The kitten runs to the basket. Red Robin and the Kitten is part of the Rocket Phonics range from Rising Stars Reading Planet. Rocket Phonics builds a firm foundation in word reading through fresh and fully decodable phonics books for Pink A to Orange band. Reading Planet books have been carefully levelled to support children in becoming fluent and confident readers. Each book features useful notes and activities to support reading at home as well as comprehension questions to check understanding. Reading age: 4-5 years
Oh no! Mop is Sam's favourite toy, but the tag is missing! Can Dad help find the tag? (Letter-sounds featured: p n m d g o) No Tag! is part of the Rocket Phonics systematic synthetic phonics programme from Reading Planet. Rocket Phonics ensures that every child achieves phonics success. This fully-decodable Target Practice reading book provides focused practice of a small group of letter-sounds. The book also includes useful notes and activities to support reading in school and at home as well as comprehension questions to check understanding. Reading age: 4-5.
Nip and Nap are two tiny aliens that are exploring Earth in their space pod. When Kim the cat spots Nap in her house, she chases after him! Will Nap get back to the pod in time? (Letter-sounds featured: g o c k ck e) Get to the Pod! is part of the Rocket Phonics systematic synthetic phonics programme from Reading Planet. Rocket Phonics ensures that every child achieves phonics success. This fully-decodable Target Practice reading book provides focused practice of a small group of letter-sounds. The book also includes useful notes and activities to support reading in school and at home as well as comprehension questions to check understanding. Reading age: 4-5.
Jane Anson; Anna E. Brooke; Mary Anne Evans; Lily Heise; Mary Novakovich; Tristan Rutherford; Louise Simpson; Kathryn Tomasetti; Simon Willmore; Sophie Kevany
Take the guesswork out of vacation planning. Frommer’s hires only seasoned experts, journalists who live in France either full-time or part-time, which means their advice doesn’t have to be second-guessed. It’s savvy, dependable, and not based on one or two short trips to France, but on a lifetime of exploration. They offer a detail- and tip-rich commentary on France’s iconic sights, and will introduce you to restaurants, off-the-beaten-path attractions, and shops that few tourists know to visit. So whether you’re going to be castle-hopping in the Loire Valley, skiing the French Alps, lounging on the sands of the French Riviera, tippling at Bordeaux wineries, or taking Paris by storm, this book is for you. Vive La France! Frommer’s France contains: *Dozens of stunning, full-color photos throughout *Helpful maps, including a fully-detachable fold-out map *Strategic itineraries, including for families and weeklong stays, so you can make the most of your time *Authentic experiences to help you appreciate French culture, cuisine, historic sights and customs like a local *Candid reviews of the best restaurants, attractions, tours, shops, and experiences—and advice on the ones not worth your time and money *Accurate, up-to-date info on transportation, useful websites, costs, telephone numbers, and more *Budget-planning help with the lowdown on prices and ways to save money, whether you’re traveling on a shoestring or in the lap of luxury About Frommer’s: There’s a reason that Frommer’s has been the most trusted name in travel for more than sixty years. Arthur Frommer created the best-selling guide series in 1957 to help American servicemen fulfill their dreams of travel in Europe, and since then, we have published thousands of titles became a household name helping millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer’s.
The study of music within multimedia contexts has become an increasingly active area of scholarly research. However, the application of such studies to musical genres outside the 'classical' film canon, or in television and other media remains largely unexplored in any detail. Tristian Evans demonstrates how postminimal music interacts with other media forms, focusing on the film music by Philip Glass, but also taking into account works by other composers such as Steve Reich, Terry Riley, John Adams and others inspired by minimalist and postminimal practices. Additionally, Evans develops innovative ways of analysing this music, based on an interdisciplinary approach, and draws on research from areas that include philosophy, linguistics and film theory. The book offers one of the first in-depth studies of Philip Glass's music for film, considering The Hours and Dracula, Naqoyqatsi, Notes on a Scandal and Watchmen, while examining re-applications of the music in new cinematic and televisual contexts. The book will appeal to musicologists but also to those working in the fields of film music, cultural studies, media studies and multimedia.
