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488 tulosta hakusanalla Wim Wenders

Wim Wenders: Instant Stories

Wim Wenders: Instant Stories

Wim Wenders

Thames Hudson Ltd
2021
nidottu
As well as being an acclaimed filmmaker and a member of the New German Cinema movement, Wim Wenders (b. 1945) has also made an international name for himself as a photographer, with shows all over the world. He now opens a treasure chest of Polaroids taken during the 1970s and 1980s. Here are portraits of friends, actors and personal heroes; souvenirs of places and events from the life of a young travelling filmmaker; impressions of his first trips to the US, shots of movie icons on American TV screens, the cinemas of provincial Germany in the 1970s, and much more. The adventure of shooting films around the world becomes an almanac of adventure, curiosity and tranquillity. Wenders’ instant photographs are interwoven with his own stories, memories and flights of fancy that weave the images into an intimate and poetic journey. Instant Stories is a photographic road movie of the director’s early years, as he rose to global fame with films such as The Scarlet Letter, Alice in the Cities, Wrong Move, Kings of the Road and The American Friend.With 403 illustrations
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Wim Wenders

Wim Wenders

Bloomsbury Academic USA
2020
sidottu
Wim Wenders: Making Films That Matter is the first book in 15 years to take a comprehensive look at Wim Wenders’s extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders’s films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace.
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Wim Wenders

Wim Wenders

Bloomsbury Academic USA
2021
nidottu
Wim Wenders: Making Films That Matter is the first book in 15 years to take a comprehensive look at Wim Wenders’s extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders’s films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace.
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Wim Wenders's Road Movie Philosophy

Wim Wenders's Road Movie Philosophy

René V. Arcilla

Bloomsbury Academic
2020
sidottu
What is education? Most of the time, we have little patience for this question because we take the answer to be obvious: we identify education with school learning. This book focuses on education outside of the school context as a basis for criticizing and improving school learning. Following the examples of Jean-Jacques Rousseau and John Dewey, Arcilla seeks to harmonize schooling with a more pervasive education we are all naturally undergoing. He develops a philosophical theory of education that stresses the experience of being led out—a theory latent in the Latin term, “educere”—by examining the road movies of Wim Wenders. This book contributes both to our understanding of another crucial kind of education our schooling could better serve, and to our appreciation of what unifies and distinguishes Wenders’s achievements in cinema.
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Wim Wenders's Road Movie Philosophy

Wim Wenders's Road Movie Philosophy

René V. Arcilla

Bloomsbury Academic
2021
nidottu
What is education? Most of the time, we have little patience for this question because we take the answer to be obvious: we identify education with school learning. This book focuses on education outside of the school context as a basis for criticizing and improving school learning. Following the examples of Jean-Jacques Rousseau and John Dewey, Arcilla seeks to harmonize schooling with a more pervasive education we are all naturally undergoing. He develops a philosophical theory of education that stresses the experience of being led out—a theory latent in the Latin term, “educere”—by examining the road movies of Wim Wenders. This book contributes both to our understanding of another crucial kind of education our schooling could better serve, and to our appreciation of what unifies and distinguishes Wenders’s achievements in cinema.
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Wim Wenders and Peter Handke

Wim Wenders and Peter Handke

Martin Brady; Joanne Leal

Editions Rodopi B.V.
2011
nidottu
This is the first volume in English to examine in detail one of the most remarkable collaborations between a writer and filmmaker in European cinema. Focusing on the four films Wim Wenders and Peter Handke made between 1969 and 1987 (3 American LPs, The Goalkeeper’s Fear of the Penalty, Wrong Move, and Wings of Desire), it explores the productive tension between adaptation and collaboration and demonstrates the different ways in which text- and image-makers can recompose film’s constituent media (literature, still and moving images, music, drama). The study reveals that this partnership had significant aesthetic and conceptual repercussions for both artists, resulting in a series of single-authored works which manifest the same kinds of intertextuality and disjunctive intermediality that are the hallmark of the collaborations themselves. These include Wenders’s Alice in the Cities, Handke’s films The Chronicle of On-Going Events and The Left-Handed Woman , and his novels Short Letter, Long Farewell and A Moment of True Feeling. While the Wenders-Handke partnership is unique, it contributes to a broader understanding of cinematic adaptation and different models of intermedial collaboration. This volume will be of interest to those working in the fields of Adaptation, Film, and German Studies.
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The Films of Wim Wenders

