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1000 tulosta hakusanalla W. H. Coates
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Samuel Lee, Contestant, vs. Joseph H. Rainey, Contestee
Geo W Paschal
Gale, Making of Modern Law
2012
pokkari
Societe Anonyme d'Armement d'Industrie Et de Commerce V. James McWilliams Blue Line U.S. Supreme Court Transcript of Record with Supporting Pleadings
T Catesby Jones; Leo J Curren; W H McGrann
Gale, U.S. Supreme Court Records
2011
pokkari
W. H. Auden: 'The Language of Learning and the Language of Love'
Clarendon Press
1994
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The second volume in the Auden Studies Series, The Language of Learning and the Language of Love considers Auden primarily during the first decade of his literary career as a public figure as well as private man. It includes previously unpublished poems, prose, and letters by Auden - each with a scholarly introduction and full annotation - which reveal how the well-known poet, teacher, dramatist, and sage battled with his literary ancestors, experienced love, and devised a rhetoric to express both homosexual feelings and artistic impulses. Contributions to this volume include poems, songs, and a piece of early travel writing introduced by Auden's new biographer, the historian Richard Davenport-Hines. Lyrics offered to Benjamin Britten as cabaret songs are presented by Donald Mitchell, Philip Reed, and Nicholas Jenkins. Also in the volume is a fascinating array of essays about Auden by leading scholars in the field, including Stan Smith and Katherine Bucknell, and the German scholar and close friend of Auden, David Luke. A further Supplement to B.C. Bloomfield's magisterial Auden Bibliography of 1972 is supplied by Edward Mendelson.
W. H. Auden in Context
Cambridge University Press
2013
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W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century's shifting cultural terrain affect him and his work? Written by distinguished poets and scholars, these brief but authoritative essays offer a varied set of coordinates by which to chart Auden's continuously evolving career, examining key aspects of his environmental, cultural, political and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between himself, his time and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers and students of English literature, cultural studies and creative writing.
Now available for the first time in paperback, John Fuller's Commentary is a compendious yet condensed reference work dealing with all of Auden's writings. For every poem, play or libretto, Fuller encapsulates the publishing history, paraphrases difficult passages, explains allusions, points out interesting variants (including material abandoned in drafts), identifies sources and influences, looks at the verse form and offers critical interpretation. Auden's formal and intellectual range challenges comparison with Eliot or Yeats, and his particular interests - psychological, anthropological, prosodic, theological, historical - lend an added resonance to the texture of his work, all of which is explored and interpreted, with exemplary lucidity, in this most essential of one-volume companions. 'magnificent . . . a model of scholarly engagement that is both rigorous and readable.' Paul Muldoon, Times Literary Supplement Books of the Year
W. H. Auden was born in York in 1907. His first full-length collection, Poems, was published by T. S. Eliot at Faber and Faber in 1930. The many volumes he published thereafter included poetry, plays, essays and libretti, and his ceaseless experimentation, consummate craftsmanship and originality established him as one of the most influential poets of the twentieth century. He died in 1973.
