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1000 tulosta hakusanalla Tom Stammers; James Chappel

An Analysis of Christopher R. Browning's Ordinary Men

An Analysis of Christopher R. Browning's Ordinary Men

Tom Stammers; James Chappel

Macat International Limited
2017
nidottu
Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans – many of them middle-aged reservists with, apparently, little Nazi zeal – to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it – as Christopher Browning argues in this highly influential book – more a matter of conformity, a response to intolerable social and psychological pressure?Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority. Browning's ability to explore the strengths and weaknesses of arguments – both the survivors' and other historians' – is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.
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An Analysis of Christopher R. Browning's Ordinary Men

An Analysis of Christopher R. Browning's Ordinary Men

Tom Stammers; James Chappel

Macat International Limited
2017
sidottu
Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans – many of them middle-aged reservists with, apparently, little Nazi zeal – to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it – as Christopher Browning argues in this highly influential book – more a matter of conformity, a response to intolerable social and psychological pressure? Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority. Browning's ability to explore the strengths and weaknesses of arguments – both the survivors' and other historians' – is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.
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The Purchase of the Past

The Purchase of the Past

Tom Stammers

Cambridge University Press
2020
sidottu
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
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The Purchase of the Past

The Purchase of the Past

Tom Stammers

Cambridge University Press
2025
pokkari
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
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An Analysis of Eric Hobsbawm's The Age Of Revolution

An Analysis of Eric Hobsbawm's The Age Of Revolution

Tom Stammers

Macat International Limited
2017
nidottu
The Age of Revolution is the first of four works by Eric Hobsbawm that collectively synthesize the ideas he developed over a lifetime spent studying the nineteenth and twentieth centuries. Hobsbawm's vision is important – he was a lifelong Marxist whose view of history was shaped by a fascination with social and economic history, yet who privileged evidence over political theory – but the real power of these works, and especially The Age of Revolution, emanates from the wide range of the author's reading and his mastery of the critical thinking skill of evaluation. It is this skill that allows Hobsbawm to combine insights drawn from decades of reading into an original thesis that sees the crucial "long 19th century" as a period shaped by "dual revolution" – the twin impacts of the Industrial Revolution in Britain, and the French Revolution on the continent. Hobsbawm supplemented his evaluative excellence with a firm grasp of reasoning, crafting a volume that contains brilliant, clearly-structured arguments which explain complicated ideas via well-chosen examples in ways that make his work accessible to intelligent general readers and scholars alike.
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An Analysis of Georges Lefebvre's The Coming of the French Revolution

An Analysis of Georges Lefebvre's The Coming of the French Revolution

Tom Stammers

Macat International Limited
2017
nidottu
Georges Lefebvre was one of the most highly-regarded historians of the 20th century – and a key reason for the high reputation he enjoys can be found in The Coming of the French Revolution. Lefebvre's key contribution to the debate over what remains arguably one of history's most contentious and significant events in history was to deploy the critical thinking skill of evaluation to reveal weaknesses in existing arguments about the causes of the Revolution, and analytical skills to expose hidden assumptions in them. Rather than seeing events as driven by the aristocracy and the bourgeoisie – which then lost power to the urban workers – as was usual at the time, Lefebvre deployed years of research in regional archives to argue that the Revolution had had a fourth pillar: the peasantry. Painting the upheaval as complex and multi-layered – while still privileging a predominantly economic interpretation – Lefebvre provides a compelling new narrative to explain why the French monarchy collapsed so suddenly in 1789: one that stressed the significance of a ‘popular revolution’ in the rural countryside.
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The Age Of Revolution

The Age Of Revolution

Tom Stammers

Macat International Limited
2017
sidottu
The Age of Revolution is the first of four works by Eric Hobsbawm that collectively synthesize the ideas he developed over a lifetime spent studying the nineteenth and twentieth centuries. Hobsbawm's vision is important – he was a lifelong Marxist whose view of history was shaped by a fascination with social and economic history, yet who privileged evidence over political theory – but the real power of these works, and especially The Age of Revolution, emanates from the wide range of the author's reading and his mastery of the critical thinking skill of evaluation. It is this skill that allows Hobsbawm to combine insights drawn from decades of reading into an original thesis that sees the crucial "long 19th century" as a period shaped by "dual revolution" – the twin impacts of the Industrial Revolution in Britain, and the French Revolution on the continent. Hobsbawm supplemented his evaluative excellence with a firm grasp of reasoning, crafting a volume that contains brilliant, clearly-structured arguments which explain complicated ideas via well-chosen examples in ways that make his work accessible to intelligent general readers and scholars alike.
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An Analysis of Georges Lefebvre's The Coming of the French Revolution

