from the perspective of the generation that grew up in the wake of the conflict. It is also a wise and revelatory book about the bond between fathers and sons.
The Disaster Artist is the hilarious, behind-the-scenes story of cult cinematic phenomenon The Room, as well as the tale of an odd and inspiring Hollywood friendship.
The Disaster Artist is the hilarious, behind-the-scenes story of cult cinematic phenomenon The Room, as well as the tale of an odd and inspiring Hollywood friendship.
The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled "The Death of the Book." The gesture was a bit tongue-in-cheek, but we meant it to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist? Since then, we've been enormously gratified by the response that LARB has generated from readers, writers, academics, editors, publishers. We are a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting and disseminating the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.Today, we've created a new institution for writers and readers that is unlike anything else on the web. Our new LARB Quarterly Journal reflects the best that this institution has to bring to readers all over the world. One question these people have continually asked us, though, is: When are you going to put out a print edition? Even though we've been (and remain) committed to the internet as both a space of conversation and a place of commerce, we've always wanted to have something physical, tangible, to be able to show for our work. We never really believed that books would die, or magazines either. The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either. The new LARB print quarterly will build on the best aspects of the current website. As we do now, we'll publish book reviews that strive to do something more than recommend or discourage a purchase; we're most interested in pieces that push the form of the book review into other genres, such as memoir, polemic, or short story. We are excited to explore the possibilities of this new format, and feel confident that the audience we've attracted over the past two years on the web will follow us. We know that our peers at Harper's, Bookforum, n+1, The Believer, and the New York and London Review of Books -- all of whom have expressed support and goodwill for this latest venture -- welcome a new voice from the West, as will subscribers. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.
The author of fiction and journalism chronicles his harrowing journey into Uzbekistan to investigate the ecological disaster of the Aral Sea, capturing all the pathos and contradictions witnessed by an American adrift in a foreign land. Reprint. 12,500 first printing.
The riveting, revelatory, and sole authorized account of the critical first decades of Tennessee Williams's life. Tennessee Williams, author of such indelible masterpieces as The Glass Menagerie and A Streetcar Named Desire, is considered by many to be the greatest literary artist of the American theater. Tom is Lyle Leverich's definitive account based on his exclusive access to letters, diaries, unpublished manuscripts, and family documents of Williams's early life and of the events that shaped this most autobiographical of dramatists. It tells the story of the marital traumas of his bullying father and overly protective mother, the mental disorders that institutionalized his beloved sister Rose, his stalled academic career, and his confused sexuality and early successes as a writer; and it leaves Thomas Lanier Williams on the brink of fame with The Glass Menagerie and his transformation into the celebrated persona of Tennessee.
Appearing no different than the average man who worked hard for a living, he nicely blends in with his neighbours and co-workers. Although socially awkward at times, nobody takes notice of his peculiarities, but beneath his somewhat normal veneer resides a pulsating black heart, bent upon cruelty and domination. Contains adult content. Composed in captivating narrative and compelling dialogue, the story flows at a brisk tempo. The plot contains more than a few strategically placed unexpected twists which should maintain the reader's interest throughout. The characters are presented in a multi-dimensional fashion revealing the intricacies of their unique personalities and individual agendas. Navigating the plot to a well conceived conclusion, the author could leave the reader with the sense of time well spent in the reading of this story
Tom is a cat in trouble. The worst possible kind of trouble: he's been turned into a human. Transformed by an irascible old magician in need of a famulus -- a servant and an assistant, Tom is as good at being a servant as a cat ever is. The assistant part is more to Tom's taste: he rather fancies impressing the girl cats and terrorizing the other toms by transforming himself into a tiger. But the world of magic, a vanished and cursed princess, and a haunted skull, and a demon in the chamber-pot, to say nothing of conspiring wizards and the wickedest witch in the west, all seem to be out to kill Tom. He is a cat coming to terms with being a boy, dealing with all this. He has a raven and a cheese as... sort of allies.And of course there is the princess.If you were looking for 'War and Peace' this is the wrong book for you. It's a light-hearted and gently satirical fantasy, full of terrible puns and... cats.
Tom non come gli altri miei racconti. Non un racconto di fantascienza. Non saprei definire il suo genere. Ma forse non nemmeno un racconto. Forse qualcosa di pi o di diverso, forse esso stesso un'avvertenza. Se non volete farvi domande alla fine della lettura, allora vi consiglio di non leggerlo. Tutto il tempo che ho dedicato alla sua scrittura e alla preparazione di questa edizione stato pervaso da un'atmosfera che non saprei spiegare. Cos come non ho saputo spiegare come abbia fatto a perdere il treno che mi avrebbe condotto a Milano assieme con decine di miei colleghi, costringendomi cos a prendere da solo il successivo. Devo dire, per , che in questo modo e solo in questo modo ho avuto finalmente l'opportunit di poter stare un po' con i miei pensieri e buttare gi quanto state per... affrontare.