W. H. Auden disapproved of literary biography. Or did he? The truth is more equivocal than it at first appears. Humphrey Carpenter himself neatly summarizes Auden's ambiguity: 'Here, as so often in his life, Auden adopted a dogmatic attitude which did not reflect the full range of his opinions, and which he sometimes flatly contradicted.' Although Carpenter's biography, first published in 1981, was unauthorized, he did receive the co-operation of the Auden Estate, and the results remain of unimpeachable merit. 'Carpenter is a model biographer - diligent, unspeculative, sympathetic, and extremely good at finding out what happened when and with whom.' John Bayley, Listener 'An illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet's life and work.' Frank Kermode, Guardian 'A deeply interesting book about a deeply interesting life.' Roy Fuller, Sunday Times
The Complete Works of W. H. Auden
W. H. Auden; Chester Kallman
Princeton University Press
1993
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W. H. Auden called opera the "last refuge of the High Style," and considered it the one art in which the grand manner survived the ironic levelings of modernity. He began writing libretti soon after he arrived in America in 1939 and abandoned his earlier attempts to write public, political drama. Opera gave him the opportunity to rise to the high style in public, not in an attempt to elevate his own status as a poet, but in service of the heroic voice of the singers. These works present their mythical actions with a direct intensity unlike anything in even his greatest poems. In this volume of Auden and Chester Kallman's libretti, extensive historical and textual notes trace the history of the production and revision of the works and provide full texts of early scenarios, as well as abandoned and rewritten scenes. Almost all the works included here were previously published in incomplete and often inaccessible editions--or were never published at all. The book prints for the first time the full text of Paul Bunyan, Auden's first libretto, which he wrote for music by Benjamin Britten. It also includes Auden and Kallman's The Rake's Progress, written for Igor Stravinsky, and Delia, written for Stravinsky but never set to music. The book continues with Auden and Kallman's two libretti written for music by Hans Werner Henze, Elegy for Young Lovers and The Bassarids, and their adaptation of Love's Labour's Lost, composed by Nicolas Nabokov. It also contains their translation of The Magic Flute, with its scenes reordered for greater dramatic coherence and added dialogue for sharper mythical significance, and their antimasque, The Entertainment of the Senses, for music by John Gardner. The book contains two radio plays--The Dark Valley, a monologue written by Auden alone, and The Rocking Horse Winner, written with James Stern and based on a story by D. H. Lawrence. Also included are the unpublished masque that Auden wrote for Kallman's twenty-second birthday, the unpublished versions of The Dutchess of Malfi that Auden prepared with Bertolt Brecht, scenarios for a film script and a libretto that were never completed, Auden's narrative for the medieval Play of Daniel, two narratives for documentary films, and his song lyrics written for Man of La Mancha before the producer decided to use a different lyricist.
The Complete Works of W. H. Auden: Prose, Volume I
W. H. Auden
Princeton University Press
1997
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This book contains all the essays and reviews that W. H. Auden wrote during the years when he was living in England, and also includes the full original versions of his two illustrated travel books, Letters from Iceland (written in collaboration with Louis MacNeice) and Journey to a War (written in collaboration with Christopher Isherwood). Auden's early prose ranges from extravagant indiscreet travel diaries through sharply observed critiques of writers from John Skelton to Winston Churchill. It includes studies of Communism and Christianity; audaciously wide-ranging essays on literature, psychology, and politics; and writings about gossip, sex, prisons, and schools. The editor's notes include explanations of contemporary and private allusions. The long "Last Will and Testament" written in verse by Auden and MacNeice, which Evelyn Waugh described as a "gossip column," is annotated in full. The book will interest not only Auden's many admirers, but everyone concerned with twentieth-century literature and culture. About the series: In 1928, Stephen Spender hand-printed thirty copies of a small volume of poems by his friend W. H. Auden--the first published book by a man who was to become the dominant literary figure of his generation and one of the century's greatest poets. Sixty years later, Princeton University Press inaugurated an edition of the complete works of Auden, which is intended to serve as the definitive text for all the works Auden published or intended to publish in the form in which he expected to see them printed: his plays and other drama, libretti, essays and reviews, and poems. The Complete Works of W. H. Auden will provide a unique opportunity to solve the numerous textual problems connected with the severe revisions Auden made in his own works. The texts are newly edited from Auden's manuscripts by Edward Mendelson, the literary executor of the Auden estate.
