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1000 tulosta hakusanalla Ulla Kypta

Die Autonomie Der Routine: Wie Im 12. Jahrhundert Das Englische Schatzamt Entstand
English summary: During the 12th century, one of the most durable institutions of the English government emerged: the Exchequer. For seven centuries, it was a corner stone of the royal financial administration. The study explains how the ground was laid for this long-lasting organisation. No one had planned it, not the king nor any outstanding administrative figure. The Exchequer slowly crystallized out of everyday routine actions: The sheriffs came to the royal clerks to render account of all the revenues they had received and all the expenses they had made in the name of the king. The clerks wrote down everything on large parchment rolls, called the pipe rolls. The clerks and the sheriffs were the only ones to understand the accounting language. They could easily restrict access to their group and thus create a sense of a special identity. Nevertheless, accounting procedures remained flexible enough to cope with new challenges. Slowly, a sense of belonging to the accounting team as well as standardized procedures emerged. At the end of the century, something new had developed: A certain group of people quite proud of themselves managed the accounting procedures according to certain rules. Without anyone supervising or designing the process, routine actions had themselves transformed into an organisation. German description: Das englische Schatzamt entstand im 12. Jahrhundert aus unhinterfragten, kontinuierlich wiederholten Routineakten: Jedes Jahr kamen die Verwalter der koniglichen Guter zur Abrechnung an den Hof. Ihre Ausgaben und Einnahmen wurden detailliert auf grosse Pergamentrollen geschrieben. Diese Praxis der Rechnungslegung verfestigte sich nach und nach zu einer Behorde und genau darin liegt das Geheimnis deren 700jahrigen Bestehens. Ulla Kypta untersucht diesen Institutionalisierungsprozess und entwirft dabei eindrucksvoll die Entstehungsgeschichte einer der wichtigsten Saulen der Verwaltung des britischen Konigreichs.
Basisbog i ergoterapi

Basisbog i ergoterapi

Elise Bromann Bukhave; Eva Ejlersen Wæhrens; Hanne Kaae Kristensen; Karen la Cour; Jesper Mærsk; Anne-Mette Kjær; Cecilie von Bülow; Ulla Pedersen; Jeanette Baagø; Hanne Peoples; Christina Jessen-Winge; Malene Aagaard; Louise Møldrup Nielsen; Kristina Tomra Nielsen; Line Lindahl-Jacobsen; Stina Meyer Larsen; Kamilla Kielsgaard; Majbritt Bytoft Feldborg; Anna Marie Lassen; Jacob Østergaard Madsen; Helle Mousing; Marc Sampedro Pilegaard; Line Skaarup Hassel-Pflug; Naja Benigna Kruse; Rina Juel Kaptain; Vita Hagelskjær

Gyldendal
2025
sidottu
Denne 5. udgave af Basisbog i ergoterapi introducerer de nyeste modeller for ergoterapeutisk praksis, og fremhæver en række nye emner med selvstændige kapitler; bl.a. aktivitetsbegrebet, roller for ergoterapeuter i monofaglige, tværfaglige og tværsektorielle sammenhænge og aktivitetscentreret ergoterapi i forskellige kontekster. Samtidig er nogle emner, der før havde et selvstændigt kapitel, blevet inkorporeret i andre kapitler. Alle bogens kapitler er revideret – langt de fleste med en betydelig omskrivning – og et opdateret kildemateriale findes gennem hele bogen. Bogens samlede 20 kapitler er struktureret i fem dele, og beskriver tilsammen vidensgrundlaget for ergoterapi, både teoretisk og praktisk. Første del fortæller om ergoterapi med aktivitet og deltagelse i fokus, og anden del omhandler rammer og vilkår for ergoterapi. Tredje del forklarer de grundlæggende tilgange i ergoterapi. Fjerde del omhandler ergoterapeutiske interventioner, mens del fem giver et indblik i ergoterapi som evidensbaseret praksis. Få en samlet indføring i ergoterapiens kernebegreber og i de temaer, der tegner ergoterapifagets udvikling aktuelt og i dansk kontekst. Bogen henvender sig primært til ergoterapeutstuderende, men også ergoterapeuter i praksis kan have stor gavn af bogen.
Ulla