An Analysis of Georges Lefebvre's The Coming of the French Revolution

Tom Stammers

Macat International Limited
2017
sidottu
Georges Lefebvre was one of the most highly-regarded historians of the 20th century – and a key reason for the high reputation he enjoys can be found in The Coming of the French Revolution. Lefebvre's key contribution to the debate over what remains arguably one of history's most contentious and significant events in history was to deploy the critical thinking skill of evaluation to reveal weaknesses in existing arguments about the causes of the Revolution, and analytical skills to expose hidden assumptions in them. Rather than seeing events as driven by the aristocracy and the bourgeoisie – which then lost power to the urban workers – as was usual at the time, Lefebvre deployed years of research in regional archives to argue that the Revolution had had a fourth pillar: the peasantry. Painting the upheaval as complex and multi-layered – while still privileging a predominantly economic interpretation – Lefebvre provides a compelling new narrative to explain why the French monarchy collapsed so suddenly in 1789: one that stressed the significance of a ‘popular revolution’ in the rural countryside.
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An Analysis of Daniel Jonah Goldhagen's Hitler's Willing Executioners

An Analysis of Daniel Jonah Goldhagen's Hitler's Willing Executioners

Simon Taylor; Tom Stammers

Macat International Limited
2017
nidottu
Daniel Goldhagen's study of the Holocaust offers conclusions that run directly counter to those reached by Christopher Browning, whose book Ordinary Men is also the subject of a Macat analysis. As such, the two analyses make possible some interesting critical thinking exercises focused on evaluation of the evidence used by the two historians. For Goldhagen, a chief reason for German actions was not the mundane good comradeship stressed by Browning, but a longstanding hatred of Jews and Judaism specific to Germany that dated back well into the previous century. Debating which historian is right, which has made better use of the available evidence, which has most successfully written objectively – and which advances the most secure interpretation of contested documents – forces students to think critically about one of the most important and (on the surface at least) incomprehensible events of the past century.
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An Analysis of Richard J. Evans's In Defence of History

An Analysis of Richard J. Evans's In Defence of History

Nicholas Piercey; Tom Stammers

Macat International Limited
2017
nidottu
Richard Evans wrote In Defence of History at a time when the historian's profession was coming under heavy attack as a result of the ‘cultural turn’ taken by the discipline during the late 1980s and the 1990s. Historians were being forced to face up to postmodern thinking, which argued that, because all texts were the product of biased writers who had incomplete information, none could be privileged above others. In this reading, there could be no objective history, merely the study of the texts themselves. While In Defence of History addresses all aspects of historical method, its key focus is on an extensive evaluation of this postmodern thinking. Evans judges the acceptability of the reasoning advanced by the postmodernists – and finds it badly wanting. He is strongly critical both of the relevance and of the adequacy of their arguments, seeking to show that, ultimately, they are guilty of failing to accept the logic of their own position. All texts are equally valid, or invalid, they suggest – while insisting that the products of their own school are in fact more ‘true’ than those of their opponents. Evans concludes by pointing out that this same argument could be advanced to suggest that the works of Holocaust deniers are just as valid as are those of historians who accept that the Nazis set out to commit genocide. So why, he demands, is no postmodernist willing to say as much? A devastating example of the usefulness of relentless evaluation.
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An Analysis of Richard J. Evans's In Defence of History