The Complete Works of W. H. Auden: Prose, Volume II
W. H. Auden
Princeton University Press
2002
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W. H. Auden's first ten years in the United States were marked by rapid and extensive change in his life and thought. He became an American citizen, fell in love with Chester Kallman, and began to reflect on American culture and to explore the ideas of Reinhold Niebuhr and other Protestant theologians. This volume contains every piece of prose that Auden wrote during these years, including essays and reviews he published under pseudonyms. Most have never been reprinted in any form since their initial publication in such magazines and newspapers as the Nation, the New Republic, Common Sense, Vogue, and the New York Times. Auden's prose during this period is frequently directly autobiographical even as he comments on literature, psychology, politics, and religion. The writings range from a dialogue about W. B. Yeats through a respectful parody of Gertrude Stein to Jamesian essays on Henry James. They also include lively and often profound responses to ancient and modern history as well as to contemporary issues in politics and religion. Other highlights include writings on opera and poetry as well as reports of Auden's lectures and the text of an unfinished autobiographical book, The Prolific and the Devourer. Throughout, Edward Mendelson's extensive and illuminating editor's notes explain all contemporary and private allusions. By making available a large cache of important but previously difficult-to-obtain writings on key subjects, this volume will be of obvious appeal to Auden's legions of admirers. It will also be enjoyed by everyone interested in twentieth-century literature, religion, and culture.
The Complete Works of W. H. Auden: Prose, Volume III
W. H. Auden
PRINCETON UNIVERSITY PRESS
2008
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This volume contains all of W. H. Auden's prose works from 1949 through 1955, including many little-known essays that exemplify his range, wit, depth, and wisdom. The book includes the complete text of Auden's first separately published prose book, The Enchafed Flood, or, The Romantic Iconography of the Sea, followed by more than one hundred separate essays, reviews, introductions, and lectures, as well as a questionnaire (complete with his own answers) about the reader's fantasy version of Eden. Two reviews that Auden wrote for the New Yorker, but which the magazine never printed, appear here for the first time, and a series of aphorisms previously published only in a French translation are printed in English. Among the previously unpublished lectures is a long account of the composition of his poem "Prime," complete with his comments on early rejected drafts. The variety of style and subject in this book is almost inexhaustible. Auden writes about the imaginary mirrors that everyone carries through life; French existentialism and New Yorker cartoons; Freud, Kierkegaard, Dostoyevsky, and Camus; Keats, Cervantes, Melville, Colette, Byron, Virgil, Yeats, Tolkien, and Virginia Woolf; opera, ballet, cinema, prosody, and music; English and American poetry and society; and politics and religion. The introduction by Edward Mendelson places the essays in biographical and historical context, and the extensive textual notes explain obscure contemporary references and provide an often-amusing history of Auden's work as an editor of anthologies and a series of books by younger poets.
The Complete Works of W. H. Auden: Prose, Volume IV
W. H. Auden
Princeton University Press
2010
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This fourth volume of W. H. Auden's prose provides a unique picture of this legendary writer's mind and art when he was at the height of his powers, from 1956 through 1962, including the years when he was Professor of Poetry at Oxford. The volume includes his best-known and most important prose collection, "The Dyer's Hand", as well as scores of essays, reviews, and lectures on subjects ranging from J. R. R. Tolkien and Martin Luther to psychedelic drugs, cooking, and Homer. Much of the material has never been collected in book form, and some selections, such as the witty orations Auden wrote for ceremonies at Oxford University, are almost entirely unknown. Edward Mendelson's introduction and comprehensive notes provide biographical and historical explanations of all obscure references. The text includes extensive corrections and revisions that Auden marked in personal copies of his work and which are printed here for the first time.
The Complete Works of W. H. Auden: Prose, Volume V
W. H. Auden
PRINCETON UNIVERSITY PRESS
2015
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This fifth volume of W. H. Auden's prose displays a great writer's mind in its full maturity of wisdom, learning, and emotional and moral intelligence. It contains his most personally revealing essays, the ones in which he wrote for the first time about the full history of his family life, his sexuality, and the development of his moral and religious beliefs. Among these works are the lightly disguised autobiographies that appear in long essays on the Protestant mystics and on Shakespeare's sonnets. The book also features the full text of his T. S. Eliot Memorial Lectures, Secondary Worlds, and many unpublished or unavailable lectures and speeches. Edward Mendelson's introduction and comprehensive notes provide biographical and historical explanations of obscure references. The text includes corrections and revisions that Auden marked in personal copies of his work and that are published here for the first time.