Ulla

Joel Karosa

Independently Published
2018
nidottu
Sie kam aus dem Nichts. Unerwartet. Nackt. Und sie wollte nur das eine. Ehevertrag. F r mich und ihre Tochter. Seitdem l uft die Kassette und ich bin gefangen in einer Rhapsodie aus Kneipenklatsch, Liebesleier und Monstermonologen. Kommt mit auf eine phantastische und manchmal glitschige Reise durch die Welt dieser wahrlich wahren und wundersamen Gegebenheit. Ulla.
Ulla

Ulla

Anna R. Folkestad

Samlaget
2019
sidottu
Varmt om vennskap i fargerik forteljing. Ulla og flokken leikar gøymsel. Ulla er kjempegod til å gøyme seg, men dei andre er ikkje noko flinke til å leite etter henne. Plutseleg er flokken borte, og Ulla må finne dei att. På leit etter flokken møter ho ei rekke andre dyr. Saman med dei nye vennene er verken elva, steinraset eller den sovande bjørnen noko problem. Kjem Ulla til å finne flokken sin? Ulla er ei hjartevarm og humoristisk forteljing om flokk og fellesskap.
Ulla-Maija Grace's Aromatherapy For Practitioners

Ulla-Maija Grace's Aromatherapy For Practitioners

Ulla-Maija Grace

C W Daniel Co Ltd
2009
nidottu
The text of this book should be a foundation for all aromatherapy practices.The contents are set out clearly to help the already qualified therapist towards a deeper understanding of essential oils, and the novice to appreciate the complexity of aromatherapy.Here is also a book for those undergoing aromatherapy treatment, enabling them to know what to expect from the therapy and the therapist.
Ulla von Brandenburg: Sweets, Quilts, Sun, Works

Ulla von Brandenburg: Sweets, Quilts, Sun, Works

Ulla van Brandenburg

Whitechapel Gallery
2018
nidottu
Published on the occassion of concurrent exhibitions held in London and Bonn featuring recent work by Franco-German artist Ulla von Brandenburg, and including the new Whitechapel Gallery commission for 2018/19. This lavishly illustrated catalogue comprehensively documents three recent projects by von Brandenburg which will be exhibited between Whitechapel Gallery and Kunstmuseum, Bonn: It Has a Golden Sun (2016), Quilts (2017) and Sweet Feast (2018). As a brand new commission by Whitechapel Gallery for 2018-19, Sweet Feast is notable for its engagement with the Gallery and its archive through a major new film and sculptural installation. The work takes previous Whitechapel Gallery exhibition `Sweets' (1973) as its inspiration, an event which marked Britain's entry into the European Common Market and featured confectionery from nine countries of the enlarged EU community. At the close of the show, children were invited to sample a selection of sweets. In their enthusiasm, they devoured the exhibition. Von Brandenburg will film a re-enactment of this unexpected feast with the participation of 100 children from a local primary school, initiating timely conversations with the children about our current changing relationship with the European Union and shared food culture issues and histories. The artist is also making a new immersive and colourful seating structure, which playfully aligns the audience with the film's protagonists.
Ulla Universe

Ulla Universe

Janet Snyder; Kathleen Canova

Hasmark Publishing
2024
sidottu
Book 5 of 5 in SILVER SERIES OF GROWN-UP WISDOMUlla's all-time favorite expression is "What the World? "One of her earliest childhood memories was a very painful one. Ulla was about four years old. She woke up in the middle of the night, throwing up, sick in her bed. She needed her mommy Ulla went to awaken her mother and this is when she came face-to-face with her mom's inner demons, pent-up anger, and uncontrollable rage. Ulla's mom shouted in a nasty tirade the entire time she was cleaning Ulla up, jerking everything about and changing the soiled sheets. "Don't even think you are getting into bed with me " As Ulla sobbed herself back to sleep after that dreadful experience, she remembered feeling woefully guilty and utterly ashamed. "What the World? " This was one of the dark memories from Ulla's early childhood.Today, we would call this early childhood trauma abuse. However, it would take many more years for Ulla to recognize it as such, and for her to begin to understand the deep roots of scarcity and unworthiness that she manifested.Many decades later, Ulla, much older and a wee bit wiser, decided to search for answers to some of her most probing life questions."Why am I here?" "Why are any of us here?" "What is my purpose?"Do you know anyone like Ulla? Perhaps this adult fiction illustrated short story will speak to them OTHER BOOKS IN THE SILVER SERIES OF GROWN-UP WISDOM: Bertha BaggageEdith ExcuseConnie ConformityHerbert Hatred
Ulla, eine Deutsche in Indien 1955