The Films of Wim Wenders

Robert Phillip Kolker; Peter Beicken

Cambridge University Press
1993
sidottu
The authors trace the development of one of the most well-known directors of the New German Cinema that flourished in the 1970s and early 1980s. Examining Wim Wenders' career from his early film school productions through his mature works of the 1970s, this book also analyses the most recent works, as well as the themes and preoccupations that unite his oeuvre. As the authors note, Wenders' works have been profoundly influenced by American films, especially the 'road movie' genre. His own work often features characters who are always on the move, in an attempt to capture a glimpse of their identity and place in the world. They also represent a generation of postwar Germans seeking to redeem themselves and the history of their country by turning to American popular culture, particularly its music and movies.
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The Films of Wim Wenders

The Films of Wim Wenders

Robert Phillip Kolker; Peter Beicken

Cambridge University Press
1993
pokkari
The authors trace the development of one of the most well-known directors of the New German Cinema that flourished in the 1970s and early 1980s. Examining Wim Wenders' career from his early film school productions through his mature works of the 1970s, this book also analyses the most recent works, as well as the themes and preoccupations that unite his oeuvre. As the authors note, Wenders' works have been profoundly influenced by American films, especially the 'road movie' genre. His own work often features characters who are always on the move, in an attempt to capture a glimpse of their identity and place in the world. They also represent a generation of postwar Germans seeking to redeem themselves and the history of their country by turning to American popular culture, particularly its music and movies.
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Storyboarding for Wim Wenders: Visions of Wenders

Storyboarding for Wim Wenders: Visions of Wenders

Stéphane Lemardelé

Humanoids, Inc
2023
sidottu
The firsthand account of a storyboard artist and his intimate experience with acclaimed filmmaker Wim Wenders. With this book, Stéphane Lemardelé traverses uncharted territory, linking the sequential art form with the often overlooked medium of a storyboarder—the two intrinsically tied but the former seen as an end in and of itself, and the latter a means to someone else's end. In this case, that "someone else" is legendary, cult-classic filmmaker Wim Wenders (Paris Texas, Wings of Desire), and the "end" is his 2015 film Everything Will Be Fine (starring Rachel McAdams and Charlotte Gainsbourg). Through this graphic novel, Stéphane captures not only the formation of this film, but moments of artistic reflection from Wim himself: intimate interactions between the two where Wim ponders the trajectory of his career and evolution as an artist, and the meaning of film as a tool with which to examine our own humanity. A collector's item intended for fans of cinema and memoir, featuring actual storyboards from the production. Translated by the award-winning Nanette McGuinness.
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The Cinema of Wim Wenders

The Cinema of Wim Wenders

Alexander Graf

Wallflower Press
2002
sidottu
"The Cinema of Wim Wenders" is a new study of the films of this most prominent of German directors whose films include "Kings of the Road," "Paris, Texas," and "Wings of Desire." This book identifies and critically elucidates Wenders chief artistic motivation: that the act of seeing can constitute a creative act in its own right.
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Les Films de Wim Wenders

Les Films de Wim Wenders

Claude Winkler-Bessone

Herbert Cie Lang AG, Buchhandlung Antiquariat
1992
nidottu
Cette recherche englobe les films de Wim Wenders realises jusqu'en 1991. La methode choisie, fondee sur l'articulation des psychanalyses freudienne ou kleinienne et des hermeneutiques de C.G. Jung ou de Mircea Eliade, s'efforce de souligner le rapport a l'histoire des differentes productions filmiques, tout en visant une perspective plus universelle, liee a la dimension archetypique des images. Conformement a la typologie directrice de Gilbert Durand, l'analyse porte sur les symboles de l'opposition, de la fusion et de la conjonction, envisages par rapport a l'individu et a la famille, sous l'angle de la temporalite et de la spatialite, et enfin dans le cadre de la creation cinematographique elle-meme. Les limites de l'etat antagonique, puis fusionnel engendrent le passage progressif a une situation de conciliation entre le masculin et le feminin, l'histoire et l'eternite, la mort et la renaissance. Si elle parait atteinte dans certains films recents, la synthese demeure cependant en grande partie confinee dans le domaine de l'art. Gilbert Durands leitender Typologie folgend gilt die Analyse den Symbolen der "Opposition," der "Fusion" und der "Konjunktion," jeweils in Beziehung zu Individuum und Familie, zu Raum und Zeit, und schliesslich zur Filmschopfung selbst. Die Grenzen des Antagonismus, dann des Fusionellen fuhren allmahlich zu einer Versohnung zwischen Mannlichem und Weiblichem, Geschichte und Ewigkeit, Tod und Wiedergeburt. Scheint diese Versohnung auch in "Der Himmel uber Berlin" verwirklicht, so bleibt die Synthese dennoch zum grossten Teil im Bereich der Kunst."
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