The study of music within multimedia contexts has become an increasingly active area of scholarly research. However, the application of such studies to musical genres outside the 'classical' film canon, or in television and other media remains largely unexplored in any detail. Tristian Evans demonstrates how postminimal music interacts with other media forms, focusing on the film music by Philip Glass, but also taking into account works by other composers such as Steve Reich, Terry Riley, John Adams and others inspired by minimalist and postminimal practices. Additionally, Evans develops innovative ways of analysing this music, based on an interdisciplinary approach, and draws on research from areas that include philosophy, linguistics and film theory. The book offers one of the first in-depth studies of Philip Glass's music for film, considering The Hours and Dracula, Naqoyqatsi, Notes on a Scandal and Watchmen, while examining re-applications of the music in new cinematic and televisual contexts. The book will appeal to musicologists but also to those working in the fields of film music, cultural studies, media studies and multimedia.
Poems inspired by chemicals and elements--intertwined with the emotions that they elicit through a macabre and rebellious telling. Each story recounting a tale that ranges from the rotting corpses of human folly to the damning lust of the Gods above.
Nothing has ever come easy to Malcom McMahon, so why should finding his wife and persuading her to come home with him be any different? Being kissed by a denture-chewing, elderly woman, licked half to death by ugly dogs, and clearing a five-foot-fence with an unfriendly bull in pursuit...those are nothing to what he will face when he meets his runaway wife's family. Trista Morgan McMahon is heartbroken to discover her husband kissing his ex-fianc e, so she runs to the only place that feels safe. With three brothers, a father who always sides with her, and mom armed with an iron skillet she's not afraid to use, she is surrounded by love. So, when Malcom shows up and discovers her wealth, what other reason would there be for him to deny her the divorce she's certain he came for? Determined to win his wife, city-boy Malcom will dig fence posts, clean stalls, and even help with calving. Before long, his brothers-in-law realize he is only out to earn back his wife's trust. Malcom may die trying, but he is set to win this battle. He intends to win Trista's heart.
Introducing a refreshing young French voice to English readers, this slim novel is both a riveting love story and an examination of humanity’s assault on the natural world. After a seven-day journey on the South Atlantic Ocean aboard a lobster boat servicing Cape Town, Ida arrives on the island of Tristan. In the little island community, a village nestled on the slopes of a volcano whose only limits are the immense sky and the ocean, her bearings are gradually shifted as time slowly begins to expand. When a cargo ship runs aground near a neighboring island, spilling massive amounts of oil, there is suddenly frantic activity in the town. Ida eagerly joins a team of three men who go to the small island to rescue oil-drenched penguins. One night, one of the men walks her back to the cabin where she is staying. They experience a night of love that continues to grow on the secluded island. For two weeks away from the world—the sea is rough, no boat can come to pick them up—the dance of their bodies and their all-consuming love is their only horizon. Following the rhythm of the ocean and the untamed wind, Clarence Boulay brilliantly gives flesh to a dizzying sensation of sensual abandonment. Tristan raises emotional sails and upends all certainty.
Tristan dreams of the day he will succeed his father as the next Warlord of Markaytia, until, the Elves of Mortouge offer the Markaytians a rare alliance between their two kingdoms. In exchange for this alliance, the elven royalty requests an arranged marriage; Tristan to their son Prince Corrik. Tristan is devastated to lose his future title as Warlord, his destiny, but duty obligates him to accept the advantageous union and leave his beloved homeland, forever. Soon, Corrik introduces Tristan to the darker side of being mate to an elf, attempting to teach Tristan the ways of his erotic culture. As Tristan struggles to let go of his old life and obey his demanding, possessive husband, he learns he can fall in love and have a Master at the same time.
Gottfried von Strassburg's early 13th century retelling of the "Tristan and Iseult" legend is widely regarded as one of the most important works of the German Middle Ages. Left unfinished at the time of his death and subsequently finished by Heinrich von Freiberg and Ulrich von T rheim, Strassburg's "Tristan" is held out as one of the best examples of the "common", as opposed to the "courtly", version of the tale. "Tristan" tells the tale of a young Cornish knight, Tristan, who is tasked with the mission of escorting his Uncle King Mark of Cornwall's wife to be, the Princess Iseult from Ireland. However during the journey, when the two ingest a love potion, their fortunes are sent unexpectedly in a different direction. The exact origin of this classic and tragic tale of chivalric romance is unknown and thus comes down to us from its numerous retellings, of which Strassburg's version stands apart in its excellence. This edition is printed on premium acid-free paper and follows the prose translation of Jessie L. Weston.