Ulla, eine Deutsche in Indien 1955

Ursula Siermann

BoD - Books on Demand
2003
sidottu
Ulla ist das Kind deutscher Eltern. Sie verlebte trotz des Hitlerregimes und des grausigen Kriegsgeschehens eine ziemlich behütete Kindheit. Ihre Abenteuerlust führte sie schließlich 1955 nach Indien. Die bunte, fremdartige Welt und die völlig andere Kultur des Landes waren zugleich faszinierend und beängstigend. Ulla fühlte sich zunehmend isoliert. Aus Einsamkeit flüchtete sie in eine leidenschaftliche Liebe. Dann begriff sie endlich: Sie musste zurück in die Heimat, obwohl sie nicht wusste, wie es weitergehen sollte. Auch der Abschied und das Zurücklassenmüssen von zwei über alles geliebten Kindern, konnte sie nicht davon abhalten.
Ulla and Martin Kaufmann

Ulla and Martin Kaufmann

Ellen Maurer Zilioli

Arnoldsche
2010
nidottu
Ulla and Martin Kaufmann have developed their aesthetic agenda together. The techniques used by gold and silversmiths are the focal point of their work and represent the basic thematic focus of their tableware, jewellery and cutlery. It rests on their exploratory approach to materials and the diverse possibilities it provides for expression. Ulla and Martin Kaufmann have been working in their own studio in Hildesheim for nearly forty years. The two artists have thus acquired unique skills over years of experience especially the knowledge of the properties of silver and gold, their materials of choice. This profound knowledge is an essential part of the indissoluble union of design and execution. The connotations are always dual: the form of objects stems from practical considerations; is, therefore, close to ideas of functional design. At the same time, individual expression born of the artists' mastery of their craft and their exacting aesthetic standards surrounds these pieces with the aura of works of art. This book reveals the secrets and beauty of the stunning pieces made by Ulla and Martin Kaufmann. In showcasing these objects, it establishes their aesthetic permanence as timelessly practical works. This book is published to accompany the exhibition of the same title at the Neues Museum, Staatliches Museum fur Kunst und Design in Nurnberg (starting on 18th March 2010), the Deutsches Goldschmiedehaus in Hanau (starting on 15th August 2010) and the Grassi Museum in Leipzig (starting on 17th November 2010).
Ulla & Bendik bygger by

Ulla & Bendik bygger by

Åshild Kanstad Johnsen

Gyldendal
2015
sidottu
Bendik har flyttet til en ny by. Ulla har bodd i denne byen alltid. Ingen av dem liker byen noe særlig. Den er trang og grå og flat og firkantet. Til og med lekeplassen er en firkantet boks. Og hva er gøy med det? Ulla husker hvordan det var før: fugler i trærne og fisk i vannet. Små steder, store steder, hemmelige steder. Det var alltid noe å gjøre. Ulla og Bendik møtes på lekeplassen, ingen av dem forstår hvorfor denne byen er så fryktelig kjedelig. Så bestemmer de seg for å gjøre noe med det! I Åshild Kanstad Johnsens univers får de «små vesener» makt og evne til å utføre store bragder. En liten trepinne får lage sitt eget museum, og i Ulla og Bendik bygger by får barna lov til å tenke høyt om hvordan den ideelle by skal se ut. Og for en by det blir!
Ulla Terkelsen

Ulla Terkelsen

Ulla Terkelsen & Andreas Fugl

Politikens Forlag
2017
pokkari
Siden 1960’erne har den 67-årige udenrigskorrespondent rejst det meste af verden rundt og dækket alt fra krige til royale bryllupper.Hun har en forbløffende evne til at være, hvor det sker, og til at se detoriginale og vedkommende i de mennesker, hun møder. Hun mestrerdet elegante og åndfulde, det indsigtsfulde og reflekterende. Ikke mere, intet mindre. Som en irsk veninde engang har introduceret hende: ”Det her er Ulla. Hun fortæller gode historier.” I denne personlige bog fortæller Ulla Terkelsen, i samarbejde med journalist og forfatter Andreas Fugl Thøgersen, de allerbedste historierfra sit liv og årene som omrejsende reporter med hele klodensom arbejdsplads. Hun beretter blandt andet om ungdomsårenesskelsættende møde med kommunismen i Polen og om det løsslupneliv i Swinging London. Om længsler og leg i barndommens aarhusianskebaggårde og om slagmarkernes rædsler i Kabul, Belfast, Kairo ogomegn. Og om, hvordan man altid tager fejl, hvis man tror, man kanregne ud, hvordan det ender.