An Analysis of Richard J. Evans's In Defence of History

Nicholas Piercey; Tom Stammers

Macat International Limited
2017
sidottu
Richard Evans wrote In Defence of History at a time when the historian's profession was coming under heavy attack as a result of the ‘cultural turn’ taken by the discipline during the late 1980s and the 1990s. Historians were being forced to face up to postmodern thinking, which argued that, because all texts were the product of biased writers who had incomplete information, none could be privileged above others. In this reading, there could be no objective history, merely the study of the texts themselves. While In Defence of History addresses all aspects of historical method, its key focus is on an extensive evaluation of this postmodern thinking. Evans judges the acceptability of the reasoning advanced by the postmodernists – and finds it badly wanting. He is strongly critical both of the relevance and of the adequacy of their arguments, seeking to show that, ultimately, they are guilty of failing to accept the logic of their own position. All texts are equally valid, or invalid, they suggest – while insisting that the products of their own school are in fact more ‘true’ than those of their opponents. Evans concludes by pointing out that this same argument could be advanced to suggest that the works of Holocaust deniers are just as valid as are those of historians who accept that the Nazis set out to commit genocide. So why, he demands, is no postmodernist willing to say as much? A devastating example of the usefulness of relentless evaluation.
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Tom

Tom

Lyle Leverich

W. W. Norton Company
1997
pokkari
The riveting, revelatory, and sole authorized account of the critical first decades of Tennessee Williams's life. Tennessee Williams, author of such indelible masterpieces as The Glass Menagerie and A Streetcar Named Desire, is considered by many to be the greatest literary artist of the American theater. Tom is Lyle Leverich's definitive account based on his exclusive access to letters, diaries, unpublished manuscripts, and family documents of Williams's early life and of the events that shaped this most autobiographical of dramatists. It tells the story of the marital traumas of his bullying father and overly protective mother, the mental disorders that institutionalized his beloved sister Rose, his stalled academic career, and his confused sexuality and early successes as a writer; and it leaves Thomas Lanier Williams on the brink of fame with The Glass Menagerie and his transformation into the celebrated persona of Tennessee.
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Tom

Tom

K B Sykes

K B Sykes
2011
pokkari
Appearing no different than the average man who worked hard for a living, he nicely blends in with his neighbours and co-workers. Although socially awkward at times, nobody takes notice of his peculiarities, but beneath his somewhat normal veneer resides a pulsating black heart, bent upon cruelty and domination. Contains adult content. Composed in captivating narrative and compelling dialogue, the story flows at a brisk tempo. The plot contains more than a few strategically placed unexpected twists which should maintain the reader's interest throughout. The characters are presented in a multi-dimensional fashion revealing the intricacies of their unique personalities and individual agendas. Navigating the plot to a well conceived conclusion, the author could leave the reader with the sense of time well spent in the reading of this story
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Tom

Tom

Dave Freer

Magic Isle Press
2016
nidottu
Tom is a cat in trouble. The worst possible kind of trouble: he's been turned into a human. Transformed by an irascible old magician in need of a famulus -- a servant and an assistant, Tom is as good at being a servant as a cat ever is. The assistant part is more to Tom's taste: he rather fancies impressing the girl cats and terrorizing the other toms by transforming himself into a tiger. But the world of magic, a vanished and cursed princess, and a haunted skull, and a demon in the chamber-pot, to say nothing of conspiring wizards and the wickedest witch in the west, all seem to be out to kill Tom. He is a cat coming to terms with being a boy, dealing with all this. He has a raven and a cheese as... sort of allies.And of course there is the princess.If you were looking for 'War and Peace' this is the wrong book for you. It's a light-hearted and gently satirical fantasy, full of terrible puns and... cats.
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Tom

Tom

Lucio Caio

Lulu.com
2012
pokkari
Tom non come gli altri miei racconti. Non un racconto di fantascienza. Non saprei definire il suo genere. Ma forse non nemmeno un racconto. Forse qualcosa di pi o di diverso, forse esso stesso un'avvertenza. Se non volete farvi domande alla fine della lettura, allora vi consiglio di non leggerlo. Tutto il tempo che ho dedicato alla sua scrittura e alla preparazione di questa edizione stato pervaso da un'atmosfera che non saprei spiegare. Cos come non ho saputo spiegare come abbia fatto a perdere il treno che mi avrebbe condotto a Milano assieme con decine di miei colleghi, costringendomi cos a prendere da solo il successivo. Devo dire, per , che in questo modo e solo in questo modo ho avuto finalmente l'opportunit di poter stare un po' con i miei pensieri e buttare gi quanto state per... affrontare.
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