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Vicente Ximenes, LBJ's Great Society, and Mexican American Civil Rights Rhetoric

Vicente Ximenes, LBJ's Great Society, and Mexican American Civil Rights Rhetoric

Michelle Hall Kells; Juan C. Guerra

Southern Illinois University Press
2018
nidottu
Beginning as a grassroots organizer in the 1950s, Vicente Ximenes was at the forefront of the movement for Mexican American civil rights through three presidential administrations, joining Lyndon B. Johnson’s Great Society and later emerging as one of the highest-ranking appointees in Johnson’s administration. One of the most influential government representatives of Mexican American issues in recent history, Ximenes succeeded largely because he could adapt his rhetoric for different audiences in his speeches and writings. In Vicente Ximenes, LBJ's Great Society, and Mexican American Civil Rights Rhetoric, Michelle Hall Kells elucidates Ximenes’s achievement through a rhetorical history of his career as an activist.Kells draws on Ximenes’s extensive archive of speeches, reports, articles, and oral interviews to present the activist’s rhetorical history and begins each chapter with an excerpt from the collection that showcases Ximenes’s ability to negotiate multiple public spheres. Exploring Ximenes’s legacy against the backdrop of the Cold War era, Kells’s analyses illustrate how Ximenes effectively agitated for open, inclusive, and pluralist democracy at regional and national levels. After a discussion of Ximenes’s early life, the author focuses on his career as an activist, examining Ximenes’s leadership in several key civil rights events, including the historic 1967 White House cabinet committee hearings on Mexican American Affairs, and highlighting his role in advancing Mexican Americans and Latinos from social marginalization to greater representation in national politics. Kells concludes by reflecting on the later years of Ximenes’s life and his contributions to the post-World War II civil rights movement.Vicente Ximenes, LBJ's Great Society, and Mexican American Civil Rights Rhetoric shows us a remarkable man who dedicated the majority of his life to public service, using rhetoric to mobilize activists for change at the grassroots level as well as at the highest levels of government to secure civil rights advances for his fellow Mexican Americans.
The Selected Poetry of Vicente Huidobro

The Selected Poetry of Vicente Huidobro

Vicente Huidobro

New Directions Publishing Corporation
1982
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This book is the only major collection of the great Chilean writer Vicente Huidobro’s poetry to appear in English. Drawn from his works published from 1917 to 1948 and presented bilingually, the translations are principally by David Guss supplemented with renderings by Stephen Fredman, Carlos Hagen, W. S. Merwi,. Geoffrey O’Brien, David Ossman, Michael Palmer, Jerome Rothenberg, Eliot Weinberger, and Geoffrey Young. Huidobro’s masterpiece Alrazor appears almost entire. Huidobro (1893-1948) left Santiago for Paris in 1916. There he co-founded the influential Cubist magazine Nord-Su with Guillaume Apollinaire and Pierre Reverdy. He then launched his own poetic movement, Creationism, and wrote as well for a score of avant-garde journals. Author of over forty books—plays. political tracts, novels, manifestos, poetry—he worked with Edgard Varése, Hans Arp, Robert Delauney, Jorge Luis Borges, and other important writers. Besides his translations, editor Guss has provided a biographical essay, “Poetry ls a Heavenly Crime," a lucid and helpful introductory overview of Huidobro and his work.
Vicente Blasco Ibanez: The Holding (La Barraca)

Vicente Blasco Ibanez: The Holding (La Barraca)

Lester Clark; Eric Farrington Farrington Birchall; Patricia McDermott

Aris Phillips Ltd
1993
nidottu
This passionate and moving story of social injustice, violence and revenge, set in the Valencian huerta, has become the classic text of Spanish regional realism. Blasco Ibanez, the 'Spanish Zola', dramatically confronts one of the great social issues of the late nineteenth century, the possession of land, in a vivid recreation of the local types and traditional customs of a closed rural community which jealousy guards its rights and administers its own rough justice against the outsider. The novel is both a lyrical hymn to nature and an expose of man's inhumanity to man, narrated with a human compassion worthy of his master, Galdos. Spanish text with facing-page translation, introduction and notes.
Vicente Espinel and Marcos De Obregón; a Life and Its Literary Representation
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vicente Espinel and Marcos De Obregón; a Life and Its Literary Representation
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.